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Sarah Ferguson Says Queen Elizabeth Communicates with Her Through Her Corgis

Sarah Ferguson Says Queen Elizabeth Communicates with Her Through Her Corgis

Yahoo16-05-2025

Sarah Ferguson was close with her mother-in-law, Queen Elizabeth, throughout Her late Majesty's long life.
The Duchess of York married Prince Andrew in 1986; they divorced in 1996, 10 years later, but still live together at Royal Lodge in Windsor.
Also living there are the late Queen's surviving corgis, Sandy and Muick, and Ferguson said this week that Queen Elizabeth communicates with her through her dogs.Sarah Ferguson was close to her mother-in-law Queen Elizabeth during the late monarch's long life—so much so that the Duchess of York now has Her late Majesty's remaining corgis, Sandy and Muick, living with her and her ex-husband Prince Andrew at Royal Lodge in Windsor. (Yes, although they've been divorced for nearly 30 years, the former couple still live together—but, hey, there's 30 rooms, after all.)
It is through Sandy and Muick, Ferguson said, that Queen Elizabeth still communicates with her. While speaking at the Creative Women Platform Forum, the Duchess of York said, via The Times, 'I have her dogs. I have her corgis. Every morning they come in and go 'Woof, woof' and all that, and I'm sure it's her talking to me. I'm sure it's her, reminding me she's still around.'
Of the late Queen, Ferguson added, 'I had the greatest honor to be her daughter-in-law. That's pretty huge. And when I was driving here, I saw the Elizabeth line [a railway line named in the late Queen's honor] and I said, 'I want everyone to remember what an amazing lady she was.''
Ferguson previously shared, per The Mirror, that Sandy and Muick 'are national icons, so every time they run chasing a squirrel, I panic.'
'But they're total joys, and I always think that when they bark at nothing, and there's no squirrels in sight, I believe it's because the Queen is passing by,' she added.
Queen Elizabeth was a lifelong dog lover, owning more than 30 corgis and dorgis—a corgi-dachshund mix—throughout her lifetime. In addition to taking care of Sandy and Muick, Ferguson has stepped more publicly into the royal fold since Queen Elizabeth's death, attending royal family events like the traditional Easter service at Windsor and Christmas at Sandringham even though she hadn't done so since she and Prince Andrew divorced in 1996 after 10 years of marriage. Ferguson was recently invited by King Charles, her former brother-in-law, to a Buckingham Palace reception, where the King thanked those working for cancer charities. Charles—who was diagnosed with cancer in 2024—also met with others who had been diagnosed with cancer, including Ferguson, who received back-to-back diagnoses of skin and breast cancer in recent years.
Of the King, the Duchess of York said at the event, 'He puts his whole heart into everything he does.'
Read the original article on InStyle

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Woman Finds 1962 Barbie in Thrift Store—Can't Believe The Price Tag
Woman Finds 1962 Barbie in Thrift Store—Can't Believe The Price Tag

Newsweek

time15 hours ago

  • Newsweek

Woman Finds 1962 Barbie in Thrift Store—Can't Believe The Price Tag

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A Virginia woman was left stunned when she wandered into a thrift store, only to find a 1962 collector's item listed for just $10.99. For Grace Caroline, 29, thrifting has long been an exhilarating hobby, and she's found countless second-hand treasures in the past. But when she and a friend recently traveled further afield to some of the larger thrift stores in northern Virginia, she couldn't believe what she found in the Christmas decorations aisle. To her surprise, Caroline saw a vintage Barbie doll from 1962, still in her original box. It seemed too good to be true, as Caroline told Newsweek that she thought "it had to be a reproduction" at first. But as she looked closer, she realized what an amazing find this was. An original 1962 Barbie that was found in a Virginia thrift store. An original 1962 Barbie that was found in a Virginia thrift store. u/mewisme700 / Reddit "I just thought, there's no way this collector's item was just sitting out," Caroline said. She continued: "She is still in her original box from 1962 and looks mostly untouched. She does have a case of what Barbie collectors call green ear, where the original metal earrings she once wore oxidized into the vinyl of the face. She is missing her hand tag, but still luckily has the original booklet with her, still sealed." Caroline didn't hesitate to buy the Barbie, especially as it cost just $10.99. Indeed, the packaging even has the original sticker with the price on, showing that the doll was once sold for $2. When adjusted for inflation, this equates to around $21 in 2025. Although Caroline isn't a Barbie collector, she is a Pokémon collector and certainly knows the value of an original item. "Once the doll was confirmed not to be a reproduction, I immediately recognized the significance of this Barbie as one of the first releases. I wanted to ensure that it was saved from the thrift to be in the hands of a Barbie collector where it can be cherished and appreciated after 63 years in storage," Caroline told Newsweek. She shared her discovery in a Reddit post (posting as user u/mewisme700), and it's gone viral with over 12,000 votes and 270 comments in a matter of days. Amy McKune, a curator at the National Museum of Toys and Miniatures, believes that it's an amazing find, made even better by the near pristine condition it's been kept in. McKune told Newsweek: "She does appear to be in her original box, wearing her original swimsuit and red sandals. Often the thin strap on the tops of those sandals has split as the plastic has aged. I can't see her ears to know if she still has her original earrings. The pearl earrings often have left an area of green discoloration around the ears." It appears to be a #6 Barbie, introduced in 1962, McKune says. She noted that the #6 model was the first doll to wear the famous red swimsuit, with earlier versions sporting a black and white striped one instead. "Isn't it amazing that after only three years, Mattel had introduced six models? The model number on one end of the box (Model 850) was used for all of the Ponytail Barbie dolls," McKune continued. The box that the 1962 Barbie came in, showing the original $2 price tag. The box that the 1962 Barbie came in, showing the original $2 price tag. u/mewisme700 / Reddit The online reaction has been astonishing to see, as many social media users were just as bewildered as Caroline by her thrifting find. In fact, many didn't even believe that it could be real. Caroline said: "I have a lot of people calling it staged because thrift stores have become very adamant in making sure the good stuff goes behind the counter. But with the sheer amount of daily donations thrift stores get because of our hyper-consumeristic lifestyle, it doesn't surprise me that gems like this do slip past thrift employees." Among the hundreds of comments on the post, many Reddit users were amazed by the iconic vintage Barbie. One comment reads: "That's an impossible find! I'm so jealous!" Another Reddit user wrote: "Amazing find. Never even seen one in the original box!" While another person replied: "This is awesome! Think of all the hands it went through at the thrift store and nobody there thought enough to grab it. Congratulations!" Do you have any amazing thrifting finds that you want to share? We want to see the best ones! Send them in to life@ and they could appear on our site.

