
London's first public park Finsbury Circus Gardens reopens
London's first public park has reopened after a decade largely spent as a building site for the construction of the Elizabeth Line.Finsbury Circus Gardens has been the focus of a major transformation project by the City of London Corporation since 2023, with the Grade II listed site's lawn revitalised, seating improved and landscaping added.The largest open green space in the Square Mile has had 12 additional tree species, more than 13,000 plants and 6,000 bulbs added to its site to boost biodiversity.Chris Hayward, from the City of London Corporation, said the "tranquil" park was "revitalised and ready to be rediscovered".
The gardens first became a public park known as "Moor Fields" in the 1600s. A formal layout was introduced by George Dance the Younger in 1815.For most of the past 10 years, Finsbury Circus Gardens has been closed to the public while it was used by Crossrail to build the nearby Liverpool Street Elizabeth Line station.It was partially reopened on 6 May, with the official reopening due to take place on 4 June.
Hayward said: "Our green spaces play a vital role in making the Square Mile a welcoming and attractive place to live, work, and visit – delivering on our vision for a more inclusive, innovative, and sustainable City."The corporation's natural environment board chairperson, James St John Davis, said the Square Mile's parks and gardens, which attract over 21 million visits a year "truly punch above their weight". He added: "They offer a vital escape from the bustle of daily life."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Times
30 minutes ago
- Times
Military precision — the best luxury field watches
Field watches may signify rugged sophistication today, but their first wearers had rather more pressing concerns. Developed for use in the First World War, field watches helped troops and gun batteries synchronise their operations, lessening the risk of friendly fire during attacks. And it was far quicker for a soldier to check his wrist than to dig out a pocket watch — the timepiece of choice for men at that time. Although form is as important as functionality in modern field watches, the essential properties remain the same — they are durable, easy to read and easy to use. This article contains affiliate links that can earn us revenue Referencing early-20th-century military pocket watches, the Terra Nova is a homage to vintage design. There's the tonneau case, which was first seen in 1906; the numerals, which have a retro look about them and, in a nod to today's improved technology, are actually Super-LumiNova blocks; and the railroad track around the outer edge of the dial that recalls field watches past. £2,850; This is a minimalist take on the field watch brief. There isn't even a date on it. It's classic Tudor in that respect — extraneous detail isn't the brand's style. The only concession to colour is the strap, and this woven version is a brand signature made by a traditional passementerie company that still practises the art of jacquard weaving. Sturdy as well as smart. £2,670; The Paris-based maker Serica has become synonymous with robust timepieces that also cut a dash sartorially. The Field Chronometer has all the details associated with field watches — luminescent hands and hour and minute markers, legibility, white indices — but adds panache by opting for California numbering (half Roman, half Arabic) in a case that will slip under a cuff. £848; Vertex was the only British brand among the 'Dirty Dozen' — the 12 companies tasked in 1943 to make watches for military use according to defence ministry specifications. It is from those details, including a black dial, white Arabic lume-filled numerals and luminescent hour and minute markers, railroad-style minutes and a small seconds, that our idea of how a field watch should look was formed. This model is a worthy successor. £2,500; Purists might question the inclusion of this watch but let's think of it as 'fashion field'. It still has easy-to-read luminescent numerals, a railtrack minute indication and there's the addition of a GMT function. It's named after the 19th-century British explorer Richard Lander and the Nigerian city he visited — although it's debatable whether he would have considered wearing this pink dial in the field. £1,265; This watch is named after the driest non-polar desert in the world, which is a stand-in for Mars in expedition simulations, and has been designed to withstand its conditions. It has an illumination system that guarantees 24/7 readability for up to 25 years, a stainless-steel case and water resistance to 200m. Though why you'd need that last attribute in the desert is anyone's guess. £1,339; The Seiko 5 line, launched in 1963, has become a byword for reliable automatics at affordable prices. It's not all function, however: this trench watch-inspired timepiece does have some flair. The contrast of the blue dial with the golden numerals makes a change from monochrome and the texture on the calfskin strap adds a little luxury, while the cursive on 'Automatic' contributes to the vintage vibe. £280; Hamilton gets extra kudos for having been worn by the US military after it supplied railroad watches to soldiers during the First World War. This latest update to its well-loved Khaki Field Auto features contrast dial finishing, a 24-hour track and anti-reflective coating on the sapphire crystal. It does come with a bracelet, but this luscious brown leather strap feels more on theme. £640;


Times
30 minutes ago
- Times
Time for change: watches that are worn anywhere but the wrist
While most watches today are worn on the wrist, originally they came in the shape of fobs — attached to a waistcoat or uniform by a chain or ribbon — or were hung on pins. Later they were put on wrist straps for convenience, a style that was common after the First World War. Now makers are relegating the telling of time to a secondary function. 'We're seeing watches evolve into expressions of personal style as consumers seek more distinctive accessories,' explains Ben Staniforth, of the pre-owned luxury timepiece retailer Watchfinder & Co. 