Why fans think Mariah Carey isn't singing on her comeback track... amid claims she's been replaced with AI
Mariah Carey has been caught up in another wild conspiracy theory just weeks after fans believed that she'd been replaced by AI.
The diva, 56, returned to the music scene with a new rap single this week called Type Dangerous, but a lot of fans have pointed out that Mimi sounds different compared to before.
'Is it just me or it doesn't sound like Mariah at all,' asked one confused listener.
'Is it just me or does Mariah's new song sound like a JLo song? Also… she sounds nothing like herself, the overproduction is weird. Doesn't sound like her even a little,' wrote another.
A third wrote, 'Now who is singing bc that doesn't sound like Mariah.'
Another added, 'What's strange about this new Mariah song is I saw her live a year and a half ago and she can very much still sing live. Why on earth did they add whatever this is on top of her voice? It doesn't even sound like her.'
However, other fans argued that the talented vocalist was just using a different style of singing.
'Just listened to Mariah Carey's new song. She used her voice in a different way than we're used to, but the song is nice! I like it,' wrote one.
Another explained, 'She's just using her lower voice and experimenting. She's always doing something new and original.'
It comes after Mariah left some of her Australian fans confused after appearing disinterested as she sat down for an interview with The Project.
The pop diva gave a series of short answers, sometimes uttering single word reposes in a bored monotone while speaking with host Georgie Tunny.
When asked how she handles criticism, Mariah replied simply: 'By not coping is what I do.'
After a pause she continued: 'I mean, just don't pay attention to it, you know? And everybody else goes through it, so... whatever.'
The 56-year-old was also asked what she'd like on her tour rider for her upcoming Aussie tour, to which Mariah oddly replied in deadpan: 'A kangaroo.'
Mariah was likewise asked about her notorious love of good lighting, to which she said dismissively: 'Good lighting is everything. I don't know why people even have rooms that are poorly lit.'
The interview plodded along at painful length, with some viewers branding it 'bizarre' and some even asking if the clip was AI.
'Was that an AI version of MC? That poor lady. I feel sorry for you. You did your best. She hasn't been called a DIVA for no reason... Maybe in the shadow sooner then she likes' wrote one person.
'Sure she wasn't an AI version of Carey? Weird smile, no eye contact. Bot for sure' someone else asked.
'That was the most bizarre interview!!' yet another chimed in.
Despite the controversy, Mariah is currently preparing to release her 16th studio album.
According to Forbes, the songstress, who has 19 number one singles, is aiming to get her 20th chart topper with Type Dangerous.
'She's fighting to stay contemporary,' her longtime producer LA Reid told the publication.
Mariah left her label Epic Records, who released her last album Caution, to partner with new music company Gamma for her comeback.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
an hour ago
- Daily Mail
EXCLUSIVE New SAS series cast leaked as stars jet out to Morocco to film remake - but will Ant Middleton make a return to the reality show after he was cut from The Amazing Race?
The SAS franchise is in the midst of a major makeover, with a slew of stars now touching down in Morocco to begin filming the new season. Daily Mail Australia can reveal six 'Aussie celebrities' have secretly arrived in Marrakesh to film an 'all-new version' of the hit survival series. Dubbed SAS Hotel, the hush-hush series is said to be unlike anything fans have seen before. Described by insiders as part military boot camp, part luxury mind game, the series is slated to air in the UK first but could very well land on Channel Seven late next year. 'It's a wildcard version of SAS with a twist,' one well-placed source said. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. 'It's still brutal, still physically and mentally demanding but with an added psychological edge that really messes with the recruits. 'It's Who Dares Wins meets The White Lotus.' In a spicy twist, this elite showdown pits six Aussies against six Brits, with challenges designed to test national pride as much as endurance. Among the stars spotted arriving in Morocco are 'reality Queen' Jessika Power, singer and actress Natalie Bassingthwaighte, and Neighbours legend Ryan Maloney. All chosen for their recognisability in both the UK and Australia. 'There's a definite strategy here, everyone has to be a big name in both markets,' the insider reveals. 'It's all about building a format that can travel globally.' Jamie Marinos from this year's season of Married At First Sight was also reported to have turned down a spot on the show. She has confirmed the series would be outside the bounds of what her current contract with Channel Nine would allow. Questions have also swirled around the involvement of former SAS frontman Ant Middleton, who has helmed both the UK and Aussie versions of the show. While he was once the face of the franchise, his recent antics while filming The Amazing Race Australia may have tarnished his appeal. Brendan Fevola had Ant and his brother Dan disqualified from the Celebrity Edition of the show following an off-camera incident overseas. The drama unfolded during a day off from filming when Dan allegedly got into a heated argument with TikTok stars Luke and Scott O'Halloran. Dan reportedly yelled at the brothers and used inappropriate language late at night when most of the cast had already gone to bed. Ant was not directly involved in the incident but was disqualified along with his brother. Brendan, who was competing on the show with his daughter Leni, is reportedly said to have confronted Dan over the behaviour. He allegedly gave producers an ultimatum: remove the Middleton brothers or he and Leni would walk. Shortly after, Ant and Dan were sent home and cut from the series. SAS Hotel location sources say Ant has not appeared in Morocco and therefore it would be fair to say he is not a part of the project. Meanwhile, sightings of sports stars, TV personalities and actors from the UK have been seen coincidentally arriving on the same day. The official list will be announced in the coming weeks. Filming is expected to wrap in just four weeks, with stars returning home by August 2 – win or lose. And if SAS Hotel strikes a chord with British audiences, insiders say it could pave the way for a full SAS Australia revival - with a whole new look and feel. So, with the cat now officially out of the bag, the pressure is on for our Aussie celebs to fly the flag and survive whatever this mysterious SAS Hotel throws at them.
