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Everything You Need To Know About the New Studio Ghibli Sculpture Exhibition in Tokyo
Everything You Need To Know About the New Studio Ghibli Sculpture Exhibition in Tokyo

Tokyo Weekender

time10 hours ago

  • Entertainment
  • Tokyo Weekender

Everything You Need To Know About the New Studio Ghibli Sculpture Exhibition in Tokyo

Securing tickets for Ghibli Park in Aichi Prefecture is notoriously difficult. Eager fans and tourists are often left on an extensive digital waiting line, competing over the limited reservations. Not to mention that the park is located about a 3-hour train ride from the center of Tokyo. If you couldn't get your hands on the coveted theme park tickets, don't fret. Though there's plenty of Ghibli magic to be experienced throughout Tokyo, the newest attraction on the block stands out, as it invites guests to directly step inside Hayao Miyazaki's fantastical worlds. The Tokyo-exclusive Ghibli 3D Sculpture Exhibition (website in Japanese only) lifts our favorite characters off the screen and into an interactive space, with three-dimension recreations of some of the most iconic Studio Ghibli scenes. The exhibit runs from May 27 to September 23, 2025. Here's everything to know — getting tickets, how to get there and what to expect once you arrive. List of Contents: About the Exhibit Watch An Exclusive Short Film Exhibition Merchandise How to Buy Tickets Related Posts About the Ghibli 3D Sculpture Exhibition The Ghibli 3D Sculpture Exhibition is being hosted inside Warehouse Terrada's B&C Hall . The venue is located in the Tennozu Isle, situated between Shinagawa and Odaiba, which is accessible by either the Tokyo Monorail or Rinkai Haneda Airport line. The isle is often nicknamed as the 'art and design island' — a little artsy hub where you can enjoy cutting-edge galleries, stock up on art supplies and grab a bite complimented by peaceful seaside dining. The surrounding area, with its steady waves and full docks, pairs well with the serenity and tranquil moments that Studio Ghibli has come to masterfully interject and be renowned for. At the entrance of the exhibit, you'll find Ponyo sprinting atop a tower of fish to greet you in. The exhibit originally debuted in 2003 and now, after 22 long years, it's making its much-anticipated comeback. Running until September 23, the gallery features several large models recreating famous movie moments, including scenes from My Neighbor Totoro , Spirited Away , Howl's Moving Castle and Pom Poko . The models use various visual elements and techniques to add a sense of wonder to the figures. Dancing strips of paper placed on top of the light fixtures give the illusion of komorebi blanketing Totoro and Mei as they nap in the forest. Intricately arranged food scraps and garbage in the Spirited Away model subtly cast the ominous monstrous shadow of No Face following the banquet at Yubaba's bath house. Creaky and slightly unsteady mechanisms bring out the charming choreography of Howl's expressive moving castle. Various interactive photo spots can also be found through the exhibition. Interactive spots include areas where you can pet Moon the cat on a train, just as Shizuku did in Whisper of the Heart , or to confront the humanoid shapeshifting heron from Ghibli's most recent release, The Boy and the Heron . Coming to the gallery alone or need a helping hand for a group photo? Staff members are available at each interactive photo spot to snap your perfect shot. On top of the impressive 3D models, the exhibit also covers extensive history on how Studio Ghibli's films reached the hearts of millions of people across the globe. A significant portion of the attraction is dedicated to explaining international distribution plans and the translation/dubbing process. International theatrical posters adorn the walls of the gallery, showing the global enthusiasm of fans. Conclude your visit to the exhibit at the Porco Rosso Piccolo-inspired warehouse, where you'll find a recreation of the Savoia S-21 flying boat. Watch An Exclusive Short Film The exhibit is running a special screening of the short animated film Kuso no Sora Tobu Kikaitachi ( Imaginary Flying Machines ). Directed by Hayao Miyazaki, and accompanied by the ever-beautiful music of Joe Hisaishi, the short film was created in 2002 for the Ghibli Museum in Mikata. Exhibition Merchandise There are some exclusive goods available at the exhibit's gift shop, along with other merchandise from the Ghibli Museum and Donguri Republic. Exhibit-exclusive items include t-shirts inspired by Porco Rosso, bookmarks depicting all of the featured characters and an official catalogue book with 112 pages full of photos from the exhibit and interviews from Studio Ghibli's history. How to Buy Tickets Tickets for the Ghibli 3D Model Exhibition cost ¥1900 for adults, ¥1600 for junior and senior high school students and ¥1200 for elementary school students. You must have an advance reservation with a specific date and time selected prior to your visit; there is no same-day entry. The venue is open from 9:30 to 20:00, with last admission at 19:00. The first reservation time slot starts at 9:30 and the last slot is at 18:00. You can purchase through L-Ticket and pick up your ticket at a Lawson convenience store. A special limited-quantity ticket will be sold starting on June 27. Presented in collaboration with Nippon Television, the ticket includes a ham ramen meal as seen in Ponyo . This special ticket costs ¥2900 for adults, ¥2600 for junior and senior high school students and ¥2200 for elementary school students. Ramen vouchers can be exchanged up to three hours after the admission time written on the ticket. To purchase the special ticket, select the 'tickets with benefits' option when ordering on L-Ticket. Related Posts The Fairy Tales That Inspired Ghibli Films How To Get Ghibli Park Tickets: Everything You Need To Know 'An Insult to Life Itself': Ghibli-Style AI Images Raise Ethical Concerns

