Latest news with #AaronTaylor-Johnson
Yahoo
2 hours ago
- Entertainment
- Yahoo
‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office
UPDATED FRIDAY AM AFTER EXCLUSIVE: Sony's 28 Years Later gobbled up $5.8M in previews Thursday night. That's an excellent preview number for a horror movie, especially in these times, besting the Thursday nights of Final Destination Bloodlines ($5.5M), Sinners ($4.7M), pre-Covid's A Quiet Place ($4.3M) and even post-Covid's Scream VI ($5.7M). The question is whether moviegoers, like the undead themselves, will continue to run to 28 Years Later. More from Deadline '28 Years Later' Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel What Are The Critics Saying About '28 Years Later'? Deadline On The Red Carpet: Aaron Taylor-Johnson On '28 Years Later's Brexit Nod, Danny Boyle Talks "The Growth" Of Horror, Jodie Comer On "Manifesting" A Movie Musical & Tom Rothman With An Actor Tip As we saw with the Rotten Tomatoes audience score of 68% last night, PostTrak audiences were also a hard crowd for this Danny Boyle movie giving it 3 stars and a 54% definite recommend. Men over 25 showed up at 52% and gave the zombie third chapter its best grades at 75%. Women over 25 were next at 27% (72% grade), followed by women under 25 at 13% (65%) and men under 25 at 9% (74%). Meanwhile, Disney/Pixar's Elio in total Wednesday and Thursday previews did $3M. The animated feature is booked in 3,750 theatres including 725 premium large format screens, 2,500+ 3D Screens and 175 D-Box/Motion screens. Elio, 28 Years Later and How to Train Your Dragon are sharing the PLFs, while Imax auditoriums will be held by the latter title. Those who watched Elio, are loving it with a 60% definite recommend from the general audience and 4 1/2 stars. Kids under 12, a near even split between boys and girls at 51%/49%, also think it's 4 1/2 stars. Parents, mostly Dads yesterday at 56%, gave it 4 stars. With yesterday being Juneteenth, a young federal holiday, distribution sources are always mixed on whether it's a big moviegoing day or not. Kids are already off from school. Yeah, but adults are off from work. While not massive, the day did have a pulse, check it out: Eight of the movies in the top 10 saw spikes in their daily grosses over Wednesday including How to Train Your Dragon (+15%), Materialists (+7%), Lilo & Stitch (+16%), Mission: Impossible – Final Reckoning (+22%), Ballerina (+10%), Phoenician Scheme (+6%), and The Life of Chuck (+3%). Top 5 from yesterday: 1.) How to Train Your Dragon (Uni) 4,356 theaters, Thu $9.7M, Wk $123.4M/Wk 1 2.) Lilo & Stitch (Dis) 3,675 (-510) theaters, Thu $2.7M Wk $26M (-45%), Total $376.8M/Wk 4 3.) Materialists (A24) 2,844 theaters, Thu $1.6M, Wk $17.5M/Wk 1 4.) Mission: Impossible – Final Reckoning (Par) 2,942 theaters, Thu $1.5M, Wk $15.8M (-27%), Total $171.8M/Wk 4 5.) Ballerina (LG) 3,409 theaters, Thu $1.1M, $14.1M (-56%), Total $46.5M/Wk 2 EXCLUSIVE: Sony's 28 Years Later is coming in with a preview gross tonight that's well north of $5M, we are hearing from sources. But don't start comping it yet to New Line's box office surprise sequel, Final Destination: Bloodlines which did $5.5M in previews for a franchise best opening of $51.6M. Horror films are frontloaded, duh. Rotten Tomatoes audiences are being pretty hard on this Danny Boyle zombie movie at 67% despite critics giving the installment the best reviews the 23-year old franchise has ever seen at 92%. Final Destination: Bloodlines earned both great reviews and audience exits on Rotten Tomatoes respectively with 92% and 87%. Previews began at noon for 28 Years Later. Tracking spotted this viral infected undead post-apocalyptic movie at an opening between $28M-$30M. The movie reps a return for Boyle as director and Alex Garland as screenwriter after 2002's 28 Days Later. That movie opened to $10M back in the day at 1,261 theaters, while 28 Weeks Later, which was directed by Juan Carlos Fresnadillo, opened to $9.8M back in 2007 at 2,303 theaters. Meanwhile, Disney/Pixar's Elio after two nights of previews is looking to be around $2.5M-$3M. That's the amount of preview cash that Pixar's summer 2023 movie, Elemental, banked before an $11.7M Friday and $29.6M opening. Elio is hoping to clear a 3-day between $20M-$25M. No RT audience scores yet, but critics enjoyed it at 86% certified fresh. Those reviews are stronger than Elemental at 73% fresh which wind up with an audience score of 93% and a solid A CinemaScore. As we mentioned, the best advertisement for Elio is the movie itself. In a marketplace where it's hard to launch original animation, the hope is that the Adrian Molina-Madeline Sharafian-Domee Shi directed movie pulls an Elemental and posts some wild multiple of 5x or more (that pic ended its stateside run at $154.4M). As we reported previously, Universal/DreamWorks Animation's How to Train Your Dragon is expected to hold the fort at No. 1 with a second weekend of $40M-plus. Through Wednesday, the Dean DeBlois directed live action take of his animated movie is up to $113.7M. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series 'Stick' Release Guide: When Do New Episodes Come Out?
