logo
"She's Got No Name" unveils first official poster

"She's Got No Name" unveils first official poster

Yahoo06-06-2025

6 Jun - Two years after the first announcement, Peter Chan's "She's Got No Name" finally unveiled the first official poster for the first part of the movie.
The poster reveals the looks of all the cast for the first time, sparking interests of fans who mostly commented that all of the actors seemed unrecognisable and are truly immersed in their characters.
This includes lead actress Zhang Ziyi, whose character has scars covering her face; Yang Mi looking dishevelled in her character as a female prisoner, Jackson Yee in shades and equipped with a cane as a blind fortune teller, as well as Zanilia Zhao, looking glamorous as a writer.
Fans also couldn't help but notice that both Zanilia and Yang Mi are placed on each side of the poster. The decision seemed to be a way to avoid the fandom of both actresses from arguing on who is the bigger star.
Since the film debuted in the non-competitive section of the Cannes Film Festival last year, there has been no further news until it was recently announced as the opening film of the 27th Shanghai International Film Festival. What is noteworthy is that the film has recently been announced to be divided into two parts, the first of which has the Chinese title of "Jiangyuan Lane: Mystery".
(Photo Source: Zhang Ziyi Weibo, SINA)

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Locals and Visitors Alike Invited to Discover the Best Beef Chow Mein in Las Vegas at Kung Fu Thai & Chinese Restaurant
Locals and Visitors Alike Invited to Discover the Best Beef Chow Mein in Las Vegas at Kung Fu Thai & Chinese Restaurant

Business Upturn

time5 hours ago

  • Business Upturn

Locals and Visitors Alike Invited to Discover the Best Beef Chow Mein in Las Vegas at Kung Fu Thai & Chinese Restaurant

Las Vegas, June 20, 2025 (GLOBE NEWSWIRE) — Las Vegas, Nevada – Kung Fu Thai & Chinese Restaurant, nestled in the lively center of Las Vegas, invites guests to indulge in a delightful fusion of Thai and Chinese cuisine. Known for its rich flavors and dedication to tradition, the restaurant has become a favored spot for locals and tourists alike. Its unique setting provides a space where the essence and tastes of two great culinary traditions come alive in every dish. A major draw to Kung Fu Thai Chinese Restaurant is their celebrated noodle dishes, especially the Beef Chow Mein. To learn more about this popular offering, head over to The restaurant's commitment is to not just fill plates but to craft an experience where each bite mirrors a piece of Southeast Asian heritage. Patrons appreciate how the menu at Kung Fu Thai Chinese Restaurant delivers comfort through familiar dishes while also introducing them to the vibrant tastes of Southeast Asia. With diverse options tailored to meet various preferences, it welcomes everyone whether they're locals stopping by or visitors wanting to try something new. For those unable to dine in, Kung Fu Thai Chinese Restaurant offers seamless online ordering on their website, ensuring that their delicious dishes are accessible to all. 'Our team is deeply committed to bringing authentic Thai and Chinese flavors to Las Vegas,' shared Alan Wong of Kung Fu Thai & Chinese Restaurant. 'We carefully choose dishes that respect long-standing recipes and cooking styles, assuring that every meal tells a story of our heritage.' The menu invites both those who cherish traditional flavors and adventurous eaters eager for something different. Not to be missed is what many call the Best Chicken Chow Mein in Las Vegas. This dish is a delightful fusion of classic elements, creating a balanced mix of tastes for both locals and out-of-towners. The team at Kung Fu Thai Chinese Restaurant is dedicated to upholding their standards of service and quality. Regular menu updates and valued customer feedback help them provide a varied and satisfying dining experience. Alan Wong stated, 'Every visit to Kung Fu Thai & Chinese Restaurant should be enjoyable and tasty. We're always seeking ways to improve our offerings and ensure guests leave with a great dining experience.' The loyalty from customers is a true reflection of the restaurant's devotion to authentic and high-quality meals. Beyond its popular Chinatown location, Kung Fu Thai Chinese Restaurant offers a taste of Southeast Asia that leaves a lasting impression. For those eager to explore a menu that stretches across Thai and Chinese culinary landscapes, Kung Fu Thai Chinese Restaurant presents an exceptional array of dishes. From well-crafted noodles to richly spiced curries, everyone will find something to savor. Kung Fu Thai Chinese Restaurant provides more than just a meal—it's an opportunity to experience the vivid traditions and robust flavors of Thailand and China. In-house dining or takeout promises a consistent taste and quality, offering a culinary adventure that's both satisfying and memorable. In Las Vegas, Kung Fu Thai Chinese Restaurant is a beacon for those seeking genuine Southeast Asian delights. With its rich history and dedicated team, it stands out as a go-to spot for both locals and visitors looking for an unforgettable taste of Thailand and China in Nevada's bustling heart. ### For more information about Kung Fu Thai & Chinese Restaurant, contact the company here: Kung Fu Thai & Chinese RestaurantAlan Wong702-247-4120 [email protected] 3505 S Valley View Blvd Las Vegas, NV 89103

