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Hindustan Times
3 hours ago
- Entertainment
- Hindustan Times
Elio movie review: This lifeless coming-of-age drama, the worst from Pixar, lacks self-belief just like its protagonist
In an age where everything is a remake or a sequel, Pixar has developed a reputation as one of the rare Hollywood studios that delivers 'original programming'. Fresh off the success of Inside Out 2, the animation giant comes out with Elio, the tale of a boy who doesn't quite fit in. And strangely enough, the same problem exists with the film as well. It is as tepid as it is predictable, and despite everything going for it, Elio just fails to get off the ground. The film is about the titular Elio, an orphan who lives with his aunt but never quite fits in. Elio dreams about being abducted by aliens, and behold, it does happen. The only issue is that the aliens—a conglomerate of the universe's finest called the Communiverse—assume he is Earth's leader. To stay in the Communiverse, he must negotiate peace with a warmonger named Lord Grigon, an alien warlord. But this may be more than Elio bargained for. Technically, there is hardly anything wrong with Elio. It is a well-animated film with visuals that jump out at you. The alien species look different enough, and yet innocent enough. The animators have even managed to bring the trademark Pixar-cuteness to the warmongering race of aliens. Elio also appears likeable, despite his quirks and pre-teen rebellion. The world-building is solid, with the Communiverse growing on you as the film progresses. But all that is largely on the surface. The film is a breezy feel-good affair that draws a few chuckles here and a few awws there. But Pixar has raised the bar so high over the years that all this feels bare minimum for a film from this stable. The emotional connect, which is the trademark of any good Pixar film, is missing here. We like Elio, but do we relate to him? The emotion of not fitting and feeling alone is so universal that the film should have easily tapped into it. Yet, Elio cannot manage what a non-human robot did over a decade ago (here's the mandatory Wall-e mention in a Pixar story). But even minus the emotional connect, Elio had the chance to be entertaining and engaging. It fumbles that, too, with some dull and lifeless storytelling. Elio gets predictable pretty quickly and resorts to tried-and-tested tropes, never staying ahead of the audience. If you have seen any two Pixar films in your life, or any two films for that matter, you can easily predict the next plot point and the next red herring. That takes the sheen away from what is developing as a solid entertaining film. The only thing going for Elio is its originality. The story may be age-old, but the treatment is new. The concept, however cliched, is presented in a 21st-century manner. Add to that the stunning visuals, and you have at least a watchable film, if not an enjoyable one. Elio takes universal tropes and themes, like all Pixar films, but only scratches the surface while dealing with them. Once you have seen genre-defining treatments of identity crisis (Soul), longing (Finding Nemo), and anxiety (Inside Out), it is hard to settle for just bang average.
Irish Examiner
15 hours ago
- Entertainment
- Irish Examiner
'It's four or five seconds a week per animator': The maker's of Pixar's new film, Elio
Three decades ago, a new animation studio prepared to release their first-ever feature film in cinemas, a buddy movie featuring a quirky cowboy and a space superhero. The fledgling studio was called Pixar and their first release — Toy Story —broke the mould for animated storytelling and changed the course of movie history. Almost thirty years after the world fell in love with Andy's toys and other Pixar classics, their 29th feature film comes to our big screens. Elio, the tale of a space-obsessed boy who finds himself accidentally beamed into outer space — where he's mistaken for Earth's chief ambassador — sends its protagonist on a intergalactic voyage of self discovery. While it might not quite scale the heights of classics like Monsters, Inc, Up or Wall-E, Elio again blends the intimate with the universal in a richly detailed tale. It all comes about through years of story building and preparation, attention to detail and animators who spend dozens of hours creating just a few seconds of film footage over the course of their work at Pixar's studios in California. 'The logistics are a big part of my job,' says Elio's producer Alice Mary Drumm. 