Latest news with #Perrier
The Sun
2 days ago
- Politics
- The Sun
‘Golden Dome' is pure fantasy
MUTZIG, FRANCE: First stop on my annual visit to France's mighty Maginot Line forts is this lovely Alsatian town. Mutzig was built by the Germans 1893-1916 to defend against enemy approaches to the important city of Strasbourg. It was – and remains – the largest modern fortress in Europe. The vast fortress, which covers over 800 acres, was never attacked during World War I by the Germans or French. But as Europe's first important fortress made of concrete and fully electrified, it was eagerly studied by French engineers and served as a template for the Maginot Line forts two decades later. Both world wars showed the vulnerability of fixed fortifications. An enemy will always find a way round them or discover a fatal weakness. In regard to the 322km-long Maginot Line, the forts did not fail. They held out to the bitter end. The reason for France's stunning defeat in 1940 was the failure of its field army and its blockheaded generals. Interestingly, a French parliamentary deputy with the effervescent name of Perrier precisely predicted where the Germans would break through the Ardennes Forest in 1940. Though vulnerable, the fixed defences of the Maginot Line were hugely popular in France and wildly overestimated because they involved huge construction projects for many of the villages and factories along France's eastern border with Germany. Just as New Deal make-work projects boosted the United States during the Great Depression. We see a similar mania in the response to President Donald Trump's plan to create a national 'Golden Dome' defensive shield to protect the nation from assorted nuclear threats. In many ways, it's a re-run of President Ronald Reagan's Star Wars missile shield, which never got off the ground but was extremely popular among the public. Frederick the Great of Prussia noted, 'he who defends everything, defends nothing,' As true today as it was in the 18th century. A national missile defence system to cover the entire nation would be impossibly expensive for a nation already deeply mired in debt. The always powerful military-industrial complex will see Trump's Golden Dome fantasy as a second Christmas though the basic technology has yet to be proven. One wonders if the proponents of this defensive system have noticed that Russia has developed ballistic missiles that can alter course, change altitudes and switch targets? Or that China has ICBMs aboard freighters in the Pacific. What about evolving electronic countermeasures that can fry enemy communications and guidance systems? It would be far more prudent for the US to pursue disarmament talks and effective inspection regimes with its rivals than pie in the sky defensive systems that will certainly enrich military companies but fail to protect North America. What's more, having even a partial anti-missile system will likely make the US more aggressive and prone to wars. Better to spend the trillions on curing cancer or blindness than on space wizardry. Alas, we have a view of what awaits us. Lately, Trump banned people from 12 mostly Muslims nations and imposed restrictions on seven nations. Good work Mr President. You and your New York City construction buddies have now made enemies of a quarter of the world's population.
The Sun
2 days ago
- Politics
- The Sun
Lessons from Maginot line and Trump's missile shield plan
MUTZIG, FRANCE: First stop on my annual visit to France's mighty Maginot Line forts is this lovely Alsatian town. Mutzig was built by the Germans 1893-1916 to defend against enemy approaches to the important city of Strasbourg. It was – and remains – the largest modern fortress in Europe. The vast fortress, which covers over 800 acres, was never attacked during World War I by the Germans or French. But as Europe's first important fortress made of concrete and fully electrified, it was eagerly studied by French engineers and served as a template for the Maginot Line forts two decades later. Both world wars showed the vulnerability of fixed fortifications. An enemy will always find a way round them or discover a fatal weakness. In regard to the 322km-long Maginot Line, the forts did not fail. They held out to the bitter end. The reason for France's stunning defeat in 1940 was the failure of its field army and its blockheaded generals. Interestingly, a French parliamentary deputy with the effervescent name of Perrier precisely predicted where the Germans would break through the Ardennes Forest in 1940. Though vulnerable, the fixed defences of the Maginot Line were hugely popular in France and wildly overestimated because they