WWE vs. AEW: Who's winning 2025's wrestling war?
If there's one thing that titillates wrestling obsessives, it's when one of the major promotions — WWE or AEW — makes an explicit reference to the other. These days the digs and attacks tend to be much rarer than in the past, but that doesn't stop them from being thrilling when they happen.
Witness the social-media flutter this past May when an enterprising journalist used AEW's Double or Nothing press huddle to ask Tony Khan his opinions on WWE's none-too-subtle tactic of booking NXT premium live events against AEW's most important pay-per-view shows — one of the most aggressive competitive moves WWE has made against Khan's company.
Advertisement
That the AEW founder delivered an impeccably diplomatic answer did little to quell the excitement of those who spend their hours musing on the state of competition between WWE and AEW.
Of course, here at Uncrowned, we have much less reason to mince our words on these things. So here's an analysis of the status of the battle between the two big promotions.
The valuation gap
Before making any kind of comparison between the two promotions, you need to acknowledge the 10-ton elephant that squats over this topic. Whatever you make of the rival products, WWE is objectively a much larger company than AEW in terms of money in the bank (no pun intended).
Advertisement
Even the most flattering estimates value AEW at around $2 billion, which is still less than a quarter of what TKO paid for WWE two years ago. And that latter number was before WWE finalized its massive Netflix deal, which has helped add some billions to TKO's overall market cap in the past year.
None of this means there aren't specific areas where the numbers are closer (television viewing figures, for example), but it would be silly to pretend WWE doesn't have a massive edge due to its size and history.
Media rights and viewing figures
For all the focus on live shows, the modern pro-wrestling game is a television business: Both WWE and AEW make most of their money by selling their product to television and streaming networks.
Advertisement
For a rough comparison, WWE's various deals (Netflix, Peacock, NBCUniversal, etc.) bring in somewhere in the region of $1 billion per year. By contrast, AEW's recent media deal with Warner Bros. Discovery is valued at around $185 million per year — so less than a fifth of what WWE brings in.
The big prize here is the Netflix deal, which was rightly hailed as a bit of a game-changer for wrestling when it was confirmed last year. The slight wrinkle on that front is WWE's Netflix viewing figures haven't been as huge as some expected, prompting some whispers about whether the streaming giant paid too much.
As for viewership, AEW's U.S. television audience is around half of WWE's. 'AEW Collision' typically draws around 600,000 viewers in the U.S., compared to 1.2 million for 'WWE SmackDown.' That said, AEW's numbers have dipped over the past year or so, but now appear to be stabilizing. (Hat tip to the excellent Wrestlenomics, who publish detailed numbers on this.)
The verdict: Advantage WWE
John Cena and CM Punk face off during "WWE Raw." (Craig Ambrosio/WWE via Getty Images)
(WWE via Getty Images)
Live shows and ticket gates
As much as we get tired of TKO's obsession with announcing all these record gates at every PLE, there's no denying WWE's audience revenue is seriously impressive at the moment. It just did $3 million for 'WWE Raw' in London, for example.
Advertisement
On top of that, TKO's current focus is persuading cities to pay hefty 'site fees' for the right to host bigger events — like New Jersey paying $7 million to host this year's WWE SummerSlam double-header. That's almost certainly a big factor in why WrestleMania is heading back to Las Vegas in 2026.
On the other hand, AEW's gate revenue is much lower. Double or Nothing made $600,000 last month, for example. That said, their overseas events are still big league: All In at London's Wembley Stadium made $9 million and $6 million in 2023 and 2024, respectively.
Gate revenues are one thing, but what about the crowds? On average, AEW's weekly shows draw around one quarter of the WWE audience (around 3,000 compared to 11,000 fans) — a ratio that has gotten steeper in WWE's favor over the past two years.
AEW's bigger shows are still drawing decent crowds (in the 10,000 range) that are on par with the smaller WWE PLEs. At the end of the day, though, there's one wrestling promotion that can fill giant American stadiums like Allegiant in Las Vegas or MetLife in New Jersey — and it isn't Khan's.
Advertisement
The verdict: Advantage WWE
The talent
Defining a great wrestler is always going to involve subjective judgments. But on a business level, I'd argue that it usually boils down to one particular metric: the strength of the personal brand in terms of drawing viewers.
If we're taking stock of the two promotions, there's no question both have some massive talents. But does AEW really have anyone who matches the Hollywood-level star power of The Rock, John Cena and Rhea Ripley? I'd venture not.
It's that kind of clout that allows WWE to poach talent from its rival when it wants to. Just look at Mariah May and Jade Cargill, for example. Both had plenty of momentum in AEW and were likely making decent wages, but when the bigger brand came knocking, they were happy to make the jump.
Advertisement
That said, we shouldn't fully discount AEW's tagline of being 'where the best wrestle.' It's a good insight into how Khan sees his brand — and plenty of wrestling aficionados would agree that he's doing a great job on that front. Just look at the rave reaction to 2025's Double or Nothing show, for example.
