‘The Bear' star Abby Elliott used her own birth experience to inform the standout Season 3 episode ‘Ice Chips'
Abby Elliott had known Natalie 'Sugar' Berzatto would give birth during the third season of The Bear for a while. So when it came time for Elliott to give birth to her son in June 2023, she was prepared to go the extra mile.
More from GoldDerby
Roy Wood Jr. on how 'Lonely Flowers' became his most personal special to date
'He feels like he's the smartest guy there': 'Abbott Elementary's' William Stanford Davis on Mr. Johnson's 'veneer' of 'mystery'
'The Shining' at 45: How Stanley Kubrick's Stephen King adaptation became the Razzies biggest regret
'I knew that the contractions would be a part of the episode, so when I had my actual labor with my second child, with my son, I had my mom in the delivery room with me, and she recorded my contractions,' Elliott says during the latest episode of Awards Magnet. 'So I could go back and watch them for acting purposes.'
For Elliott, the immersive approach to preparation was critical. She wanted to make sure Natalie's contractions felt as real as possible, sharp and painful shocks that arrived quickly and broke up the tension of Natalie's conversations with her estranged mother, Donna (Jamie Lee Curtis).
'You're in excruciating pain, and then you're kind of like, 'OK, now, what do we do?'' she says. 'But then, having Donna there made for such drama.'
'Ice Chips,' Elliott's standout episode from The Bear Season 3, was written by co-showrunner Joanna Calo and directed by creator and co-showrunner Christopher Storer. The episode is essentially a two-hander between Elliott and Curtis, an Emmy Award winner for her performance in Season 2 of The Bear, where their characters try to find common ground after years of strife and difficulty.
'Jamie's just unbelievable. She's just so warm and nurturing. But also, I'm terrified of her, because she's so intimidating and incredible,' Elliott says of her screen partner. 'When you work with her, she feels like such a good friend, and then she snaps into Donna once that wig is on. She gets into it — like she is Donna. So all the hugging and the nurturing stuff that she has done as Jamie kind of goes out the window a little because she wants you to really feel the moment.'
Elliott says she and Curtis ran through the episode's main sequence — basically a 20-minute scene — just once. 'If there was a lull or something didn't go as planned, we just kind of rolled with it,' she says of the show's improvisational nature. 'If one of us forgot a beat, I could always go to a contraction. It all just felt authentic. They need each other in this moment.'
'Ice Chips' ends without a significant resolution for Natalie and Donna; the baby is born (and the birth is not shown on screen) while Donna sits in the hospital waiting room. 'In this moment, there was a connection,' Elliott says of where the characters ended up and what lies ahead for their relationship. 'But Donna, with these traits — whether you want to call them borderline alcoholic, bipolar — that doesn't go away. You know she's trying, she's there, but it's still not perfect after this. And that's what I think Chris does so brilliantly with the show. It isn't wrapped up in a bow. Life isn't like that. It continues. And you can have this beautiful moment and some deep connection, and then return to being the people you are.'
The Bear returns for its fourth season on June 25, where Natalie's child will presumably impact not just her life, but her relationship with Carmy (Emmy Award winner Jeremy Allen White). Through the first three seasons, Natalie has often bounced between being a sister for Carmy and being his surrogate mother as the older sibling. Elliott says the dynamic is invariably forced to change due to Natalie's new responsibilities as a parent.
'Natalie has wanted to step into that role of oldest sibling after Michael's death,' she says. 'With Carm, it's like this constant push and pull between deeply wanting to help him, and just dreading that she's going to be disappointed by him constantly. And I think that just with every season — and with him continuing to be in his patterns and in his head like that — it just escalates more and more for her. So now that Natalie has a child to take care of, there is a little bit of throwing your hands up in the air at Carm. Just like, 'OK, I can't help you!' And then, you know, immediately saying, 'Oh no, but I do need you so badly. You're the only one left.' So I think it's just the constant struggle.'
The Bear streams on Hulu.
Email your questions to slugfests@goldderby.com.
