Eva Mendes' mom had first facial at 80
Eva Mendes' mom had her first facial when she was 80.
The 51-year-old actress hasn't followed in Eva Pérez Suárez footsteps when it comes to having a simple beauty routine, and when she wanted to treat her mother to a luxury treatment, her parent enjoyed it but it is unlikely she will repeat it because she didn't want her daughter spending money on her.
Eva told New Beauty: "The stuff that was really important to her…I wonder how the hell she did it with four kids! I have so many photos of her in curlers—the old-school foam ones. The minute she would leave the house, whether it was to the market— we didn't have a car, so she'd walk everywhere—she would take those suckers out, shake her head and her hair was done.
"Then, she put lipstick on. She wasn't a foundation person or an eye person, but she always had her hair done and her lipstick applied.
"I have definitely not carried on that tradition. I don't know how she did it. I really don't. Unfortunately, I just haven't been able to do that.
"The thing that's always in my head, always, is that my mother would never, ever have a facial. I had to force her to have one a couple years ago - at 80 years old. She loved it, but she wants me to spend my money on myself, not on her. She's totally an old-school mom."
Despite her mom's simple beauty routines, Eva - who has daughters Esmeralda, 10, and nine-year-old Amada with partner Ryan Gosling - still follows her tips, but admitted there is one piece of advice she regrets not listening to.
She said: "When I put moisturiser on, I hear her voice. Ever since I was a teenager, I could hear her say, 'You always want to go up, up, up with the moisturiser.' I don't know where she got that from or what kind of old Cuban advice that was, but I'm always going up, up.
"That's one thing that's always stayed. Oh, you know what else? You're making me think of these fun, old things. She always told me to take care of my elbows, which, of course, I ignored.
"When I was in my late 30s, early 40s, I finally got it. Sorry, mom! I have to admit, she was right.'
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Perth Now
a day ago
- Perth Now
Eva Mendes' mom had first facial at 80
Eva Mendes' mom had her first facial when she was 80. The 51-year-old actress hasn't followed in Eva Pérez Suárez footsteps when it comes to having a simple beauty routine, and when she wanted to treat her mother to a luxury treatment, her parent enjoyed it but it is unlikely she will repeat it because she didn't want her daughter spending money on her. Eva told New Beauty: "The stuff that was really important to her…I wonder how the hell she did it with four kids! I have so many photos of her in curlers—the old-school foam ones. The minute she would leave the house, whether it was to the market— we didn't have a car, so she'd walk everywhere—she would take those suckers out, shake her head and her hair was done. "Then, she put lipstick on. She wasn't a foundation person or an eye person, but she always had her hair done and her lipstick applied. "I have definitely not carried on that tradition. I don't know how she did it. I really don't. Unfortunately, I just haven't been able to do that. "The thing that's always in my head, always, is that my mother would never, ever have a facial. I had to force her to have one a couple years ago - at 80 years old. She loved it, but she wants me to spend my money on myself, not on her. She's totally an old-school mom." Despite her mom's simple beauty routines, Eva - who has daughters Esmeralda, 10, and nine-year-old Amada with partner Ryan Gosling - still follows her tips, but admitted there is one piece of advice she regrets not listening to. She said: "When I put moisturiser on, I hear her voice. Ever since I was a teenager, I could hear her say, 'You always want to go up, up, up with the moisturiser.' I don't know where she got that from or what kind of old Cuban advice that was, but I'm always going up, up. "That's one thing that's always stayed. Oh, you know what else? You're making me think of these fun, old things. She always told me to take care of my elbows, which, of course, I ignored. "When I was in my late 30s, early 40s, I finally got it. Sorry, mom! I have to admit, she was right.'
