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‘Severance' Breakout Dichen Lachman Joins Rob Savage's Supernatural Horror Film For Universal & Atomic Monster

‘Severance' Breakout Dichen Lachman Joins Rob Savage's Supernatural Horror Film For Universal & Atomic Monster

Yahoo7 days ago

EXCLUSIVE: Dichen Lachman (Severance) has closed a deal to star alongside Jessica Chastain and Jay Duplass in Rob Savage's new supernatural horror film, based on the book Incidents Around the House by Bird Box's Josh Malerman.
Character details are under wraps. Released last June, the book centers on eight-year-old Bela, who lives in a home strained by her parents' troubled marriage, only to see her life further upended by a sinister entity she calls 'Other Mommy.' When this malevolent presence emerges from her closet, persistently asking, 'Can I go inside your heart?', Bela refuses. But soon, Other Mommy's manifestations become increasingly aggressive, threatening the safety of Bela's family.
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Currently in production, the film is being produced for Universal by Atomic Monster/Blumhouse in association with Spin a Black Yarn. Succession's Nathan Elston adapted the screenplay. James Wan is producing, with Michael Clear, Judson Scott, Macdara Kelleher, Savage, Malerman, and Ryan Lewis exec producing. Alayna Glasthal is the executive overseeing the film for Atomic Monster.
The film falls under supernatural horror, one of the 24 thriving subgenres identified in a Blumhouse study conducted with Sage Outcomes, which surveyed over 2,000 horror fans and experts, as discussed at the company's inaugural Business of Fear event.
Lachman has earned critical acclaim and strong Emmy buzz for dual roles as Ms. Casey and Gemma in the Apple TV+ phenomenon Severance. Soon, she'll be seen starring in the second and third seasons of Netflix's live-action version of Avatar: The Last Airbender. Other past credits include roles in Kingdom of the Planet of the Apes and Jurassic World: Dominion, the latter of which led her to reprise in the animated series Jurassic World: Chaos Theory. Her body of work also includes Altered Carbon, Agents of S.H.I.E.L.D., Raya and the Last Dragon, Animal Kingdom, Aquamarine, and Too Late.
Lachman is represented by Gersh, Management Production Entertainment, and Yorn Levine Barnes.
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I Spent A Whole Day In Epic Universe's Nintendo World, And There Are A Few Keys That Will Maximize The Experience
I Spent A Whole Day In Epic Universe's Nintendo World, And There Are A Few Keys That Will Maximize The Experience

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time3 hours ago

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I Spent A Whole Day In Epic Universe's Nintendo World, And There Are A Few Keys That Will Maximize The Experience