'For Elio, we probably had about 250 people at the peak of the crew, but we had over 400 people involved throughout the film. Almost everyone at Pixar touches the film in some way, and there are 1,200 of us. The average animator is animating about five, five and a half feet a week, which is basically one shot. It's four or five seconds a week per animator, maybe a little less. At our peak, we are probably going through one or two minutes of animation a week.' It's the kind of painstaking craftwork that makes Pixar best in show in a golden era for animated filmmaking. Featuring subtle nods to sci-fi classics like Alien and Close Encounters, and a backstory involving Nasa's Voyager space probe, Elio tells the story of a recently orphaned boy who has a loving but testing relationship with his aunt. He's a space-obsessed boy with a lively imagination who has long dreamed of encountering alien life - so he's thrilled when he's accidentally beamed up into outer space. Elio arrives at the Communiverse, an interplanetary organisation with representatives from various galaxies, and is mistaken as Planet Earth's leader. But when he's tasked with helping prevent the fearsome and powerful Lord Grigon from seizing control of the Communiverse, he needs to get savvy fast with the help of his eccentric sidekick, Glordon. When Elio's wish to be abducted by aliens actually comes true, he meets an array of space inhabitants, including Glordon, the tender-hearted son of a fierce warlord ruler. Taking on a sci-fi movie means creating two very different worlds within one movie, and Pixar's production team got to work, says director Domee Shi. 'Tackling a sci-fi movie, you can basically design the alien world to look like anything, the sky's the limit, and that's kind of daunting. Production designer Harley Jessup and his art team did such an amazing job with finding the look and feeling of the Communiverse. He really challenged himself and the team to design a space that we've never seen before in any of our movies at Pixar, but also in other sci fi movies from other studios. 'A good North Star for us was thinking about space as this aspirational wish fulfilment for Elio, a lonely boy on Earth who feels like an alien. The moment that he arrives in space, it has to be the opposite feeling of how he felt on Earth. If Earth was desaturated, cold, and he felt visually boxed in, then space is huge, colourful, vibrant, full of organic shapes and alien designs that are not humanoid at all, but still feel quite friendly and appealing.' From the antics of superhero family The Incredibles to the happy/sad emotional rollercoaster that was Inside Out, as the studio approaches its 30th year, almost everyone has an opinion on the former movie they hold closest to their hearts, which tale resonated with them the most as they watched on the big screen for the first time. They include, it emerges, the filmmakers themselves. 'I grew up watching Pixar movies, and they were some of the first times I experienced cinema that could change me,' says Madelaine Sharafin, making her feature directorial debut with Elio, who was a toddler when Toy Story debuted in cinemas. 'I hadn't realised that a person can watch a movie and come out feeling incredibly different about themselves and about the world, or even that a movie could make somebody cry. 'The one that really changed things for me was watching Monsters Inc, which I think is one of my favourite movie endings of all time (when Sully and his best friend Boo are reunited). I think it's brilliant. I would finish the movie, and then I'd immediately restart it, because I was so moved. I didn't want to leave that feeling.' Mary Alice Drumm, Domee Shi and Madeline Sharafian attend the UK gala screening of Elio. Picture: Tim P Whitby/Getty Looking back for director Domee Shi, it was the opening moments of Up, in which a grumpy and heartbroken widower takes to the skies — not knowing he had a stowaway on board — that first resonated. 'Pixar films, they just felt different than other animated films,' says Shi. 'Because they always have such an emphasis on good story, and they really treat animation like a medium, not a genre. They never shy away from telling stories with deeper or more adult themes, and you always walk away from a Pixar film feeling a little bit changed in some way, and that's our hope with Elio too. 'The film that impacted me the most was probably Up just because I bawled my eyes out when I watched the first 10 minutes of it. There were no words spoken, but you got the sense of an entire relationship, marriage, a life. It was just amazing to see, like pure visual storytelling on the big screen.' For producer Alice Mary Drumm, it was the studio's imagination in bringing audiences a movie where the central character was a rat that resonated. 'There are so many great movies,' she says. 'Ratatouille, for me, was one — it's just incredible that any studio would make a movie about rats in a kitchen. It's such a crazy idea, and I think that encapsulates Pixar for me, that there's such creative freedom and such belief, while also holding the bar. It's about story and character, whether it's a rat, whether it's aliens, as long as we're focusing on that, and then we use animation, because we can do anything in animation. Those are the things that I think help us keep our compass at Pixar.' Elio is in cinemas from Friday, June 20
