logo
‘How to Train Your Dragon' tops the US box office as ‘Elio' marks a new low for Pixar

‘How to Train Your Dragon' tops the US box office as ‘Elio' marks a new low for Pixar

NEW YORK (AP) — Neither Pixar nor zombies were enough to topple 'How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of 'Elio' and '28 Years Later.' , according to studio estimates Sunday. 'How To Train Your Dragon' has rapidly amassed $358.2 million worldwide.
Six years after its last entry, the Dean DeBlois-directed 'How To Train Your Dragon' has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.
Pixar's 'Elio' had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including 'Cars,' 'WALL-E' and 'Toy Story 4.' But 'Elio,' a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.
'This is a weak opening for a new Pixar movie,' said David A. Gross, who runs the movie consulting firm FranchiseRe. 'These would be solid numbers for another original animation film, but this is Pixar, and by Pixar's remarkable standard, the opening is well below average.'
'Elio,' originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of 'Coco' — was replaced mid-production by Domee Shi ('Turning Red') and Madeline Sharafian. Back at Disney's D23 conference in 2022, America Ferrera appeared to announce her role as Elio's mother, but the character doesn't even exist in the revamped film.
Disney and Pixar spent at least $150 million making 'Elio,' which didn't fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023's 'Elemental' ($496.4 million worldwide) and 2024's 'Inside Out 2' ($1.7 billion), which was the company's biggest box office hit.
'Elemental' was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, 'Toy Story,' opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether 'Elio's' decent reviews and 'A' from CinemaScore audiences can lead it to repeat 'Elemental's' trajectory.
With most schools on summer break, the competition for family audiences was stiff. Disney's own 'Lilo & Stitch,' another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million. .
'28 Years Later' signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after '28 Days Later' and 18 years after its sequel, '28 Weeks Later.'
The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of 'Slumdog Millionaire' and 'Trainspotting,' the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family's protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.
Reviews have been good (90% fresh on Rotten Tomatoes) for '28 Years Later,' though audience reaction (a 'B' CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of '28 Years Later: The Bone Temple' next year from director Nia DaCosta.
'28 Years Later' added another $30 million in 59 overseas markets.
After its strong start last weekend with $12 million, A24's 'Materialists' held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:
1. 'How to Train Your Dragon,' $37 million.
2. '28 Years Later,' $30 million.
3. 'Elio,' $21 million.
4. 'Lilo & Stitch,' $9.7 million.
5. 'Mission: Impossible — The Final Reckoning,' $6.6 million.
6. 'Materialists,' $5.8 million.
7. 'Ballerina,' $4.5 million.
8. 'Karate Kid: Legends,' $2.4 million.
9. 'Final Destination: Bloodlines," $1.9 million.
10. 'Kuberaa,' $1.7 million.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘How to Train Your Dragon' Leads Box Office With $37 Million; ‘Elio' Sinks to Pixar-Worst $21 Million Opening
‘How to Train Your Dragon' Leads Box Office With $37 Million; ‘Elio' Sinks to Pixar-Worst $21 Million Opening

Yahoo

time24 minutes ago

  • Yahoo

‘How to Train Your Dragon' Leads Box Office With $37 Million; ‘Elio' Sinks to Pixar-Worst $21 Million Opening

A live-action remake triumphed decisively over original animation at the box office this weekend as Universal/DreamWorks' 'How to Train Your Dragon' held on to the No. 1 spot with a $37 million second weekend, easily clearing Disney/Pixar's 'Elio,' which has fallen to the worst opening weekend in Pixar history with just $21 million domestic and $35 million worldwide. Not only that, 'Elio' is opening in third place on the charts, falling behind the $30 million opening of Sony's R-rated horror legacyquel '28 Years Later.' A low start for Pixar's latest original film was expected given the performance of its last non-sequel, 'Elemental,' which started poorly yet stands as the highest grossing original film of the past five years with $154 million domestic and $496 million worldwide. But there had been hopes that 'Elio' could at least open closer to the $29.6 million opening of 'Elemental' despite the competition from 'How to Train Your Dragon.' The bright spot is that there's still a chance that 'Elio' could have as long legs as 'Elemental' given its very high audience scores, which include an A on CinemaScore, 4.5/5 on PostTrak, and Rotten Tomatoes scores of 85% critics and 91% audience. 'Elio' will also be the only animated film in theaters until Paramount's 'The Smurfs' arrives in mid-July so that gives it an even more fertile environment to draw in families, including perhaps some who opted to see 'Dragon' this weekend. Overseas, the film still has releases to come in China, Japan and Spain, with more kids getting out of school internationally in the coming weeks. But as it stands, 'Elio' would need to have legs as long as 'Elemental' just to reach $100 million in North America, let alone the $154 million of that film. It's a testament to how challenging it has been to drum up buzz for original family titles and how it takes overwhelming post-release word-of-mouth just to score a decent theatrical number. And while Disney and Pixar have gotten the most press on this front for their multiple mixed attempts at original releases — including Disney's flops 'Strange World' and 'Wish' — they aren't the only ones that have had to fight to make originality work. Illumination's sole original title of the last five years, 'Migration,' needed a month to turn its $17 million Christmas weekend opening into a $127.6 million domestic run and $300 million worldwide. Paramount's live-action/animated original hybrid 'IF' opened last year to $33.7 million for a $111 million domestic and $190 million global run. For 'Elio,' which carries a much larger $150 million budget, that's probably the best it can hope for. As for the rest of the charts, 'How to Train Your Dragon' added $53.5 million overseas along with its $37 million domestic total this weekend, bringing it to a 10-day total of $160.4 million domestic and $358 million worldwide. In second is '28 Years Later' with a $30 million domestic and $60 million worldwide opening, giving it the best opening ever for an R-rated zombie film. The legacyquel to the 2002 classic '28 Days Later' sees the director-writer team of Danny Boyle and Alex Garland reunite for what they hope to be a trilogy set in a dystopian future where the deadly Rage Virus has caused the collapsed U.K. to be quarantined from the rest of the world. With a $60 million budget, '28 Years Later' will be a summer success for Sony Pictures, and we will see in the theatrical run ahead — as well as this winter with the film's follow-up, 'The Bone Temple' — whether there's enough audience appetite for a third film to be greenlit. Critics have praised '28 Years Later' with an 89% Rotten Tomatoes score, while audience reception is somewhat less enthusiastic with a B on CinemaScore and a 65% RT score. Disney's 'Lilo & Stitch' is in fourth with $9.7 million, bringing its total to $386.7 million domestic and $910 million worldwide. In fifth is Paramount's 'Mission: Impossible — The Final Reckoning,' which has now reached $540 million worldwide after earning $6.5 million in its fifth weekend for a total of $178 million domestic. That's enough to pass the domestic run of 'Mission: Impossible — Dead Reckoning,' which made $172 million in 2023. Finally, A24's 'Materialists' sits just outside the top 5 with a $5.8 million second weekend, giving the $20 million romance drama from Celine Song a $23.9 million 10-day total. The post 'How to Train Your Dragon' Leads Box Office With $37 Million; 'Elio' Sinks to Pixar-Worst $21 Million Opening appeared first on TheWrap.

