Latest news with #musicindustry
Daily Mail
13 hours ago
- Entertainment
- Daily Mail
Fat Joe accused of sex with underage girls by former hypeman in shock suit
Fat Joe has denied allegations made in shocking new lawsuit that implicates the rap veteran of engaging in 'sexual relations with children who were 15 and 16 years old.' Fat Joe's one-time Terrence 'T.A.' Dixon, said in court docs obtained by Daily Mail that the 53-year-old musical artist was involved in a number of sordid arrangements with underage girls. Dixon said in legal docs that he 'personally witnessed' the Grammy-nominated rapper, 54, 'engage in sexual relations with children who were fifteen and sixteen years old.' One of the teens the New York City native was allegedly involved with inappropriately, according to Dixon, was a Dominican female, who he was engaged with in 'oral sex and other sexual acts.' The entertainer, whose full name is Joseph Antonio Cartagena, allegedly carried on the relationship with the teen girl 'in exchange for cash, clothing, and payment of her cell phone bill.' Daily Mail has reached out to Fat Joe, his reps and his lawyer Joe Tacopina for comment on the story. Fat Joe's one-time hypeman Terrence 'T.A.' Dixon, said in court docs obtained by Daily Mail that the 53-year-old musical artist was involved in a number of sordid arrangements with underage girls The What's Luv? vocalist allegedly was also involved with a 15-year-old 'Caucasian girl, not from the US' in the wake of a 'concert overseas.' According to the complaint, The All the Way Up performer had the girl flown to Miami and New York City multiple time, Dixon told the court. Dixon alleged that the Get It Poppin' artist foot the bill for the underage girl to have a Brazilian Butt Lift operation performed, Dixon said in legal docs. Dixon told the court that the underage female referred to in the court docs 'eventually left Defendant and is now married to a professional athlete.' Fat Joe allegedly fell 'in love with' a third female - a Latina female who he met when she was 15, Dixon also claimed in legal docs. Dixon said Fat Joe 'was in love with' the female, and paid her bills and took her on the road. 'He brought her to Florida and would put her up in a condo he rented a few blocks from his house with his wife,' said Dixon, who told the court he had been working with the rap artist for a stretch from 2006 thru 2019. Dixon said Fat Joe engaged in 'coercive labor exploitation, financial fraud, sexual manipulation, violent intimidation, and psychological coercion' as his boss. He added that he was 'consistently underpaid, denied songwriting credits and deliberately concealed from royalties and backend compensation.' Dixon said he's a 'lyricist, background vocalist, security team member, and creative collaborator.' Dixon also named in the suit Roc Nation, Sneaker Addict Touring LLC, Slate, Inc. LLC, Pete 'Pistol Pete' Torres, Richard 'Rich Player' Jospitre, Erica Juliana Moreira. Joe Tacopina, the lawyer who is representing Fat Joe, denied all of the allegations made against the rapper to Page Six. Tacopina said he's been in touch with the people Dixon alleged were Fat Joe's underage lovers in the suit, and 'they've made it clear that some of them don't even know Fat Joe.' Fat Joe previously entered into litigation last month against his former associate Dixon over allegations he had engaged in underage sex. Fat Joe said that Dixon's efforts amounted to a 'money grab' and that Dixon 'enjoyed the perquisites of touring, luxurious travel, and other fringe benefits of a world-renowned musician's team.' Fat Joe said that in the six years since they had concluded working with another, Dixon had 'never raised any issues or sought any additional compensation.'
