‘Feel good about not conforming': Christina Ricci reflects on her iconic roles, from Wednesday Addams to Misty Quigley

The Gold Standard is a Gold Derby series where we speak to legendary figures in Hollywood who take us through their award-worthy greatest hits. Here, Emmy, Golden Globe, and SAG Award nominee Christina Ricci talks about her most iconic roles, including her current role as Misty Quigley on Showtime's Yellowjackets. Watch the video below.
Ricci made her film debut at the age of 9 in the 1990 Orion Pictures comedy alongside Cher, Winona Ryder, and Bob Hoskins. In the film directed by Richard Benjamin, Ricci plays Kate Flax, the youngest daughter of Rachel (Cher), an unconventional single mother who relocates with her two daughters to a small Massachusetts town in 1963.
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I remember being flown to Boston for my final audition, meeting Cher and Winona in the production office, and then going and having an audition with them. Noni [Ryder] and I talked about sharks because I have a lifelong fear of sharks, and so does she, apparently. And then I got that call that I got the part a day later, and I had a really amazing time. I loved Cher, I loved Winona. I spent a lot of time with Cher. I would hide in her trailer when I didn't want to do tutor school. She introduced me to See's Candies lollipops, the chocolate pops things, and Perrier. I had never seen sparkling water before. I had seen club soda but not Perrier, and I was just like, "Wow, this is really fancy!"
I asked a lot of questions and people were very kind and educated me, and it was really a lovely, lovely experience.
Still considered one of her most iconic roles, Wednesday Addams was brought to life by Ricci in The Addams Family (1991) and its sequel, Addams Family Values (1993), both directed by Barry Sonnenfeld.
I auditioned for it, and then it feels like months later we got a call from Joe Aguilar, who had been the accountant on Mermaids, and he was working on Addams Family. And he said he had just been in a production meeting where they were saying that it was between me or this other girl. And Joe and his staff said, "Oh, we just worked with her and her mother, and they're fantastic." And at that time, there was always a concern over what the mother was like because mothers of child actors can really cause a lot of mayhem on sets. And because of the glowing review of my mother and her behavior on Mermaids, I got the part of Wednesday. So I was sort of a troubled child. I did not have a very happy household. There was a lot of abuse and a lot of bad times. [Ricci has called her father "physically violent" and says she hasn't spoken with him since her teen years.]
And so for me, what was more challenging when I became an actress was this fake pretending to be happy and adorable thing that was hard for me. When I went to the audition for Addams Family, I had just come from a callback for a movie that I didn't get, where I had to cry and be very upset, and it was exhausting. And so then my mom was like, "Oh, we have one more audition to go to." And I was like, "I really don't want to go. I'm so tired." And she said, "Well, you don't have to do anything. Basically the character is just devoid of emotion and you just have to say the words." And I was like, "OK, I can do that." And that's what I did. And for me, it was much easier to be deadpan than to be emotive, which is kind of what the character's all about. This idea that little girls are always being told or women are always being told to smile and this character just refuses. That would've been my dream as a child, so I was very happy to play this part.
Decades later, in 2022, she returned to the world of the Addams family on Netflix's hit series Wednesday, this time playing Marilyn Thornhill. The show reimagines Wednesday — portrayed by Jenna Ortega — as a teenager navigating life at Nevermore Academy while attempting to master her emerging psychic abilities.
I think that Wednesday is a really important role. She's not an archetype. This idea that there is a character out there that young girls can look at, that outsiders can look at and feel good about not conforming, staying true to who they are. And Jenna's amazing, and I love [show producer] Tim Burton. I loved working with him. I was excited to work with him again, and it was just fun.
In her first lead role, Ricci plays Kat Harvey in Universal Pictures' 1995 film, directed by Brad Silberling. Based on the Harvey Comics cartoon character Casper the Friendly Ghost, the film follows an afterlife therapist (Bill Pullman) and his daughter (Ricci), who meet an amiable young ghost when they move into a crumbling mansion to rid the premises of wicked spirits. The movie made history as the first feature film to have a fully CGI character in a lead role.
It was a very long shoot. I think we shot for nine months down at the Universal lot. I have to say at that time it was sort of new technology that they were using to do the sort of mix of live-action and cartoon. I would say the average number of takes for every setup was probably about 50. It was a bit tedious at times, but all in all, it was an amazing crew, an incredible experience. Steven Spielberg was a producer and he would come to set all the time to visit. That, to me, was just the greatest thing. I got him to read Go Ask Alice. I was obsessed with that book at the time and wanted him to make it into a movie, and he actually read the book and we had a whole conversation about it, which was very nice of him.
