Celebrating Black Music Month: Kansas City's music history
KANSAS CITY, Mo. — June is Black Music Month throughout the nation, which gives us a chance to highlight some of the Black musical greats right here in Kansas City.
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Kansas City is hailed as one of the top cities with deep roots connected to Jazz and Blues music with a rich history dating back to the early 1920s.
The early emergence of Kansas City Blues and Jazz took place inside local dance halls, cabarets and speakeasies throughout the city.
Some of these dance halls and clubs gave a platform to local greats such as saxophonist Charlie Parker and Bennie Moten's Orchestra.
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Today, jazz and the blues live on throughout Kansas City inside of clubs such as The Blue Room, and inside of historical time capsules such as the .
Beyond Jazz and Blues, Kansas City is also home to a number of Black musicians, including some of the following:
Janelle Monáe – Singer, Songwriter, Actress
Tech N9ne – Hip-Hop Artist
Fat Tone – Hip-Hop Artist
Bloodstone – Soul & Funk Group
Justus West – Guitarist, Producer
Titus Johnson – Musician, Songwriter, Producer
Blair Bryant – Bassist
There are many Black musicians who have called the Kansas City Metro home over the years, and many more new emerging artists to add to the history books.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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USA Today
5 hours ago
- USA Today
Lynn Hamilton, 'Sanford and Son\
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Buzz Feed
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27 Torrid Items To Reinvent Your Style This Summer
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Yahoo
19 hours ago
- Yahoo
I Stand On Their Shoulders: My Love Letter To Toronto's Black Jazz Musicians
On Saturday June 21st, I am co-producing a concert with Toronto Jazz Festival at Koerner Hall called 'On Their Shoulders'. Here's why I had to do it. Becoming a vocalist was a dream for me, but after attending and abruptly leaving a post-secondary institution that tried to teach me by constantly discouraging me from 'singing Black' (their words, not mine), I was dejected and demoralized. I had absolutely no idea where to turn for guidance. Until one day, when I stopped in at a jam session at a club called 'Dimples'. The musicians welcomed me on stage, where I performed Billie Holiday's 'God Bless The Child'. I don't remember my performance, but I vividly remember what happened next. When the band took a break, the singer, keyboardist and drummer all came over and crowded into my booth- boxing me in with no escape in sight: 'What's your name again? Where are you from? How long have you been singing? Whose kid are you?' 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A year later, in 1985, I began working as an assistant stage manager on a play written by Salome Bey, produced by her husband, Howard Matthews, Joe Sealy and Archie Alleyne. The play, 'Madame Gertrude' starring Jackie Richardson and Ron Small and featuring Bill Sharpe on bass, Joe on piano and Archie on drums, became my new classroom and the foundation for the artist I am now. Often, I am struck by how few Black musicians I regularly see playing in clubs. It's been disappointing to see how segregated many Toronto bands are. Many of the top jazz, blues or soul bands lack colour and sometimes (in my eyes) lack soul - not because their musicians aren't amazing, but because how is it possible to not have an integrated band, when you are playing music that was created through a Black lens. So how important is race when we speak about music? Is it about race or culture; both or neither? I honestly don't know. I do know that often when I am asked to perform and I ask if the band is diverse in terms of race, gender, etc., very few bandleaders reply in the affirmative. A true irony is taking music created by Black songwriters and musicians during a time when African Americans were being oppressed and excluded and then trying to recreate that same music while excluding present-day Black musicians (intentionally or otherwise). Are you a music lover and/or a musician? Do you fancy yourself a keeper of history? Here are a few names for you to add to your database: Phyllis Marshall, Ada Lee, Cy Mclean, Eleanor Collins, Curtis Bailey, Ricky Day, Doug Salmon, Eric Mercury, Frank Wright, Wray Downes, Eugene Smith, Valeire Abbott Hunt, Jay Jackson, The Girls (Colina Phillips, Sharon Lee Williams, Shawn Jackson) and many more names that are listed on the Black Music Archives, the Canadian Music Encyclopedia and all over the interweb. A post shared via Instagram Black musicians have always been a part of the Toronto music scene - even when they faced segregation and exclusion from the Musicians' Union, many downtown clubs and by default, many of the popular bands of the time. Black musicians and vocalists being relegated to music rooms with lower union grading meant lower pay and fewer opportunities for advancement. It also meant that many underground and after-hours spots became the go-to gathering places for all musicians and music lovers in the city. Ironically, these venues became training grounds and showcase rooms for our musicians, many of whom then went on to play with top musicians like Cab Calloway, Billie Holiday, Duke Ellington, Nina Simone and Louis Armstrong. That was a long time ago, right? Well, even in this day and age, Black jazz musicians are kept out of popular jazz/funk/soul bands. It's rare to get a call from those bands when they are looking for replacements. Shakura S'Aida on stage. It's tiring being the Black singer in front of a white band every time. Non-Black musicians should notice when we are not in the room, on the stage, or part of their community. Integrated spaces should be the norm. But here we are, in 2025 and still talking about integration. So what keeps me going? Officer for the Order of Canada and my favourite jazz drummer of all time, Archie Alleyne often said, 'without the past, there is no future'. Musical mentors like him taught me to work hard, stay focused and never let go of my community. Knowing that Salome Bey was an actor, a singer, a playwright, a record producer, a band leader, a music curator and an event producer means that even though I might get scared, frustrated, discouraged and want to give up while doing any or all of these same things, I never do. Instead I stand tall, confident and grounded, because the Original Queen Bey taught me that all that I do has already been done and done well. We all - Black, Indigenous, Asian Diasporic, South Asian, Latino, white, Queer, women, men, trans, non-binary - deserve to know the names and power of our musical ancestors. We deserve to know that we are capable of greatness, because Great Ones brought us here and they stand behind, beside and in front of us, witnessing all of our good work and greatness. We stand On Their Shoulders. Gratefully. On Their Shoulders is a once-in-a-lifetime concert celebrating the African Canadian artists who have made invaluable contributions to the Toronto music community. Backed by an all-star house band led by award-winning and JUNO-nominated musical director Eddie Bullen, featuring acclaimed artists like JUNO-nominated singer-songwriter Brooke Blackburn and GRAMMY Award-winning drum phenom, Larnell Lewis, this special evening of music celebrates the foundation of Toronto's jazz scene. Get tickets at