Elio review: Charming extraterrestrial animation doesn't boldly go far enough for adults to love

When events at the nearby airforce base where aunt and guardian Olga (Zoe Saldana) works bring that dream to reality, Elio is zapped to the Communiverse, a peaceful space society of various alien races.
But he's mistaken for an official emissary from Earth rather than just a lonely boy reaching out to see who's listening. When Elio befriends the offspring of a galactic warlord, he causes a diplomatic incident.
This is all very 'nice', with the character expressions and elasticated action sequences bound to strike a chord with little people. But Pixar's name was built upon the grown-up wit it smuggled beneath the kid-acting, somewhere Elio declines to boldly go.
As for the title character and the story's child-alien bromance, co-directors Madeline Sharafian, Domee Shi and Adrian Molina seem to be banking on their target market not having seen a certain ­Spielberg sci-fi classic just yet.

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Irish Examiner

14 hours ago

• Irish Examiner

'It's four or five seconds a week per animator': The maker's of Pixar's new film, Elio

Three decades ago, a new animation studio prepared to release their first-ever feature film in cinemas, a buddy movie featuring a quirky cowboy and a space superhero. The fledgling studio was called Pixar and their first release — Toy Story —broke the mould for animated storytelling and changed the course of movie history. Almost thirty years after the world fell in love with Andy's toys and other Pixar classics, their 29th feature film comes to our big screens. Elio, the tale of a space-obsessed boy who finds himself accidentally beamed into outer space — where he's mistaken for Earth's chief ambassador — sends its protagonist on a intergalactic voyage of self discovery. While it might not quite scale the heights of classics like Monsters, Inc, Up or Wall-E, Elio again blends the intimate with the universal in a richly detailed tale. It all comes about through years of story building and preparation, attention to detail and animators who spend dozens of hours creating just a few seconds of film footage over the course of their work at Pixar's studios in California. 'The logistics are a big part of my job,' says Elio's producer Alice Mary Drumm. 'For Elio, we probably had about 250 people at the peak of the crew, but we had over 400 people involved throughout the film. Almost everyone at Pixar touches the film in some way, and there are 1,200 of us. The average animator is animating about five, five and a half feet a week, which is basically one shot. It's four or five seconds a week per animator, maybe a little less. At our peak, we are probably going through one or two minutes of animation a week.' It's the kind of painstaking craftwork that makes Pixar best in show in a golden era for animated filmmaking. Featuring subtle nods to sci-fi classics like Alien and Close Encounters, and a backstory involving Nasa's Voyager space probe, Elio tells the story of a recently orphaned boy who has a loving but testing relationship with his aunt. He's a space-obsessed boy with a lively imagination who has long dreamed of encountering alien life - so he's thrilled when he's accidentally beamed up into outer space. Elio arrives at the Communiverse, an interplanetary organisation with representatives from various galaxies, and is mistaken as Planet Earth's leader. But when he's tasked with helping prevent the fearsome and powerful Lord Grigon from seizing control of the Communiverse, he needs to get savvy fast with the help of his eccentric sidekick, Glordon. When Elio's wish to be abducted by aliens actually comes true, he meets an array of space inhabitants, including Glordon, the tender-hearted son of a fierce warlord ruler. Taking on a sci-fi movie means creating two very different worlds within one movie, and Pixar's production team got to work, says director Domee Shi. 'Tackling a sci-fi movie, you can basically design the alien world to look like anything, the sky's the limit, and that's kind of daunting. Production designer Harley Jessup and his art team did such an amazing job with finding the look and feeling of the Communiverse. He really challenged himself and the team to design a space that we've never seen before in any of our movies at Pixar, but also in other sci fi movies from other studios. 'A good North Star for us was thinking about space as this aspirational wish fulfilment for Elio, a lonely boy on Earth who feels like an alien. The moment that he arrives in space, it has to be the opposite feeling of how he felt on Earth. If Earth was desaturated, cold, and he felt visually boxed in, then space is huge, colourful, vibrant, full of organic shapes and alien designs that are not humanoid at all, but still feel quite friendly and appealing.' From the antics of superhero family The Incredibles to the happy/sad emotional rollercoaster that was Inside Out, as the studio approaches its 30th year, almost everyone has an opinion on the former movie they hold closest to their hearts, which tale resonated with them the most as they watched on the big screen for the first time. They include, it emerges, the filmmakers themselves. 'I grew up watching Pixar movies, and they were some of the first times I experienced cinema that could change me,' says Madelaine Sharafin, making her feature directorial debut with Elio, who was a toddler when Toy Story debuted in cinemas. 'I hadn't realised that a person can watch a movie and come out feeling incredibly different about themselves and about the world, or even that a movie could make somebody cry. 'The one that really changed things for me was watching Monsters Inc, which I think is one of my favourite movie endings of all time (when Sully and his best friend Boo are reunited). I think it's brilliant. I would finish the movie, and then I'd immediately restart it, because I was so moved. I didn't want to leave that feeling.' Mary Alice Drumm, Domee Shi and Madeline Sharafian attend the UK gala screening of Elio. Picture: Tim P Whitby/Getty Looking back for director Domee Shi, it was the opening moments of Up, in which a grumpy and heartbroken widower takes to the skies — not knowing he had a stowaway on board — that first resonated. 'Pixar films, they just felt different than other animated films,' says Shi. 'Because they always have such an emphasis on good story, and they really treat animation like a medium, not a genre. They never shy away from telling stories with deeper or more adult themes, and you always walk away from a Pixar film feeling a little bit changed in some way, and that's our hope with Elio too. 'The film that impacted me the most was probably Up just because I bawled my eyes out when I watched the first 10 minutes of it. There were no words spoken, but you got the sense of an entire relationship, marriage, a life. It was just amazing to see, like pure visual storytelling on the big screen.' For producer Alice Mary Drumm, it was the studio's imagination in bringing audiences a movie where the central character was a rat that resonated. 'There are so many great movies,' she says. 'Ratatouille, for me, was one — it's just incredible that any studio would make a movie about rats in a kitchen. It's such a crazy idea, and I think that encapsulates Pixar for me, that there's such creative freedom and such belief, while also holding the bar. It's about story and character, whether it's a rat, whether it's aliens, as long as we're focusing on that, and then we use animation, because we can do anything in animation. Those are the things that I think help us keep our compass at Pixar.' Elio is in cinemas from Friday, June 20

