logo
BET Awards 2025: The Complete Winners List

BET Awards 2025: The Complete Winners List

Yahoo10-06-2025

The BET Awards have been celebrating Black achievement for 25 years, and this year's ceremony sees stars like Kendrick Lamar, Beyoncé, Doechii, Drake, and more up for several awards.
Lamar is the night's most nominated person, with 10 nods, including Album of the Year for , Video of the Year for 'Not Like Us,' Viewer's Choice Award nominations for 'Not Like Us,' 'Luther,' featuring SZA, and 'Like That' with Future & Metro Boomin, and Best Male Hip Hop Artist. Drake, Doechii, Future and GloRilla tied for the second most nominated artist, with six nominations each. SZA and The Weeknd each got four nominations, while Arya Starr, Chris Brown, Lil Wayne, Maverick City Music, Playboi Carti, Teddy Swims, and Tyler, The Creator each earned three. Mariah Carey, Jamie Foxx, Snoop Dogg, and Kirk Franklin are set to be honored with the Ultimate Icon Award.
More from Rolling Stone
Lil Wayne, Playboi Carti, Teyana Taylor Among Performers at 2025 BET Awards
RFK Jr. Fires Entire Panel of Vaccine Experts
Questlove Honors 'Giant' Sly Stone: 'His Music Will Echo Forever'
While there's a wide range of music categories at the BET Awards, the evening also recognizes excellence in film, television, and sports. It's being hosted by comedian Kevin Hart for the second time. He previously hosted in 2011. Performers include Lil Wayne, Teyana Taylor, GloRilla, Playboi Carti and Leon Thomas. Busta Rhymes, Ciara, Quinta Brunson, Kerry Washington, Keke Palmer and more are set to take part in the show as presenters and participants.
See the full list of winners (in bold) below.
Album Of The Year
$ome $exy $ongs 4 U — Drake & Partynextdoor
11:11 Deluxe — Chris Brown
Alligator Bites Never Heal — Doechii
Cowboy Carter — Beyoncé
Glorious — GloRilla
— Kendrick Lamar
Hurry Up Tomorrow — The Weeknd
We Don't Trust You —Future & Metro Boomin
Best Female R&B/Pop Artist
Ari Lennox
Ayra Starr
Coco Jones
Kehlani
Muni Long
Summer Walker
Sza
Victoria Monét
Best Male R&B/Pop Artist
Bruno Mars
Chris Brown
Drake
Fridayy
Leon Thomas
Teddy Swims
The Weeknd
Usher
Best Group
41
Common & Pete Rock
Drake & Partynextdoor
Flo
Future & Metro Boomin
Jacquees & Dej Loaf
Larry June, 2 Chainz, The Alchemist
Maverick City Music
Best Collaboration
'30 For 30' — SZA Feat. Kendrick Lamar
'Alter Ego' — Doechii feat. JT
'Are You Even Real' — Teddy Swims feat. Givēon
'Beckham' — Dee Billz feat. Kyle Richh, Kai Swervo, Kj Swervo
'Bless' — Lil Wayne, Wheezy & Young Thug
'Like That' — Future & Metro Boomin & Kendrick Lamar
'Luther' — Kendrick Lamar & Sza
'Sticky' — Tyler, The Creator Feat. GloRilla, Sexyy Red & Lil Wayne
Timeless — The Weeknd feat. Playboi Carti
Best Female Hip Hop Artist
Cardi B
Doechii
Doja Cat
GloRilla
Latto
Megan Thee Stallion
Nicki Minaj
Rapsody
Sexyy Red
Best Male Hip Hop Artist
Bigxthaplug
Bossman Dlow
Burna Boy
Drake
Future
Kendrick Lamar
Key Glock
Lil Wayne
Tyler, The Creator
Video Of The Year
'3am In Tokyo' — Key Glock
'A Bar Song (Tipsy)' — Shaboozey