Fox News
20 hours ago
- Entertainment
- Fox News
Carly Simon defends Sabrina Carpenter's controversial album cover, says it's not 'outrageous'
Carly Simon is coming to Sabrina Carpenter's defense. During a recent interview, Simon reacted to Carpenter's album cover that caused quite a stir. Carpenter's album artwork for "Man's Best Friend" showed a photo of the singer on her hands and knees, as a man appeared to be grabbing her by the hair. The "Busy Woman" singer wore a black mini dress and matching heels in the photo. Simon argued the current outrage surrounding Carpenter's album is relatively mild, compared to past examples of bold artistic expression in the music industry. "She's not doing anything outrageous," the "You're So Vain" singer said in an interview with Rolling Stone. "It seems tame." "There have been far flashier covers than hers," Simon said. "One of the most startling covers I've ever seen was [The Rolling Stones'] "Sticky Fingers." That was out there in terms of sexual attitude. So I don't know why she's getting such flak." Once Carpenter shared her latest album cover of "Man's Best Friend," fans were quick to comment. "This cover makes me uncomfortable…" one person wrote. Another comment read, "That's disgusting!!" Other fans enjoyed Carpenter's album and wrote, "Sue her she wants to be iconic." While Simon is no stranger to pushing the envelope herself, the singer reacted to the similar criticism she received for her famous 1975 "Playing Possum" album. "Everybody looked at it, and people definitely had a reaction to it," Simon told Rolling Stone of her own cover at the time. "But they wouldn't have told me what they really thought." The "You Belong To Me" singer famously posed in a lacy black dress with matching leather boots. Simon's face wasn't shown, but she was photographed on her knees for the album cover. That photo was shot by Norman Seeff, who still remembers the stir it caused. "Suddenly, I'm getting calls from 'Time' and 'Newsweek,' saying, 'This is one of the sexiest covers that has ever [been] known,'" Seeff recalled. "There's this whole controversy around what did it represent? It felt very much like that energy in a woman, but I just thought of it as a beautiful shot." Meanwhile, the former Disney star has been known for her racy performances and turning heads. In March, Carpenter shocked fans with her explicit dance moves at her concert in Paris. During every show on her "Short n' Sweet" world tour, the singer simulates a different sexual position while performing her hit "Juno." Carpenter shows off each move when she sings the lyrics, "Wanna try out some freaky positions? / Have you ever tried this one?" At her Paris performance, Carpenter paid tribute to the City of Lights when she and two male backup dancers simulated a three-way sex act, known as the Eiffel Tower. In a photo from the performance that the account Buzzing Pop posted on X, Carpenter, who donned a sparkly green and silver halter top with a matching miniskirt, was seen bending over between the two dancers who leaned into her and held hands above her. The position is meant to emulate the structure of Paris' famed historical landmark. The post divided fans when it went viral on social media, with some fans slamming Carpenter's performance as too inappropriate for the younger members of her fan base, while others contended that she had the right to evolve as an artist after transitioning to adulthood.
Daily Mail
a day ago
- Entertainment
- Daily Mail
Bay City Rollers star Stuart Wood reveals for the first time he was a victim of 'predator' manager Tam Paton's prolific sex abuse
Bay City Rollers star Stuart 'Woody' Wood has revealed for the first time that he suffered 'harrowing' sex abuse at the hands of his former manager Tam Paton. The singing icon, 68, kept the chilling campaign of abuse secret for 50 years because he was determined not to let the ordeal 'shape his life'. It was previously uncovered that Paton was a prolific groomer and abuser right up until his death - and now Stuart has told how he was one of his victims. Paton is the disgraced former manager of Scottish band Bay City Rollers, who has been compared to one of the most notorious paedophiles in history, Jimmy Savile. He was the manager of the iconic band during their 70s heyday, where they rolled out No.1 hits such as Saturday Night, Bye Bye Baby and Shang-A-Lang. After being fired as the band's manager, Paton became a multi-million pound real estate agent but his later life was defined by sex abuse scandals and drug offences. He was jailed for three years in 1982 for gross indecency with teenage boys. In his autobiography Mania, Stuart refers to Paton as a 'true monster' and reveals why he decided to kept his attacks a secret. Stuart wrote: 'I met Tam when I was 16 years old. He was intimidating and a bully, and all the disgusting things said about him are accurate. 'He was a predator. He abused me as he did others. It was a horrific and harrowing time. The drugs he plied us with were part of that control. 'My take is that to have a healthy mind, you have to let some things go, as much as it might pain you to do so. 