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This Shocking True Crime Story Is The Top Film On Netflix Right Now

This Shocking True Crime Story Is The Top Film On Netflix Right Now

Yahoo03-06-2025

'A Widow's Game' is the most popular film on Netflix right now, according to the streamer's public ranking system.
The Spanish thriller is based on a true story out of Valencia, Spain. In August 2017, Antonio Navarro Cerdán was found stabbed to death in the Patraix district, less than a year after he married his longtime girlfriend, María Jesús Moreno Cantó aka Maje. The film — which changes the name of the real-life victim — follows the investigation of the murder and takes viewers on a wild ride that's both suspenseful and intriguing.
The film stars Ivana Baquero, Tristán Ulloa and Carmen Machi and was directed by Carlos Sedes.
Read on for more trending films of the moment across streaming services, including Max, Peacock, Prime Video and Paramount+. And, if you want to stay informed about all things streaming and entertainment, subscribe to the Culture Catchall newsletter.
'Mountainhead' is HBO's newest original movie, and it's already atop the cable streamer's programming. The film, directed by 'Succession' creator Jesse Armstrong, stars Steve Carell, Ramy Youssef, Cory Michael Smith and Jason Schwartzman as billionaire tech bros who retreat to a mansion in the mountains during an economic downturn. You can read HuffPost's review of 'Mountainhead' here.
Sometimes when you need a laugh, you gotta turn to a classic comedy. 'Happy Gilmore,' which is streaming on Peacock, was one of the top films this week on the streamer. The film stars Adam Sandler as the titular Happy, a former ice hockey player who starts playing in golf tournaments to help save his grandmother's house from foreclosure. Sandler is reprising the character for an upcoming sequel, which is set to hit Netflix on July 25.
Another sequel topped a streamer this week: 'Another Simple Favor,' starring Blake Lively and Anna Kendrick. The follow-up to 'A Simple Favor' picks up seven years later when Stephanie (Kendrick) and Emily (Lively) reunite for Emily's wedding in Italy. You can read HuffPost's review of 'Another Simple Favor' here.
This action thriller stars Jack Quaid as Nathan Caine, an assistant manager at a credit union who deals with an inability to feel pain. He ends up using his condition as a superpower to get back the girl of his dreams who has been kidnapped by some bank robbers.
If you're looking for other films to watch, check out our What We're Watching blog.
'Mountainhead' Tries To Skewer Billionaire Tech Bros — But Fails Miserably
Blake Lively's Newest Movie Is Another Terrible Sequel No One Needed
Actor Lauren Weedman Was Diagnosed With Bell's Palsy. Then, Hollywood Showed Up In The Most Unexpected Way.

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The Spider-Verse Inspired The Directors Of KPop Demon Hunters To Make A Movie That Looks Nothing Like Spider-Verse
The Spider-Verse Inspired The Directors Of KPop Demon Hunters To Make A Movie That Looks Nothing Like Spider-Verse

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The Spider-Verse Inspired The Directors Of KPop Demon Hunters To Make A Movie That Looks Nothing Like Spider-Verse