The verdict: Advantage WWE
Kenny Omega's return has bolstered AEW's roster. ()
(Etsuo Hara via Getty Images)
The product
In many ways, this is the big question: Is the product any good? Television deals, gate revenue and site fees might bring in the bacon, but, at the end of the day, they're all downstream from the quality of the product.
So how do the promotions compare right now? Let's start with WWE. Going into 2025, the company was widely regarded to be on fire — particularly with the Netflix deal incoming and the anticipation of John Cena's retirement tour. But there's a growing sense the product has been losing steam over the past few months.
Advertisement
Perhaps the success of the Bloodline/Cody Rhodes era gave us unrealistic expectations, or maybe we're all overreacting to the anticlimactic payoff to this year's WrestleMania. But it doesn't change the fact there's been a significant vibe shift from the fan base.
And what of AEW? It's had some rough moments, for sure, but the most recent shows have begun to turn a corner. Double or Nothing was an absolute slam dunk and seems to be setting things up nicely for their biggest show of the year with July's All In.
On a long-term view, though, the fundamentals haven't changed: WWE is still the granddaddy of pro wrestling. But if we're talking strictly about momentum — i.e. where things are moving right now — then AEW's lines are pointing in the right direction, while WWE's are floundering slightly.
The verdict: (Slight) advantage AEW

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
38 minutes ago
- Yahoo
‘Arcane,' returning from a 3-year hiatus, leads early Best Animated Program Emmy odds
The second and final season of Arcane is poised to shake up the 2025 Emmys. There are 38 submissions this year in the Best Animated Program category, which means there will again be five nominees. Leading the pack, per the Gold Derby odds, is Arcane. More from GoldDerby The 10 most Lynchian items at the David Lynch auction - and how much they sold for Best Drama Writing Emmy predictions: 'The Pitt' takes a risk by submitting 3 episodes 'Jaws' at 50: How Spielberg's movie changes 'horrified' wife of novel writer Peter Benchley Netflix's steampunk action-adventure show came on strong for its first season at the 2022 Emmys, winning Best Animated Program and three trophies for Best Individual Achievement in Animation. Three years later, it's back for Season 2, and there's no reason to think Television Academy members won't be just as enamored this time around. Arcane wrapped up major plot points in the series finale, "The Dirt Under Your Nails," in which destinies clashed in the lead-up to an all-out war. This is the episode that has been submitted for Emmy consideration. READ: The one show best positioned to beat Arcane in our odds is The Simpsons. The longest-running American scripted primetime series ever wrapped up its 36th season in May with its 790th episode. To date, The Simpsons has won 37 Emmys from 102 nominations, including 12 trophies for Best Animated Program. The comedy about the denizens of Springfield most recently prevailed in 2023 for "Treehouse of Horror XXXIII," but was beaten last year by Blue Eye Samurai, which is not currently in the running. This time around, the season premiere, "Bart's Birthday," is being entered for Emmy consideration, which serves a meta take on the show's eventual series finale. Love, Death + Robots has a near-perfect track record at the Emmys, winning 13 of its 15 nominations through the years. It won Best Short Form Animated Program for each of its first three seasons in 2019, 2021, and 2022, but is now competing against the big dogs up in the main Best Animated Program race. (There is no short form animation category this year, possibly due to a dearth of eligible submissions.) Season 4 of the anthology series streamed all 10 episodes on May 15, right at the tail end of the eligibility period. The third episode, "Spider Rose," has been submitted, and focuses on a grieving woman hellbent on revenge at the end of the galaxy. In fourth place is Bob's Burgers, a 13-time nominee in this category and two-time winner (2014 and 2017). Season 15 was split into two parts, with the first part airing at the end of 2024 and the second part airing now and through the summer. The eighth episode, "They Slug Horses, Don't They?," is being put forward for Emmy consideration, in which Tina and Louise get into an argument that escalates across several increasingly graphic "apology" cards. Invincible comes in fifth place for a nomination. Emmy voters will be judging the sixth episode of Season 3, "All I Can Say Is I'm Sorry," where a powerful new figure challenges Markus "Mark" Grayson/Invincible (voiced by Steven Yeun), and helps him to explore the concept of right vs. wrong. The superhero series streams on Prime Video, and received its first Emmy nomination last year for Sterling K. Brown for voicing Angstrom Levy. Gold Derby's Emmy odds are based on the combined forecasts of more than 4,100 people (and counting), including experts we've polled from major media outlets, editors who cover awards year-round for this website, and the mass of users who make up our biggest predictions bloc. Track the Emmy predictions by exploring all of our charts and graphs, and sound off in our TV forum. PREDICTED NOMINEES 1. Arcane — 19/10 2. The Simpsons — 71/20 3. Love, Death + Robots — 5/1 4. Bob's Burgers — 8/1 5. Invincible — 13/1 POTENTIAL SPOILERS 6. Big Mouth — 25/1 7. #1 Happy Family USA — 85/1 8. What If...? — 95/1 9. Harley Quinn — 100/1 10. Family Guy — 100/1 LONGSHOTS 11. Devil May Cry — 100/1 12. Batman: Caped Crusader — 100/1 13. Futurama — 100/1 14. Secret Level — 100/1 15. Star Trek: Lower Decks — 100/1 SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Everything to know about 'The Pitt' Season 2 Adam Brody, Seth Rogen, Jason Segel, and the best of our Emmy Comedy Actor interviews Kristen Bell, Tina Fey, Bridget Everett, and the best of our Emmy Comedy Actress interviews Click here to read the full article.

