logo
Stars lend glamour to ‘Oscars of science' Breakthrough Prizes

Stars lend glamour to ‘Oscars of science' Breakthrough Prizes

Yahoo06-04-2025

Gwyneth Paltrow, Alicia Keys and Lizzo were among the stars giving science some pizzazz at this year's Breakthrough Prizes in Los Angeles on Saturday.
Nicknamed the 'Oscars of Science', the six awards of $3 million (£2.3 million) each are given for advances in life sciences, physics and mathematics.
Some of the biggest names in tech, film and music walked the red carpet in Barker Hangar in Santa Monica, California, lending their glamour to the event.
Mark Zuckerberg, Bill Gates and Jeff Bezos all flashed a smile, despite a torrid week in which their companies lost billions in the market turmoil caused by Donald Trump's tariff announcements.
Media mogul Rupert Murdoch, 94, was pictured with his wife Elena Zhukova, 67, whom he married last summer. His third wife, Wendi Murdoch, 56, was also in attendance.
Other attendees included Zoe Saldana, the Oscar-winning actress, Paris Hilton, the socialite, Gal Gadot, the star of Disney's ill-fated Snow White remake, and Lily Collins, the Emily in Paris actress.
Musicians Lizzo, Katy Perry, Alicia Keys and Christina Aguilera also came.
The scientists who developed Ozempic, the pioneering weight-loss drug, were awarded a Breakthrough Prize.
Another went to David Liu, an American molecular biologist, for developing two precise gene editing tools to help people with severe genetic diseases.
A further life science prize was given for groundbreaking research on multiple sclerosis.
More than 13,500 researchers from Cern, Europe's particle physics laboratory, took home a joint award for testing the modern theory of particle physics.
The Breakthrough Prizes were founded in 2012 and are sponsored by Yuri Milner, a Russian–Israeli billionaire, and tech entrepreneurs including Mark Zuckerberg, the chief executive of Meta.
This year's prizes were given at a fraught moment for US science, as Donald Trump's government stripped funding for institutions like the National Institutes of Health (NIH).
'The NIH is a treasure, not just for this country but for the world,' said Mr Liu, after winning his award.
'Trying to dismantle the heart of what supports science in this country is like burning your seed corn.'
Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘How to Train Your Dragon' soars ahead of 'Elio,' '28 Years Later' in box office

time7 minutes ago

‘How to Train Your Dragon' soars ahead of 'Elio,' '28 Years Later' in box office

NEW YORK -- Neither Pixar nor zombies were enough to topple 'How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of 'Elio' and '28 Years Later.', according to studio estimates Sunday. 'How To Train Your Dragon' has rapidly amassed $358.2 million worldwide. Six years after its last entry, the Dean DeBlois-directed 'How To Train Your Dragon' has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon. Pixar's 'Elio' had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including 'Cars,' 'WALL-E' and 'Toy Story 4.' But 'Elio,' a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar. 'This is a weak opening for a new Pixar movie,' said David A. Gross, who runs the movie consulting firm FranchiseRe. 'These would be solid numbers for another original animation film, but this is Pixar, and by Pixar's remarkable standard, the opening is well below average.' 'Elio,' originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of 'Coco' — was replaced mid-production by Domee Shi ('Turning Red') and Madeline Sharafian. Back at Disney's D23 conference in 2022, America Ferrera appeared to announce her role as Elio's mother, but the character doesn't even exist in the revamped film. Disney and Pixar spent at least $150 million making 'Elio,' which didn't fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023's 'Elemental' ($496.4 million worldwide) and 2024's 'Inside Out 2' ($1.7 billion), which was the company's biggest box office hit. 'Elemental' was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, 'Toy Story,' opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether 'Elio's' decent reviews and 'A' from CinemaScore audiences can lead it to repeat 'Elemental's' trajectory. With most schools on summer break, the competition for family audiences was stiff. Disney's own 'Lilo & Stitch,' another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million. . '28 Years Later' signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after '28 Days Later' and 18 years after its sequel, '28 Weeks Later.' The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of 'Slumdog Millionaire' and 'Trainspotting,' the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family's protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star. Reviews have been good (90% fresh on Rotten Tomatoes) for '28 Years Later,' though audience reaction (a 'B' CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of '28 Years Later: The Bone Temple' next year from director Nia DaCosta. '28 Years Later' added another $30 million in 59 overseas markets. After its strong start last weekend with $12 million, A24's 'Materialists' held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far. Next weekend should also be a competitive one in movie theaters, with both 'F1,' from Apple and Warner Bros., and Universal's 'Megan 2.0' launching in cinemas. With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'How to Train Your Dragon,' $37 million. 2. '28 Years Later,' $30 million. 3. 'Elio,' $21 million. 4. 'Lilo & Stitch,' $9.7 million. 5. 'Mission: Impossible — The Final Reckoning,' $6.6 million. 6. 'Materialists,' $5.8 million. 7. 'Ballerina,' $4.5 million. 8. 'Karate Kid: Legends,' $2.4 million. 9. 'Final Destination: Bloodlines," $1.9 million. 10. 'Kuberaa,' $1.7 million.