'After Hours' — Kehlani
'Denial Is A River' — Doechii
'Family Matters' — Drake
'Not Like Us' — Kendrick Lamar
'Timeless' — The Weeknd Feat. Playboi Carti
'Type Shit' — Future, Metro Boomin, Travis Scott & Playboi Carti
Video Director Of The Year
Anderson .Paak
B Pace Productions & Jacquees
Benny Boom
Cactus Jack
Cole Bennett
Dave Free & Kendrick Lamar
Dave Meyers
Foggieraw
Tyler, The Creator
Best New Artist
41
Ayra Starr
Bigxthaplug
Bossman Dlow
Dee Billz
Leon Thomas
October London
Shaboozey
Teddy Swims
Dr. Bobby Jones Best Gospel/Inspirational Award
'A God (There Is)' — Common & Pete Rock feat. Jennifer Hudson
'Amen' — Pastor Mike Jr.
'Better Days' — Fridayy
'Church Doors' — Yolanda Adams Feat. Sir The Baptist & Donald Lawrence (Terry Hunter Remix)
'Constant' — Maverick City Music, Jordin Sparks, Chandler Moore & Anthony Gargiula
'Deserve To Win'— Tamela Mann
'Faith' — Rapsody
'Rain Down On Me' — GloRilla feat. Kirk Franklin, Maverick City Music
Viewer's Choice Award
'Residuals' — Chris Brown
'Denial Is A River' — Doechii
'Nokia' — Drake
'Like That' — Future & Metro Boomin Feat. Kendrick Lamar
'TGIF' — GloRilla
'Not Like Us' — Kendrick Lamar
'Luther' — Kendrick Lamar & Sza
'Brokey' — Latto
Best International Act
Any Gabrielly (Brazil)
Ayra Starr (Nigeria)
Bashy (United Kingdom)
Black Sherif (Ghana)
Ezra Collective (United Kingdom)
Joé Dwèt Filé (France)
Mc Luanna (Brazil)
Rema (Nigeria)
SDM (France)
Tyla (South Africa)
Uncle Waffles (Swaziland)
Best New International Act
Abigail Chams (Tanzania)
Ajuliacosta (Brazil)
Amabbi (Brazil)
Dlala Thukzin (South Africa)
Dr Yaro (France)
Kwn (United Kingdom)
Maglera Doe Boy (South Africa)
Merveille (France)
Odeal (United Kingdom)
Shallipopi (Nigeria)
TxC (South Africa)
Bet HER
'Beautiful People' — Mary J. Blige
'Blackbiird' — Beyoncé feat. Tanner Adell, Brittney Spencer, Tiera Kennedy & Reyna Roberts
'Bloom' — Doechii
'Burning' — Tems
'Defying Gravity' — Cynthia Erivo Feat. Ariana Grande
'Heart Of A Woman' — Summer Walker
'Hold On' — Tems
'In My Bag' — Flo & GloRilla
Best Movie
Bad Boys: Ride or Die
Beverly Hills Cop: Axel F
Luther: Never Too Much
Mufasa: The Lion King
One of Them Days
Rebel Ridge
The Piano Lesson
The Six Triple Eight
Best Actor
Aaron Pierre
Aldis Hodge
Anthony Mackie
Colman Domingo
Denzel Washington
Jamie Foxx
Joey Bada$$
Kevin Hart
Sterling K. Brown
Will Smith
Best Actress
Andra Day
Angela Bassett
Coco Jones
Cynthia Erivo
Keke Palmer
Kerry Washington
Quinta Brunson
Viola Davis
Zendaya
Youngstars Award
Akira Akbar
Blue Ivy Carter
Graceyn 'Gracie' Hollingsworth
Heiress Harris
Melody Hurd
Thaddeus J. Mixson
Tyrik Johnson
VanVan
Sportswoman of the Year Award
A'ja Wilson
Angel Reese
Claressa Shields
Coco Gauff
Dawn Staley
Flau'Jae Johnson
Juju Watkins
Sha'carri Richardson
Simone Biles
Sportsman of the Year Award
Aaron Judge
Anthony Edwards
Deion Sanders
Jalen Hurts
Jayson Tatum
Lebron James
Saquon Barkley
Stephen Curry
Best of Rolling Stone
Sly and the Family Stone: 20 Essential Songs
The 50 Greatest Eminem Songs
All 274 of Taylor Swift's Songs, Ranked