In her first deep dive into emotional drama, Ricci took on the role of Wendy Hood in 20th Century Fox's BAFTA-nominated film, directed by Oscar winner Ang Lee. The 1997 drama features an all-star cast, including Kevin Kline, Joan Allen, Sigourney Weaver, Elijah Wood, and Tobey Maguire. Set in 1973 suburban America, the film explores the intersecting lives of several middle-class families as they navigate substance abuse, infidelity, and the complexities of the swinging lifestyle.
It was really incredible. I was a very big fan of Ang's work, so I was really excited to work with him. And then most of the actors also, I was just a huge fan of. My first day of shooting was the scene where Jamey Sheridan brings Elijah's body back home and everybody starts howling, screaming, crying. That was the first scene that we shot on the job. So it was really intense and really crazy and I was 15. ... Up until Ice Storm, I had mainly been doing family films. I had been dying to do some real gritty drama, so I remember just being like, "Oh, my God, this is what it's like." All these incredible actors doing all their separate prep things and shooting these scenes and howling, crying and shaking, and I was just like, "Oh, wow, I've really arrived."
Ricci earned widespread critical acclaim for her performance as Layla in the 1998 Lionsgate film written, directed by, and starring Vincent Gallo. The story follows Billy (Gallo), recently released from prison, who attempts to impress his parents by introducing them to his wife — whom he doesn't actually have. In a desperate move, Billy kidnaps Layla (Ricci) and coerces her into posing as his wife for the visit. Ricci was named Best Supporting Actress by the National Board of Review.
It was the first time I traveled without my mother. It was the first time I sort of had to really deal with some very extreme things on set. So it was the first time on my own. I sort of had to deal with a lot of things that were new to me. So it was sort of like a real trial by fire sort of growing up. I've never been somebody who thinks beyond making the film. I've just always been somebody who's very present and involved in the making and I always forget that people are going to see it and hear me. I remember getting a really good review in The New York Times by a really important film critic [Janet Maslin] and my mother being really excited. So all of the accolades after that were very much a surprise to me. I was a really unpleasant teen. I had recovered from anorexia and put on about 40 pounds and thought I couldn't move, and I just felt gross and I didn't feel like a movie star. I didn't feel like somebody they would ever single out and praise. So it was all very much genuinely a surprise.
Ricci earned her first Golden Globe nomination (Best Comedy/Musical Actress) for playing troublemaker Dedee Truitt in Sony's 1998 dark comedy written and directed by Don Roos.
It was really fun. Unfortunately, I had gone to Goldie Hawn's pre-Golden Globes party the night before and I was only, like, 19, so I didn't know how to do it. Now I understand that nobody actually drinks at those parties, but at that time I didn't know. So I was so horribly hung over at the Golden Globes that I literally just was like, "Let's get out of here. I'm going to throw up. I got to get in the car and go home," and that's what I did.
Ricci stars as Katrina Van Tassel alongside Johnny Depp's Ichabod Crane in Tim Burton's 1999 fantasy-horror film, distributed by Paramount Pictures. The Oscar-winning film follows Ichabod Crane, a New York detective sent to the eerie village of Sleepy Hollow to investigate a series of gruesome decapitations, believed to be the work of the legendary apparition known as the Headless Horseman.
Tim has such passion and he is such a childlike delight for what he does, and he will literally be behind the monitor, mouthing your lines along while you're talking. It's fun to work with somebody who's really excited and is excited about new ideas and I could bring to him an idea and say, "Can I do this? I think this would be so fun and I'm good at this." And he'd be like, "Great, yeah, let's do that." And so there was a lot of passion and excitement and creativity on that set, and that was what I felt the most.
Patty Jenkins' 2003 crime drama, based on the true story of Aileen Wuornos, stars Charlize Theron in her Oscar-winning role as the Daytona Beach prostitute-turned-serial killer. Ricci portrays Selby Wall, a character inspired by Wuornos' girlfriend, who becomes the killer's companion as she evades the law.
Charlize was so wonderful, and she and I just had such a great rapport and way of working together and she was so charming and kind, and I just think that we had a combination of being two people who didn't have a lot of ego at that time. I knew I was there to support her. I knew that that job was about her winning an Academy Award. I knew that it was sort of her moment and I was perfectly happy to be there and do that. The story was really important to tell, and so I wanted to be a part of that. And then working with Patty Jenkins was just amazing.
Patty just creates such a safe space that you know that you're OK and you're going to be watched out for, and she's there and wants the best for you and the film, and you're not going to be exploited and she's not going to trick you into getting what she wants from you. And so that was a really wonderful experience. And Charlize and I, because the material was so dark, we literally would laugh and giggle until Patty called action. It must be a survival thing. We would just literally crack up hysterically and not be able to stop until Patty called action.
