Terminal List Season 2: Gabriel Luna Cast as Fan-Favorite Book Character
We finally have an update on the long-awaited second season of The Terminal List: Chris Pratt's Navy SEAL drama — which bowed July 1, 2022 on Prime Video, and was renewed in February of 2023 — has cast Gabriel Luna (The Last of Us) in a pivotal Season 2 role.
Luna will recur as Freddy Strain — a character who factored heavily into Jack Carr's second James Reece novel, 'True Believer.' A former SEAL Team 6 Senior Chief and current officer with CIA's Ground Branch, Freddy is described as 'a man of two worlds – equal parts elite sniper and dedicated family man. His belief that James Reece (played by Pratt) survived the events of The Terminal List Season 1 will pull the 'most wanted man on the planet' out of hiding and back into the fray.' In turn, 'Reece shows Freddy that desperate times can call for operating outside the lines, while Freddy's commitment to family, country, and cause will help guide Reece on his path to redemption.'
More from TVLine
Terminal List Renewed for Season 2; Taylor Kitsch-Led Prequel in the Works
The Terminal List Prequel Series, Starring Chris Pratt and Taylor Kitsch, Officially a Go at Amazon
TVLine Items: Legally Blonde Prequel Casts Elle Woods' Mom, Mufasa Hits Disney+ and More
Luna's previous TV credits include Ghost Rider/Robbie Reyes on ABC's Marvel's Agents of S.H.I.E.L.D., Tony Bravo on El Rey Network's Matador and Boro on Netflix's FUBAR. He is set to reprise his role as Tommy Miller during Season 2 of HBO's The Last of Us (premiering Sunday, April 13).
An A-to-Z List of 300+ Scripted Series
View List
Season 2 of The Terminal List does not yet have a release date. Pratt, who is currently promoting the Netflix movie The Electric State, recently told Collider that cameras start rolling on Season 2 later this month; TVLine will keep you posted as we learn more.
In addition to Season 2, Pratt will star opposite Taylor Kitsch in The Terminal List: Dark Wolf, a prequel series that will see Kitsch reprise his Season 1 role as Ben Edwards. The offshoot was officially ordered in February 2024, with Tom Hopper (The Umbrella Academy) cast as Raife Hasting, a hunter, protector, guardian and Navy SEAL.
Are you looking forward to Season 2 of ? Is Gabriel Luna a good fit for the Freddy Strain character? Drop your thoughts in a comment below.
Best of TVLine
Yellowjackets Mysteries: An Up-to-Date List of the Series' Biggest Questions (and Answers?)
The Emmys' Most Memorable Moments: Laughter, Tears, Historical Wins, 'The Big One' and More
'Missing' Shows, Found! The Latest on Severance, Holey Moley, Poker Face, YOU, Primo, Transplant and 25+ Others
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Lynn Hamilton, of Sanford and Son and The Waltons, Dead at 95
Lynn Hamilton, best known to TV audiences for work on Sanford and Son and The Waltons, has passed away at the age of 95. According to The Hollywood Reporter, Hamilton died June 19 of natural causes at her home in Chicago. More from TVLine R.I.P., Anne Burrell: Rachael Ray, Bobby Flay and More Food Network Stars Pay Tribute ('She Was a Radiant Spirit') Dave Scott, So You Think You Can Dance Choreographer, Dead at 52 Food Network Star Anne Burrell, Host of Worst Cooks in America, Dead at 55 Hamilton recurred throughout Sanford and Son's six-season run; she appeared in 22 episodes across six seasons, between 1972 and 1977. She initially played Lamont's landlady in Season 1, Episode 7, but was reintroduced just three weeks later as Fred's girlfriend-turned-fiancée, registered nurse Donna Harris (aka 'The Barracuda'). Between 1973 and 1981, Hamilton also recurred on CBS' The Waltons, on which she played Verdie Grant Foster — a role she would later reprise in two made-for-TV movies: A Walton Thanksgiving Reunion (1993) and A Walton Easter (1997). Hamilton also starred in a pair of short-lived soap operas — as matriarch Vivian Potter on NBC's Generations (1989-91), and as Cissie Johnson in the syndicated drama Dangerous Woman (1991-92). Additional small-screen roles included Cousin Georgia Anderson on Roots: The Next Generations (1979), Emma Johnson on 227 (1986-89) and Judge P. Fulton on The Practice (1997-2002). Film credits included Shadows (1959), Brother John (1971), Buck and the Preacher (1972), Lady Sings the Blues (1972), Leadbelly (1976) and Legal Eagles (1986). TV Stars We Lost in 2025 View Gallery40 Images Best of TVLine 'Missing' Shows, Found! Get the Latest on Ahsoka, Monarch, P-Valley, Sugar, Anansi Boys and 25+ Others Yellowjackets Mysteries: An Up-to-Date List of the Series' Biggest Questions (and Answers?) The Emmys' Most Memorable Moments: Laughter, Tears, Historical Wins, 'The Big One' and More
