‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office
UPDATED FRIDAY AM AFTER EXCLUSIVE: Sony's 28 Years Later gobbled up $5.8M in previews Thursday night. That's an excellent preview number for a horror movie, especially in these times, besting the Thursday nights of Final Destination Bloodlines ($5.5M), Sinners ($4.7M), pre-Covid's A Quiet Place ($4.3M) and even post-Covid's Scream VI ($5.7M).
The question is whether moviegoers, like the undead themselves, will continue to run to 28 Years Later.
More from Deadline
'28 Years Later' Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel
What Are The Critics Saying About '28 Years Later'?
Deadline On The Red Carpet: Aaron Taylor-Johnson On '28 Years Later's Brexit Nod, Danny Boyle Talks "The Growth" Of Horror, Jodie Comer On "Manifesting" A Movie Musical & Tom Rothman With An Actor Tip
As we saw with the Rotten Tomatoes audience score of 68% last night, PostTrak audiences were also a hard crowd for this Danny Boyle movie giving it 3 stars and a 54% definite recommend. Men over 25 showed up at 52% and gave the zombie third chapter its best grades at 75%. Women over 25 were next at 27% (72% grade), followed by women under 25 at 13% (65%) and men under 25 at 9% (74%).
Meanwhile, Disney/Pixar's Elio in total Wednesday and Thursday previews did $3M. The animated feature is booked in 3,750 theatres including 725 premium large format screens, 2,500+ 3D Screens and 175 D-Box/Motion screens. Elio, 28 Years Later and How to Train Your Dragon are sharing the PLFs, while Imax auditoriums will be held by the latter title.
Those who watched Elio, are loving it with a 60% definite recommend from the general audience and 4 1/2 stars. Kids under 12, a near even split between boys and girls at 51%/49%, also think it's 4 1/2 stars. Parents, mostly Dads yesterday at 56%, gave it 4 stars.
With yesterday being Juneteenth, a young federal holiday, distribution sources are always mixed on whether it's a big moviegoing day or not. Kids are already off from school. Yeah, but adults are off from work. While not massive, the day did have a pulse, check it out: Eight of the movies in the top 10 saw spikes in their daily grosses over Wednesday including How to Train Your Dragon (+15%), Materialists (+7%), Lilo & Stitch (+16%), Mission: Impossible – Final Reckoning (+22%), Ballerina (+10%), Phoenician Scheme (+6%), and The Life of Chuck (+3%).
Top 5 from yesterday:
1.) How to Train Your Dragon (Uni) 4,356 theaters, Thu $9.7M, Wk $123.4M/Wk 1
2.) Lilo & Stitch (Dis) 3,675 (-510) theaters, Thu $2.7M Wk $26M (-45%), Total $376.8M/Wk 4
3.) Materialists (A24) 2,844 theaters, Thu $1.6M, Wk $17.5M/Wk 1
4.) Mission: Impossible – Final Reckoning (Par) 2,942 theaters, Thu $1.5M, Wk $15.8M (-27%), Total $171.8M/Wk 4
5.) Ballerina (LG) 3,409 theaters, Thu $1.1M, $14.1M (-56%), Total $46.5M/Wk 2
EXCLUSIVE: Sony's 28 Years Later is coming in with a preview gross tonight that's well north of $5M, we are hearing from sources.
But don't start comping it yet to New Line's box office surprise sequel, Final Destination: Bloodlines which did $5.5M in previews for a franchise best opening of $51.6M.
Horror films are frontloaded, duh. Rotten Tomatoes audiences are being pretty hard on this Danny Boyle zombie movie at 67% despite critics giving the installment the best reviews the 23-year old franchise has ever seen at 92%. Final Destination: Bloodlines earned both great reviews and audience exits on Rotten Tomatoes respectively with 92% and 87%. Previews began at noon for 28 Years Later. Tracking spotted this viral infected undead post-apocalyptic movie at an opening between $28M-$30M. The movie reps a return for Boyle as director and Alex Garland as screenwriter after 2002's 28 Days Later. That movie opened to $10M back in the day at 1,261 theaters, while 28 Weeks Later, which was directed by Juan Carlos Fresnadillo, opened to $9.8M back in 2007 at 2,303 theaters.
