Latest news with #Eva
Time of India
2 hours ago
- Entertainment
- Time of India
'Why are only mothers asked this?': Surveen Chawla on motherhood-work balance and keeping daughter Eva away from the spotlight
Surveen Chawla shares her views on balancing motherhood and career, emphasizing the support system that enables working mothers. She prioritizes her daughter's privacy, shielding her from the public eye. Surveen advocates for recognizing Indian cinema as a unified entity, transcending regional labels, and acknowledges the positive impact of cross-industry collaborations. Surveen Chawla is refreshingly candid—whether it's on motherhood, guarding her daughter Eva's privacy, or calling out gendered double standards in the industry. In this exclusive chat with ETimes, the actor opened up about work-life balance, her views on Indian cinema beyond regional labels, and the role that marked a turning point in her career. Excerpts... Balancing motherhood with a demanding career is challenging. How do you manage this equilibrium? There is nothing to manage. I don't know why mothers get asked this question. I mean, if you're working, I'm sure there is a structure and a system back home. I have one. And if you're going to be working, for working women especially, I think there is always a village who's taking care of life back at home, whether it's home or your child. And it's a question that needs to be asked of both genders to maintain the equilibrium. I think we're all multitaskers, especially women. We're built that way. And I think a lot of credit goes to us that we can manage this very flawlessly and seamlessly. I don't think that there is any great effort that needs to be put into managing children. Children grow up—they grow up seeing parents, whether their mother or their father, working all day—and they learn and they adapt. Especially when you have family back home. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Here's A List Of Cheapest Steel Suppliers (See List) Steel Suppliers | search ads Search Now Undo So I'd love to give the credit to our partners or our family members who are always supporting, always taking charge, and stepping up when we're at work. So kudos to them. Your daughter, Eva, is growing up in the public eye. How do you ensure her privacy and well-being? Well, my daughter Eva is not in the public eye, and I choose to do that for obvious reasons—I'd like to keep that private. She's honestly pretty clueless about the impact, as a public figure, I would have on people around—good or bad. She doesn't understand the concept of being a public figure or a celebrity, so she just knows I go to work. Sometimes she sees my work—parts of it—that are age-appropriate, and I tell her that. So far, she's not really questioned me. She considers it to be just my work, and I'd like to normalize that. The fame and the fortune that come with it are for us to experience and have nothing to do with my child. Neither has she earned it, nor does she really need to know the perils that come with it. So yeah, I try to keep her away. I don't post about her. I must have done that initially, but then sense prevailed, and I've chosen to keep my private life—especially my child—extremely private and all to myself. You've portrayed a diverse range of characters. Which role has been the most challenging, and why? You know, strangely, it's very difficult to answer this question— which role has been my favorite. I think my choice, or the roles that have gotten to me, have always been the ones that are challenging. Probably that's why I'm doing them. But I think every character comes with its own challenges, and to really pinpoint any one would be very difficult—extremely difficult. Maybe for me, one turning point in my journey as an actor was Parched—having such a liberating experience as an actor on that film, I think, was a big turning point in my internal discussion as an actor and my internal journey. So yeah, maybe. The Indian film industry has seen a surge in content across various languages. How do you perceive the growing influence of South Indian cinema? You know, it's not really about the South Indian industry—I'd rather not call it that. It's the Indian film industry. I would hate to label it as the South Indian film industry or the North Indian film industry, or even Bollywood or Tollywood. It's strange that we're still using those terms. You can clearly see there's been a massive influence and a strong crossover happening in both directions. What this has done is increase audience footfall in theatres, especially when actors from across the country are involved. There's more viewership, a wider audience base, and more tickets being sold because there's a fan following nationwide. These crossovers are definitely beneficial. That's what we're witnessing—not just in numbers, but in cultural exchange too. So it's a win-win. I truly believe we should start referring to it as Indian cinema, rather than dividing it into categories like Bollywood, Tollywood, or by region. That's one important point I'd like to highlight in response to your question.
Telegraph
9 hours ago
- General
- Telegraph
Ask the head gardener: How can I get my clematis under control?