AI avatars in China just proved they are ace influencers. It only took a duo 7 hours to rake in more than $7 million
AI avatars in China just proved they are ace influencers. It only took a duo 7 hours to rake in more than $7 million

CNBC

time10 hours ago

  • CNBC

AI avatars in China just proved they are ace influencers. It only took a duo 7 hours to rake in more than $7 million

Key Points A Chinese entrepreneur raked in $7.65 million after streaming using an interactive digital avatar. That was more than what he earned from his previous livestream, which he hosted personally. "This is a DeepSeek moment for China's entire livestreaming and digital human industry," an analyst said. Chinese influencer Luo Yonghao and co-host Xiao Mu tried out livestreaming on Sunday, June 15, 2025, using interactive digital avatars based on Baidu's generative artificial intelligence model. Screenshot BEIJING — Avatars generated by artificial intelligence are now able to sell more than real people can, according to a collaboration between Chinese tech company Baidu and a popular livestreamer. Luo Yonghao, one of China's earliest and most popular livestreamers, and his co-host Xiao Mu both used digital versions of themselves to interact with viewers in real time for well over six hours on Sunday on Baidu's e-commerce livestreaming platform "Youxuan", the Chinese tech company said. The session raked in 55 million yuan ($7.65 million). In comparison, Luo's first livestream attempt on Youxuan last month, which lasted just over four hours, saw fewer orders for consumer electronics, food and other key products, Baidu said. Luo said that it was his first time using virtual human technology to sell products through livestreaming. "The digital human effect has scared me ... I'm a bit dazed," he told his 1.7 million followers on social media platform Weibo, according to a CNBC translation. Luo started livestreaming in April 2020 on ByteDance's short video app Douyin, in an attempt to pay off debts racked up by his struggling smartphone company Smartisan. His "Be Friends" Douyin livestream account has nearly 24.7 million followers. Luo's and his co-host's avatars were built using Baidu's generative AI model, which learned from five years' worth of videos to mimic their jokes and style, Wu Jialu, head of research at Luo's other company, Be Friends Holding, told CNBC on Wednesday. VIDEO07:49 AI & future of workforce: Andrew Yang on how the technology will impact jobs "This is a DeepSeek moment for China's entire livestreaming and digital human industry," Wu said in Mandarin, translated by CNBC. DeepSeek, China's version of OpenAI, rattled global investors in January with its claims of rivaling ChatGPT at far lower costs and using an open-source approach. AI avatars can sharply reduce costs since companies don't need to hire a large production team or a studio to livestream. The digital avatars can also stream nonstop without needing breaks. "We have always been skeptical about digital people livestreaming," Wu said, noting the company had tried out various kinds of digital humans over the years. But he said that Baidu now offers the best digital human product currently available, compared to the early days of livestreaming e-commerce five or six years ago. A growing industry Livestream shopping took off in China after the pandemic forced businesses to find alternative sales channels. More people are turning to livestreaming to earn money from commissions and virtual gifts amid slower economic growth. Livestreaming generated so many sales on Douyin last year that the app surpassed traditional e-commerce company to become China's second-largest e-commerce platform — and ate into the market share of lead player Alibaba, according to a report from Worldpanel and Bain & Company last week. Both and Alibaba's Taobao also offer livestreaming sales portals. Meanwhile, other Chinese companies, including tech giant Tencent, have developed tools to create digital people that can be used as news anchors. In late 2023, several businesses started trying out virtual human livestreamers during the Singles Day shopping holiday. But analysts have cautioned that products sold via livestreams tend to have a high return rate as they are often impulse purchases. The biggest challenge for using virtual humans to livestream is no longer the technology, but compliance and platform requirements, Wu said. Digital humans need to be trained to adhere to regulations about product advertising, while major livestreaming platforms may have different rules about allowing virtual people to host the sessions, he said. Weekly analysis and insights from Asia's largest economy in your inbox Subscribe now For example, Douyin has rolled out restrictions on using the technology, especially if the virtual people do not interact with viewers. While Luo's next virtual human appearance hasn't been set yet, Wu said he expects it will be very soon. And in the future, he said, digital humans could easily livestream in multiple languages to reach users outside China.

