Simone Ashley's limited F1 role highlights Hollywood trend of sidelining actors of color
When Apple Original Films announced that Bridgerton star Simone Ashley had joined the cast of F1, fans anticipated a substantial role. Ashley was spotted filming at several Grand Prix locations, suggesting her part would be more than just a cameo. But according to early viewer reactions from recent advance screenings, Ashley's role in the final cut reportedly lasts only a few seconds. Despite on-set images showing her in multiple scenes, many—especially those featuring co-star Damson Idris—appear to have been significantly reduced.
This disappointment echoes a broader issue in Hollywood: the recurring pattern of casting actors of color with fanfare, only to marginalize their presence in the final product.
This issue isn't isolated to Ashley. In Top Gun: Maverick, directed by F1's Joseph Kosinski, actor Manny Jacinto underwent extensive pilot training and filmed numerous scenes. However, he later learned at the premiere that most of his scenes had been cut. Speaking to GQ, Jacinto said, 'Tom Cruise is writing stories for Tom Cruise,' pointing to how the spotlight often remains tightly controlled.
Other high-profile examples include Ray Fisher's Cyborg in Justice League, whose storyline was heavily trimmed; Kiersey Clemons and Zheng Kai, whose roles were barely visible; and John Boyega in Star Wars, whose character was demoted over time and minimized on international posters. These incidents aren't just about editing—they reflect an industry that uses diverse casting in marketing while diluting representation in storytelling.
As a result, actors like Ashley have taken matters into their own hands. She recently executive produced and starred in Picture This. Jacinto echoed a similar sentiment: 'We can't wait for someone else to do it. We have to make them for ourselves.'
Still, the responsibility shouldn't fall solely on the actors. Until studios treat representation as integral—not optional—stories like this will keep repeating.
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