'Worn on lapels as pendants or integrated into couture, they reflect a trend where fashion meets functionality.' This article contains affiliate links that can earn us revenue Arsham Droplet watch, £76,000, If evidence is needed that this is entering mainstream culture, the actress Jenna Ortega rocking up at A$AP Rocky's Met Gala afterparty last month with an antique men's pocket watch by Heuer (known today as Tag Heuer) from c 1914 dangling from her tuxedo bodysuit should be proof enough. And the high echelons of watchmaking have cottoned on to this trend for self-expression too. Hermès debuted its Maillon Libre brooch watch in April. This gem of a timepiece can be pinned to a lapel or sleeve, or worn around the neck with a leather cord — and is a frontrunner for design ingenuity. Despite its established place in the serious fashion sphere, Chanel also knows how to have fun with its designs. The new Kiss Me necklace appropriately takes the form of the brand's cult lipstick. If that wasn't charmant enough, it slides open to reveal a hidden watch dial. Kiss Me necklace in yellow gold, golden beryls, rhodolites, onyx and diamonds, POA, Sixtie sautoir watch in rose gold, white opals and diamonds, POA, Also restringing its pearls is Piaget, which has taken inspiration from its archival necklace watches from the Sixties: the Sixtie sautoir has a lozenge watch dial as its focal point in a masterful melding of high jewellery and horology. And Hublot's long-standing collaboration with leading artists resulted in the release of a timepiece that sent ripples through the watch world last year. Designed by the visual artist Daniel Arsham, the Droplet is tethered to a chain and cased in sapphire glass, offering a clear view of the moving mechanical parts within. This cute kidney bean of a timepiece is as far removed from your grandad's gold pocket watch as you can get. Van Cleef & Arpels is a dab hand with watches that combine complex engineering with stellar gem setting. At first glance, its padlock-shaped Cadenas might look like a heavy-duty bracelet, but take a closer look and you'll find an angled watch dial set among a dazzling mix of gold, diamonds and sapphires. Panthère hinged bangle watch in yellow gold, lacquer, onyx and diamonds, POA, Sundial watch in steel, £128, Cartier is another high jeweller and watchmaker that excels at combining precious materials with covert details. Its new Panthère has Duchess of Windsor glamour in spades with its big-cat hinged bangle: cast in solid gold and set with precious stones, it also fits in a watch dial, revealed by turning your wrist a few degrees. But the most novel creation is by the young, dynamic German brand Nomos Glashütte. Its sundial watch, which can be worn as a ring or around your neck, has a machined hole that lets a beam of sunlight fall on the engraved numbers to tell the hours. It's useless at night, but it will certainly be a talking point during working hours.


Times
30 minutes ago
- Times
Reversible jewellery: designs that dazzle front and back
'The back should look as good as the front.' That's the first lesson instilled in goldsmiths at the world's most prestigious jewellery houses. It's a natural extension then to create pieces that are entirely reversible — a welcome feat at a time when gold prices are eye-wateringly high. This article contains affiliate links that can earn us revenue Rush Hour necklace in yellow and white gold and diamond, POA, Jessica McCormack's new Rush Hour collection features a sculptural wavy torque with a diamond nestled in one of its curves. The piece can be worn with the yellow-gold side facing out or flipped to reveal the white gold, so you can match it to your outfit. Chanel's Sport collection brings the same versatility to rings that pivot from a statement round-cut diamond to a more discreet enamel design on the back. Dior too embraces the concept with the latest additions to its Rose des Vents line: bracelets and necklaces whose spinning charms reveal a diamond-centred compass rose or a gently domed gemstone in hues including delicate pink opal, vivid malachite and sky-blue turquoise. Rose des Vents earring, necklace and ring in yellow gold, pink gold, white gold, platinum, diamonds, malachite, lapis lazuli, tiger's eye, pink opal, turquoise, mother-of-pearl, onyx and red ceramic lacquer, all POA, Reversibility also takes centre stage at Pomellato in the new Pom Pom Dot collection, inspired by a vintage piece. 'The discovery of a button motif in a necklace from 1974 in our archives was the starting point,' says Pomellato's creative director, Vincenzo Castaldo. 'However, we added playfulness by creating a double-sided button. Pom Pom Dot allows the wearer to flip the button to the plain gold or gem-set side,' he adds. Pom Pom Dot comprises earrings, rings and bracelets with button-shaped pendants in malachite, turquoise, mother-of-pearl and diamonds. With a satisfying click, each piece swivels to reveal a different face in rose gold. Gouette Question Mark necklace in white gold, green tourmaline, rock crystal and diamonds, POA, In India, the belief that the back of a jewel should be as beautiful as the front is rooted in a philosophy that considers beauty and craftsmanship as pathways to spiritual completeness. This applies particularly to bridal jewellery, where the hidden decoration on the reverse is seen as a metaphor for the bride's inner beauty. Honouring this tradition, Sabyasachi's opulent necklaces — no matter how lavishly set with diamonds on the front — are enamelled on the back with motifs of lotuses, peacocks and parrots. The technique, known as meenakari, was introduced during the Mogul era and originally helped protect the metal from corrosion. Cartier Le Voyage Recommencé High Jewellery necklace in white gold, diamonds, rock crystal and coloured lacquer, POA, Cartier's historic ties to India, which have inspired some of the maison's most innovative creations — including its flamboyant Tutti Frutti style — also informed a recent high jewellery necklace with two strikingly different sides. The front embodies art deco minimalism, with a cascade of rock-crystal drops interspersed with diamonds that shimmer in luminous white. But turn the piece over and it reveals a hidden explosion of colour as saturated magenta and deep blue enamel form an abstract pattern that's totally concealed when viewed from the front. Boucheron has also added a surprise to the back of its iconic Point d'Interrogation, or Question Mark, necklace. First unveiled at the 1889 Exposition Universelle in Paris, this sinuous, clasp-free jewel, designed to be swung around the neck with a single hand, earned Frédéric Boucheron the prestigious Grand Prix. More recently the house reimagined the design with three distinctive variations, one with rubellites, another with green tourmalines and a third with deep blue tanzanites. On the reverse, each sparkles with diamonds on rock crystal. Never has the concept of 'buy one, get one free' resulted in something so stylish. Main picture: Pom Pom Dot ring in rose gold, malachite, diamonds and mother-of-pearl, £3,950,