involved huge construction projects for many of the villages and factories along France's eastern border with Germany. Just as New Deal make-work projects boosted the United States during the Great Depression. We see a similar mania in the response to President Donald Trump's plan to create a national 'Golden Dome' defensive shield to protect the nation from assorted nuclear threats. In many ways, it's a re-run of President Ronald Reagan's Star Wars missile shield, which never got off the ground but was extremely popular among the public. Frederick the Great of Prussia noted, 'he who defends everything, defends nothing,' As true today as it was in the 18th century. A national missile defence system to cover the entire nation would be impossibly expensive for a nation already deeply mired in debt. The always powerful military-industrial complex will see Trump's Golden Dome fantasy as a second Christmas though the basic technology has yet to be proven. One wonders if the proponents of this defensive system have noticed that Russia has developed ballistic missiles that can alter course, change altitudes and switch targets? Or that China has ICBMs aboard freighters in the Pacific. What about evolving electronic countermeasures that can fry enemy communications and guidance systems? It would be far more prudent for the US to pursue disarmament talks and effective inspection regimes with its rivals than pie in the sky defensive systems that will certainly enrich military companies but fail to protect North America. What's more, having even a partial anti-missile system will likely make the US more aggressive and prone to wars. Better to spend the trillions on curing cancer or blindness than on space wizardry. Alas, we have a view of what awaits us. Lately, Trump banned people from 12 mostly Muslims nations and imposed restrictions on seven nations. Good work Mr President. You and your New York City construction buddies have now made enemies of a quarter of the world's population. The writer is a syndicated columnist. Comments: letters@
Scotsman
4 days ago
- Entertainment
- Scotsman
Edinburgh Fringe 2025 Hot Comedy Tickets: Here are 17 of the biggest comedians with shows
August is fast approaching which means it's time to scour the Edinbugh Festival Fringe programme for the best shows to see. The physical programme was launched earlier this month, with 3,352 show across 265 venues, and some are already selling out. It can be a fairly daunting prospect to narrow those down when organising your Fringe. It's always nice to take a chance on something, hoping to be the first to see a hot new act - but sometimes it's just nice to see a couple of familiar faces from television. Edinburgh has been the launching pad for a host of household names - everybody from Emma Thompson to Graham Norton started out with shows in the city. Many enjoy returning with their latest show in August - or to try out a work on progress in front of a comedy-literate crowd before heading out on a nationwide tour. Here are 17 of the biggest, most famous, names performing this year. 1 . Jenny Eclair Jenny Eclair became the first woman to win the Perrier (now the Edinburgh Comedy Award) in 1995 for her show 'Prozac & Tantrums'. This year, she'll be appearing for two shows only to celebrate the 40th anniversary of the Gilded Balloon. She'll be talking about her career, which as seen her branch out into acting, writing and presenting, at the Gilded Balloon from August 8-9. | Getty Images Photo Sales 2 . Rosie O'Donnell First finding fame in a television talent show in 1984, Rosie O'Donnell became one of the most famous faces on American television, winning mumerous Emmy Awards for her daytime talk show that saw her nicknamed the 'Queen of Nice'. She's now a prominent gay rights campaigner who is also a successful actor and author. See her at the Gilden Balloon from August 1-10 where she'll be performing new show 'Here and Now'. | Getty Images Photo Sales 3 . Nish Kumar Former Mash Report host Nish Kumar brought work in progress show to Edinburgh last year. Now he's back with the finished product, 'Nish, Don't Kill My Vibe' at Assembly George Square from August 1-10. | Getty Images Photo Sales 4 . Smack the Pony Emmy Award winning sketch trio Smack the Pony - Sally Phillips, Fiona Allen and Doon Mackichan - will be reforming for four shows only, entitles 'Back in the Saddle'. They'll be chatting to Kirsty Wark and "having a gallop through a few favourite sketches" at the Gilded Balloon from August 17-20. | Channel 4 Photo Sales
Hindustan Times
13-06-2025
- General
- Hindustan Times
Would you pay extra for luxury water. Wait. What IS luxury water, anyway?