USA Today
42 minutes ago
- USA Today
Charlie from 'Love Island USA' on Hannah and Pepe: 'How can I watch that?'
"Love Island USA" Season 7's Charlie Georgiou says the women were too loyal to Huda to vote her out of the villa, calling himself an "easy target." Charlie Georgiou is still reeling from being dumped by his fellow "Love Island USA" cast members. "It's savage; it's brutal," he tells USA TODAY. Since his villa roommates voted to oust him over the controversial Huda Mustafa and Taylor Williams, Charlie has been in a Fiji hotel room watching Netflix — and also catching up on the dozen Season 7 episodes in which the actor/model appeared. But the season's first male bombshell isn't eager to follow the most recent episodes, in which the woman he'd hit it off with, Hannah Fields, is happily moving on with Pepe Garcia-Gonzalez a day after uncontrollably sobbing over Charlie's departure. "When I was watching the episode of my departure, I saw that the next day, obviously they sent Pepe and Hannah and all the new couples on dates. And I was like, 'I can't watch that, man.' How can I watch that?" Charlie says. "Any human being wouldn't want to watch someone that they've just been establishing connections with go off and get to have this intimate experience with someone else." He adds, "Yeah, I don't want to watch the (newer) episodes. It's not a nice feeling. ... I'm just a bit worried I'll see something that makes me feel a bit (bad)." Charlie says he was the 'easy target'; the women 'weren't about to dump' Huda In Episode 12, viewers for the first time had their say in who couples up. When Hannah was paired with Pepe, Charlie was left on the chopping block alongside Taylor and Huda. Chelley, Cierra and Amaya's votes sealed Charlie's fate. This "disappointed" Charlie, who'd thought he had formed better friendships with the women. "Amaya, I always looked out for her. She cried in front of me. Me and Hannah looked after her and made her feel better, and she confided in us and we consoled her," Charlie says. "So for her to be the final executor of my time there ... the irony of it. I was like, 'No way, man, I can't believe it's you that's done it." As for Cierra, her vote to dump Charlie "let me down because ... we went in this game together. We went into the villa together. We'd have one-on-one conversations and check in on each other. He'd hoped he would sway his fellow islanders by giving his "last-ditch effort" pitch that he and Hannah had just found a new lease on their budding love. "And even that wasn't enough," Charlie says. "So I think I was always going to be the easy target." The women's loyalty to each other was the nail in the coffin, Charlie believes. "I just feel like the girls weren't about to dump (Huda)," he says. "They're not going to dump their girlfriend that they're upstairs with. They're watching her cry. They're not going to do that. They're going to go for me."


USA Today
2 hours ago
- USA Today
Estate that appeared in 'Zero Day' with Robert De Niro lists at $15 million
An estate that served as a location in Netflix miniseries "Zero Day," which featured Robert De Niro, is listed for sale at $15 million, according to the listing. Known as Rabbit Hill in Briarcliff Manor village, the more than 13,000-square-foot home is on 22 acres with Hudson River views, the listing said. The property, next to Sleepy Hollow Country Club, is within the town of Mount Pleasant, New York. In the miniseries, which aired in February 2025, De Niro portrayed a former U.S. president who is brought on to lead a commission to probe a cyber attack. Designed by architect Mott B. Schmidt for banker William S. Lambie, the home at 842 Sleepy Hollow Road was completed in 1929 and restored in 2016. It sold in 2016 for $9 million. David Turner of Compass has the listing. Stately features abound at Rabbit Hill in Briar Cliff Manor The fenced and gated property starts with a quarter-mile driveway that winds through oak trees and a naturalized landscape. A fountain is in the front-entrance courtyard. The property has sweeping lawns, perennial gardens and quiet woodlands, the listing said. Famous movie houses: Home from cult classic 'Dazed and Confused' is now for sale at $950K "Rabbit Hill is an extremely rare offering and opportunity of a historic house and property in superb condition and just 30 miles from Midtown Manhattan," the listing said. The four-level house has a stair hallway that "reveals a curved floating staircase over a herringbone brick floor," the listing said. The second level has six en-suite bedrooms, an additional guest room with private bath, and an office with full bathroom. The sunken family room includes three garden exposures through divided-light windows. There is a newly renovated kitchen. The property includes a 100-foot terrace, a large pool house and a 50-foot pool, which all face south and west toward the Hudson River and the Palisades. There is also a tennis court.