logo
Puma & Salehe Bembury launch futuristic velum sneaker in Paris

Puma & Salehe Bembury launch futuristic velum sneaker in Paris

Fibre2Fashion4 hours ago

Following the Mostro House takeover at Paris Fashion Week in January, PUMA returns to the French capital, this time unveiling a visionary collaboration with designer and new PUMA partner Salehe Bembury. The unique experience invites guests into a world of biomorphic beauty and engineered imagination, highlighted by the new Velum, Bembury's first lifestyle silhouette with PUMA, featuring NITROFOAM.
Throughout the experience, installations and product displays untangle Velum's evolution from concept to sneaker. The space opens with an invite-only gathering, followed by a public pop-up at 12:00 on June 25, where 100 pre-release pairs of the Velum will be available exclusively. Bembury himself will be on hand to greet guests and sign the first pairs of his new collaboration. The space then opens to the public across three days.
Puma unveils its Velum sneaker in Paris with designer Salehe Bembury, marking their first lifestyle collaboration. The immersive launch blends nature and tech in a biomorphic space, showcasing Velum's evolution. The event opens with a private preview and public pop-up on June 25, offering 100 exclusive pairs and appearances by Bembury himself.
Inside, guests are invited to step directly into the mind of Bembury, a universe where nature and machine are in dialogue. At the center is a futuristic lab, a space where the Velum is displayed as an artefact under observation. Mixing Bembury's signature design language and love for organic shapes with PUMA technology, the Velum spills beyond the shoe and takes over the entire environment: organic textures emerge from the walls, ripple beneath the floors, and extend overhead. Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged.
Fibre2Fashion News Desk (RM)

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Was Death Stranding 2 reworked because playtesters liked it too much? Composer Woodkid speaks out
Was Death Stranding 2 reworked because playtesters liked it too much? Composer Woodkid speaks out

Time of India

time4 hours ago

  • Time of India

Was Death Stranding 2 reworked because playtesters liked it too much? Composer Woodkid speaks out

Yoann 'Woodkid' Lemonine is a French composer who's worn many hats throughout his career. From being a CGI artist in video games to directing the music videos for Taylor Swift's Back To December and Katy Perry's Teenage Dream, the man already had a meaty Resume before being hired by Kojima Productions to work on the upcoming Death Stranding 2. When interviewed by the Rolling Stone magazine, Woodkid was promoting the soundtrack he'd produced for the game, titled Woodkid for Death Stranding 2: On the Beach. He then proceeded to reveal many eye-catching details about the game's production, notably how director Hideo Kojima actually reworked the game because playtesters were too uniform in their praise. Kojima wanted the game to be more divisive When asked whether he had any insights to share about Death Stranding 2's development, Woodkid revealed that Kojima believed the uniform approval playtesters gave in their feedback was a problem. As Woodkid put it, Kojima had said: 'I'm going to be very honest, we have been testing the game with players and the results are too good. They like it too much. That means something is wrong; we have to change something.' According to Woodkid, Kojima was very concerned about the finished game having too much mainstream appeal. Worried that these positive reactions were actually indicators of an underlying blandness to the narrative, Kojima actively worked to make the game more polarizing in response. He believed that if players grew to appreciate the story over a prolonged period instead of immediately liking what they saw, the game would end up far more impactful. Woodkid considers Death Stranding 2 a balancing act Woodkid has called Death Stranding 2 both mainstream and radical at the same time, and he believes that is a tricky balance to achieve. As Woodkid put it, artists frequently compromise their creative vision to appeal to the masses, but Kojima's an exception. Woodkid admired his singular dedication to his creative vision, but he also considered Kojima to be receptive to feedback, and considered his collaboration with the game director to be a 'dialogue' rather than a one-sided relationship where he just did as he was told. Hideo Kojima has often worn his Hollywood influences on his sleeve, but Woodkid ended his interview by claiming that just like the Metal Gear franchise, Death Stranding would also prove to be massively impactful, both in gaming and in Hollywood.

Puma & Salehe Bembury launch futuristic velum sneaker in Paris
Puma & Salehe Bembury launch futuristic velum sneaker in Paris