We were taught in school that water is colourless, tasteless and odourless. That couldn't be further from the truth, says Ganesh Iyer. It's not just a line he throws around for drama, it's the foundation of his life's work. Iyer is 48 and has spent nearly 30 years in the beverage industry, and has been a water sommelier since 2017. Turns out, there's more to the substance than two atoms of hydrogen and one of oxygen, science textbook be damned. In Iyer's world, water can be swirled, sniffed and paired like wine. One sip, and he can tell you whether it comes from an alpine spring, an underground aquifer, or from a municipal tap. Water, like wine, tastes subtly different based on where it's been, the minerals it contains and how it's purified. Iyer has helped launch bottled-water brands such as Evian, Perrier and Himalaya. But India, he says, has had a pretty icy reception to his work. 'None of the hospitality institutes, be it IHM or OCLD, teach water as a subject,' he says. So, those in the business still view water as lacking flavour or smell. That's where he steps in. One restaurateur signed him on after he couldn't figure out why his Jaipur restaurant's laal maas tasted different when it was cooked in Udaipur, despite using the same recipe and cooks who'd received the same training. Iyer worked out that Udaipur's limestone-heavy local water masked the spice, flattening the dish's punch. But mostly, getting the food industry to take water seriously is tough. Most commercial kitchens rely on RO-purified water, a process that aggressively filters the water and strips it of most of its natural minerals. 'It's dead water,' Iyer says. 'It quenches thirst but does nothing else.' Worse, it sabotages good tea. 'If you're charging ₹450 to ₹500 for a chamomile and brewing it with RO, you're cheating the guest,' he says. Filtered tap water brings out the taste better. Much of what gets piped into Indian homes is unsafe to drink – even textbooks get this bit right. But with packaged drinking water, we may be giving up an entire bouquet of taste and flavour. High-quality water should not just be clean, it should come from a single source, with high levels of minerals such as calcium and magnesium. It's what the industry calls fine or premium water, and stirs in some derision. Because fine water can cost up to 10 times more. At posh restaurants worldwide, water menus are already part of the experience. Three Bays from Australia claims to come from a three-billion-year-old aquifer. Donat MG from Slovenia advertises 6,200 mg per litre of magnesium (regular hard water doesn't have more than 40 mg per litre). Svalbardi is sourced from melting Arctic icebergs in Norway. And water from Bhutan is said to be rich in calcium. Premium water makes up less than 1% of India's bottled water market. And Iyer's job is made doubly tough by bottled-water companies who also market ocean water, mushroom water, collagen water, alkaline water and black water, exaggerating their health benefits. 'Just because celebrities drink it doesn't mean it's good for you,' he warns. 'They also have elite healthcare and private chefs. That's not your reality.' Drink water that is clean. Drink it to stay hydrated. Don't expect it to help you lose weight or improve immunity. If you can afford it, pick a brand that offers single-source water. And if you enjoy the taste, drink more of it. It's not that complicated. 'Even if you can't switch entirely, know what you're drinking. At least stop calling it tasteless.' From HT Brunch, June 14, 2025 Follow us on
Yahoo
12-06-2025
- Entertainment
- Yahoo
‘Feel good about not conforming': Christina Ricci reflects on her iconic roles, from Wednesday Addams to Misty Quigley
The Gold Standard is a Gold Derby series where we speak to legendary figures in Hollywood who take us through their award-worthy greatest hits. Here, Emmy, Golden Globe, and SAG Award nominee Christina Ricci talks about her most iconic roles, including her current role as Misty Quigley on Showtime's Yellowjackets. Watch the video below. Ricci made her film debut at the age of 9 in the 1990 Orion Pictures comedy alongside Cher, Winona Ryder, and Bob Hoskins. In the film directed by Richard Benjamin, Ricci plays Kate Flax, the youngest daughter of Rachel (Cher), an unconventional single mother who relocates with her two daughters to a small Massachusetts town in 1963. More from GoldDerby Grammys unveil 2026 ceremony date, new categories 'The show is a true fluke': '100 Foot Wave' executive producer on how they chase big waves across the globe Damian Lewis on returning to 'Wolf Hall': 'Who doesn't want to play Henry VIII?' I remember being flown to Boston for my final audition, meeting Cher and Winona in the production office, and then going and having an audition with them. Noni [Ryder] and I talked about sharks because I have a lifelong fear of sharks, and so does she, apparently. And then I got that call that I got the part a day later, and I had a really amazing time. I loved