The Advertiser
05-06-2025
- The Advertiser
Let's dance: John Wick's successor on point as vengeful assassin
From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. His presence serves to both connect the new character to that film franchises's universe, but also hands the torch over to a very capable successor, probably studio insurance in case Keanu decides he's too old to pretend to be a karate expert assassin. De Armas also plays a professional assassin and as the film opens we begin with her origin story, as the younger Eve (Victoria Comte) who has her idyllic island life destroyed with the arrival of a mysterious gang of black-clad killers, each carrying a heavy 'X' scar on their arms. Her lighthouse keeper dad is apparently also a retired assassin in hiding, having stolen baby Eve away from this crew that were intending to bring her up as a future killer. Dad once again saves Eve from this crew, particularly its enigmatic leader The Chancellor (Gabriel Byrne), but at the cost of his own life. It seems that killing is to be Eve's destiny anyways, as years later we meet the grown-up Eve (De Armas), placed in the care of The Director (Angelica Huston), who runs an assassin training academy disguised as a professional theatre school. It is here that Eve learns the ballet skills that give the film its name, dance being just a part of the curriculum that teaches these future death machines quick reflexes and incredible strength. And it is here that Eve first meets John Wick, a former student and member of the assassin clan Ruska Roma that The Director is the head of. Eve isn't just any baby killing machine though, she has her own vendetta against her father's killers driving her and vows to stay and continue learning only as a means to find the mysterious crew with the X scar. And she eventually does, and it doesn't go well for anybody. Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch. From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. His presence serves to both connect the new character to that film franchises's universe, but also hands the torch over to a very capable successor, probably studio insurance in case Keanu decides he's too old to pretend to be a karate expert assassin. De Armas also plays a professional assassin and as the film opens we begin with her origin story, as the younger Eve (Victoria Comte) who has her idyllic island life destroyed with the arrival of a mysterious gang of black-clad killers, each carrying a heavy 'X' scar on their arms. Her lighthouse keeper dad is apparently also a retired assassin in hiding, having stolen baby Eve away from this crew that were intending to bring her up as a future killer. Dad once again saves Eve from this crew, particularly its enigmatic leader The Chancellor (Gabriel Byrne), but at the cost of his own life. It seems that killing is to be Eve's destiny anyways, as years later we meet the grown-up Eve (De Armas), placed in the care of The Director (Angelica Huston), who runs an assassin training academy disguised as a professional theatre school. It is here that Eve learns the ballet skills that give the film its name, dance being just a part of the curriculum that teaches these future death machines quick reflexes and incredible strength. And it is here that Eve first meets John Wick, a former student and member of the assassin clan Ruska Roma that The Director is the head of. Eve isn't just any baby killing machine though, she has her own vendetta against her father's killers driving her and vows to stay and continue learning only as a means to find the mysterious crew with the X scar. And she eventually does, and it doesn't go well for anybody. Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch. From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. His presence serves to both connect the new character to that film franchises's universe, but also hands the torch over to a very capable successor, probably studio insurance in case Keanu decides he's too old to pretend to be a karate expert assassin. De Armas also plays a professional assassin and as the film opens we begin with her origin story, as the younger Eve (Victoria Comte) who has her idyllic island life destroyed with the arrival of a mysterious gang of black-clad killers, each carrying a heavy 'X' scar on their arms. Her lighthouse keeper dad is apparently also a retired assassin in hiding, having stolen baby Eve away from this crew that were intending to bring her up as a future killer. Dad once again saves Eve from this crew, particularly its enigmatic leader The Chancellor (Gabriel Byrne), but at the cost of his own life. It seems that killing is to be Eve's destiny anyways, as years later we meet the grown-up Eve (De Armas), placed in the care of The Director (Angelica Huston), who runs an assassin training academy disguised as a professional theatre school. It is here that Eve learns the ballet skills that give the film its name, dance being just a part of the curriculum that teaches these future death machines quick reflexes and incredible strength. And it is here that Eve first meets John Wick, a former student and member of the assassin clan Ruska Roma that The Director is the head of. Eve isn't just any baby killing machine though, she has her own vendetta against her father's killers driving her and vows to stay and continue learning only as a means to find the mysterious crew with the X scar. And she eventually does, and it doesn't go well for anybody. Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch. From the World of John Wick: Ballerina (MA, 125 minutes) 4 stars Cuban actress Ana De Armas absolutely stole the movie from under the nose of Daniel Craig when she played the Cuban spy in the 2021 James Bond film No Time to Die, and she's been a box office A-lister since. She is spectacular in this action flick that, in case the overly bloated and narratively descriptive film title doesn't give it away, fits somewhere into Keanu Reeves's John Wick films. If I were to guess, I'd say it takes part around the third Wick film, because Keanu does indeed play a small but essential part in Ballerina as his John Wick character, and we learn one of the reasons he might have found himself disavowed by the secret assassin underworld in John Wick: Chapter 4. His presence serves to both connect the new character to that film franchises's universe, but also hands the torch over to a very capable successor, probably studio insurance in case Keanu decides he's too old to pretend to be a karate expert assassin. De Armas also plays a professional assassin and as the film opens we begin with her origin story, as the younger Eve (Victoria Comte) who has her idyllic island life destroyed with the arrival of a mysterious gang of black-clad killers, each carrying a heavy 'X' scar on their arms. Her lighthouse keeper dad is apparently also a retired assassin in hiding, having stolen baby Eve away from this crew that were intending to bring her up as a future killer. Dad once again saves Eve from this crew, particularly its enigmatic leader The Chancellor (Gabriel Byrne), but at the cost of his own life. It seems that killing is to be Eve's destiny anyways, as years later we meet the grown-up Eve (De Armas), placed in the care of The Director (Angelica Huston), who runs an assassin training academy disguised as a professional theatre school. It is here that Eve learns the ballet skills that give the film its name, dance being just a part of the curriculum that teaches these future death machines quick reflexes and incredible strength. And it is here that Eve first meets John Wick, a former student and member of the assassin clan Ruska Roma that The Director is the head of. Eve isn't just any baby killing machine though, she has her own vendetta against her father's killers driving her and vows to stay and continue learning only as a means to find the mysterious crew with the X scar. And she eventually does, and it doesn't go well for anybody. Fans of the John Wick films will get a heap more of the stuff they love: exquisitely choreographed fight sequences and lashings of ultra-violence delivered with a sense of humour. For newcomers, I'll say there's so much to enjoy about this film, as long as you're pre-disposed to liking those things I just mentioned. Among the film's many gifts to viewers is the way director Len Wiseman, his writer Shay Hatten, weapons master Marek Bocek and the very long list of stunt coordinators in the credits work with Ana De Armas to make her a plausible assassin. One of the assassin school coaches (Sharon Duncan-Brewster) orders Eve to "fight like a girl"' by which she means to understand that while she may not match the strength of many male opponents, she should understand where her strengths are. It's a real joy to watch Eve work a room grabbing pots, pans, kitchen knives, and her ballet training to despatch dozens of men, and it is just really lovely team work from the film production crew, such professionalism. I'll enjoy more of these in years to come, I'm sure, as it is just really bloody fun to watch.
Perth Now
18-05-2025
- Perth Now
Eva Longoria 'celebrated love' at Lauren Sanchez's bachelorette party
Eva Longoria found it "nice to celebrate love" at Lauren Sanchez's bachelorette party. The 50-year-old actress appeared alongside the likes of Kim Kardashian, Kris Jenner and Katy Perry at Lauren's bachelorette party in Paris, ahead of her marriage to Amazon boss Jeff Bezos, and Eva has admitted to relishing the occasion. The brunette beauty - who is married to producer Jose Baston - told People: "I had to pop in and out, so I wasn't there as long. But yeah, it's so nice to celebrate love. "It's just the best feeling in the world to be there and go, 'Yay, love.'" Eva was also in Paris to shoot 'Eva Longoria: Searching for France', her latest documentary series for CNN. The film star - who has Santiago, six, with Jose - said: "Paris is great." Eva has been at the Cannes Film Festival, too, and she loves attending the annual event. The actress said: "Being a filmmaker, it's one of my favourite festivals because of the convergence of not just the film industry, but the fashion industry. "The journalists that are here, the conversations that are taking place on this global stage matter in media, and what we do matters in society and in culture and in changing hearts and minds. "I think that the greater purpose of the festival is what calls me back every single time." Meanwhile, Eva recently revealed that she always thought she'd become a success. The actress has enjoyed a hugely successful career, starring in shows such as 'Desperate Housewives' and 'Only Murders in the Building', and Eva never doubted her own talent. The actress told Byrdie: "When I look at the longevity I've had in this industry, it makes sense to me. "Of course, I'm going to work as hard as I can at whatever I do, and it just happens to be in this industry. I knew I'd be successful because I was surrounded by successful women - my mother, sisters, and aunts were independent, strong, smart, and charitable. They were everything I wanted to be." Eva's self-belief has helped her to navigate the pitfalls of Hollywood. She explained: "If you don't champion yourself, who else is going to? That unwavering belief in yourself will take you so far."