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Q&A: Pulitzer Prize winner Robin Givhan chronicles Virgil Abloh's rise to fashion fame
Q&A: Pulitzer Prize winner Robin Givhan chronicles Virgil Abloh's rise to fashion fame

San Francisco Chronicle​

time40 minutes ago

  • San Francisco Chronicle​

Q&A: Pulitzer Prize winner Robin Givhan chronicles Virgil Abloh's rise to fashion fame

NEW YORK (AP) — With his calm and cool demeanor, fashion disruptor and multi-hyphenate Virgil Abloh artfully challenged the fashion industry's traditions to leave his mark as a Black creative, despite his short-lived career. In the years since his 2021 death at just 41, his vision and image still linger. Pulitzer Prize-winning writer Robin Givhan sheds new light on how Abloh ascended the ranks of one of the top luxury fashion houses and captivated the masses with her latest book, 'Make It Ours: Crashing the Gates of Culture with Virgil Abloh.' In the book out Tuesday, Givhan documents Abloh's early life growing up as the son of Ghanaian immigrants in Rockford, Illinois, his days as graduate student studying architecture and his working relationship and friendship with Kanye West. Before taking the helm of Louis Vuitton as the house's first Black menswear creative director, Abloh threw himself into his creative pursuits including fine art, architecture, DJing and design. Abloh remixed his interests with his marketing genius and channeled it into fashion with streetwear labels like Been Trill and Pyrex Vision. These endeavors were the launchpad for his luxury streetwear label Off-White, known for its white diagonal lines, quotation marks, red zip ties and clean typeface. Off-White led to Abloh's collaboration with Ikea, where he designed a rug with 'KEEP OFF' in all-white letters and also with Nike where he deconstructed and reenvisioned 10 of Nike's famous shoe silhouettes. Throughout his ventures, Abloh built a following of sneakerheads and so-called hypebeasts who liked his posts, bought into his brands and showed up in droves outside his fashion shows. Social media made Abloh accessible to his fans and he tapped into that. Off-White had built a loyal following and some critics. Givhan, a Washington Post senior critic-at-large, openly admits that she was among the latter early on. Givhan said she was fascinated that Abloh's popularity was more than his fashion. 'For me, there was something of a disconnect really,' she said. 'That here was this person who had clearly had an enormous impact within the fashion industry and outside of the fashion industry, and yet it wasn't really about the clothing. It was about something else.' For her latest project, Givhan spoke with The Associated Press on how she approached each of Abloh's creative undertakings and his legacy during a period of heightened racial tension in America. This interview has been edited for brevity and clarity. AP: Tell me why you felt it was important to include the context of what was happening at the time Abloh was growing up as well as on his rise up through the fashion industry, with him ultimately ending up at Louis Vuitton. GIVHAN: Fashion doesn't just sort of happen in a vacuum. People are the product of their parents, their family, their environment, their timing, their interests, all of those things. I always like to see, what is swirling around people when they make certain decisions? What is sort of in the water that you're absorbing, that you are not even conscious that you're absorbing it. AP: Can you talk about the process of writing about all of his creative endeavors and how they shaped his career? GIVHAN: The skater culture — in part because it was such a sort of subculture that also had a very specific aesthetic and was such a deep part of the whole world of streetwear — and then the DJing part intrigued me because so much of his work as a designer seems to reflect a kind of DJ ethos, where you're not creating the melody and you're not creating the lyrics. You're taking these things that already exist and you're remixing them and you're responding to the crowd and the crowd is informing you. And so much of that, to me, could also be used to describe the way that he thought about fashion and the way that he designed. AP: What role would you say that Virgil has had in the fashion industry today? GIVHAN: He certainly raised the question within the industry of what is the role of the creative director? How much more expansive is that role? ... And I do think he has really forced the question of how are we defining luxury? Like what is a luxury brand? And is it something that is meant to sort of have this lasting impact? Is it supposed to be this beautifully crafted item? Or is it really just a way of thinking about value and beauty and desirability? And if it's those things, then really it becomes something that is quite sort of quite personal and can be quite based on the community in which you live. AP: How did he use social media to his advantage and to help catapult his career? GIVHAN: He really used social media as a way of connecting with people as opposed to just sort of using it as kind of a one-way broadcast. He was telling his side of things, but he was also listening to other people. He was listening to that feedback. That's also what made him this larger-than-life person for a lot of people, because not only was he this creative person who was in conversation with fans and contemporaries, but he was this creative person inside. He was this creative person at the very top of the fashion industry. For a lot of people, the idea that you could ostensibly have a conversation with someone at that level, and they would seemingly pull back the curtain and be transparent about things — that was really quite powerful. AP: You write about his relationship to Kanye in the book. Were you able to get any input from him on their relationship for the book? GIVHAN: Their individual ambitions, aesthetic ideas and curiosity kind of propelled them forward in separate directions. I did reach out to Kanye after a lot of the reporting because he obviously is this thread that is woven throughout the book. And, ultimately, he elected not to engage. But I was lucky enough to get access to an unpublished conversation that Virgil had had around, I think it was 2016-ish, where he talked at length about his working relationship with Kanye and sort of the differences between them and the similarities and the ways in which ... Kanye inspired him and sort of the jet fuel that he got from that relationship. More than anything, because Virgil's personality was in so many ways kind of the opposite of Kanye's, that for every door that Kanye was kind of pounding on, Virgil was able to politely sort of walk through. AP: Why do you think his legacy continues to persist? I've been thinking about how Virgil might have responded, how his creativity might have responded to this moment because so much shifted post-George Floyd that like this is another inflection point and it makes me wonder, 'OK, how would he have responded today?' And with the person who said, 'I'm not a rebel and I'm not a flame thrower,' would he have picked up some matches? I don't know.