'So, when Tam's squalid little life came to an end in 2009, I stopped thinking about him. He was a terrible human being, but the way I see it, he doesn't get to define me. 'Tam f******g Paton doesn't get to win.' Rollers' guitarist Pat McGlynn alleged that he had been the subject of an attempted rape by Paton in 1977 in Australia, but the police could not gather sufficient evidence to mount a prosecution. Paton pushed back on the claim, saying it was because he was an openly gay man, and 'if you're gay in this country, you are considered a pervert.' McKeown claimed in a 2015 interview that Paton had also helped another man force himself on the singer while he was high on Quaaludes. He said: 'Afterwards I felt really used and abused. I never told anybody about it, not even the other guys in the band, because I was ashamed.' 'It was hell,' McKeown said. 'But we were just daft wee laddies, following someone.' The band also accused their manager of taking up to £50 million of royalties from them, though Paton claimed to have suffered financially from record deals. In 1982 he pled guilty to molesting 10 boys across a three-year period, for which he served one year of a three-year sentence. 'Afterwards I felt really used and abused. I never told anybody about it, not even the other guys in the band, because I was ashamed.' Nobby Clarke, who was the original Rollers singer, claimed that Paton pushed them to sleep with radio DJ Chris Denning, who jailed for child sex abuse in 2016. However years on, Stuart insisted he has never spoken about the abuse he suffered with either of his bandmates, Les or Alan, even when they reunited 10 years ago. Paton was musically proficient from an early age, playing the accordion and piano, despite not coming from a musical family - his father was a potato merchant. He came across the Bay City Rollers, then known as the Saxons, when he was resident bandleader at the Edinburgh Palais. Using his contacts, Paton got the band gigs around the city and eventually became their manager as their reputation grew. The band were signed by Bell Records after the new manager had invited the company's boss Dick Leahy to see them perform. They enjoyed their first hit soon after, in 1971, with a remake of the Gentrys' 1965 hit Keep On Dancing. However, a downturn in popularity led to an overhaul in personnel and image. McKeown was brought in as a singer, and Wood as a guitarist. Paton masterminded the image change; the group now wore tartan, along with half-mast trousers and scarves. He also cultivated a myth that they preferred drinking milk to alcohol to make them come across as more innocent. As the 1970s were well underway, the band had revived themselves with a number one album and a number of hit singles. Most notably, Bye Bye Baby topped the charts for six weeks running in 1975. The following year, Paton also became manager of Rosetta Stone, a Northern Irish group containing ex-Rollers guitarist Ian Mitchell. For his more long-served project, cracks were developing. The Rollers' guitarist, Eric Faulkner, almost died of a drug overdose at Paton's home in April 1976. McKeown had been traumatised by a car accident in 1975 when he killed an elderly woman. The singer also later recalled how their manager introduced them to drugs throughout the decade, contrary to the image he had nurtured. Speaking in 2005, McKeown said: 'When we got a wee bit tired, he'd give us amphetamines. 'He'd keep us awake with speed, black bombers. You end up almost showing off to each other what stupid drugs you've taken.' By the end of the decade the band's success was waning, and they disbanded in 1978.
News.com.au
a day ago
- Entertainment
- News.com.au
Garbage singer Shirley Manson warns ‘expensive' Australia may miss out on more big tours
Shirley Manson confirms there are 'plans afoot' for '90s industrial pop pioneers Garbage to return to Australia later this year for their first tour in almost a decade. The rebel siren who has stalked the country's biggest stages over the past three decades says the delay in returning down under to play to one their biggest fanbases in the world, isn't for a lack of desire. It's a numbers' game. Manson reveals the band, which features famous producers and hitmakers Butch Vig, Duke Erikson and Steve Market, are offered the same fees to play in 2025 as they were paid in the late '90s. As Garbage get ready to head out on a massive US tour in support of their eighth studio album Let All That We Imagine Be The Light, the alt-rock goddess says the explosion in costs from flights and accommodation to staging and freight is putting younger rock bands out of business. 'There are plans afoot to come this year but it's getting increasingly difficult for bands to come to Australia,' she says. 'It's very expensive for us, flights, hotels, wages, everything, and the fees for a band like us, not always but sometimes, remain the same as what we were being paid in the '90s. 'I don't think people fully understand how difficult it is for bands to survive and that is why we are seeing less and less bands because the expense of touring for a band just becomes impossible to sustain. 