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Maria Friedman Recalls Donny Osmond's 'Hilarious Stories' About Osmonds Band While Making 'Joseph' Musical Film (Exclusive)

Maria Friedman Recalls Donny Osmond's 'Hilarious Stories' About Osmonds Band While Making 'Joseph' Musical Film (Exclusive)

Yahoo28-04-2025

Maria Friedman reminisced to PEOPLE about working with Donny Osmond on during the opening night of
"We have seen each other over the years, absolutely," said the theater vet, calling Osmond "a gorgeous guy"
Osmond later appeared in a live production of as Pharaoh last year, after first playing the title role on stage and, later, in a 1999 movie adaptation
Maria Friedman has fond memories of working with the "gorgeous" Donny Osmond on Joseph and the Amazing Technicolor Dreamcoat.
The actress, singer and director was in attendance during the opening night of Broadway's Real Women Have Curves in New York City on Sunday, April 27, where she opened up to PEOPLE about her time making 1999's Joseph with Osmond, 67.
"I remember Donny Osmond always telling hilarious stories about when he was in The Osmonds," says Friedman, 65, referring to her former costar's famous family band that also consisted of his brothers Alan, Wayne, Merrill and Jay Osmond.
The Merrily We Roll Along director also reflected on what she learned in making the movie adaptation of Andrew Lloyd Webber's beloved stage musical, in which she played the Narrator alongside Osmond's titular Joseph.
"I just remember the ensemble thing, and also how I got to learn about cameras," she tells PEOPLE. "Because it was filmed ... we recorded it but we had a very short rehearsal period, so I had to really understand technique of getting into the camera and making sure I was in frame."
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Related: Donny and Marie Osmond's Siblings: All About Their Brothers
According to Friedman, "Because you didn't get a second ... [with] 20 people, you've got to find the frame. So it taught me a lot."
First presented as a stage production in 1972 with Bill Hutton in the title role, Joseph and the Amazing Technicolor Dreamcoat is based on Joseph from the Bible's Book of Genesis and was Webber, 77, and book/lyrics writer Tim Rice's first musical to be performed publicly.
And more than 25 years after the movie version's release, Friedman tells PEOPLE that she and Osmond "have exchanged texts and emails," but don't often connect in person these days.
"We have seen each other over the years, absolutely," she adds. "I haven't worked with him or seen him [lately], but he's a gorgeous guy."
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Related: Donny Osmond Doesn't Think He Could Do Another Osmond Family Christmas Show: 'It Was a Different Time' (Exclusive)
Meanwhile, Joseph runs deep in Osmond's veins. After first playing the title role on stage in the early to mid '90s and, later, in the 1999 film, he returned to the production last year in the villainous role of Pharaoh at the Edinburgh Playhouse in Scotland.
Osmond spoke with PEOPLE late last year amid his Joseph run in Scotland, which began with performances on Dec. 3 and concluded on Dec. 29.
He admitted that it can feel "pretty bizarre ... to hear someone else doing the material you did for six years, 2,000 performances and more." (He even started singing a Joseph line by accident one night!) But he's "good" with his evolution now.
"Opening night it was like, 'What is this going to be like?' " Osmond told PEOPLE at the time. "And as soon as they set me down on the chair on stage and the lights came up, the applause and ovation ... it was absolutely amazing. And then when Joseph comes out and ['Poor Poor Joseph'] began, I looked at the audience and I said, 'Déjà vu!' "
Read the original article on People

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Tony Talk: Our extremely early 2026 awards predictions for ‘Ragtime,' ‘Waiting for Godot,' Kristin Chenoweth, and all the buzzy new shows
Tony Talk: Our extremely early 2026 awards predictions for ‘Ragtime,' ‘Waiting for Godot,' Kristin Chenoweth, and all the buzzy new shows

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Tony Talk: Our extremely early 2026 awards predictions for ‘Ragtime,' ‘Waiting for Godot,' Kristin Chenoweth, and all the buzzy new shows