Best of GoldDerby
Inside 'The Daily Show': The team behind the satirical news series on politics, puppies, punchlines — and staying sane
Dakota Fanning said 'yes' to 'The Perfect Couple' the moment she heard Nicole Kidman was involved, without knowing anything else about the show
'Slow Horses' star Rosalind Eleazar gets real about her MI5 outcast Louisa Guy: 'She's really not OK'
Click here to read the full article.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tom's Guide
10 hours ago
- Tom's Guide
I finally binged 'The Bear' to catch up before season 4 — and it's transformed how I watch TV
In the fast-paced world of streaming, the newest releases tend to steal the spotlight. The best streaming services like Max, Netflix, and Disney Plus constantly push their latest shows and movies to the forefront. But that makes it hard to catch up on all the must-watch TV shows if you're not much of a binge-watcher (guilty) or tend to be skeptical of anything that's universally hyped (also guilty). The latter may sound overly cynical (eh, I can be guilty of that too), but you have to understand that, out here near Chicago, people adore "The Bear." They will not shut up about it. The onslaught of "The Bear" recommendations began with literally the first episode, which includes a one-line shoutout about Rockford, where I'm based, that was the talk of the town for weeks. I wish I was exaggerating. Tired of hearing about how much I just have to watch "The Bear," I finally sat down at the start of the month to check out Hulu's Emmy-winning comedy-drama series. With "The Bear" season 4 premiering on June 25, I doubted I'd be able to catch up in time. And I was wrong. Turns out, binge-watching is for me after all — and my sleep schedule already hates me for it. I severely underestimated how bingeable "The Bear" would be. The hype was all well-deserved. Pretty much from the first episode, I was glued to my couch, devouring all three seasons in just a few short weeks. I can already feel you seasoned binge-watchers shaking your heads — that must be a snail's pace by comparison — but like I said, I don't tend to binge-watch shows. Every once in a while, one like "Yellowjackets" gets its hooks into me, but I thought it was the exception rather than the rule. After two or three episodes, my attention span tends to be on its dying legs; meanwhile, my actual legs are itching to get up and do something else after sitting for so long. I prefer savoring series, taking regular breaks to reflect on what happened, sit with the characters' choices for a bit, and appreciate the pacing or overarching themes. Even the juiciest of cliffhangers are rarely enough to convince me to hit "next episode" once I'm tired of watching TV for the day. But "The Bear" has made a binge-watcher out of me yet. While I considered pacing myself, "The Bear" felt almost tailor-made for a binge. Between the short episode lengths (a bite-sized 30 minutes) and the way each installment plays out like a self-contained stage play, I found myself only hungry for more by the time the credits rolled. Set in Chicago, "The Bear" tells the story of fine-dining chef Carmy (Jeremy Allen White) who returns home to rescue his late brother's floundering restaurant — and it's nothing short of remarkable. The dizzying highs and crushing lows as Carmy whips The Beef into the restaurant he and his brother always dreamed of having are captivating to watch unfold. Part of that secret sauce is how each episode adds new ingredients to play with. Flashbacks that illuminate each character's motivations and struggles. Explosive fights (and there are a lot of those) that reveal more than the characters mean to. Or small moments that add up to heart-wrenching realizations several episodes — or even seasons — later. With its raw, chaotic portrayal of family dynamics and mouth-watering food, I'm not surprised "The Bear's" achieved such cult status. The constant simmer of conflict threatened to burn me out at times, but then a quieter, more reflective episode would reset my palette. I particularly enjoyed season 3's debut episode, "Tomorrow," which completely upended my understanding of who Carmy is with a series of contemplative, devastating flashbacks of his career. I adore it anytime a show makes me fall in love with a character I initially despised, and Ebon Moss-Bachrach's Cousin Richie is one for the history books. He goes from a complete asshole to an asshole worth cheering for. Beneath the bravado and outbursts, he's grieving, insecure, and trying (however messily) to find his place in a world that's evolving without him. One of my favorite moments in the show so far was seeing him belt out Taylor Swift's "Love Story" in the car after coming into his own in season 2. While there's truly no universal rule for how to watch TV shows, "The Bear" has made me reconsider my stance on binge-watching. As much as I prefer giving stories space to breathe between episodes, I can't deny that "The Bear" was improved by devouring its twists and turns in an insatiable marathon. Binge-watching still isn't my default, but for the right show, it can be the ideal way to experience things.
