
Alive > Automated: The case for living brands in the age of artificial everything
Albert Einstein once said, 'The intuitive mind is a sacred gift and the rational mind is a faithful servant.' Intuition – that unexplainable gut feeling, the spark that seems to come from nowhere – is central to human creativity. It can't be reasoned or replicated. It's not efficient or logical. But it's often where our best ideas come from.
In a world shaped by automation and algorithms, something is getting lost: the human voice. AI can mimic human creativity, analyse data, and generate content with remarkable speed – but it doesn't dream or feel. It can assist, enhance, even surprise – but it can't create meaning. That remains a deeply human act.
This isn't a call to reject AI – it is a valuable tool – but we must stay grounded in what makes us human. To collaborate with AI, without surrendering the wheel. Because the brands that truly endure aren't the most polished; they're the ones that feel alive.
The AI mirror
We don't always know where our creative ideas come from, but we do always know where the ideas of AI come from: us. As philosopher Shannon Vallor writes, 'It is these machines that now tell us the story of our own past, and project our futures. They do so without living even one day of that history, or knowing a single moment of the human condition.'
A resurfaced interview with Studio Ghibli's Hayao Miyazaki went viral after the rise of AI tools that mimic his art. When shown an AI-generated animation of a grotesque figure dragging itself by its head, he recoiled: 'Whoever creates this stuff has no idea what pain is… I feel this is an insult to life itself.'
His response raises a critical point: can AI, which has never felt pain, ethically depict emotion? In branding, this matters deeply. Emotional storytelling is a powerful tool for brands – but when that emotion is manufactured, it risks being manipulative, even exploitative. It becomes a performance of a feeling.
Perfectly imperfect
AI produces flawless output – but perfection isn't impressive anymore. It's expected. What truly captivates us now is imperfection: the unique fingerprint that says 'a human was here.'
Mark Schaefer, in Audacious: How Humans Win in an AI Marketing World argues that while AI will reshape business, it's up to humans to 'own crazy' – and take creative risks. The human advantage lies in bold storytelling and the unpolished emotional nuance that only we can offer.
As Deepti Velury, Global COO of Tag, puts it: 'The core of humanity is having beauty and imperfection together'.
We want real
Algorithm-driven feeds have trapped consumers in a loop. Everything feels relevant, but nothing feels surprising. Now, consumers are craving realness.
This is an opportunity for bold, authentic brands. Take Oatly, known for its quirky, anti-corporate tone that feels human and unfiltered. Or Liquid Death, that built an entire brand on satire, poking fun at wellness culture and packaging water like a hardcore energy drink. It's absurd, unexpected – and consumers love it.
These brands don't follow trends – they interrupt them. That's how we escape the loop. By creating work that doesn't necessarily align with data, but resonates emotionally. The kind of work that makes someone pause and feel something unexpected.
Let brands live
So where do we go from here? How can brands stay human – and stay relevant?
The answer lies with living brands — ones that evolve, and, above all, feel. These aren't just businesses with clever slogans. They listen and reflect the realities of the people they serve.
Much of what makes culture meaningful is intangible – feelings, memories and instincts. AI might recite facts about love or grief, but like Will in Good Will Hunting, it doesn't know them. As Robin Williams' character reflects: 'I'll bet you can't tell me what it smells like in the Sistine Chapel'. The same can be said of AI; it can catalogue every detail, but it will never feel the air inside. That feeling – that ineffable sensory detail – is the thread that connects us to meaning.
Living brands stand as a counterforce. They remind us of what it means to feel something. And we carry the responsibility of representing that messy, passionate truth with care, courage, and humanity.