Cher, I loved Winona. I spent a lot of time with Cher. I would hide in her trailer when I didn't want to do tutor school. She introduced me to See's Candies lollipops, the chocolate pops things, and Perrier. I had never seen sparkling water before. I had seen club soda but not Perrier, and I was just like, "Wow, this is really fancy!" I asked a lot of questions and people were very kind and educated me, and it was really a lovely, lovely experience. Still considered one of her most iconic roles, Wednesday Addams was brought to life by Ricci in The Addams Family (1991) and its sequel, Addams Family Values (1993), both directed by Barry Sonnenfeld. I auditioned for it, and then it feels like months later we got a call from Joe Aguilar, who had been the accountant on Mermaids, and he was working on Addams Family. And he said he had just been in a production meeting where they were saying that it was between me or this other girl. And Joe and his staff said, "Oh, we just worked with her and her mother, and they're fantastic." And at that time, there was always a concern over what the mother was like because mothers of child actors can really cause a lot of mayhem on sets. And because of the glowing review of my mother and her behavior on Mermaids, I got the part of Wednesday. So I was sort of a troubled child. I did not have a very happy household. There was a lot of abuse and a lot of bad times. [Ricci has called her father "physically violent" and says she hasn't spoken with him since her teen years.] And so for me, what was more challenging when I became an actress was this fake pretending to be happy and adorable thing that was hard for me. When I went to the audition for Addams Family, I had just come from a callback for a movie that I didn't get, where I had to cry and be very upset, and it was exhausting. And so then my mom was like, "Oh, we have one more audition to go to." And I was like, "I really don't want to go. I'm so tired." And she said, "Well, you don't have to do anything. Basically the character is just devoid of emotion and you just have to say the words." And I was like, "OK, I can do that." And that's what I did. And for me, it was much easier to be deadpan than to be emotive, which is kind of what the character's all about. This idea that little girls are always being told or women are always being told to smile and this character just refuses. That would've been my dream as a child, so I was very happy to play this part. Decades later, in 2022, she returned to the world of the Addams family on Netflix's hit series Wednesday, this time playing Marilyn Thornhill. The show reimagines Wednesday — portrayed by Jenna Ortega — as a teenager navigating life at Nevermore Academy while attempting to master her emerging psychic abilities. I think that Wednesday is a really important role. She's not an archetype. This idea that there is a character out there that young girls can look at, that outsiders can look at and feel good about not conforming, staying true to who they are. And Jenna's amazing, and I love [show producer] Tim Burton. I loved working with him. I was excited to work with him again, and it was just fun. In her first lead role, Ricci plays Kat Harvey in Universal Pictures' 1995 film, directed by Brad Silberling. Based on the Harvey Comics cartoon character Casper the Friendly Ghost, the film follows an afterlife therapist (Bill Pullman) and his daughter (Ricci), who meet an amiable young ghost when they move into a crumbling mansion to rid the premises of wicked spirits. The movie made history as the first feature film to have a fully CGI character in a lead role. It was a very long shoot. I think we shot for nine months down at the Universal lot. I have to say at that time it was sort of new technology that they were using to do the sort of mix of live-action and cartoon. I would say the average number of takes for every setup was probably about 50. It was a bit tedious at times, but all in all, it was an amazing crew, an incredible experience. Steven Spielberg was a producer and he would come to set all the time to visit. That, to me, was just the greatest thing. I got him to read Go Ask Alice. I was obsessed with that book at the time and wanted him to make it into a movie, and he actually read the book and we had a whole conversation about it, which was very nice of him. In her first deep dive into emotional drama, Ricci took on the role of Wendy Hood in 20th Century Fox's BAFTA-nominated film, directed by Oscar winner Ang Lee. The 1997 drama features an all-star cast, including Kevin Kline, Joan Allen, Sigourney Weaver, Elijah Wood, and Tobey Maguire. Set in 1973 suburban America, the film explores the intersecting lives of several middle-class families as they navigate substance abuse, infidelity, and the complexities of the swinging lifestyle. It was really incredible. I was a very big fan of Ang's work, so I was really excited to work with him. And then most of the actors also, I was just a huge fan of. My