Ricci's guest-starring role as Hannah Davies on the ABC medical drama earned the actress her first Emmy nomination in 2006. In the two-part episode titled "It's the End of the World" and "As We Know It," Ricci delivers a tense performance as a young paramedic who must keep her hand inside a patient's body cavity to prevent a bomb from detonating.
My sister actually, who was a big Grey's Anatomy fan, it was the first season and she was like, "I love this show. This show is so amazing. You should definitely do this show." And I was like, "OK, great. You love the show, I'll do the show." But I had only seen one episode of it before, so I went into it having read the script once, seen one episode. That was the kind of actor I was at the time. I've always loved it when the writing and the words actually evoke real genuine emotion in that moment, and so I was genuinely surprised by the performance I gave.
I remember them calling cut after one of the takes, and it had been one of the most emotional times, and no one had sort of told me to get that emotional, but just because of the whole thing, I got really emotional. I was shaking and I was surprised by it. Then they called cut, and I remember one of the other actors just looking at me and being like, "Wow," and kind of joking, "You should be an actor." And just thinking like, "Oh, yeah, that was pretty good."
Ricci earned a Screen Actors Guild Award nomination for Best Actress in a TV Movie or Miniseries for her role as the titular character in Lifetime's 2015 crime series. The series is a fictionalized account of events and people surrounding the infamous Lizzie Borden following her controversial acquittal in the 1892 double murder of her father and stepmother.
I was very surprised by my SAG nomination, as was everybody on my team. I came out of SoulCycle and had messages from my publicist, and she was like, "You got nominated for a SAG Award." And I was like, "What?" I had no idea that I had even been submitted. I certainly hadn't been doing any campaigning, and it was for a Lifetime movie. It was very bizarre to me. I never thought that doing a Lifetime movie, I would get a SAG nomination. So I was really shocked and surprised and really grateful.
I also have an interest in true crime, and that's one of those really sort of fantastic American crime stories, so I was interested in it and also interested in more of the psychological aspects of that character. When I was younger, I was obsessed with the fact that so many women, middle-aged, had been committed. I remember being 9 or 10 and just being like, "Wow. So women in the past, you just go crazy around 35." As you get older, you realize, "No, no, just women were conveniently put into mental asylums if they had any sort of emotion or extreme behavior." So I think I was very interested in that aspect of it as well.
For three seasons, Ricci has portrayed the complex, quirky, and occasionally manipulative Misty Quigley in Showtime's hit drama series. The present-day storyline follows a group of former high school soccer players who survived a plane crash in the Canadian wilderness in the '90s — and now face the consequences of the brutal and atrocious acts they committed to survive. Ricci earned an Emmy nomination for her performance in 2022.
Playing Misty is really fun. It sort of validates this side of me that's very weird. In the beginning, I just was so conscious of not making her a caricature and making sure that she felt grounded in real emotion and experience, but still managing this very specific and unique character. As she's grown and changed over the seasons, it has been difficult. I think when you have a very extreme character, to sort of let more normal humanity seep in, all of a sudden, second season, she's in a relationship like, "Wow, OK." When I created the character, I never thought this would happen, but now I have to somehow figure out what this very extreme character, who wasn't particularly relatable, is like in relatable experiences. That was a really challenging calibration. And then this season, she's finally in less denial.
She's sort of cracked. She's not ignoring the slings and arrows from her "friends." She's not ignoring the fact that she's everyone's punching bag. It's almost like she's reacting in the present, but she's also reacting to the history and the past. But again, she starts to actually be angry. She starts to curse a little bit more. So, to sort of calibrate that performance where you're letting these more normal aspects in, but trying to maintain the character, make sure she's still that recognizable Misty with all these changes, I found that to be very challenging.