By Mark Rollinson, Chairman, All About Brands
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Arabian Post
6 days ago
- Arabian Post
GrayAlpha Weaponises Fake Browser Updates to Drop PowerNet Loader
Security researchers have uncovered a wave of attacks orchestrated by GrayAlpha, a cybercriminal operation linked to the FIN7 group, exploiting cloned browser update pages to install a custom PowerShell loader dubbed PowerNet and ultimately deliver NetSupport RAT malware. Infrastructure analysis confirms the use of fake browser-updates, counterfeit 7‑Zip download sites, and a previously unreported Traffic Distribution System called TAG‑124 as delivery mechanisms. The initial compromise begins when victims visit compromised sites or encounter malvertising and are redirected to fabricated update pages mimicking legitimate services like Google Meet, SAP Concur, LexisNexis and Advanced IP Scanner. Sophisticated JavaScript fingerprinting scripts capture system details before transitioning users to download payloads via URLs such as / These downloads deploy PowerNet—a custom PowerShell loader designed to unpack and execute NetSupport RAT in memory. Recorded Future's Insikt Group analysis traced overlapping infection paths active since April 2024. While each vector—fake updates, counterfeit 7‑Zip sites, and TAG‑124 TDS—was employed in tandem, only the bogus 7‑Zip pages remained active by mid‑June 2025, with new domains registered as recently as April 2025. The study also cites 'MaskBat,' a second custom loader resembling FakeBat malware that carries GrayAlpha-specific code strings. ADVERTISEMENT The investigation highlights the group's use of bullet‑proof hosting services, primarily Stark Industries Solutions, with additional infrastructure through HIVELOCITY and HIP‑hosting. These muddy their digital footprint while evading takedown attempts. The misuse of TAG‑124 TDS is particularly notable, marking its first known public disclosure and demonstrating growing sophistication in chaining infection methods. Analysts caution that these tactics emulate FIN7's modus operandi—highly targeted, multi-stage campaigns with advanced tooling. FIN7 has conducted cybercrime operations since at least 2013, notably targeting retail, hospitality and finance sectors. It remains structured like a corporate entity, employing specialised teams for malware creation, phishing, money laundering and logistics. In light of these threats, cybersecurity experts recommend stringent application allow‑listing, enhanced employee training to spot deceptive update prompts or malvertising, and deployment of YARA rules and network intel indicators capable of identifying PowerNet, MaskBat and NetSupport RAT activity. Organisations are also urged to actively monitor web infrastructure and domain registrations linked to TDS TAG‑124 campaigns. This campaign underscores a growing trend among financially motivated cyber actors: increasingly professional operations employing deceptive surface-level strategies to deliver heavyweight payloads. While infection surface varies—browser updates, download portals or redirect chains—the end goal remains consistent: persistence via NetSupport RAT, enabling remote access, surveillance, and data exfiltration.


Campaign ME
26-05-2025
- Campaign ME
Alive > Automated: The case for living brands in the age of artificial everything
Albert Einstein once said, 'The intuitive mind is a sacred gift and the rational mind is a faithful servant.' Intuition – that unexplainable gut feeling, the spark that seems to come from nowhere – is central to human creativity. It can't be reasoned or replicated. It's not efficient or logical. But it's often where our best ideas come from. In a world shaped by automation and algorithms, something is getting lost: the human voice. AI can mimic human creativity, analyse data, and generate content with remarkable speed – but it doesn't dream or feel. It can assist, enhance, even surprise – but it can't create meaning. That remains a deeply human act. This isn't a call to reject AI – it is a valuable tool – but we must stay grounded in what makes us human. To collaborate with AI, without surrendering the wheel. Because the brands that truly endure aren't the most polished; they're the ones that feel alive. The AI mirror We don't always know where our creative ideas come from, but we do always know where the ideas of AI come from: us. As philosopher Shannon Vallor writes, 'It is these machines that now tell us the story of our own past, and project our futures. They do so without living even one day of that history, or knowing a single moment of the human condition.' A resurfaced interview with Studio Ghibli's Hayao Miyazaki went viral after the rise of AI tools that mimic his art. When shown an AI-generated animation of a grotesque figure dragging itself by its head, he recoiled: 'Whoever creates this stuff has no idea what pain is… I feel this is an insult to life itself.' His response raises a critical point: can AI, which has never felt pain, ethically depict emotion? In branding, this matters deeply. Emotional storytelling is a powerful tool for brands – but when that emotion is manufactured, it risks being manipulative, even exploitative. It becomes a performance of a feeling. Perfectly imperfect AI produces flawless output – but perfection isn't impressive anymore. It's expected. What truly captivates us now is imperfection: the unique fingerprint that says 'a human was here.' Mark Schaefer, in Audacious: How Humans Win in an AI Marketing World argues that while AI will reshape business, it's up to humans to 'own crazy' – and take creative risks. The human advantage lies in bold storytelling and the unpolished emotional nuance that only we can offer. As Deepti