When you buy through links on our articles, Future and its syndication partners may earn a commission. When I watched KPop Demon Hunters ahead of its premiere on the 2025 movie schedule, I immediately knew I was in for a wonderful ride when I saw that Sony was behind it. Based on stills, I was already in love with the Netflix movie's animation style, but knowing it came from the same studio as the Spider-verse films upped my enthusiasm even more. So, when I interviewed the directors, I asked how the Marvel movie influenced and inspired them. In return, they told me you can see that influence in the fact that their movie on Netflix's 2025 schedule looks absolutely nothing like the beloved Spider-Man movies. During my interview with KPop Demon Hunters' directors, Maggie Kang and Chris Appelhans, I asked if their new streaming movie was influenced by other beloved Sony projects, like Spider-Man: Into the Spider-verse and The Mitchells vs. The Machines. In response, Appelhans told me that like those two movies, their primary goal was to do 'something new:' What they both did so well was something new. And so part of it was we did some early exploration with flash frames and graphic elements. And we're like, 'I don't know, this looks like Spider-verse, and it's not our movie.'...In a way, they raised the bar, which is 'Bring something fresh and new to the animation sphere.' Up Next Spider-Man: Beyond The Spider-Verse: What We Know So Far Spider-verse movies take clear influence from comic books, and they mix various animation styles seamlessly. KPop Demon Hunters, a movie about a KPop group who fight off demons, does that too, as Appelhans and Kang explained, by using subtle anime influences, K dramas, editorial photography and high-level music videos as its points of inspiration and reference. While it looks nothing like Spider-verse, that's what makes it like it, because they managed to create something 'we haven't seen' in animation, as Chris Appelhans told me. He also brought up the personal points of inspiration. Noting that K dramas do a good job of showing how 'silly and flawed and weird' characters can be, his co-director's own point of view played into that too. He explained that Kang 'had a point of view' about the three leading women of their movie that added to their unique style. So, through all those influences, they were able to craft a look that is totally unique to their own story, like Spider-verse did a few years ago. It also helped that their shared studio, Sony, was all for this unique vision, as Appelhans said: We were like, 'This is it. How do we make it special? How do we make it visually striking?' And the nice thing was, Sony, has such a deep, talented group of animators and lighters and everything-ers that when we brought those influences to them, they're like, 'Cool, dude. We love this stuff too.' How exciting we get to do this kind of thing. Piggybacking off that point, Maggie Kang told me that Sony never wants to do the same thing twice, which you can see through the aforementioned films. That made it even easier for them to execute their vision and create something new and innovative, like Spider-verse and The Mitchells vs. The Machines did: They also don't want to do the same thing twice. So they were already on the mind of, like, 'We want to be innovative and show something different.' So that was really great. As the stellar reviews for Spider-Man: Into the Spider-verse and Across the Spider-verse prove, this innovative and wickedly unique style they've developed is something audiences love. I can safely say that kind of creativity is also one of the reasons why KPop Demon Hunters works so well. Now, if you are looking to see how all of this is 'done, done, done,' you can buy or rent the Spider-verse movies and stream The Mitchells vs. The Machines and KPop Demon Hunters with a Netflix subscription.

Syncing Up Music And Choreography In An Animated Movie Is Apparently ‘Torturous,' And The KPop Demon Hunters Directors Told Me Why
Syncing Up Music And Choreography In An Animated Movie Is Apparently ‘Torturous,' And The KPop Demon Hunters Directors Told Me Why

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timean hour ago

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Syncing Up Music And Choreography In An Animated Movie Is Apparently ‘Torturous,' And The KPop Demon Hunters Directors Told Me Why

