11 Must-Watch Thrillers on Netflix Right Now (May 2025)
Thrillers were once one of the most active genres on Netflix, but there's been a noticeable lack of new offerings in this category for a while.
Fortunately for Netflix, the streamer's lean selection allows subscribers to revisit some of the older thrillers like The Hateful Eight, which hit theaters almost a decade ago.
The Netflix original thriller, The Devil All of the Time, also had some sizzle when it debuted in 2020 with a ridiculously stacked cast including Tom Holland, Bill Skarsgård, Riley Keough, Robert Pattinson, Eliza Scanlen and Mia Wasikowska.
You can find these films and more among the Watch With Us team's picks for the must-see thrillers on Netflix right now.
Need more recommendations? Then check out the Great New Movies on Netflix, Max, Hulu, Amazon Prime Video and More, the Best Movies on Amazon Prime Video Right Now, the Best Movies on Hulu Right Now and 4 Underrated Movies on Netflix in May 2025.For his eighth film, writer and director Quentin Tarantino came up with a Western thriller he called The Hateful Eight. Kurt Russell plays John "the Hangman" Ruth, a man who's hard to like, but few could argue with his reputation as a bounty hunter. His latest bounty, "Crazy" Daisy Domergue (Jennifer Jason Leigh), is chained to his arm as they travel by stagecoach. As a snowstorm builds, Ruth reluctantly allows a fellow bounty hunter, Major Marquis Warren (Samuel L. Jackson), and Chris Mannix (Walton Goggins) to join them.When the group arrives at Minnie's Haberdashery, Ruth can't shake the feeling that something is off as he's surrounded by strangers, including Joe Gage (Michael Madsen), Bob (Chris Mannix) and a Confederate general, Sanford "Sandy" Smithers (Bruce Dern). Ruth isn't sure he can trust this group, or even the two men he rode into town with. But with the snowstorm in full roar, there's nowhere else to go.
The Hateful Eight is streaming on Netflix.
Donald Ray Pollock, the author of The Devil All the Time, got to narrate the Netflix adaptation of his novel, which weaves through the lives of multiple characters who share unexpected connections. In the late '50s, Arvin Russell (Tom Holland) is a disturbed young man who has very strong feelings for his childhood friend, Lenora Laferty (Eliza Scanlen). And he's increasingly angry over the way Reverend Preston Teagardin (Robert Pattinson) grooms Lenora for a sexual relationship.
Arvin is also aware of the sins of his late father, Willard Russell (Bill Skarsgård), which stay with his son as an adult. What Arvin isn't aware of is that his path is also going to cross with Carl (Jason Clarke) and Sandy Henderson (Riley Keough), a dangerous couple that might like to see him dead.The Devil All the Time is streaming on Netflix.
The late Euphoria star Angus Cloud had one of his final roles in Your Lucky Day as Sterling, a young man who is badly in need of some luck. Sterling thinks his luck has changed when he overhears a lottery winner, Mr. Laird (Spencer Garrett), bragging about his good fortune. When Sterling demands the ticket at gunpoint, chaos ensues in the convenience store, leaving two gunshot victims and three witnesses: Ana Marlene (Jessica Garza), her boyfriend, Abraham (Elliot Knight), and the store clerk, Amir (Mousa Hussein Kraish).
Sterling offers to split the prize money with the witnesses if they help him cover up his crimes. But there are several flaws in Sterling's plan, not the least of which is that he's underestimated what other people are willing to do to get that ticket for themselves. By the time this story concludes, there may not be anyone left to enjoy their fortune.
Your Lucky Day is streaming on Netflix.
For his directorial debut, screenwriter Oren Uziel unravels the story of Shimmer Lake in reverse by revealing that Andy Sikes (Rainn Wilson) is hiding out from his brother, Sheriff Zeke Sikes (Benjamin Walker), after participating in a bank robbery. And before Uziel shows the audience what happened to set up this situation, he teases a mystery that will unfold during the rest of the film.
Andy and his friends, Chris Morrow (Mark Rendall) and Ed Burton (Wyatt Russell), thought they pulled off the heist of their lifetimes. However, this trio may be their own worst enemies, especially when they start turning on each other. They collectively have enough money to do almost anything, but greed may be their downfall.
Shimmer Lake is streaming on Netflix.