Why this author wrote about creative women as they aged: ‘They made much of less'
Why this author wrote about creative women as they aged: ‘They made much of less'

Los Angeles Times

time2 days ago

  • Los Angeles Times

Why this author wrote about creative women as they aged: ‘They made much of less'

In this week's newsletter, we have a chat with Susan Gubar, whose new book, 'Grand Finales: The Creative Longevity of Women Artists,' profiles seven creators who found a second wind in their advancing years. We also look at recent releases reviewed in The Times. And a local bookseller tells us what's selling right now. Seventeen years ago, Susan Gubar was handed a death sentence. A distinguished professor emerita of English and women's studies at Indiana University and the co-author (with Sandra M. Gilbert) of 1979's 'The Madwoman in the Attic,' a groundbreaking work of feminist literary theory, Gubar in 2008 was staring down a terminal cancer diagnosis. A clinical trial involving an experimental drug prolonged her life and gave her the impetus to tackle a new project about seven artists — George Eliot, Colette, Georgia O'Keeffe, Isak Dinesen, Marianne Moore, Louise Bourgeois, Mary Lou Williams, Gwendolyn Brooks and Katherine Dunham — who entered a new phase of creative ferment and productivity as they grew older. I talked to Gubar about her new book, the myth of old age and the persistent stereotypes attached to female artists who may be perceived as having outlived their usefulness as creators. (Please note: The Times may earn a commission through links to whose fees support independent bookstores.) Can you talk about how the book came about? In 2008, I was told that I had 3-5 years to live with late-stage ovarian cancer. The standard treatment was ineffectual. But then in 2012, my oncologist encouraged me to enroll in a clinical trial that was experimenting with a new drug. After nine years in the trial, she then urged me to take 'a drug holiday' since long-term use of the medication could cause leukemia. I am still on that holiday. An unanticipated old age made me appreciate the wonderful gifts longevity can bestow. In researching your subjects, what do they all share in common? All of my subjects are artists who experienced the losses of aging. They needed canes and wheelchairs and helpers while they suffered the pains of various diseases and regimens. One coped with blindness, another with deafness and still others with the loss of intimates. Yet in the face of such deficits, they used their art to exhibit their audacity, mojo, chutzpah, bravado. They're exemplars of Geezer Machismo. All of your subjects are women, who have a much tougher time in terms of earning respect and attention as they age. Can you speak to the obstacles they had to overcome as they reinvented themselves as artists in their advanced years? The stereotypical old lady is invisible or risible, but we know that many elderly women thrive. My old ladies did not approach their life stories as prime-and-decline narratives. Instead they reinvented themselves. In part, they managed to do this by changing their objectives as artists. They moved from the stage to the page or from elite to popular forms. Some of them underwent religious or political conversions that energized their last years. They fully understood the losses of old age, but they did not settle for less. Instead, they made much of less. What's interesting about these artists is that — contrary, I must admit, to what I thought would have been the case — these women were supported by men who became their benefactors, and helped them to negotiate their careers. Quite a few of the women that I write about were helped by much younger men in their lives, who became facilitators. This is true for George Eliot, Colette, Georgia O'Keeffe, Louise Bourgeoise, Mary Lou Williams and others. Williams, the great jazz pianist, was helped by a Jesuit named Father O'Brien, who helped her get control of her copyrights. Georgia O'Keeffe, in contrast, has been championed by photographer Alfred Stieglitz, but she had to leave him in her midlife to establish her autonomy late in life. He was very controlling, even though he definitely established her reputation. She was aided in her later years by a man young enough to be her grandson. You are an octogenarian, and writing a book isn't easy, as you know. Where do you find the inspiration and the strength to keep going as a creator? What keeps me going is what kept my subjects flourishing in their seventies, eighties or nineties. Any sort of creative activity involves expression, which is a great antidote to depression. 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Fat Joe accused of coercion, intimidation, sex with minors in ex-hype man's lawsuit
Fat Joe accused of coercion, intimidation, sex with minors in ex-hype man's lawsuit