When you buy through links on our articles, Future and its syndication partners may earn a commission. Universal's Epic Universe is now open to the public, and whether you think it's a Disney World killer or not, there's no denying it's a great theme park once you visit. This is especially true if you're a longtime obsessive Nintendo fan like me, and just got to take your daughter to experience the wondrous Super Nintendo World in person. I can confirm it's even more glorious than videos and photos do it justice, and I spent a whole day in the land riding rides, looking for popcorn buckets, and just having an absolute blast with my seven-year-old. That said, I think I also learned some keys to maximizing the experience, and I'm hoping to pass them along to others ahead of their trip so that they make the most out of their time in the park. I'm a frugal guy, so when it comes to the "bells and whistles" of the theme park experience, I'm gonna pass more often than not. For example, I decided not to get the express pass for me and my daughter, but I'll get into that more in the next section. Because I'm frugal, I also passed on the opportunity to get a Power-Up Band (against the advice of CB's Jessica Rawden) for myself, but I absolutely understood the reason for getting one for my daughter. Most of the appeal of the park is feeling like you're in an actual Super Mario Bros. video game, and unless you have the band, you're going to miss out on the appeal of that experience. And trust me, I can understand the pain of paying for a Disney Magic Band that offers less functional value than an actual Magic Band, but all that goes out the window the first time you get to or see someone else hit a question block for a coin. It's a feeling that never gets old, and there are so many other neat things to do with it when you get inside. There's an "underground" experience where you traverse the underbelly of the Mushroom Kingdom, and use it to unlock cool easter eggs along the way. Plus, if you're someone who enjoys achievements, the band collects digital stamps and rewards for all the various accolades you collect while spending time in the park. We weren't able to complete everything in a full day there, so there is a reason to hold onto it in case you return in the future. Additionally, I've seen the band also functions as an amiibo if you own a Nintendo Switch, so store it in a safe place if you do purchase. As I'm sure readers know, the Orlando experience is not cheap. A day at the hottest new theme park in the area, with a day at Magic Kingdom at Disney World the following day, was making my wallet weep. Not to mention, I already paid for the premier pass for Magic Kingdom, so I figured I could skimp on getting an Express Pass to ride the three rides at Super Nintendo World. The original plan was to run through Super Nintendo World, check out some of the other parts of the park that others I work with raved about, and then get out by dinner time to meet up with family who didn't tag along. In the seven hours I was in the park, we spent all of it in Super Nintendo World, and a good deal of that time was spent waiting to ride Mario Kart: Bowser's Challenge, Yoshi's Adventure, and Mine Cart Madness. If you're trying to see the whole park, I think the express pass is the way to go. I also say that if you're looking for comfort, because full disclosure, those lines can be long and rough on a summer day. I will say the full queue for Mario Kart: Bowser's Challenge is mostly indoors and air-conditioned, and full of easter eggs, so if you have to wait in line, it's so refreshing and fun to do so. I wish I could say the same for Yoshi's Adventure, as outside of some artwork and music from Nintendo Super Mario World 2: Yoshi's Island, you could breeze through it and not miss much. I would say the same for Mine Cart Madness as well, as even the great soundtrack of Donkey Kong Country 1, 2, and 3 music was not enough to make up for having to be out in the blazing sun for a bulk of the wait. Bottom line, if you need comfort or are on a tight schedule, spend the extra money on the Express Pass. Going into Epic Universe, I had one objective in mind. I was going to leave with a souvenir Donkey Kong mug that came with a purchase of the DK Crush Float at The Bubbly Barrel. I dreamt of that mug for weeks, and all the things I might drink out of it. Hell, I was planning on splitting the float with my daughter while we waited in line for Donkey Kong: Mine-Cart Madness. By the way, that roller coaster is as incredible as it looks, though way more intense and scary for a seven-year-old than you might think by watching the videos of it online. More On Epic Universe I Went On Every Ride At Epic Universe. One Ride Stood Out Above Them All Unfortunately, when I arrived, The Bubbly Barrel's machine was not working. A bummer, to be sure, and on top of that, I was unable to purchase the souvenir cup without even getting the float in exchange. It's wild to say I would've actually done that, but considering I couldn't buy it in the gift shop, I was left with little other option than to ask. It wasn't the only thing I was disappointed to leave without when I finished my day at Epic Universe. I also had my heart set on getting a Bowser shirt with a neon logo, but was unable to track it down when I ventured through the merchandise store. I ended up buying a Donkey Kong drinking glass, which I still really love, but couldn't help but be disappointed that I left with neither of the things I'd wanted. All this to say, Super Nintendo World was absolutely filled to the brim with people when I was in there, and I don't imagine it'll be any less crowded anytime soon. There's only a limited amount of merchandise available, so I wouldn't suggest setting your heart on grabbing any one piece of anything until you're there and can assure you'll get your hands on it. Also, even when the machine is working, that line at The Bubbly Barrel is super long, so be prepared to wait if you want that mug like I did. Overall, I'd have to say that Epic Universe was a real joy, though I do hope to see more of it overall the next time I get to visit. Be sure to check it out, and take heed of my tips about Super Nintendo World if you're looking to have the best time possible.

‘How to Train Your Dragon' Stays No. 1 as ‘Elio' Earns Pixar's Lowest Box Office Opening
‘How to Train Your Dragon' Stays No. 1 as ‘Elio' Earns Pixar's Lowest Box Office Opening

Yahoo

time5 hours ago

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‘How to Train Your Dragon' Stays No. 1 as ‘Elio' Earns Pixar's Lowest Box Office Opening

Universal/DreamWorks' 'How to Train Your Dragon' will hold on to the No. 1 spot at the box office with a $35 million second weekend, topping the estimated $30 million opening of Sony's '28 Years Later' and the studio-worst $20 million start of Disney/Pixar's 'Elio.' The 'How to Train Your Dragon' remake is dropping 58% from its opening weekend for a 10-day domestic total of $159 million. It needs to pass $217 million to become the top domestic grossing film in the 'HTTYD' franchise before inflation adjustment. With families flocking to the familiar face of the dragon Toothless on the big screen, Pixar's 'Elio' is having a harder time drumming up interest as an original animated film with just $9 million earned on its opening day from 3,750 theaters. As a result, its $20 million estimated opening weekend has passed the $29.6 million opening of 'Elemental' for the lowest opening ever for a Pixar film. If this result holds, 'Elio' would have a lower opening weekend than the $22 million that last year's 'Inside Out 2' made in just its first Monday in U.S. theaters following its $154.2 million opening weekend. While Disney was hoping for an opening closer to what 'Elemental' earned, the poor start of that film followed by its lengthy box office run has prepared them and theaters for the possibility of a rebound for 'Elio.' And the good news is that like 'Elemental,' reception for 'Elio' has been very strong with an 85% Rotten Tomatoes score and an A from audiences on CinemaScore. For Disney, the hope now is that this strong audience buzz will reach the ears of audiences who either don't have 'Elio' on their movie radar or went to go see 'How to Train Your Dragon' first will come back around to see this original film based on its word-of-mouth, particularly during Fourth of July weekend. Things are looking better for '28 Years Later,' Sony/Columbia's legacyquel to Danny Boyle and Alex Garland's famed 2002 horror film '28 Days Later.' The $30-31 million start is consistent with pre-release box office tracking and puts it on pace for a decent theatrical run against its $60 million budget. The bigger question is whether this film will drum up enough sustained interest for Boyle and Garland to turn it into a trilogy. The second installment, '28 Years Later: The Bone Temple,' is set to come out this winter, but the third film has yet to be greenlit. While critics have praised the film with a 90% Rotten Tomatoes score, its more cerebral nature and unexpected tonal shifts have left audiences mixed with a 66% RT audience score and a B on CinemaScore. Whether that causes its theatrical run to be more frontloaded remains to be seen. The post 'How to Train Your Dragon' Stays No. 1 as 'Elio' Earns Pixar's Lowest Box Office Opening appeared first on TheWrap.