Irish Independent

18 hours ago

• Irish Independent

Elio review: Charming extraterrestrial animation doesn't boldly go far enough for adults to love

When events at the nearby airforce base where aunt and guardian Olga (Zoe Saldana) works bring that dream to reality, Elio is zapped to the Communiverse, a peaceful space society of various alien races. But he's mistaken for an official emissary from Earth rather than just a lonely boy reaching out to see who's listening. When Elio befriends the offspring of a galactic warlord, he causes a diplomatic incident. This is all very 'nice', with the character expressions and elasticated action sequences bound to strike a chord with little people. But Pixar's name was built upon the grown-up wit it smuggled beneath the kid-acting, somewhere Elio declines to boldly go. As for the title character and the story's child-alien bromance, co-directors Madeline Sharafian, Domee Shi and Adrian Molina seem to be banking on their target market not having seen a certain ­Spielberg sci-fi classic just yet.

Irish Times

a day ago

• Irish Times

Elio star Yonas Kibreab: ‘I saw my first Pixar movies when I was four, so to be in one is surreal'

Is there life on Mars? Or anywhere besides our pale blue dot? In April, astronomers using the James Webb Space Telescope detected dimethyl sulfide and dimethyl disulfide in the atmosphere of an exoplanet 124 light years from Earth. On our own planet these compounds are produced by marine micro-organisms such as phytoplankton. The findings are by no means conclusive, but they are considered the strongest evidence yet for extraterrestrial life. Or at least extraterrestrial plankton. Maybe it's these headline-making biosignatures. Or maybe it's a way to escape the trials of contemporary life on Earth. But aliens are experiencing a moment in the movieverse. Steven Spielberg is beavering away on a top-secret ET-themed science-fiction adventure, his first consideration of outer planets since he made War of the Worlds, in 2005. Alien: Earth, a new series serving as a prequel to Alien, Ridley Scott's 1979 film, will premiere in the US in August. READ MORE Younger sky-watchers can head to see Elio , Pixar 's new alien-populated movie, in which a young orphan – voiced by the 15-year-old Filipino-American actor Yonas Kibreab – struggles with grief, an overly vivid imagination and a deep sense of otherness. His guardian and aunt, a major in the US military – voiced by the Oscar-winner Zoë Saldaña – specialises in tracking space debris. That gives Elio the idea to use a ham radio. He's hoping to be abducted, but when an interplanetary misunderstanding leads a cosmic delegation to believe that Elio is Earth's official ambassador, he is teleported across the galaxy to represent humanity at the Communiverse, a sprawling congress of alien civilisations. When his good-natured hosts Questa (Jameela Jamil), Tegmen (Matthias Schweighöfer) and OOOOO (Shirley Henderson), a gelatinous supercomputer, draw the wrath of the warlord Grigon (Brad Garrett), it falls to Elio to use his nonexistent diplomatic skills to save the day. 'Elio's overall personality is like a superpower,' Yonas says. 'He doesn't care about what other people think. His personality is amazing. He's so cool. He wears capes. He's not worrying about what his classmates are going to say about him. And I think that's a very important message. Be yourself.' [ Elio review: Pixar's all-ages pleasures are in short supply in strangely half-formed animation Opens in new window ] In a welcome flourish, Elio is book-ended by references to the Voyager mission. Launched in 1977, Voyager I and II were sent hurtling billions of kilometres to the outer limits of our solar system to gather information about far-flung planets before sailing out into deep space. In 2012 Voyager I slipped through the heliopause and officially became the first human-made object to reach interstellar space. Both probes carry two golden records : 12-inch discs containing sounds and images selected to portray the diversity of life and culture on Earth, including greetings in 55 languages, birdsong, music and a message from the late Jimmy Carter, who was president of the United States at the time. 'I've always found it fascinating,' Garrett – a towering presence even sitting down – says. 