When you buy through links on our articles, Future and its syndication partners may earn a commission. There are tons of reasons why KPop Demon Hunters had me wide-eyed and in awe while watching. From creating a totally unique animated world like Spider-verse did to its incredibly catchy pop music, there's a lot to love. However, one of my favorite elements of this film is how almost every choreographed moment, whether it be a fight or dance, is perfectly synchronized with the film's original music. So, when I had the chance to interview the directors of this 2025 Netflix release, I asked how they did that, and they detailed the 'torturous process.' While interviewing KPop Demon Hunters' writers and directors, Chris Appelhans and Maggie Kang, for CinemaBlend, I asked them to walk me through the process of syncing music with animation. They both quickly laughed while saying that it's a very arduous process. However, it's one they nailed through a workflow with their editors that Appelhans explained here: It's a horrible, torturous process [laughs]. No, I mean, I think what we had was a great editor, and then within our editorial department, a guy named Oren Yaacoby, who's a really incredible music editor. And so he's a musician and an editor at the same time. So our picture editor, Nathan [Schauf], could create [a] great rhythmic picture thing, and then Oren could reverse engineer the song, trim bits and pieces. He'd go to Nathan and say, 'I figured it all out, but I need eight more frames here to make this tick.' So it was this math problem that was also a story and entertainment problem, but having people who could do that was the key. Well, that does sound like a 'torturous' process. However, that detail-oriented frame-by-frame approach paid off big time. Throughout all KPop Demon Hunters, I was in awe as the demon hunters and demons danced like the pop stars they are, while also literally fighting to the beat. To that point, after Appelhans described the work the editors put into making sure everything was synched to perfection, Kang spoke about how their team animated the musical moments of this new streaming movie. Explaining that they used their own sort of metronome in the form of a 'bouncing ball' to track the rhythm, she said: The music always comes first, because the music was also part of story. It was so integrated into storytelling…And then they used kind of a bouncing ball to really track the rhythm and then to match animation beats to the music. I figured this process had to be strenuous, but actually hearing it spelled out tells me it's ten times more intense than I had originally thought. It adds an entirely new appreciation to the film for me, too. So, with that in mind, I asked the directors what it was like to hear the songs for the first time. They told me they were in 'tears,' and when I asked which moment specifically in the film caused said reaction, Maggie Kang said: Oh, I mean, I think even the version of 'How It's Done' that we're hearing, I think that really was like, 'Okay that this felt -- [we hit the level] of coolness, and the lyrics kind of suggesting that they were more than what meets the eye and not just idols, but we're also warriors.' And all of those ingredients just felt like they came together, and it was like, 'This is it? This is our song.' It's so cool to hear that, because 'How It's Done' sets the tone for this story. This scene is the first time we see the girls fight, sing and dance, and it highlights all their skills in a visually stunning way. It's also an epic example of how this project times its action-packed moments to music. Featuring both fight choreography and dancing, it shows off everything we talked about here, and you can watch it below: Did you see that? She literally caught a coffee pot on the beat! The weapons were flying in time with the music! The way the shots cut, it was on beat too. It's honestly mindblowing, and I'm even more impressed now that I know just how much work goes into pulling off sequences like this. Now, to go watch this project on the 2025 movie schedule and take in all this musical perfection, you can stream KPop Demon Hunters right now with a Netflix subscription.

Blake Lively loses motion shielding Taylor Swift texts from Justin Baldoni
Blake Lively loses motion shielding Taylor Swift texts from Justin Baldoni

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time4 hours ago

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Blake Lively loses motion shielding Taylor Swift texts from Justin Baldoni

NEW YORK — Justin Baldoni scored a legal win Wednesday when a New York judge denied Blake Lively's motion to keep her communications with Taylor Swift out of the actors' legal battle. Judge Lewis J. Liman denied 'Lively's motion for a protective order' meant to shield all communications between the reportedly estranged A-list pals from the case, according to the ruling obtained by Deadline. But Liman ruled the Swift-Lively communications regarding 'It Ends With Us' — which Baldoni, 41, directed and starred in alongside 37-year-old Lively — 'are relevant. 'Lively herself has identified Swift as someone likely to have knowledge about complaints or discussions regarding the working environment on the set of 'It Ends With Us,' said Liman. He also challenged Lively's legal team's position that the communications would be 'duplicative' after Baldoni's lawyers withdrew their subpoena of Swift 'and made public statements that they had 'everything that they needed.' Rather, said Liman, 'The Wayfarer Parties have not yet received any communications between Lively and Swift.' However, Liman did narrow the scope of Baldoni's initial sprawling request to only permit communications about the film or the ongoing case, as 'Lively has represented that Swift had knowledge of complaints or discussions about the working environment on the film, among other issues.' Baldoni and the rest of the Wayfarer Parties were also cautioned against 'leak[ing] the requested communications to the press,' per a court-issued protective order. 'The mere fact that the request has been discussed in the press does not render it illegitimate.' In late December, Lively filed a complaint and lawsuit accusing Baldoni of sexual harassment on the film's set and a retaliatory online smear campaign. He filed a $400 million defamation and civil extortion countersuit against the actress, her husband Ryan Reynolds and publicist Leslie Sloane — which Liman dismissed last week. The judge simultaneously dismissed Baldoni's $250 million libel action against The New York Times' reporting of the allegations. Baldoni has until next week to amend the claims for breach of implied covenant and tortious interference with contract. The case is slated for trial next March.

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