‘How to Train Your Dragon' tops the US box office as ‘Elio' marks a new low for Pixar
‘How to Train Your Dragon' tops the US box office as ‘Elio' marks a new low for Pixar

San Francisco Chronicle​

time26 minutes ago

  • San Francisco Chronicle​

‘How to Train Your Dragon' tops the US box office as ‘Elio' marks a new low for Pixar

NEW YORK (AP) — Neither Pixar nor zombies were enough to topple 'How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of 'Elio' and '28 Years Later.' , according to studio estimates Sunday. 'How To Train Your Dragon' has rapidly amassed $358.2 million worldwide. Six years after its last entry, the Dean DeBlois-directed 'How To Train Your Dragon' has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon. Pixar's 'Elio' had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including 'Cars,' 'WALL-E' and 'Toy Story 4.' But 'Elio,' a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar. 'This is a weak opening for a new Pixar movie,' said David A. Gross, who runs the movie consulting firm FranchiseRe. 'These would be solid numbers for another original animation film, but this is Pixar, and by Pixar's remarkable standard, the opening is well below average.' 'Elio,' originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of 'Coco' — was replaced mid-production by Domee Shi ('Turning Red') and Madeline Sharafian. Back at Disney's D23 conference in 2022, America Ferrera appeared to announce her role as Elio's mother, but the character doesn't even exist in the revamped film. Disney and Pixar spent at least $150 million making 'Elio,' which didn't fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023's 'Elemental' ($496.4 million worldwide) and 2024's 'Inside Out 2' ($1.7 billion), which was the company's biggest box office hit. 'Elemental' was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, 'Toy Story,' opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether 'Elio's' decent reviews and 'A' from CinemaScore audiences can lead it to repeat 'Elemental's' trajectory. With most schools on summer break, the competition for family audiences was stiff. Disney's own 'Lilo & Stitch,' another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million. . '28 Years Later' signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after '28 Days Later' and 18 years after its sequel, '28 Weeks Later.' The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of 'Slumdog Millionaire' and 'Trainspotting,' the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family's protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star. Reviews have been good (90% fresh on Rotten Tomatoes) for '28 Years Later,' though audience reaction (a 'B' CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of '28 Years Later: The Bone Temple' next year from director Nia DaCosta. '28 Years Later' added another $30 million in 59 overseas markets. After its strong start last weekend with $12 million, A24's 'Materialists' held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far. With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'How to Train Your Dragon,' $37 million. 2. '28 Years Later,' $30 million. 3. 'Elio,' $21 million. 4. 'Lilo & Stitch,' $9.7 million. 5. 'Mission: Impossible — The Final Reckoning,' $6.6 million. 6. 'Materialists,' $5.8 million. 7. 'Ballerina,' $4.5 million. 8. 'Karate Kid: Legends,' $2.4 million. 9. 'Final Destination: Bloodlines," $1.9 million. 10. 'Kuberaa,' $1.7 million.

Ashley Tisdale says Sharpay Evans is the 'most iconic' High School Musical character
Ashley Tisdale says Sharpay Evans is the 'most iconic' High School Musical character

Yahoo

time2 hours ago

  • Yahoo

Ashley Tisdale says Sharpay Evans is the 'most iconic' High School Musical character

Ashley Tisdale thinks her High School Musical character is the "most iconic" of them all. The 39-year-old actress played wannabe stage star Sharpay Evans in the hit Disney film series and claimed more than 15 years after the final instalment was released that her alter-ego has gone on to become the most memorable amongst fans. She told People: "When I played the character of Sharpay — I think it was probably what made her so funny — was that I truly thought [Sharpay] was the popular girl in school. I thought Sharpay was popular, and I played it like she was popular. "And [director] Kenny Ortega enhanced that. He really made me feel like I was popular. But what's so funny is that she's not the popular girl. She's the drama queen. And my husband's like, 'That's what's so funny about how you played it. You really thought you were popular." "Sharpay is — I swear she's mother to everybody — because it's like she just keeps coming back on these memes and people keep talking and doing the songs. "And I'm just like, I mean, out of everyone in High School Musical, my character is the most iconic. It's so cool." The High School Musical series initially followed Zac Efron as East High's star basketball player and how he broke free of the high school clique system as he and top student Gabriella Montez (Vanessa Hudgens) sought out leading roles in a school play. Ashley also made her name starring in The Suite Life of Zack and Cody for Disney Channel, and recently reprised her role of Candace in a reboot of Phineas and Ferb, but ultimately "can't believe" that a string of failed auditions led her to a part in a franchise that became such a success. She added: "I mean, it's so cool … It's really awesome to be a part of these projects that have really been so prevalent in pop culture and to play these characters. "It's just, you're like, 'Dang, man.' I can't believe out of everything that I auditioned for [...] I got this animation [series] that has lasted this long. Or I was always trying to get a Disney movie, and never got the movie. And then, I got High School Musical. "Out of all the ones, I get that. This is pretty awesome."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store