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Sony Unleashes Extended Footage Of ‘28 Years Later', Screens Scenes From Darren Aronofsky's Austin Butler-Starrer ‘Caught Stealing'

Sony Unleashes Extended Footage Of ‘28 Years Later', Screens Scenes From Darren Aronofsky's Austin Butler-Starrer ‘Caught Stealing'

Yahoo5 hours ago

As it prepares to unleash Danny Boyle's 28 Years Later around the globe later this week, Sony showed off the first 28 minutes of the zombie thriller for exhibitors here at the CineEurope conference in Barcelona.
Boyle introduced the footage via video message, saying this 'new journey' is the 'start of something big.' The first trailer dropped back in December and is the third most-watched horror trailer ever with 60.2 million views in its first 24 hours, while Deadline reported earlier this month that in the first 24 hours of ticket sales domestically, 28 Years Later became the best horror pre-seller of the year to date.
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The second film in the newly revamped trilogy — 28 Years Later: The Bone Temple — will hit North American theaters on January 16, 2026.
At the start of Sony's presentation, Steven O'Dell, President of International Marketing and Distribution, said to the assembled exhibitors, 'I hope everyone is sitting here with a lot more confidence about the present and the future vs. the angst we have felt over the last five years… This year is the moment to make our bets and we all have big bets to make. On the movie side, our job is to create compelling content and market the heck out of it, to get people excited to go to a movie. While on the cinema side, it is your challenge to invest in, and modernize, the cinema experience to get people thinking every week about going to the cinema.'
He continued, 'When we are both operating at the top of our game, we create a shared experience that is a bedrock of entertainment all around the world.'
Other footage that screened during Sony's presentation included two scenes from Darren Aronofsky's Caught Stealing starring Austin Butler, and which releases domestically on August 29 this year. Aronofsky sent a video message from New York where he said he's in the final stages of editing, and explained he'd wanted to make 'a romp, caper, adventure' set in the East Village during a time of 'peak humanity,' before 9/11, when 'Y2K was the biggest threat.'
Also sending a message was Sam Mendes who mused on his epic four-picture project about The Beatles which he called 'in every sense an entirely unique event.' The quartet of movies is due in April 2028.
And, Scarlett Johannson, fresh off the Cannes unveiling of her feature directing debut, Eleanor the Great, sent a video message about the 'personal' film, saying 'every frame is etched in my DNA.' Sony is releasing internationally and Sony Pictures Classics domestically with a date TBD.
Among other trailers and footage were a sizzle reel for Paul Rudd/Jack Black Christmas release, Anaconda, and a scene and new trailer for I Know What You Did Last Summer which releases in July.
There are three big anime movies up ahead which each got a mention, Crunchyroll's Demon Slayer: Kimetsu no Yaiba Infinity Castle releasing September 12 in North America, followed by Chainsaw Man – The Movie: Reze Arc which begins rollout on September 24 internationally and goes domestic on October 29, as well as Scarlet, a world-creation story of a brave princess who transcends time and space (U.S. release December 12).
On the local-language front, Sony pointed to upcoming pics such as France's Forced Vacation, the Sisu sequel from Finland which releases in the U.S. on November 21 and the continuation of Spanish franchise Padre No Hay Mas Que Uno with the 5th installment. Director and star of the latter, Santiago Segura, sent a cheeky message to CineEurope urging the Spanish exhibitors in the audience to applaud so the non-Spaniards would know he is 'huge in Spain.'
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Danny Boyle says he 'wouldn't even contemplate' making 'Slumdog Millionaire' today because of its 'cultural appropriation'
Danny Boyle says he 'wouldn't even contemplate' making 'Slumdog Millionaire' today because of its 'cultural appropriation'

Yahoo

time27 minutes ago

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Danny Boyle says he 'wouldn't even contemplate' making 'Slumdog Millionaire' today because of its 'cultural appropriation'

