Fallout Season 2: Everything We Know About the Amazon Megahit's Return
More Fallout is coming. Eventually.
More from TVLine
Lester Holt Signs Off as NBC Nightly News Anchor - Will You Miss Him?
What to Watch in June: Your Guide to 110+ Premieres Across Broadcast, Cable and Streaming
Nicole Kidman Is Kay Scarpetta, Jamie Lee Curtis Her Sister in First Look at Patricia Cornwell Thriller Adaptation
It has already been more than a year since Season 1 of the Prime Video series, based on the popular video game franchise, exploded onto our screens. But rest assured, there is much more to look forward to, as detailed below.
Fallout — which with its freshman run delivered Prime Video's most-watched season globally since Lord of the Rings: The Rings of Power — is set 200 years after the apocalypse, where Lucy (played by Ella Purnell), a denizen of a luxury fallout shelter/'vault,' found her peaceful nature tested when she was forced to the toxic (?) surface to locate her father (Twin Peaks' Kyle MacLachlan).
Aaron Moten (NeXT) co-stars as Maximus, a young soldier rising in the ranks of the militaristic Brotherhood of Steel, while Walton Goggins (Justified) plays Western star Cooper Howard and his post-apocalyptic persona The Ghoul, a morally fluid bounty hunter. The three parties collided in Season 1 when chasing a researcher (Evil's Michael Emerson) who was in possession of an artifact with the potential to change the power dynamic in this dystopian hellscape.
What all do we know about Season 2, and the hit series' future beyond that? Well….
Oh, it was big. Huge, really.
Season 1 became one of Prime Video's top three most-watched titles ever, and it set multiple records along the way.
In Nielsen's weekly U.S. rankings of streaming originals, Fallout 1) racked up the most minutes viewed for any Prime Video title, 2) became the first series outside of the Netflix platform to rack up 2 billion minutes viewed in consecutive weeks, and 3) was the first Prime Video series to top the Overall Top 10 chart three times in a row.
What's more, Nielsen's 'Streaming Unwrapped' report for 2024 crowned Fallout the Top New Original Drama Series after it amassed 11.95 billion minutes streamed last year.
Season 1 garnered 16 Emmy nominations, including for Outstanding Drama Series, Lead Actor in a Drama (Walton Goggins), Special Visual Effects, Prosthetic Makeup, and Production Design. (It wound up grabbing Emmy gold once, for Outstanding Music Supervision.)
Fallout's many kudos also include three Writers Guild of America Award nominations, Television Critics Association Award nods for Best Drama and Best New Program, and it won at the Art Directors Guild Awards for Excellence in Production Design for a One-Hour Fantasy Single-Camera Series.
The new season will 'pick up in the aftermath of Season 1's epic finale and take audiences along for a journey through the wasteland of the Mojave to the post-apocalyptic city of New Vegas,' says Amazon.
Said finale saw Lucy process a gut-punch of an epiphany — that her father, Hank, had a hands-on role in bombing Shady Sands — and in turn ally with the Ghoul to, among other things, go find his (meaning, Cooper Howard's) family.
'Will Lucy be able to hang on to her core?' in the wake of that bombshell and not devolve like The Ghoul, co-showrunner Graham Wagner asked in a THR Q&A. 'It's sort of a nature vs. nurture question. Has her time in a happy cozy vault steeled her against that? We will find out. What we're already into in Season 2 is exploring how far we want to push this character, how much do we want to see her hang onto to herself. It becomes the game of the show in its own way.'
Goggins, meanwhile, told Deadline in February (see video below) that while he personally thought 'Season 1 was extraordinary,' the second season 'blows it out of the water, what these writers have done and the artisans that have come together to tell this story. It's really gonna be something. I can't wait for people to see it.'
Walton Goggins teases #Fallout Season 2 : 'I thought Season 1 was extraordinary… This blows it out of the water' pic.twitter.com/B1BmmGC8t3
— Deadline (@DEADLINE) February 11, 2025
https://platform.twitter.com/widgets.js
Returning cast members from Season 1 include, of course, Ella Purnell (Yellowjackets, Sweetpea), Walton Goggins (The White Lotus, The Righteous Gemstones) and Aaron Moten (Emancipation, Father Stu) — as Ella, The Ghoul/Cooper Howard and Maximus — as well as Kyle MacLachlan (Twin Peaks) as Lucy's father Hank, Moisés Arias (The King of Staten Island) as Lucy's kid brother Norm, and Frances Turner (The Boys) as Cooper's wife/high-ranking Vault-Tec exec Barb Howard.