Velury, Global COO of Tag, puts it: 'The core of humanity is having beauty and imperfection together'. We want real Algorithm-driven feeds have trapped consumers in a loop. Everything feels relevant, but nothing feels surprising. Now, consumers are craving realness. This is an opportunity for bold, authentic brands. Take Oatly, known for its quirky, anti-corporate tone that feels human and unfiltered. Or Liquid Death, that built an entire brand on satire, poking fun at wellness culture and packaging water like a hardcore energy drink. It's absurd, unexpected – and consumers love it. These brands don't follow trends – they interrupt them. That's how we escape the loop. By creating work that doesn't necessarily align with data, but resonates emotionally. The kind of work that makes someone pause and feel something unexpected. Let brands live So where do we go from here? How can brands stay human – and stay relevant? The answer lies with living brands — ones that evolve, and, above all, feel. These aren't just businesses with clever slogans. They listen and reflect the realities of the people they serve. Much of what makes culture meaningful is intangible – feelings, memories and instincts. AI might recite facts about love or grief, but like Will in Good Will Hunting, it doesn't know them. As Robin Williams' character reflects: 'I'll bet you can't tell me what it smells like in the Sistine Chapel'. The same can be said of AI; it can catalogue every detail, but it will never feel the air inside. That feeling – that ineffable sensory detail – is the thread that connects us to meaning. Living brands stand as a counterforce. They remind us of what it means to feel something. And we carry the responsibility of representing that messy, passionate truth with care, courage, and humanity. By Mark Rollinson, Chairman, All About Brands


Gulf Today
21-05-2025
- Gulf Today
Denzel Washington receives honorary Palme d'Or at Cannes
CANNES: Denzel Washington sandwiched a whirlwind trip to the Cannes Film Festival, in between Broadway performances, for the premiere of Spike Lee's 'Highest 2 Lowest' on Monday — and was rewarded with a surprise: an honorary Palme d'Or. Cannes had flipped around some of its scheduling to accommodate Washington's speedy France trip, which came on his lone off-day while performing 'Othello' in New York. Cannes Film Festival chief Thierry Frémaux surprised Washington with the award before the Monday night premiere. 'This is my brother, right here,' said the film's director, Spike Lee, who passed the award to Washington. 'This is a total surprise for me,' said Washington. The festival usually gives out one or two honorary Palmes each edition — last year, the awardees were Studio Ghibli and George Lucas. Last week, Robert De Niro received one on the festival's opening night. De Niro's award was announced in advance, but surprise prizes aren't unheard of: In 2022, Tom Cruise was presented with a surprise honorary Palme d'Or just before the screening of 'Top Gun: Maverick.' The premiere also had another surprise: Rihanna attended and walked the carpet afterward with partner A$AP Rocky. Earlier this month, she revealed at the Met Gala that she was pregnant with their third child. While the festival's photo calls usually happen the day after a film's premiere, Cannes hosted one for 'Highest 2 Lowest' earlier Monday so Washington could attend. The actor, playfully posing with Lee and co-star A$AP Rocky, showed no signs of jet lag and left once the screening began. 'He told me to tell you: Thank you for the love,' Lee told the crowd after the screening. 'He's on Broadway doing 'Othello,' so it really took a lot for him to fly here. Let's give it up for Denzel Washington, please.' Lee also came to Cannes with obligations back in New York on his mind. He arrived at the film's premiere decked out in Knicks colors and wearing a blue and orange striped suit. Lee ended his brief speech in the Palais by hollering: 'New York Knicks!' That Washington would be able to make the trip had been a sticking point for Cannes. When the festival first announced its lineup last month, 'Highest 2 Lowest' wasn't included. Within hours, however, Lee himself announced the film was heading to Cannes. Representatives for the festival said they had been waiting for confirmation that Washington would attend to walk the red carpet. 'Highest 2 Lowest,' a remake of Akira Kurosawa's 1963 film 'High and Low,' will be released in theaters by A24 on Aug. 22 before streaming on Apple TV+ on Sept. 5. Before handing over the prize to Washington, festival director Thierry Fremaux introduced a montage of Washington's memorable performances including in 'Malcolm X' and 'Mo' Better Blues', both directed by Lee. Clips were also shown from 'Glory', which earned him an Oscar for best supporting actor in 1989, and 'Training Day', for which he won best actor in 2002. The cast of 'Highest 2 Lowest' put on a show on the Cannes red carpet, with Spike Lee in an orange pinstripe suit, round glasses and an orange-and-blue hat, and A$AP Rocky showing off a gold dental piece. Although Cannes usually hands out honorary awards in dedicated ceremonies, it is not unusual for actors to receive them unexpectedly -- as happened with Harrison Ford at the premiere of 'Indiana Jones and the Dial of Destiny' in 2023. Earlier the veteran actor appeared to have a testy encounter with a photographer on the red carpet. The photographer appeared to grab the actor by the arm as he posed in front of a bank of cameras. Washington shook him off and then pointed his finger at him and appeared to say 'Stop it' a number of times, videos showed. But despite the awkward incident, Washington's mood was no doubt lifted by the rave reviews of him and Lee's film. Agencies