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Christina Aguilera's Stripped retrospectively reviewed: The most drastic, effective reinvention in pop

Christina Aguilera's Stripped retrospectively reviewed: The most drastic, effective reinvention in pop

Yahoo30-04-2025

At the turn of the millennium, teen pop was dominating the charts like never before. The sugary-sweet sounds of hits like Britney Spears's 'Oops!… I Did It Again' and *NSYNC's 'Bye Bye Bye' were in. It was bubblegum pop with added E numbers. Christina Aguilera's 1999 self-titled debut was an example of this, launching the Disney alumnus onto the world stage with 'Genie in a Bottle' and 'What a Girl Wants'. She established herself among the likes of Jessica Simpson and Mandy Moore as a new teen idol, all of whom were being moulded to Britney's girl-next-door image. It was these comparisons that made Aguilera want to break away from her contemporaries and showcase her true identity on Stripped.
It was Aguilera's fourth overall studio album, but second English-speaking, non-Christmas effort. Lead single 'Dirrty' featuring Redman was the general public's first proper re-introduction to 'the new Xtina'. Gone was her cookie-cutter, virginal image in favour of an edgier, more original look and sound. It was a shock and largely criticised; misogyny in the media was at fever pitch during the early 2000s. However, the single and accompanying music video was, and still is, a thrilling piece of pop. It's arguably the most drastic and effective reinvention in pop, long before Miley Cyrus ditched her good girl image for Bangerz. Lyrically, the track is a sexually charged romp with hard hip-hop sensibilities. It flopped in the US, reaching number 48, but hit number one in the UK and the top 10 in several other countries. To this day, it's guaranteed to get any party started.
Follow-up single 'Beautiful' couldn't have been more different, however. The tender piano ballad is a defiant statement for self-empowerment: 'You are beautiful no matter what they say'. Written by 4 Non Blondes's Linda Perry, the track was immediately adopted as a queer anthem. The accompanying music video also reflects this, featuring a same-sex couple and a transgender woman overcoming adversity and self-doubt to live authentically. While accepting the Special Recognition Award at the 14th GLAAD Media Awards, Aguilera said of 'Beautiful': 'This song is definitely a universal message that everybody can relate to — anyone that's been discriminated against or unaccepted, unappreciated or disrespected just because of who you are. It was so important to me that I support the gay community in this sense.' It has become one of the singer's signature tracks.
'Fighter' continues the theme of self-reliance, this time in a toxic relationship. Aguilera adopts a different sound yet again, this time taking inspiration from Guns N' Roses and stadium rock. It's a biting 'fuck you' to a cheating lover and an ode to the strength that comes from walking away.
The album's lead single had been something of a red herring. While the album did speak of sexual liberation, the title Stripped speaks more to the baring of Aguilera's soul — as the latter singles demonstrated. This misconception perhaps muddied the understanding of what the singer was trying to achieve at this particular point in her career. On tracks like 'The Voice Within' and 'I'm OK', Aguilera is at her most introspective and vulnerable. It's these expressions of feeling like an outsider or facing trauma that helped Aguilera connect with her LGBTQ+ fanbase on a meaningful level. Despite being a pop pin-up, she felt just as insecure as the rest of us.
Stripped stands up as Aguilera's most cohesive body of work and one of her most commercially successful. The album hit number two in the UK and US and top 10 in most of the world. In 2022, it was certified 5x Platinum. She would continue to have success in music, with hits such as 'Ain't No Other Man' and the cult classic 'Not Myself Tonight'. Aguilera would also appear alongside fellow gay icon Cher in the 2010 movie Burlesque.
Aguilera has continued to show unwavering support for the LGBTQ+ community throughout her career. Following the tragic Pulse nightclub shooting in 2016, the singer released the one-off single 'Change', dedicated to the victims. Proceeds from it were also donated to the victims' families. Speaking to the US's She Magazine in 2012, Aguilera said of her queer fanbase: 'I cannot express in words how much the LGBT community means to me. On my darkest day, their support lifts me up. I feel honoured that some of my songs become anthems to them as well.'
The post Christina Aguilera's Stripped retrospectively reviewed: The most drastic, effective reinvention in pop appeared first on Attitude.

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Box Office: ‘28 Years Later' Scares Up $30 Million Start, ‘Elio' Lands Worst Debut in Pixar History With $21 Million
Box Office: ‘28 Years Later' Scares Up $30 Million Start, ‘Elio' Lands Worst Debut in Pixar History With $21 Million

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Box Office: ‘28 Years Later' Scares Up $30 Million Start, ‘Elio' Lands Worst Debut in Pixar History With $21 Million