'We have managed to survive an industry that's brutal by being really canny with the money; none of us live wildly, I drive a f---ing 10-year-old Prius.' Manson has been to hell and back over the past couple of years. She underwent hip replacement surgery to fix the damage wrought by a stage fall she suffered in 2016. Last year her other hip broke and she went through the same operation and recovery process all over again. Dealing with her human frailty, and the sociopolitical flux of her beloved America, where the Scottish singer has lived for decades, tested her spirit. Like all songwriters, when the brain fog of pain and medication lifted Manson set up a small recording studio in her bedroom and channelled her feelings into lyrics for the new record's songs. 'It's the first time I've sort of recorded my part of the bargain independently of the band; it's my era of independence!' she says with pride. 'I was recovering from two major surgeries over the course of two years so I was bed bound and my whole life got sort of turned upside down and all my habits got just disrupted, which was actually in the end, really great both for me and the band. 'It just changed the dynamic completely, which after 30 years is a real gift because of course if you're familiar with one another and familiar with your patterns of working, things can get very predictable.' 'Being in pain and having to learn to walk again was no picnic but I'm grateful for the upheaval in the end because it changed my thinking and it turned out there was a lot of silver linings to this misery.' The 58-year-old sounds different on the songs. Maybe it was the painkillers, perhaps it was the pain but her already expansive, emotive voice has found bolder new colours. Like on Sisyphus, where she channels her recovery – 'This little body of mine is going to make things right' into a soaring electronic club track that is ripe for a cover version from her labelmate Kylie Minogue. The pair were both mentored by the late great Australian music mogul Michael Gudinski. 'Oh my darling Kylie, she would kill that track actually,' Manson says. 'I have such a massive love for her. 'I really try to explore different parts of my voice, with every record that we make. And I really tried to push myself to not stick to what I know so if you hear any new colour in my voice after 30 years, that's the greatest compliment you could possibly pay me.' Manson has a lot of love for the new generation of female pop artists who share her passion for using their art and platform to speak out against injustice. The singer has never shied from using her songs and her social media to protest, and has been buoyed by other women raising their voices from Lady Gaga to Chappell Roan. 'We are screaming about the same bullshit as we did in the '90s. I'm very excited, however, by the new generations of young artists. They really fill me with a lot of joy,' she says. 'Whether they know it or not, they're coming from our school. 'And we've had a dearth of provocative and alternative voices for about 20 years with the advent of uber pop artists who are just ginormous and take up so much space and were well-behaved and sort of conservative. 'I'm not knocking pop, I love pop, so I love seeing these enormous pop stars now who are getting involved in trying to improve our communities and are being courageous, way more courageous than my generation.' Let All That We Imagine Be The Light is out now.
Yahoo
2 days ago
- Entertainment
- Yahoo
Garth Brooks' Daughter Shares Bold Statement Amid His Legal Troubles
Garth Brooks' Daughter Shares Bold Statement Amid His Legal Troubles originally appeared on Parade. As country singer faces legal issues following sexual assault allegations that came out late last year, his youngest daughter,, shared a strong statement about her professional association with her father. The 28-year-old recently sat down for a conversation with for the Bobbycast podcast to talk about her life, during which she made it clear how she wants to be separate from her father when it comes to forging her music career. 🎬 In a clip shared on the podcast's Instagram page, Allie said, "I'm just asking, more so the industry, to help me out, to not put me in that box...I'm not gonna fit in that box. They're not gonna like me in there." "I don't represent [Garth Brooks] at all," she declared. "So it's just always been really tough when it's like, 'Garth Brooks' daughter, Allie Colleen, doing this...' Now, all of a sudden, everyone thinks 'Friends in Low Places' is gonna be in my set, and it's not." Luckily for Allie, quite a few of her fans in the comments didn't even know her relation to the country star, with one writing, "Good news I didn't know that and she's amazing." Another said, "Been following her a few years, zero clue she was Garth's daughter! Wild!" Allie's bold words about Brooks come not long after the 63-year-old was accused of sexual assault and battery by a former employee. Brooks went on to counter-sue, claiming extortion and defamation. The lawsuits are still Brooks' Daughter Shares Bold Statement Amid His Legal Troubles first appeared on Parade on Jun 17, 2025 This story was originally reported by Parade on Jun 17, 2025, where it first appeared.