Training Day director Antoine Fuqua and True Detective creator Nic Pizzolatto teamed up for The Guilty, a remake of a 2018 Dutch thriller. The vast majority of the movie centers on LAPD officer Joe Baylor (Jake Gyllenhaal) in a single location as the story plays out through his phone calls.Baylor is stuck on duty answering 911 calls pending a disciplinary hearing when he receives an alarming call from Emily Lighton (Riley Keough). Emily tells Baylor that she's been abducted, but he has limited resources to find her kidnapper, and most of his fellow officers aren't going to help him. Baylor's partner, Sergeant Bill Miller (Ethan Hawke), reluctantly does some of the legwork, but what he finds at Emily's home is disturbing. And time is running out to locate Emily before another tragedy occurs. The Guilty is streaming on Netflix.
Maika Monroe has made a name for herself as a scream queen in movies like It Follows, and she's certainly got a lot of reasons to scream in Watcher. Julia already felt like a stranger in a strange land when she moved to Bucharest with her husband, Francis (Karl Glusman). But she can't escape the sensation that she's always being watched. Torchwood's Burn Gorman gives a creepy performance as Daniel Weber, the man Julia believes is stalking her. Daniel claims that Julia is the one harassing him, which the police find more convincing than her story. There is a serial killer on the loose, and even Julia has to wonder if she's letting her fear rule her actions. She'll get her answer — it just may not be the one she's looking for.Watcher is streaming on Netflix.
Director David Fincher never discloses the true name of the title character in The Killer, but Michael Fassbender conveys just how diligent and prepared he is for everything except failure. When the Killer misses his contract, the resources of the high-class criminal underworld are turned against him.There's nowhere the Killer can run where he won't be found, so he resolves to track down his would-be murderers first. That may involve burning some bridges and leaving a few more bodies behind, but it's nothing he hasn't done many times before.The Killer is streaming on Netflix.
The Good Nurse is loosely based on a true story about Amy Loughren (Jessica Chastain), a single mother who works at a hospital alongside a new colleague, Charles Cullen (Eddie Redmayne). Amy finds Charles trustworthy, especially after he agrees to help her keep a secret about her health.However, Amy starts to suspect her friend when several patients in their hospital die under suspicious circumstances. Since Amy already blew off the police investigating the case, she'll have to endanger her own life while looking for evidence that Charles is a serial killer.The Good Nurse is streaming on Netflix.
Gerald's Game is a different kind of horror thriller than Stephen King usually writes, and director Mike Flanagan draws out a lot of tension for a story where the main character is handcuffed to a bed for almost its entire duration.Jessie Burlingame (Carla Gugino) only agreed to be bound at the request of her husband, Gerald (Bruce Greenwood). But when Gerald suddenly expires, it leaves Jessie trapped on the bed with little hope for escape. As Jessie's reality breaks down, she sees a monster she calls Moonlight Man (Carel Struycken), who may have come for her husband's soul— and her's as well.Gerald's Game is streaming on Netflix.
Amanda (Julia Roberts) and Clay Sandford (Ethan Hawke) may have picked the wrong time to go on vacation in Leave the World Behind. Or perhaps they picked the most opportune time without realizing it. The Sandfords and their children rent a cabin in the woods, but even in their isolation, they recognize some troubling events around them. Shortly thereafter, the owner of the cabin, G.H. Scott (Mahershala Ali), arrives with his daughter, Ruth (Myha'la), to take shelter as technology seemingly fails everywhere. What started as a family excursion may turn into a trip that the Sandfords may not come home from. It might even turn out to be the end of the world. Leave the World Behind is streaming on Netflix.