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Prime Crime With Jesse Weber — "Hosted and executive produced by attorney and Law&Crime anchor Jesse Weber, Prime Crime puts a spotlight on infamously controversial stories that have shocked investigators and the public alike." Good Hang With Amy Poehler — "Come hang with Amy Poehler. Each week on her podcast, she'll welcome celebrities and fun people to her studio. They'll share stories about their careers, mutual friends, shared enthusiasms, and most importantly, what's been making them laugh." The Daily — "This is what the news should sound like. The biggest stories of our time, told by the best journalists in the world. Hosted by Michael Barbaro, Rachel Abrams, and Natalie Kitroeff." Knifepoint Horror — "Tales of supernatural suspense written, produced, and narrated by Soren Narnia." Nick DiGiovanni — "Nick DiGiovanni is the world's top food content creator who is redefining what it means to be a chef." Crime Junkie — "Does hearing about a true crime case always leave you scouring the internet for the truth behind the story?" Up First From NPR — "NPR's Up First is the news you need to start your day. The three biggest stories of the day, with reporting and analysis from NPR News — in 10 minutes." Bad Friends — "Andrew Santino and Bobby Lee present Bad Friends." Modern Wisdom — "Life is hard. This podcast will help. Lessons from the greatest thinkers on the planet with Chris Williamson." The Tucker Carlson Show — "The Tucker Carlson Show is your beacon of free speech and honest reporting in a media landscape dominated by misinformation." Armchair Expert With Dax Shepard — "Hi, I'm Dax Shepard, and I love talking to people. I am endlessly fascinated by the messiness of being human, and I find people who are vulnerable and honest about their struggles and shortcomings to be incredibly sexy." The Jefferson Fisher Podcast — "Communicate with confidence so you can argue less and talk more. Every episode of The Jefferson Fisher Podcast is packed with actionable strategies you can implement today to improve the way you communicate." Call Her Daddy — "The most-listened to podcast by women, Alex Cooper's Call Her Daddy has been creating conversation since 2018. From deep, honest discussions to laugh-out-loud moments, Cooper cuts through the BS with exciting guests and bold topics." Matt and Shane's Secret Podcast — "Grab onto this fast moving train and witness two comedians rise to victory and splendor. This is easily the funniest podcast out there." Shawn Ryan Show — "The Shawn Ryan Show is hosted by Shawn Ryan, former U.S. Navy SEAL, CIA Contractor, and founder of Vigilance Elite. We tell REAL stories about REAL people from all walks of life." The Journal — "The most important stories about money, business and power. Hosted by Ryan Knutson and Jessica Mendoza." Two Hot Takes — "Join host Morgan Absher and her team of co-hosts as they scavenge Reddit, listener write-ins, and the rest of the internet to give their hot takes on the juiciest dating, relationship, life, and AITA stories." The Mel Robbins — "You can change your life and Mel Robbins will show you how." JackSepticEye — "I play video games but I also make other content like Try not to laugh, reacting to tik toks, meme review and IRL content. A lot of people come to my channel for long let's plays, especially for Sony exclusive games from PlayStation." NPR News Now — "The latest news in five minutes. Updated hourly." SmartLess — "SmartLess with Jason Bateman, Sean Hayes, and Will Arnett is a podcast that connects and unites people from all walks of life to learn about shared experiences through thoughtful dialogue and organic hilarity." Michael Buckner/Dick Clark Productions Here is the fine print for the Best Podcast Award at the Golden Globes: For purposes of this award, a "podcast" shall mean an episodic digital audio and/or video series that is made available to the public for download or on-demand streaming over the internet via a widely recognized media platform (individual social media accounts do not qualify). Eligible podcasts may take on any of the following formats or genres, so long as the podcast meets the other qualifying criteria set forth herein: i. Narrative: Fictional (scripted) or non-fictional (documentary-style) storytelling. ii. Scripted: Professionally written content, such as audio dramas, journalistic programs, fictional storytelling, or serial narratives. iii. Unscripted: Freeform or semi-structured formats, including talk shows, interviews, panel discussions, or improvisational content. iv. Hybrid: Combination of scripted and unscripted content, such as podcasts that incorporate interviews within a larger narrative framework. v. Educational or Informative: Programs designed to inform, teach, or explain specific topics, including subjects such as science, history, technology, health, and wellness. vi. News or Current Affairs: Programs that discuss, analyze, and/or report on local, national, and/or global news and trending topics. vii. Entertainment and Pop Culture: Commentary or discussion of popular media, celebrities, and/or cultural trends. Eligible podcasts must consist primarily of original content. Repackaged or rebroadcast content from other media (e.g., film or TV content converted to podcasts) is not eligible. Eligible podcasts must have released at least six (6) episodes during the period between January 1, 2025 and September 30, 2025 (the 'Podcast Eligibility Period'), with each episode having a minimum length of thirty (30) program minutes. Foreign podcasts (programs produced principally outside the United States) are not eligible for podcast awards unless they are the result of a co-production (both financially and creatively) between a United States partner and a foreign partner. A 'United States partner' is a company legally organized and doing business in the United States or a controlled subsidiary or affiliate of such company. Podcast eligibility does not depend on the language(s) used in the program. Non-English-language podcasts released in the United States are eligible if they meet the other qualifying criteria. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Click here to read the full article.