Toronto Sun
16 hours ago
- Entertainment
- Toronto Sun
REVIEW: Pixar's ‘Elio' is a fast and fizzy trip to a boy's alien nation
Published Jun 19, 2025 • 3 minute read When Elio (voice of Yonas Kibreab), a space fanatic with an active imagination and a huge alien obsession, is beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide, he must form new bonds with eccentric alien lifeforms, including a chirpy, shipper liquid supercomputer called Ooooo (voice of Shirley Henderson). Photo by Pixar / PIXAR Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. If a movie is a bowl of breakfast cereal, 'Elio' is Chocolate Frosted Sugar Bombs, and the audience is Calvin. The title hero is a Calvin, too: a hyper-imaginative orphaned boy who lives with an aunt and is desperate for the universe to send aliens to take him away from it all. This being Pixar, the universe obliges. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account And this being Pixar, the journey is a visual rapture with a tale of loneliness and reconnection tucked inside it, told at the speed of light. 'Elio' isn't up there with the animation house's finest work – the glory days have been over for some time now – but it's a fine, fizzy piece of family entertainment, overfamiliar in spots (if a story about multiple species of extraterrestrials can be called familiar) but just as overeager to please. Aunt Olga (voiced by Zoe Saldaña) is a major in the Air Force with a job protecting satellites by monitoring nearby space debris; she wanted to be an astronaut, but the death of Elio's parents in an unspecified misadventure has put the dream on hold. She's loving toward the boy but overwhelmed and exhausted, and the script by Julia Cho, Mark Hammer and Mike Jones makes clear why: Voiced by Yonas Kibreab, the kid's a handful, impressed by the story of the 1977 Voyager space mission – the one with the little gold record of Earth's languages and Chuck Berry songs that will hopefully convince aliens we're intelligent – and obsessed with being rescued from his misery by getting abducted by ETs. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. When Elio (voice of Yonas Kibreab), a space fanatic with an active imagination and a huge alien obsession, is beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide, he must form new bonds with eccentric alien lifeforms, including Glordon (voice of Remy Edgerly), a tenderhearted princeling. Photo by Pixar / PIXAR He's a weirdo, a misfit and a brainiac, but he's also a revved-up little boy, and the movie's troika of directors (Adrian Molina, Madeline Sharafian and Domee Shi) pitch his story at us with the energy of a toddler bouncing off the walls before a nap. Through a series of plot contortions that would beggar belief if they didn't come at us so fast, Elio is whisked up into the belly of a mother ship for a meeting with not one alien race but representatives of many races – a 'Communiverse' of the extraterrestrial best and brightest. They offer the boy a place among them, believing him to be the leader of Earth. Given the grown children currently running the planet, we could do worse. The concept of all those different kinds of aliens frees the Pixar elves to be as creative as we know they can be, and Elio's greeting committee on the spaceship – itself a lovely conch-shaped creation – is a flamboyance of visual design: Here a frilly, mind-reading celery stalk; there a pugnacious blob; there a concatenation of rocks. A little floating blue orb named Ooooo, voiced by the invaluable Shirley Henderson, is a water-based supercomputer; an airborne infinity-symbol of pages is a sentient encyclopedia. And because every movie needs a villain, here's Lord Grigon (Brad Garrett), a clanking super-soldier from the Crab Nebula who vows to destroy any Communiverse he can't join. This advertisement has not loaded yet, but your article continues below. 'Elio' ramps up its busy plot until the movie's spinning like a top, but the most affecting scenes involve the hero's friendship with Lord Grigon's son Glordon (Remy Edgerly), a sort of toothy, outsize water bear with a far gentler disposition than his dad. Both he and Elio are alienated, for lack of a better word, and their connection is sweet and funny and resonant amid all the clamor. Despite a few scary bits, 'Elio' is suitable for all ages including parents, but the Pixar faithful (of which this critic is one) may notice a sameness creeping into the studio's fanciful otherworlds. The Communiverse in all its spacious splendor is visually similar to the brain-scape of 'Inside Out,' the bardo of 'Soul,' the water world of 'Luca' and other Pixar creations, an outlier being the Day-Glo Day of the Dead afterlife of 2017's 'Coco.' (It's worth noting that the movie itself is the product of a Pixar communiverse, with all three directors and two of the three writers having had a hand in previous Pixar hits, including 'Coco,' 'Soul' and 'Turning Red.') Business as usual is still frisky business for these creative super-geniuses, but you feel the strain of limber minds trying too hard. The sugar highs of this rambunctious thrill ride are fun, in other words, but in the end 'Elio' is most memorable when it eases up to celebrate the invisible ties of love and friendship that bind all of us aliens to each other. Now, if you'll excuse me, I need to go lie down for a while. — Ty Burr is the author of the movie recommendation newsletter Ty Burr's Watch List at — Rated PG. At theatres. Contains some action/peril and thematic elements. 