Runaway Jury casts John Cusack and Rachel Weisz as a pair of lovers with an audacious plan. In a high-stakes wrongful death trial with a gun manufacturer over its culpability, Marlee (Weisz) contacts the defense and the plaintiff with an offer to sway the jury to either side. And she can do it because Nick (Cusack) is her man on the inside.Rankin Fitch (Gene Hackman) is enraged by the attempted blackmail because he has already spent the time and effort stacking the jury in his favor. He's not going to let himself get extorted without a fight. And unlike the plaintiff's lawyer, Wendell Rohr (Dustin Hoffman), Fitch fights dirty, and he doesn't mind getting some proverbial blood on his hands. Runaway Jury is streaming on Netflix.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gizmodo
37 minutes ago
- Gizmodo
West End Games' Classic ‘Star Wars' RPG Is Still Setting the Blueprint for Its Universe
In the years since Lucasfilm overhauled Star Wars continuity—reclassifying years of Expanded Universe material as 'Legends' before wiping a clean slate of continuity it has developed over the last decade-plus—much of what has been rebuilt has been done so off of the back of re-canonizing elements of that old material. In some ways re-imagined, in others just lifted wholesale, the journey of modern Star Wars is as much about adding new stories as it is weaving the old ones back into them. There are perhaps two pillars that define the reconstructive effort above all. The story of Star Wars' future, as in that in the wake of the events of Return of the Jedi, has somehow inexplicably turned to 1994's The Courtship of Princess Leia as its guiding light. But the story of Star Wars' recent past, the trajectory of the rise of the Imperial machine that has been a richly delved period of exploration in everything from Andor to Bad Batch, from games, comics, and books, to movies like Rogue One and Solo? That's been West End Games' Star Wars RPG. First published in 1987, Star Wars: The Roleplaying Game spent over a decade filling out the background of the world before and after the original Star Wars trilogy across multiple editions and a plethora of sourcebooks. Without much to go on beyond the material Marvel's ongoing Star Wars comic series had developed at the time (itself coming to an end the year West End Games' Star Wars story began), the RPG would become an early groundwork for what would become the beginning of the Star Wars Expanded Universe as we would come to know it in the early 1990s. From species names to Rebel Alliance command structures, from events that still resonate now like the Ghorman Massacre depicted in Andor, Star Wars: The Roleplaying Game was the right combination of coming along at the perfect time and its creatives being given the exact level of free reign to create a perfect sandbox of Star Wars creation. And create WEG did, with dozens of intricate sourcebooks that didn't just cover the broad strokes of what it would mean to have a roleplaying game experience in Star Wars' galaxy, but the nittiest, grittiest details, many of which didn't just go on to shape the Expanded Universe when it began in earnest, but expand even further with the addition of the material created there, delving further and further into Star Wars' past with supplements based on the Tales of the Jedi comics, or Timothy Zahn's Thrawn Trilogy (itself shaped by the early writings of the RPG, given to Zahn as a guideline). It wasn't just raw informational data that WEG's books provided to shape the EU (and in turn modern continuity), but style and tone. This is most keenly felt in Greg Gorden's Imperial Sourcebook, which does a deep dive into details about different facets of the Empire's structure, from intelligence to military, and also explores things like COMPNOR—the Commission for the Preservation of the New Order, essentially the political superstructure of Imperial power—to elucidate the specific fascistic character of the Empire's oppressive tactics. But beyond the actual material itself, one major thing that still remains influential in visions of contemporary Star Wars, is how West End Games taught its writers to write Star Wars. West End Games' Star Wars style guide had a bit of a viral moment a decade ago when it re-emerged on the internet (at places like this very website!), to compare and contrast how its dos and don't matched up with what was then the nascent status of modern Star Wars in the wake of the reboot of canon and the release of The Force Awakens. But while the gift of hindsight can be enjoyable, WEG's advise on what made good Star Wars can still be felt throughout the very best of the material that we're getting today. The style guide pushed writers to be expansive and additive to Star Wars' world, rather than to simply play in what was already in the toybox. Familiar characters were to be few and far between, moral storytelling to be less clear-cut, with villains (new villains!) that had motivation beyond evil for evil's sake. Again, its approach to stories of the Empire were some of its most fascinating, pushing writers to remember that the Empire was made up of genuinely awful people, but also a galaxy of citizenry who had little choice than to conform to the grip of Empire, and who became its willing tool was different to just a regular person with their own wants and needs. Star Wars is a broad sandbox, but West End Games pitched an enduring vision of it that strove for maturity and intelligence, that took the base framework and world of the original movies and genuinely pushed them into new and compelling territories in order to give players a rich and thriving universe to play in. There's an argument to be made, of course, that not all Star Wars should adhere to this tone or particular frame of interest: WEG's vision of Star Wars leaned more into the military sci-fi of its view of the Imperial/Rebel conflict, and not necessarily too far into Star Wars' space fantasy roots, an equally important aspect of the universe. But it's remarkable to see how what has become some of the very best of Star Wars in the modern day—across books, television, comics, games, and movies—carry so much of Star Wars: The Roleplaying Game's heritage, not just in reference to the worlds, names, places, and events it first explored, but in the tonal vision it had for the galaxy far, far away. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.