‘How to Train Your Dragon' Leads Box Office With $37 Million; ‘Elio' Sinks to Pixar-Worst $21 Million Opening
‘How to Train Your Dragon' Leads Box Office With $37 Million; ‘Elio' Sinks to Pixar-Worst $21 Million Opening

Yahoo

time9 hours ago

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‘How to Train Your Dragon' Leads Box Office With $37 Million; ‘Elio' Sinks to Pixar-Worst $21 Million Opening

A live-action remake triumphed decisively over original animation at the box office this weekend as Universal/DreamWorks' 'How to Train Your Dragon' held on to the No. 1 spot with a $37 million second weekend, easily clearing Disney/Pixar's 'Elio,' which has fallen to the worst opening weekend in Pixar history with just $21 million domestic and $35 million worldwide. Not only that, 'Elio' is opening in third place on the charts, falling behind the $30 million opening of Sony's R-rated horror legacyquel '28 Years Later.' A low start for Pixar's latest original film was expected given the performance of its last non-sequel, 'Elemental,' which started poorly yet stands as the highest grossing original film of the past five years with $154 million domestic and $496 million worldwide. But there had been hopes that 'Elio' could at least open closer to the $29.6 million opening of 'Elemental' despite the competition from 'How to Train Your Dragon.' The bright spot is that there's still a chance that 'Elio' could have as long legs as 'Elemental' given its very high audience scores, which include an A on CinemaScore, 4.5/5 on PostTrak, and Rotten Tomatoes scores of 85% critics and 91% audience. 'Elio' will also be the only animated film in theaters until Paramount's 'The Smurfs' arrives in mid-July so that gives it an even more fertile environment to draw in families, including perhaps some who opted to see 'Dragon' this weekend. Overseas, the film still has releases to come in China, Japan and Spain, with more kids getting out of school internationally in the coming weeks. But as it stands, 'Elio' would need to have legs as long as 'Elemental' just to reach $100 million in North America, let alone the $154 million of that film. It's a testament to how challenging it has been to drum up buzz for original family titles and how it takes overwhelming post-release word-of-mouth just to score a decent theatrical number. And while Disney and Pixar have gotten the most press on this front for their multiple mixed attempts at original releases — including Disney's flops 'Strange World' and 'Wish' — they aren't the only ones that have had to fight to make originality work. Illumination's sole original title of the last five years, 'Migration,' needed a month to turn its $17 million Christmas weekend opening into a $127.6 million domestic run and $300 million worldwide. Paramount's live-action/animated original hybrid 'IF' opened last year to $33.7 million for a $111 million domestic and $190 million global run. For 'Elio,' which carries a much larger $150 million budget, that's probably the best it can hope for. As for the rest of the charts, 'How to Train Your Dragon' added $53.5 million overseas along with its $37 million domestic total this weekend, bringing it to a 10-day total of $160.4 million domestic and $358 million worldwide. In second is '28 Years Later' with a $30 million domestic and $60 million worldwide opening, giving it the best opening ever for an R-rated zombie film. The legacyquel to the 2002 classic '28 Days Later' sees the director-writer team of Danny Boyle and Alex Garland reunite for what they hope to be a trilogy set in a dystopian future where the deadly Rage Virus has caused the collapsed U.K. to be quarantined from the rest of the world. With a $60 million budget, '28 Years Later' will be a summer success for Sony Pictures, and we will see in the theatrical run ahead — as well as this winter with the film's follow-up, 'The Bone Temple' — whether there's enough audience appetite for a third film to be greenlit. Critics have praised '28 Years Later' with an 89% Rotten Tomatoes score, while audience reception is somewhat less enthusiastic with a B on CinemaScore and a 65% RT score. Disney's 'Lilo & Stitch' is in fourth with $9.7 million, bringing its total to $386.7 million domestic and $910 million worldwide. In fifth is Paramount's 'Mission: Impossible — The Final Reckoning,' which has now reached $540 million worldwide after earning $6.5 million in its fifth weekend for a total of $178 million domestic. That's enough to pass the domestic run of 'Mission: Impossible — Dead Reckoning,' which made $172 million in 2023. Finally, A24's 'Materialists' sits just outside the top 5 with a $5.8 million second weekend, giving the $20 million romance drama from Celine Song a $23.9 million 10-day total. The post 'How to Train Your Dragon' Leads Box Office With $37 Million; 'Elio' Sinks to Pixar-Worst $21 Million Opening appeared first on TheWrap.

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