Welcome to Tony Talk, a column in which Gold Derby contributors Sam Eckmann and David Buchanan offer Tony Awards analysis. Two weeks after the 2025 Tonys, we discuss the upcoming Broadway season and forecast likely 2026 Tony contenders. David Buchanan: Last June, you and I offered our earliest predictions for what could contend and even win at the Tonys a whole 12 months in the future! Looking back at our extremely early 2025 predictions, we hit some nails on the head, including the Best Musical Revival and Best Actress in a Musical showdowns between Gypsy and Sunset Boulevard and stars Audra McDonald and Nicole Scherzinger, respectively. For the 2025-26 Broadway season — which has already kicked off with Jean Smart in the solo play Call Me Izzy — it looks like the revivals are once again front and center. We have remountings of musicals Ragtime, Chess, and The Rocky Horror Show forthcoming, as well as plays Art, Waiting for Godot, and Fallen Angels, among others. Do you think we have any potential winners in those lists? More from GoldDerby 'Rosemead,' starring Lucy Liu, takes top prize at Bentonville Film Festival 'The Last of Us': How the 'Lord of the Rings' VFX team (and marshmallows) made the Battle of Jackson 'Batman Forever' and 'Batman Begins' share an anniversary week - and a surprising Oscar connection Sam Eckmann: To your list of musical revivals, I would add Cats: The Jellicle Ball. This reimagining of the classic Andrew Lloyd Webber musical ditches the feline body suits and sets the story in the world of ballroom. The show was a sold-out hit off-Broadway and though a Broadway run isn't official, a cheeky new social media account for the show has been teasing a transfer for months. Should it transfer, it will be an immediate frontrunner in the Best Musical Revival category. That said, Ragtime, Chess, and The Rocky Horror Show (which will be directed by newly minted Tony winner Sam Pinkleton) are rarely seen but beloved musicals. So this category promises to be an epic showdown yet again! The race for Best Musical is harder to predict since so many new tuners have yet to officially announce their runs. But we do know that director Michael Arden (now a two-time Tony winner thanks to Parade and Maybe Happy Ending) will helm a pair of new musicals: The Queen of Versailles, starring Kristin Chenoweth, and a stage adaptation of The Lost Boys. Do you think Arden could add a third trophy to his mantle next year? Steve Eichner/Variety via Getty Images Buchanan: Next year, either Pinkleton or Arden could join the list of only eight directors in the history of the Tonys to win back-to-back trophies, like Danya Taymor tried to do this year with John Proctor Is the Villain, so that should make for a very exciting race! With his two Tony-winning projects plus Once on This Island and Deaf West's Spring Awakening, I know never to underestimate Arden. Queen of Versailles is a huge creative swing, and though I didn't see the Boston try-out, word of mouth suggests it needs some judicious tightening of its runtime and of its tone. Based on critics' reviews, it sounds like the show may be more of an awards contender for Chenoweth and composer Stephen Schwartz than for directing, despite the humongous scope and set of the musical, which centers on real-life billionaire Jackie Siegel and her dream to construct the largest private residence in America. The Lost Boys is the bigger question mark in my mind. Vampire musicals have an infamous track record on Broadway — Dance of the Vampires, Elton John's Lestat, to name just two — but the song officially released by the Rescues, who composed the score, is strong, as is Arden's creative team, so this could be a contender, sight unseen. But before we pivot to the play categories, let's stick with Chenoweth and dive into Best Actress in a Musical. Folks have called her performance as Siegel the best of her career, but she'll be potentially contending against Caissie Levy in Ragtime as Mother, a two-time Tony-nominated role for Marin Mazzie and Christiane Noll, plus Lea Michele in Chess as Florence, a Tony-nominated role for Judy Kuhn. Do you think we'll have as cutthroat a Best Actress race in 2026 as we did this year? SEE Tony Talk: Dissecting those shocking wins for 'Purpose,' Nicole Scherzinger, Darren Criss, and full show analysis Eckmann: You've already highlighted three formidable contenders who could make the lead actress race just as competitive as this year's. While we don't have a full picture of all