99 minutes. MMA NHL World Toronto & GTA Editorial Cartoons
Sydney Morning Herald
16 hours ago
- Entertainment
- Sydney Morning Herald
Which is the best new child-meets-alien movie? We give Elio the edge
ELIO ★★★½ PG. 98 minutes Child meets alien: it's a tale as old as time, or at least a formula that goes back to E.T. Still, given that Disney and Pixar are two branches of the same company, there's something disconcerting about Pixar releasing Elio just a few weeks after Disney brought us the live-action version of Lilo & Stitch. Both films centre on a rambunctious young orphan who has trouble making human friends, but does better when extra-terrestrials are involved – and both incorporate the expected heart-tugging moments and moral lessons, along with parodies of science-fiction cliches. So which one should you or your children see? It's a matter of individual preference, but personally I'd have to give Elio the edge. Lilo & Stitch is mostly old-fashioned slapstick, though not lacking in charm. Elio is more ambitious, and also a whole lot weirder – which is a plus, though questions might be raised about the advisability of showing a child lying on a beach next to a message scrawled in the sand that reads 'ABDUCT ME,' granting he's spelled out he wants to be abducted by aliens, not just anyone. At any rate, it isn't long before young Elio (Yonas Kibreab) gets his wish. Light years away from planet Earth, he seems to have found his chosen family in a non-violent, technologically advanced collective of aliens known as the Communiverse, who accept and appreciate him as his well-meaning aunt back home (Zoe Saldana) never could. Naturally, there are complications. It's not that the members of the Communiverse are hiding anything sinister, but they've jumped to the false conclusion that Elio is Earth's leader. Rather than confess the humiliating truth, he volunteers for a dangerous diplomatic mission involving the monstrous Lord Grigon (Brad Garrett) – whose young son Glorgan (Remy Edgerly) proves to be even more of a misfit than Elio, with no true desire to move on from his larval form or join the family business of galactic conquest.
The Age
16 hours ago
- Entertainment
- The Age
Which is the best new child-meets-alien movie? We give Elio the edge
ELIO ★★★½ PG. 98 minutes Child meets alien: it's a tale as old as time, or at least a formula that goes back to E.T. Still, given that Disney and Pixar are two branches of the same company, there's something disconcerting about Pixar releasing Elio just a few weeks after Disney brought us the live-action version of Lilo & Stitch. Both films centre on a rambunctious young orphan who has trouble making human friends, but does better when extra-terrestrials are involved – and both incorporate the expected heart-tugging moments and moral lessons, along with parodies of science-fiction cliches. So which one should you or your children see? It's a matter of individual preference, but personally I'd have to give Elio the edge. Lilo & Stitch is mostly old-fashioned slapstick, though not lacking in charm. Elio is more ambitious, and also a whole lot weirder – which is a plus, though questions might be raised about the advisability of showing a child lying on a beach next to a message scrawled in the sand that reads 'ABDUCT ME,' granting he's spelled out he wants to be abducted by aliens, not just anyone. At any rate, it isn't long before young Elio (Yonas Kibreab) gets his wish. Light years away from planet Earth, he seems to have found his chosen family in a non-violent, technologically advanced collective of aliens known as the Communiverse, who accept and appreciate him as his well-meaning aunt back home (Zoe Saldana) never could. Naturally, there are complications. It's not that the members of the Communiverse are hiding anything sinister, but they've jumped to the false conclusion that Elio is Earth's leader. Rather than confess the humiliating truth, he volunteers for a dangerous diplomatic mission involving the monstrous Lord Grigon (Brad Garrett) – whose young son Glorgan (Remy Edgerly) proves to be even more of a misfit than Elio, with no true desire to move on from his larval form or join the family business of galactic conquest.
