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Hitboss SA: the rising star behind the Lekompo sound taking over Mzansi

Hitboss SA: the rising star behind the Lekompo sound taking over Mzansi

TimesLIVE5 days ago

From a humble beginnings in a village called Lemondokop to becoming one of the driving forces behind Mzansi's latest genre wave, Hitboss SA's journey is a testament to passion, hustle and home-grown talent.
The Limpopo-born producer, real name Clarence Mangena, began his musical journey back in 2006 — not with beats or bars, but as a dancer in a local group in Lemondokop. As the rhythm took hold, he transitioned into DJing, captivating crowds in his area with his unique ear and infectious energy.
By 2007, he had already moved into music production, sharpening his craft with deep house projects, including notable collaborations with Riri AJ. But it was the birth of Lekompo, a genre still in its infancy, that lit a new fire under Hitboss SA's career.
Speaking to TshisaLIVE, Hitboss said: 'I am a lawyer by profession, but my first love remains music, and I continue to balance both careers and as I makes a name for myself in both careers successfully. So, I'm the leader of the new generation and work hard to make sure the genre reaches all the corners of the world.'
Today, Hitboss SA is all-in on the Lekompo sound — a genre he describes as 'growing fast with no signs of slowing down'. He's not just producing beats, he's building a culture. Through Lekompo Culture Chillas Mix and the celebrated Lekompo Balcony Mix, he's creating a movement that connects artists, fans, event organisers, influencers and brands under one vibrant musical umbrella.
His production credits read like a who's who of rising Lekompo stars: Ngwanaka and Ga Mmapula by Shandesh, Bao Jelasa, Selaleng, PainKiller, Partnerer, Depression and multiple tracks by the explosive duo Janesh & Abi wa Mampela. If you've vibed to any of these, chances are you've already felt the Hitboss SA magic.
With every beat, Hitboss SA isn't just making music — he's crafting a legacy and propelling Lekompo to the national stage.

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