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‘Loki and Daredevil would have a fun match-up!' Tom Hiddleston eyes Marvel collab with Charlie Cox

‘Loki and Daredevil would have a fun match-up!' Tom Hiddleston eyes Marvel collab with Charlie Cox

Yahoo7 days ago

Tom Hiddleston wants to work with Charlie Cox in the Marvel Cinematic Universe (MCU).
The 44-year-old actor has portrayed Loki since 2011's Thor and is set to return as the God of Mischief in Avengers: Doomsday, and Hiddleston has now revealed he wants to join forces with the Daredevil: Born Again star, 42, in a future MCU project.
When Buzzfeed Celeb asked Hiddleston which Marvel actor he'd most like to collaborate with in the superhero franchise, he said: 'I've worked with a lot of them now, and that's been a great joy. It's hard to pick one, because they're all such extraordinary actors.
'I'd like to work with Daredevil. Charlie Cox is a dear friend of mine. I think Loki and Daredevil would have a fun match-up.
'Charlie and I were in a play together on Broadway on Halloween, and I dressed up as Daredevil and he dressed up as Loki. It was really fun!'
As well as Hiddleston's Loki, Avengers: Doomsday will see the return of Chris Hemsworth as Thor, Paul Rudd as Ant-Man, Pedro Pascal as Mr. Fantastic, Vanessa Kirby as The Invisible Woman, Joseph Quinn as The Human Torch and Ebon Moss-Bachrach as The Thing.
The 2026 blockbuster will introduce former Iron Man star Robert Downey Jr. as Marvel's new big bad, Doctor Doom.
While Avengers: Doomsday will include swathes of fan-favourite characters, Cox previously insisted he wouldn't appear in the film.
During Marvel's livestream for Avengers: Doomsday in March, the studio revealed returning cast members by showing chairs with their names on the back, though Cox's name did not appear.
Following Cox's absence from the announcement livestream, he told Screen Rant: 'It's not there, is it?
'Listen, the way that information gets to us is the same way that it gets to everyone else normally. At least historically, that's been the case.
'Someone sent me the link. I looked for my name. It's not there. So, maybe one day.'
Before the livestream, it had been theorised that the Devil of Hell's Kitchen would be included in Avengers: Doomsday, with speculation growing around Christmas last year when Cox was spotted working out at DFRNT Health and Fitness in Western Australia.
The gym owners had posted an image of Cox and his wife Sam in the health club with the caption: 'Charlie is currently training for his role in the upcoming Avengers movie', though the actor later revealed he had been training for the second season of Daredevil: Born Again - not for the blockbuster.
The actor called his bosses to insist he didn't tell anyone he would be suiting up as Daredevil in Avengers: Doomsday, and admitted he felt 'terrible' when the speculation began.
Cox told Entertainment Weekly: 'I was there for Christmas with my family. And on the last day, they asked if they could take a picture with me, which we did.
'I had said to them, 'I'm getting ready to play Daredevil', because I am! I'm getting ready to play Daredevil in season two of Daredevil: Born Again.
'Sometimes people who aren't really in the [entertainment] world, they don't understand the terminology or whatever, but for some reason they posted that and they put, 'Getting ready for his role in the Avengers', which is not true.
'I felt terrible. I had to call my bosses and say, 'I didn't say that,' obviously. Why would I say that? Why would I make something like that up?'

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This is similar to the same reason I'm a fan of zombie films – they're less about the literal particulars of zombies than whatever the zombies come to represent in the minds of individual and collective viewers. Zombies are a metaphor for whatever terrifies and threatens us, be it pandemics or nuclear war or climate change or civil war, the living dead are an empty slate upon which we write our own nightmares. Jaws is a perfect early example of this, within a more refined context as Travers discusses. And the way the shark is more menacing and more terrifying when we don't see it speaks to a point Robert Patterson's Bruce Wayne makes during his opening narration in Matt Reeves' The Batman when he says that because he could be anywhere, scared villains see him everywhere. Jaws - The Legacy Lives On Half a century after it first made audiences cry and popcorn fly, Jaws remains a powerful force in pop culture. Its legacy is seen every year when summer movie season rolls around. Its DNA is present whenever a filmmaker holds back a monster reveal to build suspense or a blockbuster balances character moments with eye-popping thrills. Its cautionary themes about respecting nature, heeding warnings and science, and finding courage are as relevant as ever. And in the simple act of scaring people out of the water, Jaws achieved a kind of immortality that few works of fiction ever do. Modern viewers are still struck by how Jaws, despite launching an era of big-budget popcorn spectacle, remains a relatively modestly human-scaled thriller at heart. Compared to today's CGI-filled epics, Jaws was a mid-budget film that relied on character, suspense, and primal fear more than flashy effects. When the time for effects did come, the realism and selective use made them all the more impressive and scary. In fact, many argue Hollywood took the wrong lessons from Jaws, that studios focused on 'bigger boat' spectacle rather than what truly made the film great – its tight storytelling and craft. The real keys were suspense, relatable characters, and Spielberg's deft directing. Thus, while Jaws undeniably gave Hollywood a new formula for summer hits, it also stands apart from the very blockbusters it inspired. Jaws would thrive in any era. Indeed, the modern masterpiece Godzilla Minus One from writer-director-VFX Supervisor Takashi Yamazaki is heavily inspired by Jaws. The film reflects the best sort of inspiration from Spielberg's film, including the power of character-driven storytelling, suspense and anticipation, and a brilliant vision from its director. If you want a particularly great 50th anniversary of Jaws, the new 4K UHD edition and the gorgeous Godzilla Minus One/Minus Color make for a perfect pairing. Then watch the anniversary documentary Jaws @ 50 (either on the excellent physical home release, or when it runs on National Geographic/Hulu/Disney+) for insightful and revelatory conversations with cast and crew, including Spielberg's conversations about his own reactions and lingering traumas over the many years and decades after making Jaws. For Spielberg and the cast and crew, it probably seems astonishing that a film made under such duress could endure so powerfully. But perhaps it's precisely those challenges that made Jaws great, the creative solutions and on-the-fly brilliance born from chaos and necessity. Jaws transcended its humble 'summer thriller' origins to become a classic. Despite the great Roger Ebert's own glowing review, many of his contemporaries couldn't all see of its greatness, with many dismissing it as nonsense or mere shock entertainment. But time has vindicated Jaws. Today, it is firmly entrenched as a historic turning point in American cinema, dissected in film courses, and beloved by filmmakers and audiences alike. From its metaphorical depths exploring fear of the unknown and the perils of greed and hubris, to its lasting impact on filmmaking and pop culture, five decades on Jaws remains a timeless masterpiece reflecting changes in Hollywood and society, even as it continues to scare new generations out of the water.

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