Metro
7 hours ago
- Entertainment
- Metro
28 Years Later director reveals 'nightmare' of shooting naked zombie scenes
28 Years Later director Danny Boyle has opened up on the challenges the crew faced while shooting nude zombies. The third film in the franchise hit cinema screens 23 years after 28 Days Later was released, revolutionising the zombie subgenre in the process. The film, starring Cillian Murphy and Naomie Harris, was followed by 2007 sequel 28 Weeks Later, but 18 years of silence followed, with rumours constantly swirling that a third film was coming. Last year, Boyle and original writer Alex Garland confirmed 28 Years Later was in the works, and its eagerly anticipated release has been met with rave reviews from critics branding it 'a masterpiece.' The film has the same Rage-infected creatures we were introduced to more than two decades ago, with some interesting evolutionary changes upping the ante. Many of the monsters in the film appear naked as they chase after the ensemble cast, featuring Aaron Taylor-Johnson, Alfie Williams, Jodie Comer, and Ralph Fiennes. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The decision to have the zombies running around in the buff was a natural progression for them, given the setting of the film, almost 30 years after the events of 28 Days Later. 'I mean, if you're recently infected, you'd have some clothes, but if you've been infected for a long time, the clothes would just disintegrate with the way that you behave,' Boyle told People. However, the presence of 14-year-old newcomer Williams on set meant that actors portraying the zombies could not actually be naked around the minor under the Child Sex Offences Act. Boyle said the crew 'never knew that' when shooting, describing the process of creating a naked illusion as a 'nightmare.' 'Interestingly, because there was a 12-year-old boy on set, you're not allowed for anybody to be naked, not really naked, so they look naked, but it's all prosthetics,' he explained. More Trending The warning from intimacy coordinators meant that every zombie cast member had to have prosthetic genitals made for their scenes. 28 Years Later follows a group of survivors on an island who have managed to carve out a semblance of normality for themselves away from the mainland where the infected roam. Jamie (Taylor-Johnson) takes his 12-year-old son Spike (Williams) to the mainland to bag his first kill and learn about the horrors of the modern world, with Spike stumbling onto a discovery that could help his sick mother Isla (Comer). 28 Years Later is in cinemas now . Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Jurassic World Rebirth embraces hardcore horror: 'I waited for the studio to say no' MORE: Aaron Taylor-Johnson, 35, and director wife Sam, 58, look loved up at 28 Years Later premiere MORE: M3GAN 2.0 risks crossing 'really fine line' with explicit jokes
Hype Malaysia
a day ago
- Entertainment
- Hype Malaysia
'28 Years Later' Review: A Thrilling, Surreal, Grand, But Uneven Entry To The Beloved Franchise
Throughout the decades, since the dawn of cinema, moviegoers have been fascinated with the undead. Whether it's from the horrors of playing God in 'Frankenstein' to 'Night of the Living Dead', where the modern concept of zombies was born, Hollywood has found interesting ways to spin the narrative about the deceased in bold new ways. However, no franchise has had fans in a frenzy like '28 Days Later', an unsettling 2002 movie that resonated worldwide and became the cornerstone of many zombie movies today. The film was a massive success and was greenlit for a sequel, which manifested in the form of '28 Weeks Later'. Now, 18 years since the second installment, we once again revisit post-zombie apocalypse Great Britain to witness what has unfolded in '28 Years Later'. Starring Jodie Comer, Aaron Taylor-Johnson, Alfie Williams, and Ralph Fiennes, this film dives deep into the lives of people who survived the resurgence of the Rage Virus, as well as life in the mainland. With returning director Danny Boyle and scriptwriter Alex Garland, this film has been hyped up to be the heart-pounding zombie horror film that we all need right now, but does it meet expectations? The story kicks off on a small island away from the mainland, where some portion of human civilisation now resides. Amongst this tight-knit community of farmers and tinkerers are Spike (played by Alfie Williams) and his father, Jamie (Aaron Taylor-Johnson), who are tasked with venturing beyond their walls as a rite of passage. In