‘Sanford and Son', ‘The Waltons' actress Lynn Hamilton dies at 95
‘Sanford and Son', ‘The Waltons' actress Lynn Hamilton dies at 95

Yahoo

timean hour ago

  • Yahoo

‘Sanford and Son', ‘The Waltons' actress Lynn Hamilton dies at 95

Actress Lynn Hamilton, who performed on 'Sanford and Son' and 'The Waltons,' has died. She was 95. Hamilton 'transitioned peacefully' on Thursday at her Chicago home, 'surrounded by her grandchildren, loved ones and caregivers,' her former manager and publicist, Rev. Dr. Calvin Carson, said in posts on Facebook and Instagram. Born in Yazoo City, Mississippi, Hamilton and her family moved to Chicago when she was 4 years old. As the only Black actor in her class at the Goodman School of Drama Theater, Hamilton found roles hard to come by. After working briefly with a theater company on Chicago's South Side, she moved to New York in 1956, where she appeared in four Broadway plays and worked for three years with the New York Shakespeare Festival. She also toured with 'The Miracle Worker' and 'The Skin of Our Teeth' as part of President John F. Kennedy's cultural exchange program before joining the Seattle Repertory Theatre in 1966. Hamilton had some small television roles, starting as an extra in John Cassavetes' 'Shadows,' before being cast as the leading characters' cantankerous landlady in the seventh episode of 'Sanford and Son' in 1972. The sitcom's producers decided a couple of months later 'to give Fred Sanford a girlfriend,' Hamilton told an interviewer in 2009, according to The Hollywood Reporter. Hamilton spent the rest of the show's run in the recurring role of Donna Harris, a nurse who found herself frequently caring for Fred Sanford (Redd Foxx), when they weren't passionately arguing — but not before a serious grilling by his late wife's sisters. The characters got engaged but never married before the series ended in 1977. Starting in 1973, Hamilton also played Verdie Grant Foster on 'The Waltons,' appearing in 16 episodes through 1981 and then in Waltons television movies 'A Walton Thanksgiving Reunion' and 'A Walton Easter' in 1993 and 1997, respectively. More recent roles included 'The Practice,' and 'Golden Girls' among other shows. 'Her illustrious career, spanning over five decades, has left an indelible mark on the world of entertainment, motivating audiences across the globe through her work as a model, stage, film, and television actress,' Carson said in his statement. 'Her passing marks the end of an era, but her legacy will continue to inspire and uplift future generations.' ______

See the exclusive trailer for Hulu's 'epic' adventure 'Washington Black'
See the exclusive trailer for Hulu's 'epic' adventure 'Washington Black'

USA Today

timean hour ago

  • USA Today

See the exclusive trailer for Hulu's 'epic' adventure 'Washington Black'

For all the dreamers out there, Sterling K. Brown's got the summertime TV escape for you. There's danger, romance, comedy and joy aplenty in 'Washington Black,' a new Hulu fantasy adventure (streaming July 23) based on the 2018 Esi Edugyan novel. USA TODAY has the exclusive debut of the first trailer for the series that Brown, a star and executive producer, calls 'an epic coming-of-age tale full of magic and possibility.' The 19th-century historical fiction centers on George Washington 'Wash' Black (Eddie Karanja), an inventive 11-year-old enslaved boy born on a Barbados sugar plantation. The plantation owner's scientist brother, Titch (Tom Ellis), notices the kid's scientific mind and the two become friends. But when Wash's life is at stake after an incident on the property, he and Titch escape on a nifty flying airship called "The Cloud Cutter," beginning a globetrotting odyssey. Years later, a grownup Wash (Ernest Kingsley Jr.) settles in Halifax, Nova Scotia, and forms a bond with town leader Medwin Harris (Brown). Although Wash is born into harsh circumstances, "he does not allow his present limitations to keep him from future possibilities. Wash is a dreamer who knows that his life is not worth living if he is not in active pursuit of making those dreams come true,' Brown says by email, adding that the characters he encounters along the way 'either try to claim this young man's talents as their own, prevent him from using those talents, or protect him.' Medwin is among the latter. The 'de facto mayor' of the Black part of Halifax, he 'relishes his role in creating community, knowing that there is safety in numbers,' Brown says. 'But through his relationship with this young man, he learns that being safe and being free aren't necessarily the same thing. And while he tries to teach Wash what is necessary to survive, Wash winds up showing him what it means to truly live.' Brown feels 'Washington Black' is a period show with a powerful message full of belief and hope for modern audiences. 'It's full of whimsical elements that aren't typical to stories featuring Black bodies. As I often say to my friends, 'Black folks like whimsy, too!' ' Brown says. 'And while people of the African diaspora are front and center, the themes are universal. Everyone grows up, everyone seeks out love and community, and if we are blessed enough, everyone wants to live the life of their dreams.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store
BET Awards 2025: The Complete Winners List