Fibre2Fashion

time4 hours ago

  • Fibre2Fashion

Puma & Salehe Bembury launch futuristic velum sneaker in Paris

Following the Mostro House takeover at Paris Fashion Week in January, PUMA returns to the French capital, this time unveiling a visionary collaboration with designer and new PUMA partner Salehe Bembury. The unique experience invites guests into a world of biomorphic beauty and engineered imagination, highlighted by the new Velum, Bembury's first lifestyle silhouette with PUMA, featuring NITROFOAM. Throughout the experience, installations and product displays untangle Velum's evolution from concept to sneaker. The space opens with an invite-only gathering, followed by a public pop-up at 12:00 on June 25, where 100 pre-release pairs of the Velum will be available exclusively. Bembury himself will be on hand to greet guests and sign the first pairs of his new collaboration. The space then opens to the public across three days. Puma unveils its Velum sneaker in Paris with designer Salehe Bembury, marking their first lifestyle collaboration. The immersive launch blends nature and tech in a biomorphic space, showcasing Velum's evolution. The event opens with a private preview and public pop-up on June 25, offering 100 exclusive pairs and appearances by Bembury himself. Inside, guests are invited to step directly into the mind of Bembury, a universe where nature and machine are in dialogue. At the center is a futuristic lab, a space where the Velum is displayed as an artefact under observation. Mixing Bembury's signature design language and love for organic shapes with PUMA technology, the Velum spills beyond the shoe and takes over the entire environment: organic textures emerge from the walls, ripple beneath the floors, and extend overhead. Note: The headline, insights, and image of this press release may have been refined by the Fibre2Fashion staff; the rest of the content remains unchanged. Fibre2Fashion News Desk (RM)

Vivek Soni on Aap Jaisa Koi: ‘Any story told through the personal lens will touch people's heart'
Vivek Soni on Aap Jaisa Koi: ‘Any story told through the personal lens will touch people's heart'

Indian Express

time4 hours ago

  • Indian Express

Vivek Soni on Aap Jaisa Koi: ‘Any story told through the personal lens will touch people's heart'

Exuding old-school charm, the upcoming 'Aap Jaisa Koi' is a modern love story in which 'a buttoned-up older man falls for a feisty young woman'. Directed by Vivek Soni, it follows the story of Shrirenu (R Madhavan), a reserved Sanskrit teacher, and Madhu (Fatima Sana Shaikh), a spirited French instructor as they navigate layered family ties. The film produced by Dharmatic Entertainment will premiere on Netflix on July 11. Soni, who has earlier helmed 'Meenakshi Sundareshwar' (2021), featuring Sanya Malhotra and Abhimanyu Dassani, and is set to direct Ananya Panday's 'Chand Mera Dil', talks about directing R Madhavan and his creative process. Excerpts: Tell us about your journey from making social drama 'Bawdi' (2012) to directing a rom-com feature. I made 'Bawdi', a short film, as part of my film direction course from Whistling Woods International. I co-wrote 'Meenakshi Sundareshwar' with my friend Aarsh Vora. We developed it with Dharma and later Netflix came on board. In the case of 'Aap Jaisa Koi', Netflix approached Dharma with the story that's written by Radhika Anand and Jehan Handa. When they shared it with me, it was a 10-page-long story; I loved it. Both my feature films are love stories at heart and speak about different aspects of life. R Madhavan returns as a romantic hero after a gap. How did he come on board? After we finished writing the screenplay, we approached him and he liked the story. He is an actor who balances warmth and nuance in his performance. He also fits into the age bracket of the character — above 40. Have you done the de-aging for him? No. He just shaved his beard. Did you do any workshops for Madhavan and Fatima? We did readings together. I follow the process of meeting the actors individually first, going through the script, scenes and character graph. I did that separately with Maddy Sir and Fatima. Then we sat together and went over the script and details. It might come across as a cliché but the entire 36-day shoot with them was memorable. Your films 'Meenakshi Sundareshwar' and 'Love Storiyaan's Love on Air' (2024) episode, as well as 'Aap Jaisa Koi' are set in different parts of the country. The location is one of the most crucial aspects of the story. Before starting any project, I take into account the kind of landscape I am getting to explore through the story. This determines the costumes, sounds and visuals. With 'Meenakshi Sundareshwar', I explored Tamil Nadu. When I did 'Love Storiyaan', I got a chance to shoot in Meghalaya. For 'Aap Jaisa Koi', I wanted to explore Kolkata. Do you think romance as a genre lacks freshness today? There are good romantic stories told in Malayalam and Tamil cinema. When people go to a theatre, they want a spectacle. It is also about what's being consumed. However, I believe any story that's told through a personal lens is going to touch people's hearts. What are the things on top of your mind while you are writing or developing a project? One thumb rule is to give it a personal touch. For example, if it's the scene of a man proposing to a woman, the act should not come across as generic. Their individuality should reflect in that scene. From growing up in Rajasthan to making films in Mumbai, how did you make that journey? I'm from Rajasthan's Bhilwara. After I finished my schooling there, I lived in Kota to prepare for engineering. From 2004 to 2008, I studied at Hyderabad's ICFAI Foundation for Higher Education. After that I moved to Mumbai and worked in advertising. Later, I joined Whistling Woods International to study direction for two years. Are you inspired by any particular filmmakers? Since my childhood I have been a movie-buff. While preparing for this film, I revisited the works of filmmakers such as Satyajit Ray, Rituparno Ghosh, Aki Kaurismäki, Wes Anderson, Billy Wilder, Wong Kar-wai and Paul Thomas Anderson. It was an intuitive decision.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store