Seventeen years ago, Slumdog Millionaire swept the 81st Academy Awards, walking away with eight of the 10 Oscars it was nominated for. But Danny Boyle, who took home the 2009 Academy Award for Best Director for his work on the film, says he wouldn't be the right person to helm the Mumbai-set drama if it were in the works today. 'Yeah, we wouldn't be able to make that now,' Boyle recently told The Guardian. Released in 2008, Slumdog tells the story of 18-year-old orphan Jamal Malik (Dev Patel), who survives the violent, poverty-stricken slums of Mumbai to win big on the Hindi version of Who Wants to Be a Millionaire. The film, which loosely follows Vikas Swarup's novel Q & A, used a local crew for its Mumbai filming locations and featured actors speaking both English and Hindi. 'At the time it felt radical,' Boyle said. 'We made the decision that only a handful of us would go to Mumbai. We'd work with a big Indian crew and try to make a film within the culture.' However, the intervening years caused Boyle to rethink that approach. 'You're still an outsider,' the Trainspotting director said. 'It's still a flawed method. That kind of cultural appropriation might be sanctioned at certain times. But at other times it cannot be.' As proud as the 68-year-old Brit is of the film, he acknowledged that a modern Slumdog would have trouble getting financed under that model. 'You wouldn't even contemplate doing something like that today,' he said. 'And that's how it should be. It's time to reflect on all that. We have to look at the cultural baggage we carry and the mark that we've left on the world.' Boyle told to EW in 2009 that he dove into Slumdog because he wanted to make a 'very immediate and vital' movie after finishing work on the chilly sci-fi thriller Sunshine. 'I learned quickly that when you work in Mumbai you have to accept what you find,' he said at the time. 'As a Westerner you have this feeling that you can fight bad things and work on good things and separate the two. What you have to do is accept and absorb both. That's what changed me.' In a 2008 director's roundtable convened by The Hollywood Reporter, Boyle acknowledged that he didn't have a full grasp on India during Slumdog's production. 'I know nothing of it, really,' he said in THR's video. 'You get a tiny little glimpse and maybe if we've done it well, there's a bit of it that's convincing, for the time being until somebody makes something better. You absolutely have to humble yourself in front of it.' Boyle told the roundtable that he expected to be viewed as a colonialist when he arrived in Mumbai and was surprised that the people there viewed him as 'a footnote.' 'It lets you let go of that kind of attitude,' he said. 'Either you go home disappointed or you get home and make the film.'Today, however, Boyle told The Guardian that if he were to be part of the team bringing Slumdog to the screen today, he'd want it to be directed by a young Indian filmmaker. 'And that's how it should be. It's time to reflect on all that,' he said. 'We have to look at the cultural baggage we carry and the mark that we've left on the world.' Boyle discussed his evolving thoughts as the newest film in his zombie horror series makes its worldwide theatrical deb. Starring Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, and Alfie Williams, 28 Years Later is a companion piece to 2002's 28 Days Later and 2007's 28 Weeks Later (but not, crucially, the 2000 Sandra Bullock rehab comedy/drama 28 Days). Read the original article on Entertainment Weekly

That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film
That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film

Yahoo

time33 minutes ago

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That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film

When the first trailer arrived for '28 Years Later,' the third installment in Danny Boyle and Alex Garland's masterful '28 Days Later' series of horror films, it was scary, filled with gruesome images of zombies and a dystopian world. But what makes the trailer even more terrifying is an eerie, rhythmic chant by a high, nasal voice, moving with a military cadence, monotonal at first but growing increasingly louder and more agitated as it goes on, with the images and ominous musical backdrop growing in speed and intensity as it progresses. More from Variety Box Office: '28 Years Later' Debuts to $5.8 Million, 'Elio' Flies to $3 Million in Thursday Previews Danny Boyle Says He Could Not Make 'Slumdog Millionaire' Today Due to 'Cultural Appropriation' and 'That's How It Should Be': 'I'd Want a Young Indian Filmmaker to Shoot It' '28 Years Later' Duo Danny Boyle and Alex Garland Break Down That Cliffhanger, the Next Two Movies and the Studio's Reaction to Extreme Gore and Nudity Somehow, in that context, the chant, even though the words seem unrelated to the images, is absolutely horrifying, like a deranged rap song. Its use in the film makes an ominous scene even more ominous. The chant is actually 'Boots,' a poem by Rudyard Kipling, first published in 1903 and intended to convey the maddening monotony of soldiers marching; the direct inspiration was the hundreds of miles British soldiers were forced to march across southern Africa in the Second Boer War around the turn of the last century, according to the Kipling Society. The recording used in the film is nearly as old as the poem itself, voiced in 1915 by actor Taylor Holmes. It is a dramatic reading that starts off militaristic as the initial lines set the scene, but his voice is patently hysterical by the end, even as it follows the lock-step rhythm of the first five syllables: 'I—have—marched—six—weeks in hell and certifyIt—is—not—fire—devils, dark, or anything,But boots—boots—boots—boots—movin' up and down again,And there's no discharge in the war!Try—try—try—try—to think of something differentOh—my—God—keep—me from going lunatic!' Unusually for something featured so prominently in a trailer, the poem plays a very small, although foreboding, role in the film — buttressed with an eerie bass synthesizer, it soundtracks Spike and his father walking to the mainland, which is thick with infected zombies, and presumably conveys that they're marching to war. But out of everything that could have been used to deliver that message, why a 110-year-old recording of a poem that dates back to the peak of the British Empire? Boyle explained in an interview with Variety last week. 'We had all these archives that we wanted to use to suggest the culture that the island was teaching its children,' he says. 'It was very much a regressive thing — they were looking back to a time when England was great. 'It's very much linked to Shakespeare,' he continues. 'For those who know the 'Henry the Fifth' film, there's a very famous speech, the Saint Crispin's Day speech, which is about the noble heroic English beating the French with their bows and arrows. We were searching for a song, for a hymn — for a speech, actually. We did think about using the Crispin's Day speech at one point, but that felt too on the nose. 'And then we watched the trailer — Alex and I remember it vividly — the first trailer that Sony sent us, and there was this [recording] on it, and we were like, 'Fucking hell!' It was startling in its power. It was used very effectively. 'The trailer is a very good trailer, but there was something more than that about that [recording], about that tune, about that poem. And we tried it in our archive sequence, and it was like it was made for. it' A rep for Sony wasn't immediately able to pinpoint the person who chose the chant for that trailer, but it was so effective that Boyle was quick to incorporate it into the film. 'It's like a reverse osmosis,' he says. 'It came into the film and seemed to make sense of so much of what we've been trying to reach for.' He also notes that Kipling's words and Holmes' voice, echoing across the decades in a context neither ever could have imagined, somehow take on a new power in today's context. 'You have to hold your hand up and say, 'How is it that something that's recorded over 100 years ago has that same visceral power that it's always intended to have?' And I think it was always intended to have that power and it still maintains it. In a TikTok world, it still has that impact. It's amazing.' Additional reporting by Bill Earl. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