This extreme metal album blew up one weekend – now it's accused of AI
This extreme metal album blew up one weekend – now it's accused of AI

The Herald Scotland

timea day ago

  • Entertainment
  • The Herald Scotland

This extreme metal album blew up one weekend – now it's accused of AI

These examples are out in the open, attached with a clear mission statement, framed by their practitioners as the next step in the future of art creation. But what about when the algorithmic infection begins to worm its way out of the mainstream and into the underground, where screams of authenticity are paramount? It all began last Friday when an album by Czech black metal artist Draugveil was uploaded to YouTube. Its striking cover art of a young, long-haired knight draped in corpse paint laid upon a bed of roses caught the eyes of many, and its popularity snowballed instantly. Read more: The cruel AI joke played on Studio Ghibli and its well-loved style But something else caught the eyes of some, that the roses seemed a little off. The rose stems protrude from the ground in an unrealistic fashion. So, in line with the times, accusations of AI trickery arrived swiftly and spread fast. Soon, the music itself was accused of being AI, or outlines of songs fully formed once put through the generative music program SUNO. There's no indication that this is the case, and the music is in line with what one would expect from a one-man black metal project in the vein of Judas Iscariot and Burzum, but then if AI was asked to create music in a black metal style, that is probably what it would decide to generically produce and spit out. A Reddit thread titled 'Had to leave band because singer was too obsessed with AI art' was also linked to the project, but nothing indicates a connection beyond mere conjecture of how certain details might match up. Alas, it was just another factor for many that deception was afoot in the underground metal community. The germ of the strange roses became the igniting catalyst for the torrent of accusations, but that itself does not indicate the use of AI. Album covers hardly need to exist in the realm of the real, and it's not out of the ordinary to find details within album art that do not line up with their real-world counterparts. For all we know, the artist was a few roses short of a bed, and the suspicious plants were digitally placed there in image editing software, which is totally standard practice. On the part of the YouTube channel that gave the album a platform, Black Metal Promotion, they say Draugveil sent them screenshots of the songs in a digital audio workstation. That does not mean there was no AI in play, but then it likely means there was a creator's hand guiding the work at the very least. But the intensity of the speculation, and the sheer speed of the AI narrative setting in, shows how quick we are to jump the gun in our suspicions of AI as a looming threat waiting around every corner. That's not surprising considering the use of AI in art is bound to get even more complicated, deceptive, and normalised – but it does not help if suddenly every artistic eccentricity is now in the firing line for inauthenticity through an assumption of AI use. Read more: This film veteran was stunned when he asked AI to give him ideas For many in the discussion, Draugveil's album being a result of AI is an indisputable fact, repeated until it becomes truth. Many say Draugveil needs to clarify with a statement, but that would be the biggest mistake to make. The hype generated by the intense back-and-forth discussions, the mystery of what the reality is, is a more powerful promotion than whatever the truth might come to be. It is reminiscent of the hijinks of 2000s black metal project Velvet Cacoon, which became infamous for mixing in fake albums that never existed and stealing songs from local bands and passing them off as their own, all because the ensuing confusion and outraged bluster would be entertaining for them. Before, accusations of inauthenticity lay in intentions, but now it is the process that is being questioned. If the threshold for suspicion is this low, we're heading toward a future where artists will have to prove their humanity just to be taken seriously. Whether Draugveil is a project borne from AI may always be a mystery unless the artist speaks and makes their case, but the prevailing sense is that people want it to be true, for the thrill of catching a fraud in the act and to satisfy any lingering purist paranoia. But if every strange flourish in an album cover or every odd-sounding riff becomes grounds for an AI witch hunt, where does that leave human creativity in the end?

Takahata Isao Exhibition: The Man Who Planted Japanese Animation
Takahata Isao Exhibition: The Man Who Planted Japanese Animation

Metropolis Japan

time2 days ago

  • Entertainment
  • Metropolis Japan

Takahata Isao Exhibition: The Man Who Planted Japanese Animation

The year 2025 marks two significant milestones: 80 years ago, the Pacific War came to an end, and 90 years ago, the legendary anime director, producer, and co-founder of Studio Ghibli, Isao Takahata (1935-2018), was born. In celebration of the 90th anniversary of Takahata's birth, Azabudai Hills Gallery presents a comprehensive retrospective exhibition on Takahata's profound legacy and significant impact on Japanese animation from June 27 to September 15. The exhibition is organized in collaboration with Studio Ghibli, and delves into Takahata's imposing artistic journey: Tracing his early inspirations, creative philosophy, and groundbreaking innovations in Japanese animation. The exhibition features a special focus on Grave of the Fireflies (1988), a highly moving anti-war film shaped by Takahata's own experience growing up during World War II. By exploring Takahata's wide range of productions–including celebrated early projects such as Heidi, Girl of the Alps (1974) and Anne of Green Gables (1979) to his influential contributions at Studio Ghibli, including Only Yesterday (1991), Pom Poko (1994) and his final production The Tale of the Princess Kaguya (2013)–the exhibition deepens and unfolds Takahata's indelible mark on Japanese animation. The exhibition is open every day from 10.00 am-8.00 pm (last entry 7.30 pm). Please note, that in the period from June 27 to July 18, Tuesdays and Sundays are 10.00 am-5 pm with last entry 4.30 pm. Head to the website to learn more about tickets and special tours offered as part of the exhibition.

