Stars Brought the Glamour for the New York City Ballet Spring Gala

If you've been binging Étoile like us, then ballet is right in the front of your mind. All the glamour, the pageantry, the pointe shoes. It makes you want to get dressed up and head over to Lincoln Center.
Last night, celebrities did just that to celebrate the spring season of the New York City Ballet. The 2025 Spring Gala had a 'Masked Ball' theme, and Claire Danes, Hugh Dancy, Ariana DeBose, Nina Dobrev, and Diane Kruger were all co-chairs.
Some stars showed up in masks, while others opted for big gowns and lots of drama. Danes wore a custom GapStudio by Zac Posen dress with her hair slicked back. Ariana Debose's ensemble was from designer Bibhu Mohapatra. Nina Dobrev wore a voluminous pink gown. Diane Kruger was the only one of the co-chairs who wore a mask.
All the celebrities and attendees gathered for a night of fantastical ballet. Dobrev told Vogue, 'You can see the precision that goes into every step, but the dancers make it feel so effortless. It's a beautiful paradox.'
Also in attendance was Tiler Peck, principal dancer for the New York City Ballet, who also has a fun part in Étoile. The dancer shares behind-the-scenes looks at what goes into a ballet performance on her TikTok, if you've ever wondered what the life of a ballerina is like.
The night's performance was 'Vienna Waltzes,' which NYC Ballet says 'showcases Balanchine's fondness for the waltz, featuring opulent scenery, sumptuous costumes, and more than 50 dancers in dreamlike motion.'
See all the pictures of the celebrities in attendance below.Danes in GapStudio by Zac Posen.In Bibhu Mohapatra.In Nardos.
In Ines Di Santo Fall/Winter 2025 ready-to-wear.Roberts in Oscar de la Renta Resort 2019.You Might Also Like
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This Viral Air Fryer S'Mores Dip Is Still the Perfect Comfort Snack

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Lesser-Known Movie Facts You Might Not Know

Before The Devil Wears Prada was even published, Fox 2000 snapped up the film rights in a preemptive deal after reading 100 pages and an outline. The manuscript by Lauren Weisberger, a former assistant to Vogue editor Anna Wintour, was generating significant industry buzz. Studio exec Carla Hacken recognized its cinematic potential and moved quickly to option it in 2003. Tasked with writing was Aline Brosh McKenna, who found it hard for anyone in the fashion world to talk to her because they feared being blackballed by Anna. According to McKenna, she did find someone (whom she will never name) who spoke to her, and then read the script. After reading the script, they told her, "The people in this movie are too nice. No one in that world is too nice. They don't have to be, and they don't have time to be." McKenna took the note and made "everyone a bit busier and meaner." The Devil Wears Prada isn't just one of the most iconic fashion films of the 2000s — it's a landmark in fashion cinema, period. But despite it being set in the fashion world, the film had a modest wardrobe budget of just $100,000, pushing legendary costume designer Patricia Field (who is best known for work on Sex and the City) to tap into her deep fashion Rolodex. Field envisioned Andy Sachs as a "Chanel girl" and personally reached out to the fashion house, leveraging her longtime relationship and sharing the script. Chanel eagerly came on board, excited to see their designs on a younger character. This partnership, of course, famously led to Andy's iconic Chanel boots moment. Field ended up pulling about a million dollars worth of clothes for the film. Her work on the movie was also recognized with an Oscar nomination for Best Costume in case you're wondering, Field imagined Miranda Priestly as someone who wore Donna Karan. 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One day, he got a call from composer Stephen Schwartz, who knew he had the rights, and Schwartz asked him if he had ever thought of making it into a musical. That's when the "lightbulb went off" in his head, and Platt decided to work with Schwartz to make it into a musical. He thought that if the musical was successful enough, it could be turned into a movie. The term "prequel" is often associated with the Star Wars prequel films. However, those weren't the first movies to use the word. The 1979 movie Butch and Sundance: The Early Years is credited as being the film that helped popularize the term. The movie was a prequel to 1969's Butch Cassidy and the Sundance Kid. In 1988, when it was announced that Michael Keaton was cast as Bruce Wayne/Batman in Tim Burton's Batman, fans were outraged and very skeptical, reportedly sending over 50,000 protest letters to Warner Bros. 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However, Cage turned down the role because he didn't want to play an ugly green ogre. In a 2013 interview with Today, he clarified what he meant by that when he turned down voicing the character, saying, "Truth is, I'm not afraid to be ugly in a movie.... When you're drawn, in a way it says more about how children are going to see you than anything else, and I so care about that." In All About Eve, Bette Davis as Margo Channing wears an off-the-shoulder silk cocktail dress in the party scene that is not only one of the most iconic dresses in film history, but has also become synonymous with Davis herself. Legendary costume designer Edith Head designed the dress; however, it was not meant to be off the shoulder — it was supposed to be a square neckline. The dress was made late and delivered to the set right before filming the scene. According to Head, she came to the studio to find Davis wearing a dress that "didn't fit at all... Someone had miscalculated, and the entire bodice and neckline were too big." Horrified, Head prepared to go tell the film's director that the dress was not ready, but Davis shrugged it off, pulled it down around her shoulders, and quipped, "Don't you like it better like this anyway?" As part of her contract, Glenn Close got to keep all her Cruella de Vil costumes from 101 Dalmatians and 102 Dalmatians. However, according to Close, when Disney "found out how expensive they were, they were unhappy that it was in my contract." Disney then offered to create replica outfits for her to take instead of the originals, but she said no. It's hard to imagine anyone other than Emma Thompson as the deliciously wicked Baroness in Cruella — her performance was pitch-perfect and effortlessly commanding. But surprisingly, she wasn't Disney's first pick for the role. The studio initially eyed Nicole Kidman to play the icy fashion designer. 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Where is KayDianna from Dallas Cowboys Cheerleaders now, after she was suspended from the team?

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