A spunky, alien-obsessed preteen and undead army were no match at the box office against a loyal, fiery dragon. Universal's 'How to Train Your Dragon' remake has remained No. 1 in North America despite the presence of two newcomers, Disney and Pixar's intergalactic adventure 'Elio' and Sony's zombie thriller '28 Years Later.' More from Variety How 'Elio' Pays Homage to Classic Sci-Fi Films Like 'The Thing,' 'Close Encounters' and 'Alien' Box Office: '28 Years Later' Chomps on $14 Million Opening Day; 'Elio' Facing Pixar's Lowest Debut Ever as 'How to Train Your Dragon' Rules Again That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film 'Elio' has cratered in third place with $21 million from 3,750 theaters, ranking as the worst start in modern history for Pixar. Heading into the weekend, the otherworldly tale about a young boy who connects with aliens after getting mistaken for Earth's intergalactic ambassador was aiming for $25 million to $30 million. The film, which cost $150 million to produce, added just $14 million overseas for a catastrophic global total of $35 million. 'This is a weak opening for Pixar,' says David A. Gross, who runs the FranchiseRe movie consulting firm. 'These would be solid numbers for another original animation film, but this is Pixar, and by Pixar's remarkable standard, the opening is well below average.' Pixar's prior low-water mark was 2023's opposites-attract fable 'Elemental,' which opened to $29.6 million domestically and $44.5 million globally. However, that film was embraced by audiences and managed to endure at the box office, ultimately ending its big screen run with $155 million domestically and $496 million globally. It was a respectable tally given the terrible opening weekend result, but nowhere near the prior heights of Pixar, the empire behind 'Toy Story,' 'The Incredibles' and 'Finding Nemo.' The studio is hoping that 'Elio' follows a similar trajectory since the animated tale was awarded an 'A' grade on CinemaScore exit polls and 85% Rotten Tomatoes average. But the bleak start for 'Elio' underscores the challenges that face Pixar, which fielded last year's record-breaking smash 'Inside Out 2' ($1.69 billion) but hasn't successfully launched a new theatrical property in ages. Original animation has struggled at the box office in post-pandemic times, and Pixar in particular has failed to live up to its own stratospheric heights — especially after several of its titles (like 'Turning Red' and 'Luca') were sent directly to Disney+ while cinemas were recovering from COVID, which inadvertently trained family audiences to expect those movies at home. 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Innocent Movie Moments That Terrified Kids
Innocent Movie Moments That Terrified Kids

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time3 hours ago

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Innocent Movie Moments That Terrified Kids

When we watch movies as kids, sometimes the weirdest things scare scar us for life. On the popular r/AskReddit subreddit, u/GabeyTheArtist asked people to share an absolutely-not-scary movie scene that absolutely terrified you as a child. Some of the answers left me scratching my head (and remembering how messed up some of these movies were): "When the lights dimmed and the movie started, and the MGM lion roared, 4-year-old me screamed and crawled for my life over my father's shoulder and into the lap of the lady in the row behind us." "When Boo started crying in Monsters Inc. and the lights started flickering." "That scene in The Little Mermaid when King Triton discovers Ariel's collection of land junk, loses his sh*t and screams at her." "In Sesame Street Presents: Follow That Bird when they capture Big Bird, paint him blue, put him in the cage, and make him sing that sad song. Terrified me as a child. Still hate it." "The nuclear bomb scene in The Terminator. Nightmares for weeks. I live in DC. Still live in fear that a bomb will vaporize us some day." "For some strange reason, the heffalumps and woozles in the Winnie the Pooh movie terrified me as a kid. I can't remember anything about that movie or why I was so scared." "Jim Carrey's How the Grinch Stole Christmas, when he goes crazy in the mail room, wrapping up Cindy Lou Who." "In Ice Age: The Meltdown, when the iceberg slowly turns around to reveal the two water dinosaurs. I hid until I knew the next scene was playing, like the monster could see me." "Aladdin, when he steps into the sand lion's mouth. I always had to cover my ears and my eyes." "The Fates in Disney's Hercules passing around (and at one point dropping) their shared eyeball." "The Bumble from Rudolph the Red-nosed Reindeer." "The end of the 'I Love To Laugh' scene in Mary Poppins, where the laughing people start to cry to get back to the ground. I thought crying was a horrible thing to show people doing." "The furnace scene in Home Alone. I was constantly scared of the basement after that, and we didn't even have a furnace down there." "The zombie in Hocus Pocus gave me nightmares for literally years." "I have beef with Janice from The Muppets." "I couldn't watch the Siamese cats song from Lady and the Tramp without losing my sh*t when I was a kid." "In Pinocchio, when that one kid turned into a donkey." "The pink elephants from Dumbo scared the absolute sh*t outta me as a child." "In E.T., when E.T. screams, running through the forest." "When E.T. gets all sick and white, and they put him in the bag. That frightened me for YEARS." "Everything in Mars Attacks! scared the living sh*t out of me as a kid, then I come to find it was a comedy." "I think when they went in the trippy tunnel in Willy Wonka and the Chocolate a kid, it scared the heck out of me." "The scene of Augustus Gloop going up the pipe in Willy Wonka & the Chocolate Factory." "The witch's feet curling under the house that fell on her in The Wizard of Oz. It still seems scary." "The flying monkey scene in The Wizard of Oz." "The Wheelers from Return to Oz." "'Be sure and tell 'em Large Marge sent ya!''" "The skeksis from The Dark Crystal really did a number on me as a kid. They were terrifying." "The Child Catcher in Chitty Chitty Bang Bang!" "When the mutant toys appear in Toy Story." "The waterfall scene in The Brave Little Toaster." "THAT Bilbo scene in The Lord of the Rings: The Fellowship of the Ring." "The forest fire when Bambi's mother dies." "The opening scene of The Great Mouse Detective. When the dad gets kidnapped by the bat." And finally, "The CATERPILLAR in Alice in Wonderland. 'Whoooo are you?'"

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