Yahoo
2 hours ago
- Yahoo
The Gilded Age Cast IRL: See How the Season 3 Stars Look Out of Costume
Like the time period from which it gets its name, The Gilded Age is all about excess. From the characters' lavish homes to their stunning gowns and jewelry, it's like every day is the Met Gala — and the servants aren't the only ones serving. Here at TVLine, we live for a good fashion moment as much as Mrs. Fish lives for drama at the opera, but it's easy to get lost in the 1880s fantasy. Sometimes we forget that there are present-day women buried under all those corsets, bustles and bonnets. More from TVLine Casting News: Andor Subs In for Kimmel, Connie Britton Joins Steve Carell Comedy and More Casting News: Severance Duo on Millionaire, Steve Carell Comedy Casts Bridesmaids Vet and More The White Lotus: Walton Goggins and Aimee Lou Wood Reveal a Rick and Chelsea Sex Scene Was Cut From the Finale ('It Was So Powerful') But not today! In preparation for The Gilded Age's Season 3 premiere (Sunday, 9/8c), we're taking a moment to remind you what the HBO drama's cast looks like when they're not dressed in period-accurate costumes. And you might be surprised by some of the things you see. For example, did you know that Louisa Jacobson is actually a brunette underneath her blonde Marian Brook wig? Or that Ben Ahlers rocks a no-nonsense mustache when he's not playing baby faced jack-of-all-trades John Trotter? Prepare to learn all that and more as you peruse side-by-side comparisons of this season's Gilded Age series regulars (along with a few noteworthy Season 3 guest stars) out of costume, primarily using red carpet photos from the show's June 12 premiere at the Tribeca Film Festival. Scroll down to see the Gilded Age stars as they truly are, then drop a comment with your thoughts. Did anyone catch you by surprise? Best of TVLine 20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More Young Sheldon Easter Eggs: Every Nod to The Big Bang Theory (and Every Future Reveal) Across 7 Seasons Weirdest TV Crossovers: Always Sunny Meets Abbott, Family Guy vs. Simpsons, Nine-Nine Recruits New Girl and More
Yahoo
2 hours ago
- Yahoo
The Creator of Scream Has a New Netflix Hit. It's Salty, Soapy, and Fully Adult.
The Waterfront If things continue at their current pace, all of television is in danger of turning into a genre that I like to call 'Yellowstone, but … ' Of course, we have the Taylor Sheridan show's many prequel spinoffs, but their success also seems to have inspired waves of Westerns and dramas about locally powerful families who have fallen on hard times. The latest 'Yellowstone, but … ' show is The Waterfront, now streaming on Netflix, where it has immediately shot to No. 1 on the charts. This is a story set in a seaside town, following the locally powerful Buckley family, owners of a fishery, a restaurant, some beautiful houses, and undeveloped tracts of coastline, who have—you guessed it—fallen on hard times. Like the Duttons trying to hold on to their Yellowstone Ranch, the Buckleys need to arrest their downward mobility; their attempts to do so without betraying their beliefs, or one another, will be the meat of the story. The Waterfront is a Kevin Williamson show, set (like his Dawson's Creek) in coastal North Carolina, so it's full of salty, beautiful people who do soapy things. But unlike Dawson's Creek and Williamson's latter-day hit The Vampire Diaries, this is a full-on adult show, with no teenage romance, and with moments of hyperviolence that startled me into audible exclamations of 'Oh!' Adventuresome Netflix viewers looking for 'Outer Banks without the treasure hunt' will likely find themselves confused, and hopefully minimally traumatized, by this one. The Waterfront stars Holt McCallany, the granite-faced father-figure standout from Mindhunter and The Iron Claw, as the patriarch Harlan Buckley, whose own father was involved in the drug trade, but who has been running 'clean' businesses for a couple of decades, ever since his father's illegal activities ended in his death. Maria Bello plays Harlan's wife, Belle, who tolerates her husband's drinking and affairs, for reasons that are somewhat hard to parse. Jake Weary is his golden-boy son, Cane, a former football player and reluctant participant in all this crime who becomes the heart of the show, and Melissa