The only reported cast addition for Season 2 is Macaulay Culkin in the recurring role of 'a crazy, genius-type character.'
Culkin, of course, is best known for playing resourceful tyke Kevin McCallister in the 1990 holiday smash Home Alone and its 1992 sequel Home Alone 2: Lost in New York. As a child actor, he also had memorable roles in My Girl and The Good Son.
Culkin returned to acting as an adult, earning acclaim for his work in Party Monster and Saved!, among others. He more recently co-starred in Season 10 of FX's American Horror Story, dubbed Double Feature, and HBO's The Righteous Gemstones.
If one looks closely once Season 2 arrives, you might detect that Fallout relocated its base of operations from New York to California (specifically, Santa Clarita aka NCIS-land) after receiving a $25 million tax credit. (Season 1 also filmed in New Jersey, Utah and, for the Wasteland scenes, Kolmanskop, Namibia.)
As one result of the move to the West Coast, you might spy 'less gray skies,' co-showrunner Geneva Robertson-Dworet told THR. 'That was tricky about New York. We were shooting partially in the summer and partially in the middle of winter. And some of those exteriors, the gray skies, they're just not as beautiful.'
Would you settle for a release month…?
At Prime Video's Upfronts presentation on May 12, cast members Ella Purnell, Aaron Moten and Walton Goggins appeared onstage to announce that Season 2 will premiere this December, in more than 240 countries and territories worldwide.
That means some 20 months will have elapsed between seasons.
TVLine will of course keep you posted on the precise release date for Season 2.
In a way, there already is!
At Amazon's annual Upfront presentation held May 12, it was also announced that Fallout has already been renewed for a third season.
'The holidays came a little early this year — we are thrilled to be ending the world all over again for a third season of Fallout,' said executive producers Jonathan Nolan and Lisa Joy. 'On behalf of our brilliant cast and crew, our showrunners Geneva [Robertson-Dworet] and Graham [Wagner], and our partners at Bethesda, we're grateful to our incredible collaborators at Amazon MGM Studios and to the amazing fans as we continue our adventures in the wasteland together.'
So, then, maybe the question is: Will there be a Season 4, and maybe more?
'Look, we've talked about three seasons and we've talked about five seasons…,' co-showrunner Graham Wagner told THR. 'Given the success of the show, five is suddenly feeling a little more appealing. But the industry is a temperamental thing and we kind of have to go into each season being like, 'This is our last.'
Want scoop on , or for any other TV show? Shoot an email to InsideLine@tvline.com, and your question may be answered via Matt's Inside Line!
Best of TVLine
Young Sheldon Easter Eggs: Every Nod to The Big Bang Theory (and Every Future Reveal) Across 7 Seasons
Weirdest TV Crossovers: Always Sunny Meets Abbott, Family Guy vs. Simpsons, Nine-Nine Recruits New Girl and More
ER Turns 30: See the Original County General Crew, Then and Now
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
'Étoile' has been cancelled, but no one blends dance and humour as brilliantly as Marguerite Derricks
One of the most devastating entertainment losses of the year is certainly the cancellation of the show Étoile after just one season, from Gilmore Girls, Bunheads and The Marvelous Mrs. Maisel creator, Amy Sherman-Palladino, and her husband Dan Palladino. But with that puzzling move from Prime Video, there's no better time to celebrate all the talent in the short lived series. That includes Marguerite Derricks, an incredibly beloved and impressive choreographer who's worked on Palladino's previous projects. Additionally, she's contributed her talents to the series Behind The Candelabra and movies including Showgirls, 13 Going On 30 and the Austin Powers franchise. But in terms of what makes the Palladinos such effective collaborators, Derricks stressed that they way they shoot dance in their shows is done in a way where there's a real "marriage of the camera with movement." "For a choreographer, there's nothing greater than that," Derricks told Yahoo. "On Bunheads I started to play with them that way, and it's