Yahoo
a day ago
- Yahoo
Will '28 Years Later' take a bite out of ‘Elio'? Will ‘Dragon' continue to soar? Here's our box-office prediction
Despite two high-profile film releases this weekend, How to Train Your Dragon won't be slayed at the box office. Universal's live-action adventure will remain on top of the June 20-22 box office, adding over $40 million to its $113 million domestic gross so far. How to Train Your Dragon has earned $227 million worldwide since it debuted last week. More from GoldDerby 'Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts - and shows need for Best Director reform All the 'Abbott Elementary' Season 4 Emmy predictions, including those 'Sunny' guest stars Ryan Murphy and the JFK Jr.-Carolyn Bessette controversy, explained: Why 'American Love Story' Instagram post got so much hate Sony's highly anticipated 28 Years Later, directed by Oscar winner Danny Boyle (Slumdog Millionaire), and Disney/Pixar's Elio will face off in a close battle for second place — both are projected to earn around $30 million. 28 Years Later will easily become the franchise's biggest debut, surpassing 2002's 28 Days Later ($10 million) and 2007's 28 Weeks Later ($9.8 million). Beyond its promising start, it won't take much for 28 Years Later to become the highest-grossing installment in the trilogy, a title currently held by 28 Days Later, which earned $75 million worldwide. With strong anticipation and a legacy behind it, the film is set to breathe new life into the acclaimed zombie franchise. Set nearly three decades after the contagious rage virus devastated the world, 28 Years Later follows a group of isolated survivors who journey to the mainland, only to discover that a dangerous mutation threatens to decimate the remaining population. This latest installment will launch a new trilogy from director Danny Boyle and writer Alex Garland. The film was shot back-to-back with its sequel, 28 Years Later: The Bone Temple, slated for release in 2026. Meanwhile, a third entry — and the fifth installment in the franchise — is already in development, ensuring that the iconic series continues to expand its terrifying legacy. Directed by Adrian Molina, Madeline Sharafian, and Domee Shi, Elio tells the story of an 11-year-old who unexpectedly forms a unique bond with eccentric aliens after being mistakenly identified as Earth's official intergalactic ambassador. With a production budget of $150 million, the stakes are high for Pixar, which has faced challenges in recent years. Three of its recent original movies — Turning Red, Luca, and the Oscar-winning Soul — were released directly to Disney+ instead of full theatrical runs, raising questions about the studio's box office strategy and its ability to deliver theatrical hits in a competitive marketplace. Last year, Inside Out 2 delivered a record-breaking $1.69 billion worldwide for Pixar, reaffirming the studio's success with sequels, which have consistently proven to be more profitable than original concepts. Early projections suggest Elio could earn the unfortunate distinction of being the studio's worst theatrical debut ever — a title currently held by 2023's Elemental, which opened to a modest $29.6 million in North America. All eyes will be on the weekend numbers to see if Pixar can defy predictions and turn things around. Also debuting this weekend is Magenta Light Studios' Bride Wars, a universally panned action-comedy starring Rebel Wilson as a secret agent who will stop at nothing to save her best friend's wedding. Gold Derby readers predict that How to Train Your Dragon will win the June 20-22 weekend with between $25 million and $50 million domestically. 28 Years Later is the runner-up selection of our oddsmakers. NEW RELEASES Director: Danny Boyle Distributor: Sony Pictures A group of survivors of the rage virus live on a small island. When one of the group leaves the island on a mission into the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors. The horror sequel, starring Alfie Williams, Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, has a running time of one hour, 55 minutes, and is rated R. 28 Years Later is certified "fresh" with a 92 percent score per the aggregated critic reviews at Rotten Tomatoes; "generally favorbale" reviews compiled by Metacritic resulted in an overall score of 76 percent. Director: Adrian Molina, Madeline Sharafian, and Domee Shi Distributor: Walt Disney Studios Elio, a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be. The animated adventure, featuring the voices of Zoe Saldaña, Yonas Kibreab, Remy Edgerly, and Brad Garrett, has a running time of one hour, 39 minutes, and is rated PG. Elio is certified "fresh" with a 86 percent score per the aggregated critic reviews at Rotten Tomatoes; "generally favorable" reviews compiled by Metacritic resulted in an overall score of 66 percent. Director: Simon West Distributor: Magenta Light Studios When a mercenary group takes a lavish wedding hostage, they have no idea what they are in for as the maid of honor is actually a secret agent ready to rain hellfire upon anyone who would ruin her best friend's wedding. The action-comedy, starring Rebel Wilson, Anna Camp, Anna Chlumsky, and Da'Vine Joy Randolph, has a running time of one hour, 45 minutes, and is rated R. Bride Hard is certified "rotten" with a 27 percent score per the aggregated critic reviews at Rotten Tomatoes; "overwhelmingly negative" reviews compiled by Metacritic resulted in an overall score of 15 percent. BOX-OFFICE PREDICTIONS How to Train Your Dragon shows no signs of slowing down, expected to stoke the box-office flames with $40 million in its second weekend. In the highly competitive battle for second place, projections suggest 28 Years Later will narrowly edge out Elio, with the latter facing stiff competition for the younger audience still captivated by Dragon. Each are expected to earn around $30 million. Speaking of younger audiences, Disney's Lilo & Stitch remake is likely to secure fourth place this weekend, bringing in another $8 million domestically. The film has already proven to be a massive success, grossing $864 million worldwide to date. Rounding out the top five will likely be A24's Materialists, a rom-com from Celine Song starring Dakota Johnson, Chris Evans, and Pedro Pascal. However, it faces fierce competition from Tom Cruise's action-packed Mission: Impossible — The Final Reckoning. Paramount's blockbuster continues to draw audiences, amassing $509 million globally so far. It wouldn't be surprising if Cruise manages to overtake Materialists in the final rankings. Here are Gold Derby's predictions box-office rankings for the top five: 1. How to Train Your Dragon 2. 28 Years Later 3. Elio 4. Lilo & Stitch 5. Materialists Do you agree or disagree with those rankings? Make your predictions right now — it's fun and easy! Join the box-office discussion in our forums. Best of GoldDerby Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Click here to read the full article.
