
Innocent Movie Moments That Terrified Kids
When we watch movies as kids, sometimes the weirdest things scare us...even scar us for life. On the popular r/AskReddit subreddit, u/GabeyTheArtist asked people to share an absolutely-not-scary movie scene that absolutely terrified you as a child. Some of the answers left me scratching my head (and remembering how messed up some of these movies were):
"When the lights dimmed and the movie started, and the MGM lion roared, 4-year-old me screamed and crawled for my life over my father's shoulder and into the lap of the lady in the row behind us."
"When Boo started crying in Monsters Inc. and the lights started flickering."
"That scene in The Little Mermaid when King Triton discovers Ariel's collection of land junk, loses his sh*t and screams at her."
"In Sesame Street Presents: Follow That Bird when they capture Big Bird, paint him blue, put him in the cage, and make him sing that sad song. Terrified me as a child. Still hate it."
"The nuclear bomb scene in The Terminator. Nightmares for weeks. I live in DC. Still live in fear that a bomb will vaporize us some day."
"For some strange reason, the heffalumps and woozles in the Winnie the Pooh movie terrified me as a kid. I can't remember anything about that movie or why I was so scared."
"Jim Carrey's How the Grinch Stole Christmas, when he goes crazy in the mail room, wrapping up Cindy Lou Who."
"In Ice Age: The Meltdown, when the iceberg slowly turns around to reveal the two water dinosaurs. I hid until I knew the next scene was playing, like the monster could see me."
"Aladdin, when he steps into the sand lion's mouth. I always had to cover my ears and my eyes."
"The Fates in Disney's Hercules passing around (and at one point dropping) their shared eyeball."
"The Bumble from Rudolph the Red-nosed Reindeer."
"The end of the 'I Love To Laugh' scene in Mary Poppins, where the laughing people start to cry to get back to the ground. I thought crying was a horrible thing to show people doing."
"The furnace scene in Home Alone. I was constantly scared of the basement after that, and we didn't even have a furnace down there."
"The zombie in Hocus Pocus gave me nightmares for literally years."
"I have beef with Janice from The Muppets."
"I couldn't watch the Siamese cats song from Lady and the Tramp without losing my sh*t when I was a kid."
"In Pinocchio, when that one kid turned into a donkey."
"The pink elephants from Dumbo scared the absolute sh*t outta me as a child."
"In E.T., when E.T. screams, running through the forest."
"When E.T. gets all sick and white, and they put him in the bag. That frightened me for YEARS."
"Everything in Mars Attacks! scared the living sh*t out of me as a kid, then I come to find it was a comedy."
"I think when they went in the trippy tunnel in Willy Wonka and the Chocolate Factory...as a kid, it scared the heck out of me."
"The scene of Augustus Gloop going up the pipe in Willy Wonka & the Chocolate Factory."
"The witch's feet curling under the house that fell on her in The Wizard of Oz. It still seems scary."
"The flying monkey scene in The Wizard of Oz."
"The Wheelers from Return to Oz."
"'Be sure and tell 'em Large Marge sent ya!''"
"The skeksis from The Dark Crystal really did a number on me as a kid. They were terrifying."
"The Child Catcher in Chitty Chitty Bang Bang!"
"When the mutant toys appear in Toy Story."
"The waterfall scene in The Brave Little Toaster."
"THAT Bilbo scene in The Lord of the Rings: The Fellowship of the Ring."
"The forest fire when Bambi's mother dies."
"The opening scene of The Great Mouse Detective. When the dad gets kidnapped by the bat."
And finally, "The CATERPILLAR in Alice in Wonderland. 'Whoooo are you?'"
