Abhishek Banerjee Knew Siddhant Chaturvedi Had A Spark Even Before Gully Boy
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Abhishek Banerjee noted that Siddhant Chaturvedi embodies a new generation of Bollywood actors who blend style with depth and aren't afraid to take bold creative risks.
Abhishek Banerjee, known for his compelling performances and experience as a casting director, recently shared his thoughts on rising talent in the entertainment industry. Speaking fondly of Siddhant Chaturvedi, Banerjee described him as a standout performer, someone he considers a rare find with the potential to leave a lasting mark in the industry.
In conversation with Raj Shamani, Abhishek Banerjee said, 'Siddhant Chaturvedi is my rarest find. I'll take his name because he has given very important performances. We cast him in Inside Edge as the character of a Dalit bowler — and that choice is deliberate and important to highlight."
Expressing his admiration further for Chaturvedi, Banerjee said, 'The first time I saw him, I knew there is something remarkable about this man. Siddhant who is a hero today, and imagined in all different stylish, glamorous roles — we had envisioned him as a lower-caste sportsman, someone who was oppressed and bullied."
Banerjee added that Siddhant Chaturvedi represents a refreshing new wave in Bollywood — performers who blend style with substance and aren't afraid to push creative boundaries. He recalled first casting Chaturvedi in a Coca-Cola commercial, followed by a role in Inside Edge, before the actor went on to earn widespread acclaim for his breakout performance in Gully Boy.
This endorsement only fuels the excitement surrounding Chaturvedi, whose upcoming projects are already generating buzz. He is set to star in Dhadak 2 opposite Triptii Dimri, and will also appear alongside Jaya Bachchan and Wamiqa Gabbi in the comedy Dil Ka Darwaaza Khol Na Darling.
Meanwhile, Abhishek Banerjee continues to make his own mark in cinema, best known for his role in the Stree franchise. His recent film Stolen has earned global attention, breaking into the top 10 trending films on Prime Video in both India and the United States.
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Abhishek Banerjee Knew Siddhant Chaturvedi Had A Spark Even Before Gully Boy
Last Updated: Abhishek Banerjee noted that Siddhant Chaturvedi embodies a new generation of Bollywood actors who blend style with depth and aren't afraid to take bold creative risks. Abhishek Banerjee, known for his compelling performances and experience as a casting director, recently shared his thoughts on rising talent in the entertainment industry. Speaking fondly of Siddhant Chaturvedi, Banerjee described him as a standout performer, someone he considers a rare find with the potential to leave a lasting mark in the industry. In conversation with Raj Shamani, Abhishek Banerjee said, 'Siddhant Chaturvedi is my rarest find. I'll take his name because he has given very important performances. We cast him in Inside Edge as the character of a Dalit bowler — and that choice is deliberate and important to highlight." Expressing his admiration further for Chaturvedi, Banerjee said, 'The first time I saw him, I knew there is something remarkable about this man. Siddhant who is a hero today, and imagined in all different stylish, glamorous roles — we had envisioned him as a lower-caste sportsman, someone who was oppressed and bullied." Banerjee added that Siddhant Chaturvedi represents a refreshing new wave in Bollywood — performers who blend style with substance and aren't afraid to push creative boundaries. He recalled first casting Chaturvedi in a Coca-Cola commercial, followed by a role in Inside Edge, before the actor went on to earn widespread acclaim for his breakout performance in Gully Boy. This endorsement only fuels the excitement surrounding Chaturvedi, whose upcoming projects are already generating buzz. He is set to star in Dhadak 2 opposite Triptii Dimri, and will also appear alongside Jaya Bachchan and Wamiqa Gabbi in the comedy Dil Ka Darwaaza Khol Na Darling. Meanwhile, Abhishek Banerjee continues to make his own mark in cinema, best known for his role in the Stree franchise. His recent film Stolen has earned global attention, breaking into the top 10 trending films on Prime Video in both India and the United States. First Published:
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In loving memory As he read his way through centuries of verse, Moin says, he noticed something that thrilled him: over and over, certain cities inspired the same sentiment. Whether this was an effect of culture, literary mirroring or an idea that took root and spread, tracing these threads through time felt extraordinary, he says. Kolkata's poets tend to look at the city as a harsh mistress, their unrequited love for her both romantic and torturous. Mumbai poets struggle to come to terms with their city's glaring inequalities, and write of the difficulties of surviving in this maximal metropolis. As for Delhi, 'it doesn't matter if you're reading poetry from the 14th century or the 21st,' Moin says. 'The theme is always that this was once a great city, but it no longer is. And that one loves Delhi for its past.' 'A lot of fantastic gay poets, such as Hoshang Merchant and R Raj Rao, are featured in this collection,' Moin adds. 'It's interesting to see, through their eyes, how the city enables the marginalised to express themselves, while on the other hand still stifling them.' There are poets in these pages who are also activists and fighters, soldiers and sages, memory-keepers looking to record a city's present, its culture and its people, its quirks and flaws, before it is all erased and redrawn. But most poets in the anthology, Moin points out, are none of these things. They are simply the 'loafers' of Arvind Krishna Mehrotra's imagination, drifting carefree through gardens, temples and lanes, finding ways to turn the minutiae of the everyday into art. As Nirupama Dutt puts it, in Laughing Sorrow: 'I will go to the poet of the city, / looking for life without restraint. / He will have half a bottle of rum / in one pocket and a freshly / written poem in the other.' Get 360° coverage—from daily headlines to 100 year archives.