Yahoo
a day ago
- Yahoo
Breaking down the 2026 Golden Globes podcast category: Possible contenders, eligibility requirements, voting timeline
On Wednesday, the Golden Globes released the eligibility rules for the new Best Podcast Award category. The goal of the honor is to celebrate excellence in podcasting by recognizing their "quality, creativity, audience engagement, and impact," but which famous podcasters might be in contention for the prize? Only those that appear on a curated list of the "Top 25 Podcasts," as determined by Luminate, will be eligible to compete. The company will use a "proprietary methodology designed to objectively evaluate podcasts," based on the following key metrics: audience reach/engagement, financial metrics, and platform visibility/market presence. Nothing in the rules states that eligible podcasts have to be entertainment-related. (Luminate is owned by Penske Media, which also owns Gold Derby as well as Golden Globes producer Dick Clark Productions in a joint venture with Eldridge.) More from GoldDerby Ryan Murphy and the JFK Jr.-Carolyn Bessette controversy, explained: Why 'American Love Story' Instagram post got so much hate Everything to know about 'The Pitt' Season 2 'The Daily Show' leads Best Talk Series Emmy odds amid outrage over the low number of available slots Once the 25 podcasts have been determined by Luminate, it's then up to those producers or distributors to submit their podcasts for consideration at the Golden Globes. Those who choose not to submit between the Oct. 1 and Oct. 31 submissions period will not be eligible. Golden Globe members will vote on their favorite podcasts between Nov. 17 and Nov. 24, and six nominees will be announced on Dec. 8. Winner voting then runs from Dec. 19 to Jan. 3. The eventual winner will be announced on Jan. 11 in a the annual Globes ceremony at the Beverly Hilton. The organization says that the winner(s) of the Best Podcast Award will be "the podcast's consistent host(s) (with respect to hosted podcasts), or the podcast's production company(ies) (with respect to non-hosted podcasts)." That means, for example, that if Call Her Daddy were to win, then host Alex Cooper would take home the on all of the above criteria, and utilizing similar metrics to Luminate, the following 25 podcasts are among the possible contenders at the 2026 Golden Globes, based on Spotify's "Top Podcasts" chart from June 18: The Joe Rogan Experience — "The official podcast of comedian Joe Rogan." Ryan Trahan — "Just a guy." Spotify Presents — "Experience exclusive performances and unique content crafted with your favorite artists from around the world." This Past Weekend With Theo Von — "What happened this past weekend. And sometimes what happened on other days." Prime Crime With Jesse Weber — "Hosted and executive produced by attorney and Law&Crime anchor Jesse Weber, Prime Crime puts a spotlight on infamously controversial stories that have shocked investigators and the public alike." Good Hang With Amy Poehler — "Come hang with Amy Poehler. Each week on her podcast, she'll welcome celebrities and fun people to her studio. They'll share stories about their careers, mutual friends, shared enthusiasms, and most importantly, what's been making them laugh." The Daily — "This is what the news should sound like. The biggest stories of our time, told by the best journalists in the world. Hosted by Michael Barbaro, Rachel Abrams, and Natalie Kitroeff." Knifepoint Horror — "Tales of supernatural suspense written, produced, and narrated by Soren Narnia." Nick DiGiovanni — "Nick DiGiovanni is the world's top food content creator who is redefining what it means to be a chef." Crime Junkie — "Does hearing about a true crime case always leave you scouring the internet for the truth behind the story?" Up First From NPR — "NPR's Up First is the news you need to start your day. The three biggest stories of the day, with reporting and analysis from NPR News — in 10 minutes." Bad Friends — "Andrew Santino and Bobby Lee present Bad Friends." Modern Wisdom — "Life is hard. This podcast will help. Lessons from the greatest thinkers on the planet with Chris Williamson." The Tucker Carlson Show — "The Tucker Carlson Show is your beacon of free speech and honest reporting in a media landscape dominated by misinformation." Armchair Expert With Dax Shepard — "Hi, I'm Dax Shepard, and I love talking to people. I am endlessly fascinated by the messiness of being human, and I find