Dear Tom, I planted a Clematis 'Mayleen' by my fence about three years ago. It has grown rapidly, and this year had an abundance of beautiful pink flowers. Now the plant is growing on and on and looks a mess – and my neighbour doesn't like it growing over the fence. Also I have rose bushes planted near the clematis and the new shoots stick to the roses. I would love to have some advice on how to prune it, or what to do with it. – Eva Dear Eva, It makes a pleasant change to receive a question about a plant that is growing too well, but on this occasion, that doesn't mean that there are not a number of issues. Clematis enjoy growing in a sunny position (such as next to the fence that you provided for your 'Mayleen'), and like their roots to be in more cool and moist soil conditions. The spot that you have provided in your garden is perfect, which is why this vigorous climber is looking quite at home. Clematis montana (of which 'Mayleen' is a cultivar) sits in a collection of clematis known as Group 1. This group is characterised by its early flowering and quite often has a number of very vigorous species within it. As these clematis grow rapidly year on year, they soon outgrow most domestic situations such as fence panels. They should be pruned immediately after flowering, enabling them to put on fresh growth that will then produce flowers the year after. The way that I see it, you have a couple of options. The first is to rejuvenate the plant by cutting it down close to the base. A healthy Clematis montana often responds well to this treatment. This will trigger lots of fresh growth from the base that can then be trained to cover the fence with more growth towards the bottom of the plant. Immediately after flowering next year, shear off the stems so that they are tight against the fence, which will encourage fresh growth and keep the plant more compact. In all honesty, this clematis might be too big for that spot, but this pruning style is a way in which you might be able to keep the plant growing in that part of your garden for a number of years to come. There is potential to shear off the growth that has flowered in a less severe manner, but that will not be as conclusive as the rejuvenation technique. Looking at the other end of the extreme, an acceptance that this Clematis montana is too big for your fence will result in the opportunity to plant a brand new clematis that perhaps is more compact and suitable for that spot. Group 3 clematis flower later in the year on growth that is produced that spring and summer. Clematis viticella types can be very decorative and I find the easiest to prune because they simply get taken down to the ground each spring. Clematis tangutica, with its yellow flowers and gorgeous seed heads that persist into the winter, is another option that you could look at, being better-behaved than your monstrous montana. If you're looking to replace your clematis, then incorporate a couple of wheelbarrows of well-rotted compost or manure to reinvigorate the soil and encourage lots of strong growth from your new plant, and make sure to water it well for the first summer.
Metro
10 hours ago
- Entertainment
- Metro
Andrew Lloyd Webber shares safety fears over Rachel Zegler's Evita stunt
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video Andrew Lloyd Webber has weighed in on the row surrounding Rachel Zegler's balcony performance in Evita. The Hollywood star is currently starring as Eva Perón in Jamie Lloyd's new production of Evita at the London Palladium, but one of the most iconic scenes of the show has sparked controversy. A highlight of the musical – which is based on the real life of the Argentine political leader Eva, the second wife of Argentine president Juan Perón – sees Eva sing Don't Cry For Me Argentina as she addresses the crowds from the balcony of the Casa Rosada. In this version of Lloyd Webber and Tim Rice's show, Zegler has been belting out the ballad on a balcony outside the Palladium, with theatregoers inside watching on a screen. Now, theatre icon Lloyd Webber has addressed the drama, and admitted he has some concerns about the backlash rather than the artistic choice itself. 'Rachel Zelger is absolutely amazing in it. I'm only a little bit worried that it might get out of hand,' he said on Friday's Good Morning Britain. 'The crowds now turning up outside the Palladium, now the audience in the theatre sees the crowd outside, and it's kinda like the real deal,' he added. Fans have pointed out that Jamie Lloyd's production choice actually mirrors Eva's kinship with the poor people in Argentina. With so many people gathering each night now to catch the unique West End moment, Lloyd Webber is worried that there could come a point where they need to stop. He said: 'But, I don't know, you just hope it doesn't become such a big thing that we're not allowed to do it.' To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The balcony stunt has caused uproar among some attendees, who have expressed how 'disappointed' they would be after paying to see the show, only to not actually see one of Evita's pivotal