Why Danny Boyle shot ‘28 Years Later' with iPhones
Why Danny Boyle shot ‘28 Years Later' with iPhones

TechCrunch

timean hour ago

  • TechCrunch

Why Danny Boyle shot ‘28 Years Later' with iPhones

In Brief Director Danny Boyle famously shot his post-apocalyptic classic '28 Days Later' on Canon digital cameras, making it easier for him to capture eerie scenes of an abandoned London, and giving the movie's fast-moving zombies a terrifying immediacy. To make his decades-later sequel '28 Years Later' (which opened this weekend), Boyle turned to a different piece of consumer tech — the iPhone. Boyle told Wired that by using a rig that could hold 20 iPhone Pro Max cameras, the filmmaking team created 'basically a poor man's bullet time,' capturing the brutal action scenes from a variety of angles. Even when he wasn't using the rig, Boyle (who once directed a biopic of Apple co-founder Steve Jobs) said the iPhone was the movie's 'principal camera,' albeit after disabling settings like automatic focus and adding special accessories. 'Filming with iPhones allowed us to move without huge amounts of equipment,' Boyle said, adding that the team was 'able to move quickly and lightly to areas of the countryside that we wanted to retain their lack of human imprint.'

Danny Boyle Explains How '28 Years Later' Got its Creepy Poem
Danny Boyle Explains How '28 Years Later' Got its Creepy Poem

Gizmodo

timean hour ago

  • Gizmodo

Danny Boyle Explains How '28 Years Later' Got its Creepy Poem

Before 28 Years Later's release, you probably saw its trailers, which featured a recording of man performing a military chant alongside visuals of the film's destroyed world and infected. That would be 'Boots,' a 1903 poem by Jungle Book creator Rudyard Kipling (and performed by Taylor Holmes in 1915) inspired by the monotony of British soldiers marching hundreds of miles in southern Africa. But it's not just in the trailers, it's also in the film when Spike and his dad Jamie leave their isolated community for the infected-filled mainland. Speaking to Variety, director Danny Boyle explained the team wanted something like a song or speech that could 'suggest the culture that the island was teaching its children,' and one that 'looked back to a time when England was great.' Such behavior, he continued, was 'regressive' and 'very much linked to Shakespeare,' in particular the Saint Crispin's Day speech from Henry V, which tells of 'the noble heroic English beating the French with their bows and arrows.' During this search, Sony sent Boyle and writer Alex Garland the first trailer for 28 Years Later, and it was like a lightbulb moment. 'We were like, 'Fucking hell!' It was startling in its power,' he recalled. 'The trailer is very good, but there was something more than that about the recording [and] poem. We tried it in our archive sequence, and it was like it was made for it.' 'Boots' has been previously used by the US military in SERE (Survival, Evasion, Resistance, and Escape) schools, and that's ultimately how it came to 28 Years Later. Megan Barbour, a music director at ad firm Buddha Jones, heard of the recording from a SERE trainee and later sent it to the film's trailer editor. According to Sony's David Fruchbom, that first trailer needed to 'work off the strength of the visuals,' and Buddha ultimately gave them three versions to choose from—of those, the 'Boots' one was 'clearly the way to go.' Audiences would certainly seem to agree, since fans have animated the 28 Years Later or used Holmes' dramatic reading into videos for Star Wars or other films. Boyle called the entire situation a 'reverse osmosis,' saying it 'came into the film and seemed to make sense of so much of what we'd been trying to reach for. […] It's amazing how it still maintains its impact.' Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store