Benoist is his daughter Bree, an addict in recovery who, we find out, has good reason to hate her family. Will the Buckleys, having trouble keeping their businesses in the black, get back into running drugs? You bet they will! And for the sake of the show, it's a good thing they do, because that's what brings Grady, a drug dealer played by Topher Grace, into the mix, significantly livening up the action. Grace has gotten really good at being in on the trick that his face plays on you. You see those features and think 'preppy; professional-managerial; Connecticut.' But there's something creepy about a guy that clean-cut; a Topher Grace villain knows it. Here, as Grady, Grace creates a really weird—maybe not always successful, but always interesting—villain. Topher Grace and Holt McCallany are the most recognizable actors on the show, and The Waterfront has placed them in opposition to one another, playing contrasting versions of powerful manhood. After the Buckleys eliminate the middleman they've been working with, they find Grady, who has a big drug operation set up in a farmhouse heavily populated by hired badasses, and try to do business with him. Grady at first looks like a vest-wearing tech bro, but we find out he has—as Harlan says—'no code.' We first see how disturbing he is when Grady orders his men to turn a minigun mounted on a truck on a henchman who's displeased him and is running away across a field. Grady jokes about how loud the gun is, and mocks how the guy's body jumps around as it's riddled with bullets, while Harlan stares, shocked. Grady is there to show us that some people shouldn't have power, to draw a contrast between his infatuation with it and our heroes' supposed reluctance to use it. But he's also kind of funny, which is good, because the dominant feeling you get from spending time in the world of the Buckleys is one of hungover, self-serious misery. (In that way, this show is, indeed, 'Yellowstone, but … ') Out of some sociopathic impulse of friendliness, or maybe in order to control the situation, Grady cozies up to the Buckleys, showing up at their restaurant, convincing their teenage grandson Diller (Brady Hepner) to go on a hunting trip, and directly asking Harlan if they can become like family. When Harlan, Grady, and Diller walk in a field, hunting quail, the series best gets at the contrast it's trying to draw between these two men. Grady is a guy who loves violence but doesn't really know how to use a gun. Harlan tries to teach Grady how to aim, how to be disciplined with his hunting rifle; Diller, taught by Harlan, already knows. McCallany's calm, paternal intensity, heightened by being thrown into this situation with an unpredictable and dangerous person, ramps up by the moment, until he gives off a wave of gravitas that makes you believe that indeed, Harlan is the kind of father who can be so-so, but who has (as Bree puts it) 'moments of spectacular.' But just as often, when McCallany and Grace face off, the manic energy rolling off Grady crashes into the stone-faced Harlan in a way that's less effective, giving McCallany less to do. In one scene, as the two debate the terms of their relationship, Grady describes Harlan as having 'resting stress face'; Grace pulls down the sides of his mouth, making a perfect simulacrum of McCallany's. That's funny! But it also makes Harlan into more of a caricature—something the show needs to break down, rather than build up, since it's picked such a perfect Big Daddy actor for its Big Daddy character. This first season of The Waterfront sets more tables than the waitresses at the Buckleys' seaside restaurant. We see Cane's moral dilemmas, Bree's tragic history. But the best seeds it sows are in the relationship between Harlan and Belle. Belle is the kind of wife who accepts the appearance of Harlan's out-of-wedlock son with barely a blink, but also one who tries, behind Harlan's back, to sell a piece of land in a development deal that goes against Harlan's principles but that would have gotten the family out of the drug business for good. This scheme aside, in this season, the parents are mostly on the same page. But by the end, we see that we may get a lot of McCallany vs. Bello next time around. That's a good idea. Yellowstone always suffered because John Dutton had no plausible opposition inside his family. (Jamie does not count.) If The Waterfront is about a family managing its own decline, it only makes sense that in such a family, Mom and Dad would, quite often, find themselves fighting.