scenes in the flesh. Theatrewithmaila wrote on Instagram: 'So excited to see her, but not sure how I feel about paying £££ and one of the most iconic songs performed isnt even on stage. (sic)' Others said they were 'very unimpressed' and 'fuming' by the decision, arguing that Zegler wouldn't receive 'her biggest applause' from the audience because of it. However, some people pointed out the decision was a smart move given the nature of the show. Pebbles The Radbbit wrote: 'Genius promo. You watch it as a 'peasant' on the street and then go and see it as a rich person. More Trending 'People saying 'I'd be fuming' as if they couldn't go and see it the other 364 days of the year on the street – if anything it's making it MORE accessible.' Meanwhile, Metro's music expert Danni Scott got a first hand experience of the balcony performance and admitted it changed her mind. 'As a child, I only saw one West End show; had that been this production of Evita, I'd have been devastated to miss out on the big number,' she wrote. 'However, having seen Rachel perform Don't Cry For Me Argentina on the balcony of the London Palladium, my feelings have changed. I realised it was exactly people in my position growing up that she was singing for.' Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Met Police deploying dedicated patrols to protect women and girls at concerts this summer MORE: Christian group threatens Westminster Council over 'indoctrinating' pride flags MORE: £20 Pan-Indian feast from a Michelin-starred chef: 10 unmissable Time Out deals
Perth Now
a day ago
- Entertainment
- Perth Now
Eva Mendes' mom had first facial at 80
Eva Mendes' mom had her first facial when she was 80. The 51-year-old actress hasn't followed in Eva Pérez Suárez footsteps when it comes to having a simple beauty routine, and when she wanted to treat her mother to a luxury treatment, her parent enjoyed it but it is unlikely she will repeat it because she didn't want her daughter spending money on her. Eva told New Beauty: "The stuff that was really important to her…I wonder how the hell she did it with four kids! I have so many photos of her in curlers—the old-school foam ones. The minute she would leave the house, whether it was to the market— we didn't have a car, so she'd walk everywhere—she would take those suckers out, shake her head and her hair was done. "Then, she put lipstick on. She wasn't a foundation person or an eye person, but she always had her hair done and her lipstick applied. "I have definitely not carried on that tradition. I don't know how she did it. I really don't. Unfortunately, I just haven't been able to do that. "The thing that's always in my head, always, is that my mother would never, ever have a facial. I had to force her to have one a couple years ago - at 80 years old. She loved it, but she wants me to spend my money on myself, not on her. She's totally an old-school mom." Despite her mom's simple beauty routines, Eva - who has daughters Esmeralda, 10, and nine-year-old Amada with partner Ryan Gosling - still follows her tips, but admitted there is one piece of advice she regrets not listening to. She said: "When I put moisturiser on, I hear her voice. Ever since I was a teenager, I could hear her say, 'You always want to go up, up, up with the moisturiser.' I don't know where she got that from or what kind of old Cuban advice that was, but I'm always going up, up. "That's one thing that's always stayed. Oh, you know what else? You're making me think of these fun, old things. She always told me to take care of my elbows, which, of course, I ignored. "When I was in my late 30s, early 40s, I finally got it. Sorry, mom! I have to admit, she was right.'
Daily Tribune
2 days ago
- Entertainment
- Daily Tribune
Eva Longoria explores ‘family heritage' on Searching for Spain
Bang Showbiz | Los Angeles Eva Longoria learned more about her 'Spanish heritage' while shooting her new documentary. The 50-year-old actress previously explored the culture and food of Mexico on 'Eva Longoria: Searching for Mexico', her 2023 documentary series - but Eva admits that she learned much more about her own family heritage while filming the follow-up series, 'Eva Longoria: Searching for Spain'. The Hollywood star - who has Mexican and Spanish ancestry - told Byrdie: 'I'm Mexican American and I always felt at home in Mexico. I knew [the country] and learned even more while doing 'Searching for Mexico'. 'But my dad had always said we were also from Spain. I used to say, 'No, we're not.' Then I took a DNA test, and it was confirmed.' Eva jumped at the chance to film a follow-up series in Spain, and it proved to be hugely informative for the actress. She said: 'When CNN wanted to do the next season, I said, 'We should do Spain because my ancestors are from Spain.' Shooting 'Searching for Spain' was different, though, because I didn't know [the country] as well. 'In this series, you'll see that my questions are genuine and my curiosity is heightened. I was excited to learn more about my Spanish heritage.' Eva loves that she has such a personal connection to the new documentary series.