Fast Company
38 minutes ago
- Fast Company
Astroworld is back in the spotlight and survivors are sharing haunting stories on TikTok
Astroworld is back in the news, and social media has some thoughts. In November 2021, a deadly crowd surge at Travis Scott's Astroworld music festival claimed the lives of 10 people. The then-annual event, held in the rapper's hometown of Houston, became one of the worst concert tragedies in U.S. history. It is now the subject of the new Netflix documentary Trainwreck: The Astroworld Tragedy. With renewed interest in the incident, survivors have taken to social media to share their own footage from the event. 'Only if I knew bro,' one attendee posted on TikTok over footage of himself in the crowd. The audio accompanying the clip is taken from the documentary: 'It started getting pretty hectic,' one survivor says. 'I'm like 'Oh my god I can't take a deep breath,'' adds another. 'Since everyone else is sharing their Astroworld experience,' another TikTok user wrote in the caption of a clip, which shows him tightly packed in the crowd as Scott performs. 'Not too long after this I got bumped into due to the crowd swaying and ended up falling on top of someone in the fetal position,' he wrote. 'We ended up getting out but man it was a struggle.' In other horrifying footage, the panicking audience can be heard calling for help. 'I've never posted this video before, rest in peace to all innocent lives lost,' the closed captions read over the video. Even before Scott took the stage, the crowd seemed to sense something was wrong. 'We are gonna die,' one attendee 'jokes' in a clip, now with 10.3 million views, filming the unsafe conditions. 'Saying this as a joke but on the inside this was a real feeling,' she wrote in the closed captions. 'This about to be bad when it starts,' another can be heard saying. 'Bro literally called it,' the captions add. 'I believe Astroworld 2021 was not an accident,' crowd safety expert Scott Davidson says in the documentary. 'It was an inevitability due to the lack of foresight and the abandonment of basic safety protocols.' Nearly 5,000 people were injured as a result of the crush. The Netflix documentary, which premiered on June 10, features interviews with several survivors. In total, 10 people lost their lives: Axel Acosta, Danish Baig, Rudy Peña, Madison Dubiski, Franco Patiño, Jacob Jurinek, John Hilgert, Bharti Shahani, Brianna Rodriguez, and Ezra Blount, who was just nine years old.


Forbes
39 minutes ago
- Forbes
Gailard Sartain, ‘Hee Haw' Star, Dies At 81
Los Angeles, CA - 1991: Gailard Sartain promotional photo for the ABC tv series 'Davis Rules', ... More episode 'The Principle', the original unaired pilot. (Photo by Sharon M Beard /American Broadcasting Companies via Getty Images) Gailard Sartain, the Southern character actor and comedian who appeared on the long-running country western-themed variety hour Hee Haw, died Tuesday, June 17 following a long illness. He was 81. His death was announced on Facebook by The Church Studio, a recording studio in Tulsa, Oklahoma where Sartain's wife Mary Jo volunteers. Born September 18, 1943 in Tulsa, Oklahoma, Gailard Sartain was a successful illustrator who broke into show business through the creation of a late-night local comedy program he hosted in Tulsa entitled The Uncanny Film Festival and Camp Meeting. After being discovered by a talent scout, Sartain was hired in 1972 as a regular on Hee Haw, which was inspired by Rowan & Martin's Laugh-In. A victim of the infamous "rural purge," CBS canceled Hee Haw in 1971 (along with sitcoms The Beverly Hillbillies, Green Acres and Mayberry R.F.D.). But it immediately found a new home in first-run syndication and remained on the air until 1993. Sartain was a cast member for 19 seasons. Sartain also served as a regular on the short-lived variety series Cher from 1975 to 1976, Keep on Truckin' in 1975, and Shields and Yarnell in 1978. He made his film debut with an uncredited cameo in Nashville in 1975, and was a larger presence in The Buddy Holly Story as 'Big Bopper' in 1978 and as B.B. Muldoon in Roadie in 1980. (Top L-R) Actors Meat Loaf and Art Carney (Bottom L-R) Actor Gailard Sartain and actress Kaki Hunter ... More on set of the United Artist movie "Roadie" in 1980. (Photo by Michael) Other films on Sartain's resume included Mississippi Burning, The Outsiders, Fried Green Tomatoes, The Grifters, The Replacements and The Patriot. He was also known for his roles in three of the Ernest P. Worrell films starring Jim Varney, and the 13-episode Hey Vern, It's Ernest! television series in 1988. Sartain's final film role was in Cameron Crowe's Elizabethtown in 2005.