Meanwhile, Disney/Pixar's Elio after two nights of previews is looking to be around $2.5M-$3M. That's the amount of preview cash that Pixar's summer 2023 movie, Elemental, banked before an $11.7M Friday and $29.6M opening. Elio is hoping to clear a 3-day between $20M-$25M. No RT audience scores yet, but critics enjoyed it at 86% certified fresh. Those reviews are stronger than Elemental at 73% fresh which wind up with an audience score of 93% and a solid A CinemaScore. As we mentioned, the best advertisement for Elio is the movie itself. In a marketplace where it's hard to launch original animation, the hope is that the Adrian Molina-Madeline Sharafian-Domee Shi directed movie pulls an Elemental and posts some wild multiple of 5x or more (that pic ended its stateside run at $154.4M).
As we reported previously, Universal/DreamWorks Animation's How to Train Your Dragon is expected to hold the fort at No. 1 with a second weekend of $40M-plus. Through Wednesday, the Dean DeBlois directed live action take of his animated movie is up to $113.7M.
Best of Deadline
2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series
'Stick' Release Guide: When Do New Episodes Come Out?
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Aaron Taylor-Johnson hails director Danny Boyle's 28 Years Later approach
Aaron Taylor-Johnson says the 28 Years Later cast were given "freedom of space to make mistakes" by director Danny Boyle. The 35-year-old actor plays Jamie in the new post-apocalyptic horror movie and praised the experimental approach that the acclaimed filmmaker took to the project. Aaron told Collider: "I think most days were definitely a new experience for me, and for us. Very creative. He was experimenting with these different cameras and different rigs and stuff, and not always with a sense of, like, 'This is how it's going to work.' "Some things he'd be like, 'Look, I don't know', and that was quite refreshing because it meant that there was this freedom of space to make mistakes, but be creative and find something new. "He's exceptional. When you're in the hands of Danny, he's got such an enthusiasm and this great energy, he really makes you feel in the safest of hands." Aaron features alongside Jodie Comer in the film with the pair as married couple Jamie and Isla – with Alfie Williams portraying their 12-year-old son Spike – and revealed that he and the Killing Eve actress spoke at length about the background to their characters in the flick that marks the latest installment of the 28 Days Later franchise. The Kraven the Hunter star said: "I feel like there was definitely a lot of love there in their relationship, but we had this two-week period before in the rehearsal period to really kind of dive into how they may have found each other, their relationship to the community, the island. "The one thing that they both can agree on is that they adore their son, and they've raised their son in this community." Taylor-Johnson added: "So, it's fractured, and it's complex, and I like that humanity, that sort of human, flawed aspect of it. Yeah, we talked a lot about the backstory to feel like it was grounded in something." Jodie felt that it was important for the duo to "understand" the background to their alter egos, even though it was often forgotten about when the pair were acting together on set. The 32-year-old star said: "It was like you say, it was important for us to understand that, and honestly, you then have to kind of forget it when you get on the set because you're faced with the material in front of you and where they are at this present moment. "But yeah, it was always important for us to feel that we knew the history before they got to this point." Meanwhile, Aaron revealed that he was "hugely impressed" with the attitude of his young co-star Williams – who is just 14 years of age. He said: "I was hugely impressed with Alfie's focus and his energy every single day. He was so switched on and gave it his all, and terrific to work with. "To have collaborative conversations with Danny and come up with great thoughts and opinions on his character in the scenes, he truly came to work prepared every day. So, it was very impressive, emotionally."