Los Angeles Times

time3 days ago

  • Los Angeles Times

Fat Joe accused of coercion, intimidation, sex with minors in ex-hype man's lawsuit

Terrance 'T.A.' Dixon, once a hype man to rapper Fat Joe, has sued his former employer for $20 million, making some allegations that might blend right in at Sean 'Diddy' Combs' RICO and sex-trafficking trial. The federal lawsuit, filed Thursday in U.S. District Court in the Southern District of New York and reviewed by The Times, alleges that the rapper underpaid Dixon, cut him out of promised pay for contributing to album tracks, defrauded authorities about his income, ditched Dixon in foreign countries without money or transportation home and is running a criminal organization built on intimidation and violence. The lawsuit alleges that Fat Joe forced the hype man — a sort of backing vocalist who pumps up the audience — into approximately 4,000 sex acts with women in front of him and his crew. The 54-year-old rapper, born Joseph Antonio Cartagena, is also accused of having sexual relationships with girls who were 15 and 16. The allegations go back to when the rapper was in his late 30s, the lawsuit says. Fat Joe's song 'She's My Mama,' which has graphically sexual lyrics, was based on what is alleged to have happened with him and one of the girls in real life, the lawsuit says. The lawsuit states that Dixon's role over about 16 years was more than that of the usual hype man. He 'consistently' had duties that included co-writing lyrics, structuring hooks, recording background vocals, performing at more than 200 live shows as Fat Joe's primary onstage counterpart and managing travel logistics, including equipment transport, security and emergency arrangements. The complaint alleges that Dixon also acted as Joe's bodyguard and handler during tours. According to the filing, Dixon wrote or co-wrote tracks including 'Congratulations,' 'Money Over Bitches,' 'Ice Cream,' 'Cupcake,' 'Blackout,' 'Dirty Diana,' 'Porn Star,' 'Okay Okay,''No Problems,' a version of 'All the Way Up,' '300 Brolic,' 'All I Do Is Win (Remix verse),' 'Red Café (Remix),' 'Winding on Me,' 'Cocababy' and 'Get It for Life.' The complaint alleges that Dixon was not properly paid for his efforts, even though he says he was promised certain ownership percentages and documented credit on songs that Fat Joe released commercially. Dixon, who left Fat Joe's team in 2020, was unable to obtain certain evidence of wrongdoing until a person named as 'Accountant Doe' came forward last year with information, the lawsuit says. Fat Joe 'exercised sole control over contracts, budgets, tour management, licensing, and credit attribution and intentionally omitted Plaintiff's name from liner notes, publishing registrations, and royalty structures, despite Plaintiff's direct contributions to these works' creative and commercial success,' the complaint says. Joe Tacopina, an attorney for Fat Joe, called the lawsuit 'a blatant attack of retaliation' and labeled the allegations 'complete fabrications' that his client denies in a statement to Variety. Retaliation referred to the slander lawsuit that the rapper filed against Dixon in April after the former hype man accused him on social media of flying a 16-year-old across state lines for sex. Dixon's attorney, Tyrone Blackburn, is also representing producer Lil Rod (Rodney Jones) in his $30-million federal lawsuit filed last year against Sean 'Diddy' Combs and others in Combs' orbit, in which Lil Rod alleged sexual harassment and sexual assault. A judge tossed out a majority of Lil Rod's allegations against Combs in late March. Both lawsuits include trigger warnings in bright red type ahead of the allegations — something not often seen in such documents. 'Fat Joe is Sean Combs minus the Tusi [pink cocaine],' Blackburn said in a statement to the Independent. 'He learned nothing from his 2013 federal conviction,' the attorney added, referencing Fat Joe's four-month sentence and $15,000 fine in a plea deal for failure to file a tax return in multiple years on more than $3.3 million in income. In addition to Fat Joe, defendants in the new lawsuit include Peter 'Pistol Pete' Torres, Richard 'Rich Player' Jospitre, Erica Juliana Moreira and several companies —including Roc Nation — that are affiliated with the rapper. Dixon is asking for a jury trial.

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