logo
Disney lays off hundreds more as it cuts costs

Disney lays off hundreds more as it cuts costs

Saudi Gazette03-06-2025

ORLANDO — Disney says it is laying off several hundred more people around the world, with workers in its film, television and finance departments impacted.
The entertainment giant has been under pressure as viewers move away from cable TV subscriptions in favor of streaming platforms.
"As our industry transforms at a rapid pace, we continue to evaluate ways to efficiently manage our businesses while fuelling the state-of-the-art creativity and innovation that consumers value and expect from Disney," a spokesperson told the BBC.
The latest job cuts follow major layoffs announced in 2023, when around 7,000 workers were let go as part of a drive by chief executive Bob Iger to save $5.5bn (£4.1bn).
The cuts will impact multiple teams including marketing departments for its film and television units.
Workers in Disney's casting and development and corporate finance departments will also be affected."We have been surgical in our approach to minimize the number of impacted employees," said a spokesperson. The company also said that no teams will be closed down entirely.The California-based firm employs 233,000 workers, with just over 60,000 of those based outside the US.Disney owns a host of companies across the entertainment industry including Marvel, Hulu and ESPN.The firm reported stronger than expected earnings in May, with overall revenue of $23.6bn for the first three months of the year. That was a 7% increase from the same period in 2024.It said the growth was fuelled by new subscribers to its Disney+ streaming service.The company has released a number of new films this year including Captain America: Brave New World and Snow White.Its latest release, Lilo & Stitch, broke box office records in the US for the Memorial Day holiday weekend.The animated film has seen global ticket sales of more than $610m since its release in May, according to industry data firm Box Office Mojo. — BBC

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Summer Movie Guide 2025: Here's What's Coming to Theaters and Streaming From May to August
Summer Movie Guide 2025: Here's What's Coming to Theaters and Streaming From May to August

Al Arabiya

time11 hours ago

  • Al Arabiya

Summer Movie Guide 2025: Here's What's Coming to Theaters and Streaming From May to August

Ethan Hunt's last mission? A new Superman? Happy Gilmore as a dad? Three genre-spanning Pedro Pascal movies including a romance, a superhero movie, and an A24 Ari Aster thriller? Hollywood is pulling out the stops this summer movie season, which kicks off with the release of Marvel's Thunderbolts on May 2. May also brings big studio releases like a live-action Lilo & Stitch, Mission: Impossible 8, and a new Wes Anderson film. June heats up with race cars in F1, adventure in How to Train Your Dragon, zombies in 28 Years Later, and a New York love triangle with Dakota Johnson's matchmaker in the middle in Materialists. July is supercharged with Jurassic World Rebirth, Superman, and Fantastic Four: The First Steps. And August closes out the season with comedies big (The Naked Gun) and dark (The Roses), horror (Weapons), and a lighthearted body-swap (Freakier Friday). Here's The Associated Press guide to help make sense of the many, many options in theaters and at home.

AP Was There: 'Jaws' and the Parental Debates It Set Off
AP Was There: 'Jaws' and the Parental Debates It Set Off