‘The Bear' Season 4: The plot, returning cast members, release date and more. Where Carmy, Sydney and the restaurant go from here.
‘The Bear' Season 4: The plot, returning cast members, release date and more. Where Carmy, Sydney and the restaurant go from here.

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timean hour ago

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‘The Bear' Season 4: The plot, returning cast members, release date and more. Where Carmy, Sydney and the restaurant go from here.

'Every second counts,' and that's made no clearer than on FX's The Bear. Returning on June 25, the Emmy-winning series will transport audiences back to the chaotic fine dining restaurant helmed by tortured culinary genius Carmy Berzatto (Jeremy Allen White). FX quietly renewed the series for a fourth season in March 2024. The latest season was filmed back-to-back with season 3, Deadline reported. Ahead, we break down everything you need to know before The Bear returns. The season three finale ends with a foreboding 'to be continued' on the screen. In the final scene of the season, Carmy looks down at his phone to see that the Chicago Tribune review of his restaurant has posted — and that he has a number of missed calls from both Cicero (Oliver Platt) and the Computer (Brian Koppelman). We don't get a close enough look at the review to fully know whether it's positive or negative, though fans have tried to decipher what it says. Carmy angrily exclaims 'motherf***er' after reading it — if that's any sort of indication. And if the review is bad, Cicero will stop funding the restaurant. Sydney (Ayo Edebiri), meanwhile, has a tough decision to make: Will she sign the partnership agreement and stick it out with the Bear or jump ship and take up former Ever chef Adam Shapiro's offer as his new chef de cuisine? Carmy's strict list of non-negotiables and toxic pursuit of culinary excellence could be enough reason for Sydney to cut ties with him and start new elsewhere. In the Season 4 trailer, Carmy seems eager to turn his attitude and the restaurant's morale around, though it may be too late. 'Look, we could do this. We could take care of people. We could make it calm. We could make it delicious. We could make people happy,' Carmy says. Thankfully, we won't have to wait for weekly episode drops. All 10 episodes of the fourth season will be available to stream on Hulu starting June 25 at 8 p.m. ET/5 p.m. PT. It wouldn't be The Bear without the group of chefs — or Jeffs — responsible for running it. Fans can rest assured that the entire kitchen staff, including the fan favorites below, are reprising their starring roles: Jeremy Allen White (Carmen 'Carmy' Berzatto) Ayo Edebiri (Sydney Adamu) Ebon Moss-Bachrach (Richard 'Richie' Jerimovich) Liza Colón-Zayas (Tina Marrero) Lionel Boyce (Marcus) Abby Elliott (Natalie 'Sugar' Berzatto) Matty Matheson (Neil Fak) While there's no word on whether or not we'll be meeting any new faces, we will be reunited with familiar ones, like Donna (Jamie Lee Curtis), the volatile, unstable matriarch of the Berzatto family. Platt as Cicero and Molly Gordon as Claire Dunlap will also be returning this season. The Bear has previously featured a noteworthy roster of guest stars like John Cena as Sammy Fak and Josh Hartnett as the fiancé of Richie's ex-wife Tiff (Gillian Jacobs), who were both introduced in the third season. Jon Bernthal, beloved for his role as Carmy and Sugar's big brother who passed away, and Joel McHale as David Fields, Carmy's abusive old boss from New York, also appear in flashbacks throughout the series. Will Poulter as chef Luca and Olivia Colman as chef Terry emerged as fan favorites during the show's second season. Neither has outright confirmed they're returning, but Poulter's made his adoration of the show common knowledge. 'I really hope so,' Poulter told the Los Angeles Times in April of whether he'd be returning to The Bear. 'I love that show so much. The fact I get to be in it is crazy. When I'm on that set, I'm like, 'Oh, they've let a fan on set.' I literally feel like a competition winner.' The cast has remained pretty mum on details surrounding the Emmy-winning series' fourth season. What we do know, though, is that Edebiri, who made her directorial debut with Season 3, Episode 6's 'Napkins' on The Bear, also cowrote an episode for Season 4 with Boyce. 'Each season I've gotten to do different things,' Edebiri told actor-director Ramy Youssef for Cultured magazine. 'Last season I directed for the first time and this season I've written an episode. It's been a minute since I've written for TV, and I've learned so much since the last time — even something as simple as knowing what it's like to shoot an overnight. So, my episode will be taking place during the day.'

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