people who are vulnerable and honest about their struggles and shortcomings to be incredibly sexy." The Jefferson Fisher Podcast — "Communicate with confidence so you can argue less and talk more. Every episode of The Jefferson Fisher Podcast is packed with actionable strategies you can implement today to improve the way you communicate." Call Her Daddy — "The most-listened to podcast by women, Alex Cooper's Call Her Daddy has been creating conversation since 2018. From deep, honest discussions to laugh-out-loud moments, Cooper cuts through the BS with exciting guests and bold topics." Matt and Shane's Secret Podcast — "Grab onto this fast moving train and witness two comedians rise to victory and splendor. This is easily the funniest podcast out there." Shawn Ryan Show — "The Shawn Ryan Show is hosted by Shawn Ryan, former U.S. Navy SEAL, CIA Contractor, and founder of Vigilance Elite. We tell REAL stories about REAL people from all walks of life." The Journal — "The most important stories about money, business and power. Hosted by Ryan Knutson and Jessica Mendoza." Two Hot Takes — "Join host Morgan Absher and her team of co-hosts as they scavenge Reddit, listener write-ins, and the rest of the internet to give their hot takes on the juiciest dating, relationship, life, and AITA stories." The Mel Robbins — "You can change your life and Mel Robbins will show you how." JackSepticEye — "I play video games but I also make other content like Try not to laugh, reacting to tik toks, meme review and IRL content. A lot of people come to my channel for long let's plays, especially for Sony exclusive games from PlayStation." NPR News Now — "The latest news in five minutes. Updated hourly." SmartLess — "SmartLess with Jason Bateman, Sean Hayes, and Will Arnett is a podcast that connects and unites people from all walks of life to learn about shared experiences through thoughtful dialogue and organic hilarity." Michael Buckner/Dick Clark Productions Here is the fine print for the Best Podcast Award at the Golden Globes: For purposes of this award, a "podcast" shall mean an episodic digital audio and/or video series that is made available to the public for download or on-demand streaming over the internet via a widely recognized media platform (individual social media accounts do not qualify). Eligible podcasts may take on any of the following formats or genres, so long as the podcast meets the other qualifying criteria set forth herein: i. Narrative: Fictional (scripted) or non-fictional (documentary-style) storytelling. ii. Scripted: Professionally written content, such as audio dramas, journalistic programs, fictional storytelling, or serial narratives. iii. Unscripted: Freeform or semi-structured formats, including talk shows, interviews, panel discussions, or improvisational content. iv. Hybrid: Combination of scripted and unscripted content, such as podcasts that incorporate interviews within a larger narrative framework. v. Educational or Informative: Programs designed to inform, teach, or explain specific topics, including subjects such as science, history, technology, health, and wellness. vi. News or Current Affairs: Programs that discuss, analyze, and/or report on local, national, and/or global news and trending topics. vii. Entertainment and Pop Culture: Commentary or discussion of popular media, celebrities, and/or cultural trends. Eligible podcasts must consist primarily of original content. Repackaged or rebroadcast content from other media (e.g., film or TV content converted to podcasts) is not eligible. Eligible podcasts must have released at least six (6) episodes during the period between January 1, 2025 and September 30, 2025 (the 'Podcast Eligibility Period'), with each episode having a minimum length of thirty (30) program minutes. Foreign podcasts (programs produced principally outside the United States) are not eligible for podcast awards unless they are the result of a co-production (both financially and creatively) between a United States partner and a foreign partner. A 'United States partner' is a company legally organized and doing business in the United States or a controlled subsidiary or affiliate of such company. Podcast eligibility does not depend on the language(s) used in the program. Non-English-language podcasts released in the United States are eligible if they meet the other qualifying criteria. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Click here to read the full article.