the eligible contenders yet, it's hard to imagine a lineup without any of these women. That would mean that Levy and Michele score the first Tony nominations of their career. I believe Levy came close to a nomination with Hair and Frozen, and she is the type of Broadway mainstay that voters are eager to reward once the right part comes along. Michele is still riding high on a renewed sense of goodwill after rescuing the recent revival of Funny Girl, and the score to Chess is perfectly suited to her high belting capabilities. Speaking of Chess, Michele's costars should also find themselves hotly competitive. Most Broadway fans are already familiar with Tony winner Aaron Tveit, but I suspect the über-talented Nicholas Christopher to finally cement himself as a Broadway superstar with this revival. If you're a theater nerd whose never heard him sing before, prepare yourself for your new obsession. While there are far too many question marks with the musicals at this early stage — I desperately need to know who Pinkleton is going to cast as Frank 'N' Furter in Rocky Horror — we know much more about the plays since the fall is front-loaded with them. I attended Call Me Izzy, the first production of the 2025-26 season, the day before this year's Tony Awards. While the script itself may not be remembered a full year from now in the Best Play race, star Jean Smart is at the height of her powers, delivering a solo performance so devastating that voters will surely be able to remember it next spring. Other contenders for lead actress in a play will surely include whichever mystery actress is cast in Second Stage's revival of Marjorie Prime, which won accolades for star Lois Smith in the off-Broadway run — though at 94, I'm not expecting her to sign up for the Broadway staging. An audition notice has also spoiled that the play Little Bear Ridge is also aiming for Broadway this season. Laurie Metcalf starred in this Samuel D. Hunter play at Steppenwolf Theatre in Chicago. This could be Hunter's first play to transfer to Broadway, and Metcalf is a seemingly guaranteed Tony nominee should she reprise her role. Hunter's The Whale earned Shuler Hensley a Lucille Lortel Award, and the film adaptation scored an Oscar for Brendan Fraser. Perhaps he's written Metcalf a role worthy of Tony No. 3. What plays are you looking forward to next season? SEE 'Every beat is meticulously crafted': An oral history of the Pulitzer Prize- and Tony-winning play 'Purpose' Buchanan: It would be so wonderful to have Metcalf back on Broadway after her Who's Afraid of Virginia Woolf? shuttered prematurely due to COVID in March 2020. Yes, there are a lot of very exciting plays already announced for the season, from Marjorie Prime to fellow Pulitzer finalist Becky Shaw and Tony winner David Lindsay-Abaire's upper-crust satire The Balusters. I'm particularly interested in the U.K. transfers of Oedipus starring the absolutely fabulous Mark Strong and Lesley Manville in a modern, election night retelling of the classic Greek tragedy, as well as the true-story, chilling Punch. The announcement of Pulitzer winner Stephen Adly Guirgis's stage adaptation of Dog Day Afternoon caught me by surprise but seems like a brilliant work to adapt to the stage, especially with its two The Bear stars Ebon Moss-Bachrach and Jon Bernthal. Speaking of those performers, the Best Actor in a Play race already sounds competitive. We'll soon see Keanu Reeves and Alex Winter in Waiting for Godot, and I'll be especially curious to know what director Jamie Lloyd does with the play. He's been in a musical mode lately with this year's Tony winner Sunset Boulevard and now the London revival of Evita with Rachel Zegler, but I have been most taken with his staging of plays including Betrayal in 2019, and it'll be interesting to see how his minimalism matches this classic drama. Yasmina Reza's ART brings a trio of Tony-winning heavyweights back to Broadway with Bobby Cannavale, Neil Patrick Harris, and James Corden. Sight unseen, I'm already rooting for Strong to take home his first Tony, but I'm excited for surprises this Broadway season, too! SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby 'Maybe Happy Ending' star Darren Criss on his Tony nomination for playing a robot: 'Getting to do this is the true win' Who Needs a Tony to Reach EGOT? Sadie Sink on her character's 'emotional rage' in 'John Proctor Is the Villain' and her reaction to 'Stranger Things: The First Shadow' Click here to read the full article.