first day of shooting was the scene where Jamey Sheridan brings Elijah's body back home and everybody starts howling, screaming, crying. That was the first scene that we shot on the job. So it was really intense and really crazy and I was 15. ... Up until Ice Storm, I had mainly been doing family films. I had been dying to do some real gritty drama, so I remember just being like, "Oh, my God, this is what it's like." All these incredible actors doing all their separate prep things and shooting these scenes and howling, crying and shaking, and I was just like, "Oh, wow, I've really arrived." Ricci earned widespread critical acclaim for her performance as Layla in the 1998 Lionsgate film written, directed by, and starring Vincent Gallo. The story follows Billy (Gallo), recently released from prison, who attempts to impress his parents by introducing them to his wife — whom he doesn't actually have. In a desperate move, Billy kidnaps Layla (Ricci) and coerces her into posing as his wife for the visit. Ricci was named Best Supporting Actress by the National Board of Review. It was the first time I traveled without my mother. It was the first time I sort of had to really deal with some very extreme things on set. So it was the first time on my own. I sort of had to deal with a lot of things that were new to me. So it was sort of like a real trial by fire sort of growing up. I've never been somebody who thinks beyond making the film. I've just always been somebody who's very present and involved in the making and I always forget that people are going to see it and hear me. I remember getting a really good review in The New York Times by a really important film critic [Janet Maslin] and my mother being really excited. So all of the accolades after that were very much a surprise to me. I was a really unpleasant teen. I had recovered from anorexia and put on about 40 pounds and thought I couldn't move, and I just felt gross and I didn't feel like a movie star. I didn't feel like somebody they would ever single out and praise. So it was all very much genuinely a surprise. Ricci earned her first Golden Globe nomination (Best Comedy/Musical Actress) for playing troublemaker Dedee Truitt in Sony's 1998 dark comedy written and directed by Don Roos. It was really fun. Unfortunately, I had gone to Goldie Hawn's pre-Golden Globes party the night before and I was only, like, 19, so I didn't know how to do it. Now I understand that nobody actually drinks at those parties, but at that time I didn't know. So I was so horribly hung over at the Golden Globes that I literally just was like, "Let's get out of here. I'm going to throw up. I got to get in the car and go home," and that's what I did. Ricci stars as Katrina Van Tassel alongside Johnny Depp's Ichabod Crane in Tim Burton's 1999 fantasy-horror film, distributed by Paramount Pictures. The Oscar-winning film follows Ichabod Crane, a New York detective sent to the eerie village of Sleepy Hollow to investigate a series of gruesome decapitations, believed to be the work of the legendary apparition known as the Headless Horseman. Tim has such passion and he is such a childlike delight for what he does, and he will literally be behind the monitor, mouthing your lines along while you're talking. It's fun to work with somebody who's really excited and is excited about new ideas and I could bring to him an idea and say, "Can I do this? I think this would be so fun and I'm good at this." And he'd be like, "Great, yeah, let's do that." And so there was a lot of passion and excitement and creativity on that set, and that was what I felt the most. Patty Jenkins' 2003 crime drama, based on the true story of Aileen Wuornos, stars Charlize Theron in her Oscar-winning role as the Daytona Beach prostitute-turned-serial killer. Ricci portrays Selby Wall, a character inspired by Wuornos' girlfriend, who becomes the killer's companion as she evades the law. Charlize was so wonderful, and she and I just had such a great rapport and way of working together and she was so charming and kind, and I just think that we had a combination of being two people who didn't have a lot of ego at that time. I knew I was there to support her. I knew that that job was about her winning an Academy Award. I knew that it was sort of her moment and I was perfectly happy to be there and do that. The story was really important to tell, and so I wanted to be a part of that. And then working with Patty Jenkins was just amazing. Patty just creates such a safe space that you know that you're OK and you're going to be watched out for, and she's there and wants the best for you and the film, and you're not going to be exploited and she's not going to trick you into getting what she wants from you. And so that was a really wonderful experience. And Charlize and I, because the material was so dark, we literally would laugh and giggle until Patty called action. It must be a survival thing. We would just literally crack up hysterically and not be able to stop