their hunt, they've encountered various horrors, wonders, death and life. '28 Years Later' is an interesting film, to say the least. It is still filled with those endless escalations of tension and bloody good jump scares, with an added twist of more surrealism as well as comedy. It is a wildly different and experimental take on the franchise that some may find endearing, while most will find it weird. First things first – is the horror aspect of the film effective? Incredibly so. The film has greatly reflected upon its previous installments and features a much more unapologetic escalation of tension — it does not care how uncomfortable you, get because that's the whole point. Every slow and painful build-up does this film a massive service, as viewers are used to zombies by now, so it relies heavily on the elements of surprise and speed. The film will leave you in the dark, often literally, so it can slowly creep under your skin, which results in an effective scare-fest. There are only a handful of moments where we feel comfortable and relaxed in the film. But you know these calmer scenes are about to end when the cinematography becomes incredibly frantic and jumps from camera to camera. This is, again, in service to the ever-escalating tension the film is trying to impress upon you. Though this installment is grander in scale, it is far more intimate than its predecessors. Every second of the film is used to build a far more cohesive narrative between the survivors, regardless of whether they are resting for the night or on the run. It is this piece of humanity that recent zombie movies, even horror movies in general, tend to forget. It is this take that allows the jokes and gags thrown in the film to actually work, as well as the ultimate climax to shine – to the point that some audience members are moved to tears. Because of this, '28 Years Later' is without a doubt the most hopeful and uplifting entry in the franchise so far. If we are to describe the film in two words, it would be 'beautifully stressful'. The latter is understandable, but the former isn't, especially for one as disturbingly gory as this. This is because the movie takes us on an almost magical journey during its more subdued scenes, making us temporarily forget that this is a horror movie. Though they are plenty jarring, it's these moments that push the characters to grow more as a human beings, which we are totally here for! However, it is also one of the weirdest entries in the zombie genre. Many scenes in the first act of the film have been spliced with scenes of older films. In hindsight, this meshing of films is often used to hint at something far more political, but it is incredibly jarring upon first watch, yet believe us when we say that's one of the more tamer aspects of this film. There's one particular scene that makes us scratch our heads, but we can't discuss it, as it is a massive spoiler. Yet, we are confident that you'll know what we mean when you watch the movie for yourself. Before heading into theatres, note that, in lore, the infected are technically still alive and they have never been considered dead. That may not make sense, but that has been an extremely sensitive topic for filmmakers ever since the first zombie film, so it's best to keep it in mind when watching this entry or its sequels. The reason why we are so confident that there's going to be a sequel to '28 Years Later' is one of this film's major weak points – it does have a proper ending. That's right, the movie ends on a cliffhanger. Throughout the film, you'll find yourself wondering what this film is really about. '28 Days Later' talked about the spread of the infection throughout the country; '28 Weeks Later' was about how the virus was initially contained only for it to break out and totally ravage the country. '28 Years Later' tries to explore what happens to survivors, but does so half-heartedly; it actually hurts the film. Rather than being a cohesive 'zombie' narrative with an intriguing family drama, it is instead a 'zombie' prequel with some elements of family drama and mystery, neither of which are resolved. Though it doesn't outright say it, the words 'to be continued' are written all over the film's ending. This is, sometimes, fine, but we're pretty sure that many viewers are going to have some issues with the ending: an action sequence filled with jittery camera movements all to the tune of a remixed kids' show song. If you don't believe us, we invite you to watch the film and see for yourself. Overall, '28 Years Later' is a divisive entry into the storied franchise that is as head-scratching as it is absurdist. The film opens with an intense scene that establishes how life in Great Britain is holding up years after the initial spread of the virus, and ends with the most out-of-place cliffhanger to ever be featured in cinema. If you are a fan of the franchise, it is still an interesting watch, but we do implore you to lower your expectations. '28 Years Later' is currently showing in cinemas nationwide. 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News18