A changing China, captured in 25 years of outtakes, emerges in the poetic ‘Caught by the Tides'
A changing China, captured in 25 years of outtakes, emerges in the poetic ‘Caught by the Tides'

Los Angeles Times

time11 hours ago

  • Los Angeles Times

A changing China, captured in 25 years of outtakes, emerges in the poetic ‘Caught by the Tides'

Dispatches from northern China, Jia Zhangke's movies constitute their own cinematic universe. Repeatedly returning to themes of globalization and alienation, the 55-year-old director has meticulously chronicled his country's uneasy plunge into the 21st century as rampant industrialization risks deadening those left behind. But his latest drama, 'Caught by the Tides,' which opens at the Frida Cinema today, presents a bold, reflexive remix of his preoccupations. Drawing from nearly 25 years of footage, including images from his most acclaimed films, Jiahas crafted a poignant new story with an assist from fragments of old tales. He has always been interested in how the weight of time bears down on his characters — now his actors age in front of our eyes. When 'Caught by the Tides' premiered at last year's Cannes Film Festival, critics leaned on a handy, if somewhat inaccurate, comparison to describe Jia's achievement: 'Boyhood,' which followed a young actor over the course of 12 years, a new segment of the picture shot annually. But Richard Linklater preplanned his magnum opus. Jia, on the other hand, approached his film more accidentally, using the pandemic lockdown as an excuse to revisit his own archives. 'It struck me that the footage had no linear, cause-and-effect pattern,' Jia explained in a director's statement. 'Instead, there was a more complex relationship, not unlike something from quantum physics, in which the direction of life is influenced and ultimately determined by variable factors that are hard to pinpoint.' The result is a story in three chapters, each one subtly building emotionally from the last. In the first, it is 2001, as Qiaoqiao (Zhao Tao) lives in Datong, where she dates Bin (Li Zhubin). Early on, Qiaoqiao gleefully sings with friends, but it will be the last time we hear her voice. It's a testament to Zhao's arresting performance that many viewers may not notice her silence. She's so present even without speaking, her alert eyes taking in everything, her understated reactions expressing plenty. Young and with her whole life ahead of her, Qiaoqiao longs to be a singer, but her future is short-circuited by Bin's text announcing that he's leaving to seek better financial opportunities elsewhere. He promises to send word once he's established himself, but we suspect she may never see this restless, callous schemer again. Not long after, Bin ghosts Qiaoqiao, prompting her to journey after him. 'Caught by the Tides' richly rewards viewers familiar with Jia's filmography with scenes and outtakes from his earlier movies. Zhao, who in real life married Jia more than a decade ago, has been a highlight of his movies starting with his 2000 breakthrough 'Platform,' and so when we see Qiaoqiao at the start of 'Caught by the Tides,' we're actually watching footage shot around that time. (Jia's 2002 drama 'Unknown Pleasures' starred Zhao as a budding singer named Qiaoqiao. Li also appeared in 'Unknown Pleasures,' as well as subsequent Jia pictures.) But the uninitiated shouldn't feel intimidated to begin their Jia immersion here. Those new to his work will easily discern the film's older footage, some of it captured on grainy DV cameras, while newer material boasts the elegant, widescreen compositions that have become his specialty. 'Caught by the Tides' serves as a handy primer on Jia's fascination with China's political, cultural and economic evolution, amplifying those dependable themes with the benefit of working across a larger canvas of a quarter century. Still, by the time Qiaoqiao traverses the Yangtze River nearby the Three Gorges Dam — a controversial construction project that imperiled local small towns and provided the backdrop for Jia's 2006 film 'Still Life' — the director's fans may feel a bittersweet sense of déjà vu. We have been here before, reminded of his earlier characters who similarly struggled to find love and purpose. The film's second chapter, which takes place during 2006, highlights Qiaoqiao's romantic despair and, separately, Bin's growing desperation to make a name for himself. (This isn't the first Jia drama in which characters dabble in criminal activity.) By the time we arrive at the finale, set during the age of COVID anxiety, their inevitable reunion results in a moving resolution, one that suggests the ebb and flow of desire but, also, the passage of time's inexorable erosion of individuals and nations. Indeed, it's not just Zhao and Li who look different by the end of 'Caught by the Tides' but Shanxi Province itself — now a place of modern supermarkets, sculpted walkways and robots. Unchecked technological advancement is no longer a distant threat to China but a clear and present danger, dispassionately gobbling up communities, jobs and Qiaoqiao's and Bin's dreams. When these two former lovers see each other again, a lifetime having passed on screen, they don't need words. In this beautiful summation work, Jia has said it all.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store