Al Arabiya

time14 hours ago

  • Al Arabiya

AP Was There: 'Jaws' and the Parental Debates It Set Off

It didn't take long for Jaws to make an impression. The movie that launched the summer blockbuster season and changed how people view sharks and the ocean 50 years ago also created a dilemma for parents: Was it a movie their children could watch? To help answer that, the Associated Press went to the film's star, Roy Scheider. Legendary AP Special Correspondent Linda Deutsch interviewed Scheider and others for a story that ran on July 28, 1975, roughly a month after Jaws arrived in theaters. 'At a sunny hotel swimming pool, a small, freckle-faced boy rushes up to Roy Scheider and exclaims with delight: 'I think you played really good in Jaws.' ' ''You see,' says Scheider as the boy runs off to swim. 'Some children seem able to handle it.' ' Scheider, star of the smash-hit film, which is breaking box-office records, was reacting to a stormy issue now almost as hot as the movie itself – should children see Jaws? The debate stems from the rating given to the movie – PG, meaning parental guidance suggested. Several critics and members of the movie industry have called the rating too lenient. Some use it as an example of flaws in the frequently criticized rating system. In practice, PG places no restrictions on who may see a film. Any child with the price of a movie ticket can view Jaws, which climaxes with a man vomiting blood as a giant shark chews him up. Los Angeles Times critic Charles Champlin noted that the PG does not sufficiently warn parents that the giant shark includes children among its victims and that 'children are known to be particularly impressed by what happens to children on the screen.' Moviemakers whose films recently were given the more restrictive R rating – requiring an adult to accompany any child under 17 – have protested loudly. Some have even appealed to the rating board of the Motion Picture Association of America for a rating change. 'With some of our innocuous action pictures, we've been hit with Rs,' says Paul Heller, producer of Enter the Dragon. 'But here we get a picture where there's all sorts of gore and blood, where arms and legs are seen floating in the water, where a girl is seen covered by crabs on the beach, and other horrifying scenes, and it gets a PG.' Producers of the film Rollerball unsuccessfully appealed their R rating after Jaws was released, claiming their film's violence was far less objectionable. Universal Studios, which released Jaws, has taken the unusual step of warning in its advertisements that the film may be too intense for younger children. Youngsters interviewed at a Los Angeles area beach after the movie's release expressed fears of swimming in the ocean. One 12-year-old girl confessed, 'I think about it so much. I dreamed about it. It really scared me.' But Universal has no complaints about the PG rating and, according to Rating Administration, no one may appeal a film's rating other than its producer and distributor. Scheider, who portrays the sheriff of the beach resort menaced by the killer shark, recalls that Jaws was made with the intention of obtaining a PG rating. 'The picture was judiciously shot to avoid unnecessary amounts of gore,' he says, recalling that some bloody scenes were added after final footage was reviewed by the filmmakers. 'When the film was brought back to the post, the editor and director found that it was necessary to show, after an hour and a half, what the shark does; the audience demands it.' The scene of the girl covered with crabs was added later, he notes, and the finale, in which Robert Shaw is chewed up, was embellished. 'I personally think that scene could have been modulated a bit,' says Scheider. But Jack Valenti, president of the MPAA and father of the seven-year-old rating system, defends the Jaws rating. 'In the view of the rating board, Jaws involved nature's violence rather than man's violence against man,' Valenti has said. 'This is the same kind of violence as in Hansel and Gretel. Children might imitate other kinds of violence, but not the kind seen in Jaws.' Valenti declared that, 'If this were a man or woman committing violence as seen in Jaws, it would definitely go in the R category. But it's a shark, and I don't think people will go around pretending they're a shark.' The rating controversy hasn't hurt business. Universal reports that Jaws grossed an incredible 60 million in its first month and seems destined to grow richer than The Godfather, the current record holder. Scheider says his own 12-year-old daughter has seen Jaws twice – but only after he and his wife explained which things she was going to see were real and which ones were not real. 'She was scared in many parts, but she knew it was a movie,' he says, suggesting that parents who let children see the movie explain first that 'This is going to scare you. It's going to be like a roller coaster ride.' 'Some kids understand this, and some don't,' he concedes. '…I would be very careful about children under 10. If they're susceptible to nightmares, get scared easily, and are impressionable, I'd say no, don't see it. If the child can handle it, fine, see it.' Scheider holds the cynical view that the rating system exists because most parents don't give a damn what their kids see. But he is convinced that a child who sees Jaws without guidance won't be permanently traumatized by it. 'It'll go away,' he says. 'You can live through it. Traumatic shocks in entertainment disappear. Traumatic shocks through the lack of love and ill treatment by parents and peers persist through all of life.'

Billionaire Mark Walter, set to own controlling stake in Lakers, built fortune in investing
Billionaire Mark Walter, set to own controlling stake in Lakers, built fortune in investing

Al Arabiya

time19 hours ago

  • Al Arabiya

Billionaire Mark Walter, set to own controlling stake in Lakers, built fortune in investing

The billionaire slated to take over the controlling interest in the Los Angeles Lakers has built a career leading businesses investing in everything from sports franchises to artificial intelligence. Mark Walter is CEO of the global investment and advisory company Guggenheim Partners, which is estimated to have more than $325 billion in assets. He's also co-founder and CEO of holding company TWG Global. Forbes estimates Walter's net worth is $6.1 billion. The publication ranked him at No. 216 on its Forbes 400 list last year. Walter received an undergraduate degree in business administration from Creighton University and a law degree from Northwestern University, but ultimately chose business over a career in law. In the mid-1990s, he co-founded Liberty Hampshire, an investment management firm in Chicago. That business became part of Guggenheim Partners, which Walter co-founded in the late 1990s. In addition to Guggenheim, Walter co-founded TWG Global with film producer Thomas Tull. The company holds a portfolio of finance and insurance sector companies, including Guggenheim Investments, Guggenheim Securities Group, 1001 Insurance, and Delaware Life. It also includes aerospace and defense technology company Shield AI. Last month, TWG Global announced a partnership with Palantir Technologies and Elon Musk's AI company xAI, maker of Grok, aimed at developing artificial intelligence for use in the financial services industry. TWG Global also includes investments in sports, media, and entertainment franchises, such as the controlling interest in the Los Angeles Dodgers, Premier League club Chelsea, the Professional Women's Hockey League, and – through TWG Motorsports – ownership of several auto racing teams, including Cadillac Formula 1. Beyond business, Walter and his wife, Kimbra, have founded or contributed to various philanthropic organizations, including the Los Angeles Dodgers Foundation, the Academy Group, Chicago Beyond, and OneGoal.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store