a day ago
- Entertainment
- News18
Aaron Taylor-Johnson, Jodie Comer, Ralph Fiennes & MORE Shine At '28 Years Later' Premiere
Aaron Taylor-Johnson, Jodie Comer, Ralph Fiennes & MORE Shine At '28 Years Later' Premiere | N18G Last Updated: June 19, 2025, 16:00 IST Movies Videos More than two decades after redefining the zombie genre with 28 Days Later, director Danny Boyle is back with 28 Years Later. The highly anticipated sequel had its grand world premiere in London, with stars Aaron Taylor-Johnson, Jodie Comer, and Ralph Fiennes leading the charge. Watch the star-studded red carpet moment here. bollywood news | entertainment news live | latest bollywood news | bollywood | news18 | n18oc_moviesLiked the video? Please press the thumbs up icon and leave a comment. Subscribe to Showsha YouTube channel and never miss a video: Showsha on Instagram: Showsha on Facebook: Showsha on X: Showsha on Snapchat: entertainment and lifestyle news and updates on: More Videos homevideos Aaron Taylor-Johnson, Jodie Comer, Ralph Fiennes & MORE Shine At '28 Years Later' Premiere | N18G CNN name, logo and all associated elements ® and © 2024 Cable News Network LP, LLLP. A Time Warner Company. All rights reserved. CNN and the CNN logo are registered marks of Cable News Network, LP LLLP, displayed with permission. Use of the CNN name and/or logo on or as part of does not derogate from the intellectual property rights of Cable News Network in respect of them. © Copyright Network18 Media and Investments Ltd 2024. All rights reserved.
Wales Online
a day ago
- Entertainment
- Wales Online
Aaron Taylor-Johnson says innovative filming make 28 Years Later ‘like no other'
Aaron Taylor-Johnson says innovative filming make 28 Years Later 'like no other' The latest instalment of the apocalyptic drama franchise is directed by Danny Boyle, who filmed some of the scenes on iPhones Aaron Taylor-Johnson, Alfie Williams, Jodie Comer, Ralph Fiennes and Danny Boyle attend the "28 Years Later" World Premiere at the Odeon Luxe Leicester Square on June 18, 2025 (Image: 2025 Getty Images ) Actor Aaron Taylor-Johnson said his latest film 28 Years Later has "got a feel that's like no other movie", thanks to the experimental way it was shot. The latest instalment of the apocalyptic drama franchise is directed by Danny Boyle, who filmed some of the scenes on iPhones. Taylor-Johnson told 6 Music's Nick Grimshaw: "An iPhone can do that thing where, if someone puts it in your face, it feels very intrusive and makes you feel quite vulnerable. "It cuts through a barrier that you don't usually have. They were being super innovative with the way they were shooting this film. "Every day going to work was the most exciting thing, because everything just felt fresh and new. "Danny creates this environment that allows you to be experimental and you never know if it's going to work, or if it's not going to work. Article continues below "But the end product, when you see this movie, it's got a feel that's like no other movie, because they're just inventing ways of shooting." Taylor-Johnson appears alongside Jodie Comer and Ralph Fiennes in the film, which is set 28 years after the accidental release of a highly contagious virus which caused the breakdown of society. Taylor-Johnson said the movie, which premiered in London's Leicester Square on Wednesday night, is "very visceral". But he added "there's a beautiful family drama within it". "It's very grounded, it says a lot about society, " he said. Taylor-Johnson, who lives in Somerset with his wife Back To Black director Sam Taylor-Johnson, told Grimshaw he does not have a ticket to Glastonbury this year, but often "at the last minute I find myself there". Article continues below "We usually go every year and it's fantastic," he said. "It feels like the kick-off to summer. Our house is packed. We've had a few times where we've actually had yurts in our field and garden. "It's a laugh to have everyone staying close by, and then we all go in."