carried on through four different TV series." "It's just made me such a better choreographer. ... I wish every choreographer would find collaborators like Amy and Dan, because there's nothing like it." One example of how Étoile really makes the dance in the show an integrated part of the story is the Swan Lake moment with Tiler Peck in Episode. It's a dance moment, but written in a way that's injected with humour. "That was written by Dan Palladino and ... when they sent me the outline for the script I literally was laughing out loud," Derricks shared. "I couldn't wait to attack that and to have Tiler Peck be the one that got run over by the swans, it was just such a gas." "Their comedy genius is always on the page and then I just put it into motion. I've worked with comedians my whole life, so it's something that I really, really enjoy, but it's always there on the page. There's never, a question mark for me with Amy and Dan, they're so clear." Another highlight is a piece choreographed by Gideon Glick's character Tobias Bell in Étoile. A character that's hysterical with his quirkiness, brought out in the character's choreography as well. "That was my big voice in the show," Derricks said. "I love Gideon Glick. He is the coolest, craziest human being. He would come and watch me and he thought I was funny because I kind of stalked the dancers like a lion. And so he wanted to pick up on that." "And I studied him and I like his quirks, and I wanted to make sure that that's what was driving me a lot with the choreography. So I the two of us, we kind of became one, we became Tobias together." While Étoile certainly isn't a show that requires the audience to have a dance background to enjoy, there was still such a commitment on the show to make its dance spaces and dancers feel real. What the dancers are doing before classes, what they're doing in the hallways, every detail was thought of to make these moments look authentic. "That was the first thing [Amy] talked about with every department head, we all knew that was our marching orders," Derricks explained. "I kind of had a little bit of a sense of that from working on Bunheads with her, but now we were going from a young kids school to the professional world, and so ... we did our research to make sure that everything was really up to par." "Tiler Peck was a student of mine. I would call Tiler and ask her questions, and it was very important to us that, when this show came out, that the ballet world would give us a thumbs up on it. ... There's been so many shows out there that have been done in a way where it's not authentic. So for me right now, the feedback I'm getting from the ballet world is the greatest thing that I could have ever hoped for." Much of what happens in the "Hollywoodization" of dance, specifically ballet in film and TV, largely sees talented dancers be nameless and on the periphery of the project. But in Étoile, Sherman-Palladino made wanted to use there dancers to their full potential, and crediting them for their work. "That was the most exciting thing for me," Derricks said. "Every single dancer that came into our show, [Amy] read them for parts. She wanted to cast the dancers. She wanted to hear their voices. I want to scream from the rafters, because that's happening more and more, but it really happened on [this] show. ... Dancers are so great at telling stories without speaking, so just get comfortable with talking as well. I'm very proud of that. ... The dancers were getting lines, they were so excited." A core element of Étoile is that dancer was very much used to tell the story, it's an integral part of the narrative. But it also immerses the audience in a dance world many haven't had any exposure to, portraying ballet dancers in a different light and as more fully formed characters, held up by brilliant and unique choreography from Derricks. "Ballet is sexy, ballet is strong. Ballet dancers are like football players, the athleticism that they have," Derricks stressed. "I want people to see ballet in a whole different way." "There's a lot of wonderful choreographers out there now doing out the about box, beautiful work, but for somebody that doesn't know ballet, I hope that we can reach a greater audience and turn them on to all sides of ballet."