until Patty called action. Ricci's guest-starring role as Hannah Davies on the ABC medical drama earned the actress her first Emmy nomination in 2006. In the two-part episode titled "It's the End of the World" and "As We Know It," Ricci delivers a tense performance as a young paramedic who must keep her hand inside a patient's body cavity to prevent a bomb from detonating. My sister actually, who was a big Grey's Anatomy fan, it was the first season and she was like, "I love this show. This show is so amazing. You should definitely do this show." And I was like, "OK, great. You love the show, I'll do the show." But I had only seen one episode of it before, so I went into it having read the script once, seen one episode. That was the kind of actor I was at the time. I've always loved it when the writing and the words actually evoke real genuine emotion in that moment, and so I was genuinely surprised by the performance I gave. I remember them calling cut after one of the takes, and it had been one of the most emotional times, and no one had sort of told me to get that emotional, but just because of the whole thing, I got really emotional. I was shaking and I was surprised by it. Then they called cut, and I remember one of the other actors just looking at me and being like, "Wow," and kind of joking, "You should be an actor." And just thinking like, "Oh, yeah, that was pretty good." Ricci earned a Screen Actors Guild Award nomination for Best Actress in a TV Movie or Miniseries for her role as the titular character in Lifetime's 2015 crime series. The series is a fictionalized account of events and people surrounding the infamous Lizzie Borden following her controversial acquittal in the 1892 double murder of her father and stepmother. I was very surprised by my SAG nomination, as was everybody on my team. I came out of SoulCycle and had messages from my publicist, and she was like, "You got nominated for a SAG Award." And I was like, "What?" I had no idea that I had even been submitted. I certainly hadn't been doing any campaigning, and it was for a Lifetime movie. It was very bizarre to me. I never thought that doing a Lifetime movie, I would get a SAG nomination. So I was really shocked and surprised and really grateful. I also have an interest in true crime, and that's one of those really sort of fantastic American crime stories, so I was interested in it and also interested in more of the psychological aspects of that character. When I was younger, I was obsessed with the fact that so many women, middle-aged, had been committed. I remember being 9 or 10 and just being like, "Wow. So women in the past, you just go crazy around 35." As you get older, you realize, "No, no, just women were conveniently put into mental asylums if they had any sort of emotion or extreme behavior." So I think I was very interested in that aspect of it as well. For three seasons, Ricci has portrayed the complex, quirky, and occasionally manipulative Misty Quigley in Showtime's hit drama series. The present-day storyline follows a group of former high school soccer players who survived a plane crash in the Canadian wilderness in the '90s — and now face the consequences of the brutal and atrocious acts they committed to survive. Ricci earned an Emmy nomination for her performance in 2022. Playing Misty is really fun. It sort of validates this side of me that's very weird. In the beginning, I just was so conscious of not making her a caricature and making sure that she felt grounded in real emotion and experience, but still managing this very specific and unique character. As she's grown and changed over the seasons, it has been difficult. I think when you have a very extreme character, to sort of let more normal humanity seep in, all of a sudden, second season, she's in a relationship like, "Wow, OK." When I created the character, I never thought this would happen, but now I have to somehow figure out what this very extreme character, who wasn't particularly relatable, is like in relatable experiences. That was a really challenging calibration. And then this season, she's finally in less denial. She's sort of cracked. She's not ignoring the slings and arrows from her "friends." She's not ignoring the fact that she's everyone's punching bag. It's almost like she's reacting in the present, but she's also reacting to the history and the past. But again, she starts to actually be angry. She starts to curse a little bit more. So, to sort of calibrate that performance where you're letting these more normal aspects in, but trying to maintain the character, make sure she's still that recognizable Misty with all these changes, I found that to be very challenging. Best of GoldDerby Jonathan Pryce on the 'great responsibility' of playing a character with dementia in 'Slow Horses' How Anna Camp played twins with a twist on 'You' 'The White Lotus' star Aimee Lou Wood on the social media drama: 'It's been scary, overwhelming, and difficult' Click here to read the full article.