'It can't just be us in the universe. That's just man's vanity, right?' Garrett's career began in the 1980s, when, as a young comedian, he became a grand champion on the American talent show Star Search; he subsequently appeared on The Tonight Show Starring Johnny Carson and performed alongside Frank Sinatra and Sammy Davis jnr. His breakout acting role came in 1996, when he played the bumbling, henpecked cop Robert Barone in the TV comedy Everybody Loves Raymond, a part that earned him three Emmy awards. A Pixar regular, he has voiced characters in Finding Nemo and Ratatouille. Elio, he says, is a bit different. 'This is the first time I played a villain,' he says. 'What I liked about it is that he is one of the few villains where you get to see him evolve in an emotional way. He's a dad and he gets to show a parental side that he's never had before. That happens just in time when his son really needs it.' Yonas Kibreab attends the gala screening of Elio at Vue West End in London on June 15th. Photograph:Yonas is also a voice-acting veteran, following his portrayal of Phinny in the Disney Junior series Pupstruction and Damian Wayne/Little Batman in Merry Little Batman. He has also appeared in Silicon Valley, Blumhouse's Blood Moon and the Disney+ series Obi-Wan Kenobi. 'With voice work you have to communicate emotions through the mic,' he says. 'It's hard to do that at times, because other actors don't really see your face and you don't see theirs. But what I love about it is just how free you are to do whatever. You can go in the studio and, because there's no cameras on you, you don't have to perform with your face.' Despite the teenager's extensive work across various franchises, it was the Pixar film – the 29th animated feature to emerge from the studio – that won him over to both science fiction and watching the skies. 'When I started Elio I did a lot of research on extraterrestrial life, aliens and sci-fi,' Yonas says. 'That gave me an excuse to watch a lot more sci-fi movies. I think it definitely got me into anything that has to do with space. I really enjoy all that now.' Elio is part of Pixar's renewed push for theatrical dominance. Last summer its animated feature Inside Out 2 took a staggering $1.7 billion at the box office, to become the highest-grossing film of 2024 and the eighth-highest-grossing film of all time. The numbers are especially promising following the direct-to-streaming releases of the Pixar films Soul (2020), Luca (2021) and Turning Red (2022), on Disney+, and the poor theatrical showing of Lightyear , Pixar's underwhelming Toy Story spin-off. Since its founding, in 1986, and breakthrough with Toy Story, in 1995 – that film was the first fully computer-animated feature – Pixar has consistently combined technical innovation with emotionally impactful storytelling. But recent box-office wows, notably the Spider-Verse sequence and Teenage Mutant Ninja Turtles: Mutant Mayhem , trumpet the return of traditional hand-drawn animation. Elio is part of Pixar's renewed push for theatrical dominance. Photograph: Disney/Pixar Pixar films are changing. The current American aversion to the values of diversity, equity and inclusion have made a dent in Pixar's commitment to culturally sensitive storytelling. In response to external pressures, Disney removed a transgender storyline from the Pixar series Win or Lose in advance of its debut on Disney+ last February. Behind the scenes, the company is restructuring. In May 2024, Pixar laid off 175 employees – about one in seven of its workforce – as part of the broader cost-cutting programme at Disney , its parent company. Under its chief executive, Jim Morris, the animation studio is prioritising films with 'clear mass appeal', moving away from director-driven, autobiographical narratives such as Turning Red and towards existing intellectual property: Toy Story 5, Incredibles 3 and Coco 2 are all in development; Toy Story 5 will premiere on March 6th, 2026. Brad Garrett, for one, is not worried. 'I started working with them early on,' he says. 'A Bug's Life was my first Pixar film, which is remarkable. I've been doing cartoons since the 1980s. But when Pixar came along, me and everyone else thought, wow, this is the new frontier. They do it like no one else. They're so incredibly collaborative. The work the animators do is unprecedented. It's an honour to be part of it.' [ Dismayed by pop culture's shift towards Trump? Then you might be one of the people to blame Opens in new window ] 'I've been telling everyone how surreal it is for me,' Yonas adds. 'Because, when I was four or five, I saw my first Pixar movies, Toy Story and Up. And those are still two of my favourite movies to this day. So to be in one, especially an original Pixar film, and to be the lead, is a big, big deal for me, and I'm very grateful for it.' Elio is in cinemas from Friday, June 20th