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Danny Boyle Has This 1 Regret About Stepping Away From No Time To Die
Danny Boyle is reflecting on his decision to pull out of directing the most recent James Bond film three months after signing up for the project. The Oscar-winning filmmaker was originally supposed to helm Daniel Craig's last outing as 007, No Time To Die. However, just three months after he was announced as its director, Danny parted ways with the Bond franchise, due to what was described at the time as – of course! – 'creative differences'. During a new interview with Business Insider, the Trainspotting director admitted: 'The thing I regret about that is the script was really good. John Hodge is a wonderful writer.' He added: 'I don't think [the producers] appreciated how good that script was, and because they didn't, we moved on, and that's the way it should be.' Both Danny and John – who previously collaborated on Trainspotting and its sequel – left No Time To Die in August 2018, after which Cary Joji Fukunaga took over as director. Cary also worked with Neal Purvis, Robert Wade and Phoebe Waller-Bridge on the No Time To Die screenplay. Back in 2019, Danny told Empire: 'What John Hodge and I were doing, I thought, was really good. It wasn't finished, but it could have been really good […] you have to believe in your process and part of that is the partnership I have with a writer.' The James Bond franchise has recently undergone yet more behind-the-scenes changes, with Amazon MGM Studios taking over creative control after long-time producers Michael G Wilson and Barbara Broccoli stepped down from their roles after 30 years. Speculation is now rife about who will be taking over the role of James Bond, with Aaron Taylor-Johnson still the current frontrunner, though everyone from Tom Hardy, Sam Heughan and James Norton to Bridgerton star Regé-Jean Page, Bafta winner George Mackay and even former Superman star Henry Cavill have also been rumoured. James Bond Fans Spot 1 Subtle Hint That This Favourite To Play 007 Has Finally Been Cast Pierce Brosnan Has 1 Stipulation For The Next James Bond Amid Major Behind-The-Scenes Shake-Up Daniel Craig Makes It Clear He's Done Talking About James Bond With Epic 3-Word Response

Business Insider
3 hours ago
- Business Insider
A former Disney exec says peak TV is over, and there's only so much AI can do to help
A former Disney executive said TV's golden era has passed, and even AI can't help it now. Kevin Mayer, who spent more than 14 years in leadership roles at Disney, spoke on Yahoo Finance's "Opening Bid" podcast on Friday about how television is past its peak. Mayer, who is the co-CEO and founder of Candle Media,served as the CEO of TikTok for a few months in 2020. "Content's squeezed right now, and it takes a lot of money to create great content. If you're doing traditional film and TV-length content at a high production value, it's expensive, it's getting more expensive," he told Brian Sozzi, the podcast host. "AI might be helpful there a little bit, because AI is a tool that can help increase efficiencies in creating video and storylines and everything else," he said. However, he also said there's a limit to how much AI can help the industry. "You can't really depend on AI too much," he said. "But as a tool for creative executives and creative people, I think it may it'll actually help with the efficiency, but content's squeezed." Mayer said TV peaked three to four years ago, and "there's no longer the revenue base to afford as much content as once was the case." "This is not enough money to cover that anymore, so content is definitely coming down," Mayer said. In his 14 years at Disney, Mayer was involved in the acquisitions of Marvel, Lucasfilm, Pixar, and 21st Century Fox. As the chair of Disney's direct-to-consumer and international division, he led a team that launched Disney's streaming service, Disney+, in 2019. The use of AI in film and content production is a contentious issue. In 2023, more than 11,000 Hollywood film and TV screenwriters went on strike to protest the use of AI in their industry and demand more regulation. Mayer's comments come at a difficult time for the US media industry. Traditional TV companies have for years been grappling with the rise of streaming platforms like Netflix and Disney+, which have rendered once-essential cable TV networks obsolete. Comcast, the American mass media, telecommunications, and entertainment megaconglomerate that owns MSNBC, CNBC, USA Network, and other cable TV networks, said in November that it would spin off almost all of its TV networks into a separate company.


San Francisco Chronicle
4 hours ago
- San Francisco Chronicle
Bay Area's Pixar suffers worst box office opening in 39 years with ‘Elio'
Pixar suffered the worst opening weekend in its history with 'Elio,' the Emeryville studio's latest original animated feature, which pulled in just $21 million in North America and $14 million overseas for a global total of $35 million. The numbers fall well below expectations and mark a troubling low for the Bay Area animation giant behind 'Toy Story,' 'Finding Nemo' and 'Inside Out.' 'Elio' now holds the record for Pixar's weakest debut, dropping below 2023's 'Elemental,' which opened to $44.5 million worldwide. Despite strong word-of-mouth and an 'A' CinemaScore, 'Elio' failed to draw a crowd in a crowded market. Disney, Pixar's parent company, had hoped the film would at least match 'Elemental's' opening. Internal projections were lowered late last week as interest waned. The wobbly launch comes just a year after Pixar scored one of its biggest hits with 'Inside Out 2,' which became the top-grossing animated film of all time, earning $1.7 billion globally. 'Elio,' which cost an estimated $250 million to produce and market, was outpaced by Universal's 'How to Train Your Dragon,' which remained No. 1 at the domestic box office with $37 million in its second weekend. Sony's '28 Years Later' followed with $30 million domestically and another $30 million internationally. Pixar and Disney are banking on long-term momentum to salvage the release. 'Elemental,' despite a soft opening, eventually grossed nearly $500 million. 'Elio' will need a similar rebound — and fast — to avoid becoming one of the studio's most expensive misfires.