Yahoo
an hour ago
- Yahoo
The Waterfront Boss Kevin Williamson Talks Netflix Drama's Fatal Finale, Looks Ahead to Possible Season 2
After eight episodes of deception, betrayal and gunshots to the face, the Buckley family's drama reaches an explosive conclusion in the finale of Netflix's The Waterfront, leaving fans to wonder… what's next? More from TVLine Sirens Dominates Nielsen Streaming Top 10 Chart in Debut Outer Banks Promotes Two Ahead of Final Season - See the Remaining Pogues (Sniff!) in First Season 5 Photos Dave Nemetz Reviews The Waterfront: Netflix's Soggy Soap Drowns in Dumb Clichés - Now, YOU Grade It! One thing's for sure, after getting killed by Cane during the family's mission to rescue Bree, we've definitely seen the last of Topher Grace as unhinged heroin smuggler Grady. 'We wrote that character with Topher in mind,' series creator Kevin Williamson tells TVLine. We wanted someone who was lovable and fun and funny … and to turn them into a psychopath. It's a lot of fun. Give a funny man a gun and see what he does with it.' But just because one Buckley nemesis has been taken out, that doesn't mean the family is out of the woods. Given their laundry list of questionable actions, there's no shortage of ne'er do wells looking to work with (or against) the Buckleys in future seasons. And from what we see in the finale, there's also plenty of trouble brewing within the family itself. Below, Kevin Williamson addresses some of those lingering finale developments, teasing how they might affect a second season of The Waterfront. Grade the Netflix series below, then read on for what the future could hold for the Buckley family. After killing Grady on the boat (two shots to the face oughta do it!), Cane has a brief-but-crucial moment with Harlan at the hospital. 'Buckley Seafood was a family business — me and my father, side by side,' Harlan tells Cane. 'That's how I've always known it. That's why I wanted you to stay. I didn't want to be alone.' Cane doesn't say anything back, but his silent nod and teary eyes speak volumes. 'I think they they peeled a few layers of the onion,' Williamson says. 'I don't think they've gotten to the core answer of who they are to each other as father and son, but I do think Cane got an answer that he wanted. He has always wondered why his father treated him a certain way and why that dynamic was what it was. Cane is wrestling with the roads not taken. He wanted one thing out of life and ended up with something else, and he's got to get right with it. Part of that means fixing things with his father, so I think he has mended a lot with his dad. There's a lot more understanding, but I don't know if they've reconciled completely. There's going to be more stumbling for them to do as father and son before they fully repair that relationship.' The finale is especially harrowing for Bree, who wakes up on Grady's boat after being kidnapped, only to discover that her son Diller has stowed away to rescue her. Grady ends up shooting Bree in the leg and pushing her overboard, but thanks to Diller's quick-thinking, she remains afloat on a life raft. After tying her leg with a belt to stop the bleeding, Bree hallucinates a conversation with her younger self about witnessing her grandfather's murder. 'You were just a girl, you couldn't have done anything,' she says. 'I've got you.' With her last ounce of strength, Bree sends up a flare for help, and the finale ends with her recovering in the hospital. It's an important breakthrough, especially when she refuses heavy pain medication to avoid risking her sobriety, but Bree's life is far from fixed. 'We've just sort of tapped into the surface of her trauma from her past and how that could heal her,' Williamson says. 'But will it? We're a puzzle, as human beings, and I think she still has some missing pieces.' One of the finale's biggest question marks is where things stand between Cane and Peyton, following his brief affair with Jenna. When he tells his wife that it's over, and that he wants them to be good again, she seems strangely unfazed. 'You and me, we're fine, understand?' she says as she kisses him and beings to prepare his dinner. 'I'm gonna see to it.' She says a lot without actually saying much at all, so let's go to Williamson for some much-needed intel: 'I think Peyton knows what she wants, and she's going to get it,' Williamson says. 'Early on, she makes this big statement about how she's never going to be like Belle, but I think she might be wrong about that. The journey for her is going to be, well, how does she fix things? How is she going to make her husband love her? I think it's going to be a great journey for her. It's going to be very surprising, and she's going to take a few left turns.' Following Wes' botched land deal with the Buckleys, the finale ends with Emmett handing Wes over to Belle on a silver platter. More specifically, we see Wes being tied to a chair and tortured, as Emmett reintroduces Belle — this time as Wes' new boss. 'In the first season, Harlan is the patriarch of the family, and Belle has always taken her place, puppeting him and controlling what happens to the Buckley family behind the scenes,' Williamson explains. 'All of her little shenanigans have been done behind Harlan, and in the shadows of Harlan, and now she's ready to shove him out of the way, stand front and center, and really take the reins.' Best of TVLine Mrs. Maisel Flash-Forward List: All of Season 5's Futuristic Easter Eggs Yellowjackets Recap: The Morning After Yellowjackets Recap: The First Supper