The Guardian
an hour ago
- The Guardian
Cats review – Andrew Lloyd Webber's tired show has run out of lives
There are musicals, and then there's Cats. Andew Lloyd Webber's show is often the one held up as a bewildering example by non-believers. People dress as cats in leg-warmers and sing children's poems, and it's a hit? The baffling body horror of the 2019 film didn't do much for the show's image, either. It was the 80s, loyalists say, it was a different time! But Cats is back, and theatre producers would prefer we just buy a ticket and live in the past. Cats is perhaps best now as a fond memory, where you can forgive its wilted structure, stop-start pacing and tired stereotyping (don't even try to count how often a female cat is there to sigh and swoon over a male one). There, you can enjoy how the score is drenched in 80s synth and peppered with pastiche, with hints of jazz, music hall, rock and a little opera (one of Lloyd Webber's great loves); it is catchy as all get-out. Memory, the plaintive cri de coeur by fading glamour cat Grizabella, was a genuine chart hit, lingering in jewellery boxes and hold music. And Gillian Lynne's original choreography, oddly sexy and determinedly feline, lives on in plenty of giggly shared stories between friends of sexual awakenings and Rum Tum Tugger. To bring it back, unchanged – as is happening now in Sydney – feels like a return to the worst of the megamusicals craze: cashing in on a known quantity even after its cultural cachet has faded. The production now playing at Sydney's Theatre Royal is a 40th anniversary celebration of the first time the musical made it to Australia (featuring Debra Byrne, Marina Prior, and John Wood) and it's like time has stopped. There are no surprises. It's even back in the same theatre. There are a few joyful moments – the best of them featuring Axel Alvarez, who plays 'the magical' Mr Mistoffelees, the cat with a light-up coat who delivers his magic through ballet, including a dazzling number of fouettés. His astonishing ease and classical technique is the very best of what Cats can be. Mark Vincent is perhaps at his stage best as the beloved Jellicle leader Old Deuteronomy, Tom Davis is a joyful, all-in Skimbleshanks (that's the railway cat), Todd McKenney pleasingly hams it up Gus the Theatre Cat, and Gabriyel Thomas, tears in her eyes as she sang Memory, earned ringing cheers as Grizabella. The cast and creative team are producing beautiful work – those full-ensemble dance formations brought forth applause every time the cast found themselves moving together as one – but what a shame it's all in service to the same old Cats, which can't hide its flaws with novelty any more. Even worse is that you'd never know it in Australia, but internationally, Lloyd Webber – who the Pulitzer-winning critic Andrea Long Chu described as the force that 'set Broadway on its current path of chintzy commercial nihilism' – is facing a generational shift. Cats lasted in the West End for 21 years and Phantom on Broadway for 35 – and the artists who grew up with these silly, thrilling works are mining them for new meaning and contemporary beats, testing how much they can speak to this moment. In the UK, Lloyd Webber's Starlight Express (about trains – it is Cats on roller-skates) has returned in a completely new production – with the train Greaseball now played by a woman with queer undertones. An upcoming production of Phantom of the Opera is running a guerrilla marketing campaign that has theatre influencers breathlessly reporting on every incident. Jamie Lloyd brought a blood-soaked Nicole Scherzinger to a cool Sunset Boulevard, netting three Tonys in the process; he's now reimagining Evita with Rachel Zegler, who sings Don't Cry for Me Argentina on a balcony to crowds outside the theatre. And, heartbreakingly for those of us a world away, Cats has been revolutionised in New York, refashioned in the underground ballroom scene built by queer and trans people, where speaking those secret Jellicle names and claiming identities has a new, deeper resonance. It's hard not to feel left out. In Australia, nostalgia rules, and we've had a parade of paint-by-number Lloyd Webbers keeping our best employed but our creative cups empty. In the past year or two, we've had a faithful but tough-to-watch Sunset Boulevard starring a miscast Sarah Brightman; a straightforward Jesus Christ Superstar, and an outright offensive Joseph and the Amazing Technicolor Dreamcoat. When it comes to plays, Australia is leagues ahead with new productions that interrogate, elevate, and subvert old works; with musicals, especially on main stages, we tend to defer to the tried-and-true. There are pockets brimming with ideas – the Hayes Theatre in Sydney has been home to some of the best – but we have to let old shows run their course if we want to give space to new artists and new perspectives – and bring in new audiences. Can't we give Cats a new life too? Cats is on at Theatre Royal, Sydney until 6 September; then touring to Adelaide, Perth, Melbourne and Brisbane
Daily Mail
4 hours ago
- Daily Mail
EXCLUSIVE How I solved mystery of which 'lie' still annoys Meghan 8 years on: From tiara-gate to Kate's tears, ALISON BOSHOFF examines the evidence... and comes to a stunning conclusion
Prince Harry is, famously, a man who bears a grudge. And in an interview with entrepreneur Emma Grede this week, the Duchess of Sussex revealed they have that peevish capacity in common. Grede asked Meghan on her Aspire podcast: 'If you could rewrite your public narrative from scratch, is there anything you would do differently?' Meghan replies: 'Yes. I would ask people to tell the truth.'