Ashley Tisdale Explains Why Sharpay Evans Wasn't the ‘Popular Girl' in 'High School Musical' (Exclusive)
Ashley Tisdale Explains Why Sharpay Evans Wasn't the ‘Popular Girl' in 'High School Musical' (Exclusive)

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Ashley Tisdale Explains Why Sharpay Evans Wasn't the ‘Popular Girl' in 'High School Musical' (Exclusive)

Ashley Tisdale, 39, told PEOPLE that she doesn't think her High School Musical character Sharpay Evans was the 'popular girl' The actress said that playing Sharpay as though she thought she was popular is what helped make the character 'so funny' 'What's so funny is that she's not the popular girl. She's the drama queen,' she explained of SharpayAshley Tisdale is spilling the tea on what she thinks made her High School Musical character so iconic. Tisdale, 39, who played musical theater queen bee Sharpay Evans in the hit Disney franchise, recently caught up with PEOPLE and she exclusively shared what she thought was 'so funny' about the role. 'When I played the character of Sharpay — I think it was probably what made her so funny — was that I truly thought [Sharpay] was the popular girl in school. I thought Sharpay was popular, and I played it like she was popular,' Tisdale recalls. 'And [director] Kenny Ortega enhanced that. He really made me feel like I was popular. But what's so funny is that she's not the popular girl. She's the drama queen. And my husband's like, 'That's what's so funny about how you played it. You really thought you were popular,' ' she continues. The actress also shared how it feels 'so cool' to see the character find new life on social media and in meme culture. 'Sharpay is — I swear she's mother to everybody — because it's like she just keeps coming back on these memes and people keep talking and doing the songs,' she says. 'And I'm just like, I mean, out of everyone in High School Musical, my character is the most iconic. It's so cool.' Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. Tisdale — who also voices Candace Flynn in the hit animated series Phineas and Ferb — went on to say how lucky she feels to have been a part of multiple franchises that have reached cult status. 'I mean, it's so cool … It's really awesome to be a part of these projects that have really been so prevalent in pop culture and to play these characters," she adds. "It's just, you're like, 'Dang, man.' I can't believe out of everything that I auditioned for [...] I got this animation [series] that has lasted this long. Or I was always trying to get a Disney movie, and never got the movie. And then, I got High School Musical. " 'Out of all the ones, I get that. This is pretty awesome,' she says. High School Musical became one of the most successful Disney Channel Original movies of all time. It generated two popular sequel films, the third of which was released in theaters in 2008 and earned more than $250 million worldwide at the box office, per Variety. High School Musical 3: Senior Year marked the biggest opening weekend for a musical film up until that point (though it was eventually eclipsed by Les Misérables in 2012). Read the original article on People

Lynn Hamilton, ‘Sanford and Son' and ‘The Waltons' Actress, Dies at 95
Lynn Hamilton, ‘Sanford and Son' and ‘The Waltons' Actress, Dies at 95

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Lynn Hamilton, ‘Sanford and Son' and ‘The Waltons' Actress, Dies at 95

Lynn Hamilton, who played Redd Foxx's girlfriend Donna on 'Sandford and Son' and Miss Verdie on 'The Waltons,' died Thursday of natural causes at her home in Chicago. She was 95. Hamilton also played Vivian Potter on 'Generations' from 1989 to 1991. Her additional credits included 'Designing Women,' 'Roots: The Next Generation,' '227' and 'The Practice.' Hamilton's first appearance on 'Sandford and Son' was in 1972 when she played a landlady who chastised Demond Wilson's Lamont Sanford after he argued with his father, Fred Sanford, and then got his own place. Producers of the series decided to upgrade the role, and Hamilton became Fred's girlfriend. Alzenia Lynn Hamilton was born April 25, 1930, in Yazoo City, Mississippi. She and her family moved to Chicago when Hamilton was young, and she first began acting with a South Side theater company. A 1956 move to New York City opened up opportunities and Hamilton was in four Broadway plays. She joined the Seattle Repertory Theatre in 1966 before moving to Los Angeles. Hamilton was married to Frank Jenkins from 1964 until his death in 2014. The Hollywood Reporter first reported news of her death. The post Lynn Hamilton, 'Sanford and Son' and 'The Waltons' Actress, Dies at 95 appeared first on TheWrap.

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