Yahoo
an hour ago
- Yahoo
'Materialists' Totally Set Dakota Johnson's Character for Up Failure and You Can't Convince Us Otherwise
Materialists poses the question of whether or not we should be going for love or for money and the choice Dakota Johnson's character makes has people on internet divided The film also stars Pedro Pascal and Chris Evans Materialists is in theaters nowMovies have long wanted to convince us that we should be marrying for love. From The Notebook to Titanic, films have always suggested that women should follow their hearts and go for the sweet charmer with no money instead of the well-established gentleman who has financial stability. (Granted, Billy Zane's character in Titanic was awful, but stay with me here.) Well, Materialists has repurposed that trope once again, and the internet is seething. The film follows Lucy (played by Dakota Johnson), a successful matchmaker who has managed to find love for everyone except for herself. Her skills are immediately tested when she finds herself in a love triangle with Harry (played by Pedro Pascal), a successful billionaire who errs on the side of superficiality but is offering her the world, vs. John (played by Chris Evans), her ex-boyfriend, who offers her lots of love and affection, but works from gig to gig while trying to get an acting career off the ground. The film takes us through all the hijinks of a romcom as both men have their pros and cons and try to woo her. In the end, Lucy goes for John, the broke boy who loves her dearly, but can't provide her with the lifestyle she always dreamed of. And while the internet is upset over the fact that Pedro Pascal doesn't get the girl, the truth of the matter is, Lucy was set up for failure from the jump. As PEOPLE editor Bailey Richards pointed out. Regardless of whom she was going to end up with, Lucy was going to be settling. "I don't think she should have ended up with either of them," Richards says, considering Bailey's options. "Marry this hot, caring man who will pay for everything for you for the rest of your life — any materialistic whim you may have. He doesn't love you, but he will pay anything. Or a hot, caring man who does love you, but makes no money ... he will drop anything, at any given moment to do whatever for you." We can all agree that the only real winners are Lucy's children (if she wants any), who will 100% win the genetic lottery regardless of which guy she chooses. However, when it comes to meeting the standards Lucy deeply desires, she's bound to lose regardless. So, instead of settling for the loverboy with no money, Richards believes Lucy should have actually axed both men. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. "After everything that she, as a matchmaker, as a woman, goes through in that movie, she just needs to break from romance altogether and do some introspection, the kind that requires you to be single and be alone," says Richards. Personally, the right choice for me is always Pedro Pascal. But I have to agree with my colleague here. Relationships are hard, even when you find everything you want in a person, so why give yourself more heartache by settling for someone who doesn't meet your standards? Read the original article on People
Yahoo
2 hours ago
- Yahoo
Was '28 Years Later' worth the wait? Beauty in the frightening madness of zombie movie
It's been 23 years since Danny Boyle and Alex Garland collaborated on 28 Days Later, and with such a large gap in films, a big question for 28 Years Later has been whether it can reinvigorate the excitement of the first. Starring Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, Jack O'Connell and Alfie Williams, the new movie feels electric. It's becoming increasingly more difficult to really feel surprised by a movie, with so many clinging to familiar and beloved plot points and storytelling elements. But 28 Years Later is able to fully shock and surprise. 28 Years Later release date: June 20Director: Danny BoyleWriter: Alex GarlandCast: Jodie Comer, Aaron Taylor-Johnson, Alfie Williams, Ralph Fiennes, Jack O'ConnellRuntime: 115 minutes It's been, as the title states, almost three decades since the rage virus escaped a biological weapons laboratory and decimated the U.K., prompting a strict quarantine. A small group of survivors live on an island, connected to the mainland by a causeway, which can only be crossed during a low tide. The film is focused on 12-year-old Spike (Alfie Williams), who we meet on his first day of an excursion to the mainland with his father Jamie (Aaron Taylor-Johnson). It's a rite of passage for Spike to take the intimidating journey for his "first kill," as he says goodbye to his sick mother Isla (Jodie Comer), who suffers from a condition that's impacted her both physically and cognitively. While on the hunt Spike finds out about Dr. Kelson (Ralph Fiennes) and hopes that he could help his ailing mother. Jamie is adamant that won't be the case, but Spike doesn't listen and travels back with his mother to reach Dr. Kelson on the mainland. Garland and Boyle certainly aren't giving us the expected with 28 Years Later. The film is firmly planted in the horror genre, while including rich commentary on modern society, without sacrificing any off the gruesome elements. The first portion of the movie is largely focused on intense chase scenes and terrifying zombie surprises with the introduction of the Alphas. The naked creatures are some of the most terrifying zombies we've gotten in a long time, while the film also suggests that the zombies may not be as mindless as many believe. Boyle's direction takes a brisk pace through the film. It feels sharp and impactful with a really satisfying execution of something thrillingly chaotic. Using elements like stock footage of British soldiers and clips of other films, it adds to the startling nature of the movie. Notably, the movie was filmed on iPhones, an evolution from the digital cameras used in the first film, as Boyle provides terrifying frenzied shots, in addition to breathtaking images of the landscape. As we get deeper into the story, there's more time spent on the film's examination od humanity, including our relationship with death and questions about the ecosystem, while adding a sprinkling of dark comedy. But that's what Garland does well, he adds a compelling richness to films while making room for visual impact, and creating a foundation to elevate both elements. While some may think 28 Years Later is too wacky for them, while the story could have more cohesion overall, there's no denying the spectacle of the film as we lean into the feeling of dread throughout the story.