Studio Ghibli's Majestic Sensibility Is Drawing Imitators
Studio Ghibli's Majestic Sensibility Is Drawing Imitators

New York Times

time3 days ago

  • Entertainment
  • New York Times

Studio Ghibli's Majestic Sensibility Is Drawing Imitators

Hayao Miyazaki and his colleagues at Studio Ghibli craft pictures that are so delicately drawn and convincingly textured that it seems as if we should be able to step right into them. Think of the bustling bathhouse of 'Spirited Away' or the bucolic Japanese countryside of 'My Neighbor Totoro.' But as viewers, we are never able to actually enter these worlds of tender emotions, whimsical characters and, perhaps above all, vivid locations that set the imagination ablaze. Movies are made from flat 2-D images; they remain tantalizingly out of reach. The most committed Ghibli fans can travel to Ghibli Park in Nagoya, Japan, and Ghibli Museum in Tokyo for a tactile experience of their beloved animated films. But most of us are not making that globe-trotting journey. Enter video games, which allow players to explore immersive 3-D environments and satisfy many fantasies: the sword-wielding savior, the slayer of fantastical beasts, the fleet-footed time traveler. The influence of Studio Ghibli — which turned 40 this week — can be seen throughout the industry, notably in recent additions to the Legend of Zelda franchise. Breath of the Wild (2017) and Tears of the Kingdom (2023) each offer pastoral experiences tinged with menace, similar to many Ghibli pictures; their cel-shaded graphics also evoke the studio's exquisite painterly style. In Tears of the Kingdom, Zelda's devoted knight Link moves between floating land masses that evoke those in 'Castle in the Sky.' Want all of The Times? Subscribe.

Official 'Spirited Away' cookbook teaches how to make food from the Ghibli anime classic
Official 'Spirited Away' cookbook teaches how to make food from the Ghibli anime classic

Japan Today

time4 days ago

  • Entertainment
  • Japan Today

Official 'Spirited Away' cookbook teaches how to make food from the Ghibli anime classic

By Casey Baseel, SoraNews24 Mouthwateringly detailed depictions of food have become as much a symbol of Studio Ghibli anime as fanciful flight sequences and plucky heroines. Food takes on the most narrative and thematic significance, though, in "Spirited Away," where different dishes are used to symbolize greed, compassion, or sacrifice, serving as edible milestones on the characters' arcs. So it was a reasonable expectation that the official Ghibli anime cookbook series would eventually get around to "Spirited Away," and now it finally has. Like the other books in the line, "Ghibli's Table: Spirited Away" is a collection of recipes that recreate food seen within the Hayao Miyazaki-directed classic, and also mix in a few new creations inspired by the setting and characters. Publisher Shufu no Tomo says that the 64-page volume contains instructions for how to make the onigiri rice ball Haku gives to Chihiro, the tempura rice ball devoured by the spider-like Kamaji, a non-bitter version of the bitter dumpling Chihiro receives as a sign of thanks from the river god, charred newt-shaped cookies, and 'the chicken eaten by Chihiro's mother.' ▼ You can spot Zeniba's cake on the book's cover too, so it feels like a safe bet that there'll be a recipe for it too. Like all of the Ghibli cookbooks, the "Spirited Away" volume is meant to be simple enough for adults or kids to follow along with. The ingredients used are all things that can be found in a typical Japanese grocery store, so even if you're outside of Japan, odds are you'll be able to source what you need as long as you've got an Asian market nearby or an online ingredient source. The series also tends to have detailed photos of the cooking process, and the descriptions, though in Japanese, are written to be easy for kids and inexperienced home chefs to understand, so they shouldn't be too hard to decipher for non-natives with some basic Japanese language proficiency. ▼ For example, here's a page from Shufu no Tomo's "Castle in the Sky" cookbook, showing photos for the recipe steps and including phonetic readings for the kanji characters. "Ghibli's Table: Spirited Away" is priced at 1,760 yen and goes on sale July 31, but can be preordered now through Amazon Japan here. Source: Shufu no Tomo via Ghibli no Sekai Insert images: Amazon Japan, Studio Ghibli, PR Times Read more stories from SoraNews24. -- Studio Ghibli answers Spirited Away fan questions, reveals exciting facts and trivia behind the film -- Studio Ghibli cookbook teaches how to make beautiful, super-easy Laputa Levistone candies【Recipe】 -- Spirited Away posters for first theatrical release in China are stunningly beautiful External Link © SoraNews24

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