Cosmopolitan
4 hours ago
- Cosmopolitan
We Were Liars: TV Show vs. Book Differences
We Were Liars, the new Prime Video series from showrunners Julie Plec and Carina Adly Mackenzie that's a juicy mishmash of YA romance, vacation mystery, and Succession-y family drama, also happens to be based on the very popular novel by E. Lockhart. If you're too curious about what was different in the book or how the show handled *that* ending, here's the 411 on the adaptation. The basic story, characters, and relationships are the same. There will be spoilers ahead, uh, obviously. Starting with the big one because I am no liar! We Were Liars is about a seventeen year-old girl named Cadence Sinclair working through post-traumatic amnesia after a fire she helped set killed her cousin Johnny, her cousin Mirren, and her childhood best friend/boyfriend Gatwick "Gat" Patil. Her amnesia and trauma is represented by the ghosts of those three dead teenagers, who used to call themselves "the Liars" when they spent summers growing up on the Sinclair family's private island called Beachwood. Every time a living person tries to tell her what happens, she has a panic attack and forgets all over again. The fire occurred after a dramatic summer caused the Liars to become disillusioned with their picture perfect, privileged family. On the show and in the book, we see that fateful summer unfold as Cadence remembers the truth. There are some small changes to the narrative in the adaptation. For example: Mirren's younger brother Taft is simply not in the show! His character is basically combined with Johnny's younger brother William. Here are the bigger changes: In the book: Grandma Tipper dies between Summer 14 and Summer 15, and the fire happens at the end of Summer 15. We spent time with Cadence at home in Vermont recovering from her physical injuries and recalling sporadic memories. She spends Summer 16 in Europe with her father. Almost two years later, during Summer 17, Cadence returns to the island seeking the truth and reunites with the Liars' ghosts. In the show: All of the tragic events happened in Summer 16. We never see Cadence's life in Vermont outside of a hair dye montage. Just one year after the accident, Cadence goes back on the island for all of what would have been Summer 17, working with the ghosts of the Liars to figure out what happened. In the book: Johnny gets more and more distressed, Mirren gets more and more sick, and Gat gets more and more angsty about resuming his relationship with Cadence. The house where they're "staying" gets progressively messier with clutter and dirty dishes. In the show: The ghosts are the tiniest bit, well, friendlier and there's no mess for Cadence to clean up. I guess that wouldn't make for compelling TV. In the book: Cadence processes her mental state by telling the reader fairy tales in which she casts her family members and Gat as kings, princesses, princes, fire-breathing dragons and outcast mice. In the show: There are fairy tales in voiceover, and the Sinclair family Father's Day tradition has some on the nose King Lear vibes... but that's it. Instead, since the show is only partially from Cadence's POV, we do learn a little more about her cousins and aunts. They have interests and love lives that the book doesn't get as into. In the book: The ground floor caught fire too fast because Cadence, who was in charge of that section, used too much gas and started on the wrong side of the house to ensure a safe exit for everyone. That trapped Gat in the basement and her cousins (and the dogs) upstairs. In the series: Gat was waiting outside in the boat, and ran into the fire when he didn't see Cadence and her cousins leaving the house as planned. Mirren and Johnny got trapped because they were distracted–Mirren by one of her paintings in her mom's room and Johnny by one last opportunity to smash things–and the smoke rose more quickly than they anticipated. Cadence thinks she threw off the plan by running upstairs to grab her grandmother's black pearl necklace. But since she ran back inside moments after to try and rescue the sleeping dogs they all forgot about (I'll never be over that BTW) what happened is not so much her fault as it is in the book. In the book: Cadence suspects that her mom, Penny, knows the truth about the fire. But the important thing is that Cadence has resolved to be a better, more considerate person and own her responsibility and her place in her "evil" family. In the series: Cadence's grandfather, Harris, definitely knows the truth about the fire. He names her as a successor to her family's complicated legacy and urges her to keep the lie he's told the family and the press: that the fire was an accident and she was a hero who tried to save everyone. But she runs away, neither admitting to what really happened or maintaining the fairy. She's still very against the family. Will this be resolved in a potential Season 2? There's always room for more character growth... right? There are some references in the series to things that book readers would only know if they'd read the prequel Family of Liars, like another horrible summer and what happened to the fourth Sinclair sister Rosemary, so fingers crossed!
