logo
Meghan Trainor faces backlash for changing 'All About That Bass' lyric amid weight loss transformation: 'I miss when you didn't look exactly like everyone else'

Meghan Trainor faces backlash for changing 'All About That Bass' lyric amid weight loss transformation: 'I miss when you didn't look exactly like everyone else'

Yahoo12-05-2025

Meghan Trainor is facing backlash after changing a beloved lyric.
At iHeartRadio's KIIS-FM Wango Tango in Huntington Beach, Calif., on Saturday, Trainor performed a series of tracks, including her 2014 breakthrough single, 'All About That Bass,' in which she sings about embracing her own body, while encouraging others to do the same.
A 29-second video posted by the official 102.7 KIIS FM TikTok account shows Trainor performing the famed track, which hit No. 1 on the Billboard Hot 100 in 2014. As the first verse kicks in, Trainor, in a hot pink, rhinestone-encrusted two-piece, sings, 'Yeah, it's pretty clear, I got some new boobs/But I can shake it, shake it, like I'm supposed to do.' The original lyric, 'Yeah it's pretty clear, I ain't no size two,' was apparently swapped out to reflect recent changes to Trainor's body, including a breast augmentation as well as substantial weight loss — and some fans appear to be disappointed by this decision.
On Trainor's Instagram post celebrating her Wango Tango performance, one fan wrote, 'You're stunning, but I miss when you didn't look exactly like everyone else in Hollywood and you were about the bass.' Another said, 'Beautiful but I really loved when you represented girls who can't look like every other basic model.'
Referencing the song's wordplay in the chorus — 'Because you know I'm all about that bass/'Bout that bass, no treble' — one person declared that they were unfollowing Trainor as a result of the lyric change, commenting, 'No bass, all treble. Unfollowed.'
Since its release, 'All About That Bass' has been the subject of scrutiny, with some critics praising the track's overarching message as being uplifting — and others believing it offers an unfair critique of people's bodies. Trainor, aware of the criticism, previously said that she never intended to body shame smaller women.
'Even with some of the 'hate' comments I've seen, they've gotten the conversation going,' the singer told Billboard in 2014. 'But, I'm not bashing skinny girls. Some girls have commented, 'I'm a size zero, so you must hate me.' But that's not it at all! There have been battles on my YouTube page, like, 'You don't know what she's talking about. She's actually saying, 'I know even you skinny girls struggle.' And that's exactly how I feel.'
Trainor, who cowrote the track with songwriter Kevin Kadish, has also said that the song's message is just as much for her as it is for other women who struggle to love their own bodies.
'I wrote it for me, as well, because I've struggled with [body image] since I was very young,' she said in the 2014 interview. 'So, if other girls can relate to the song, it makes me feel even better. It's unreal that I'm kind of helping people.'
The 'Whoops' singer embarked on her weight loss journey in 2021, after giving birth to her first son, Riley, whom she shares with her husband, Spy Kids star Daryl Sabara. Trainor told Entertainment Tonight Canada in 2022 that she was in 'a really dark place' due to being the heaviest she's ever been, which prompted her to lose 60 pounds 'the healthy way.' Coupled with working out daily with her personal trainer, Rebecca Stanton, the mom of two said she adopted healthy food habits and learned how to exercise portion control.
In an Instagram post from March, Trainor reflected on the 'disheartening' comments she's received about her changing body. 'This is what it's like to be a woman in the music industry,' she wrote, before revealing that she's also using a GLP-1 medication.
'No, I don't look like I did 10 years ago,' she wrote. 'I've been on a journey to be the healthiest, strongest version of myself for my kids and for me. I've worked with a dietician, made huge lifestyle changes, started exercising with a trainer, and yes, I used science and support (shoutout to Mounjaro!) to help me after my second pregnancy.'
Added Trainor, 'And I'm so glad I did because I feel great.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How ‘Subway Surfers' has dominated mobile gaming for over a decade
How ‘Subway Surfers' has dominated mobile gaming for over a decade

Fast Company

timean hour ago

  • Fast Company

How ‘Subway Surfers' has dominated mobile gaming for over a decade

For 13 years, Subway Surfers ' download rate has been consistent: about one million new installs every single day. Half of those downloads come from users upgrading to new devices. The other half comes from children aging into phone usage, and users in less developed countries reaching a level of affluence that allows them to purchase their first smartphones. This steady influx of players has made Subway Surfers the most downloaded mobile game of all time, with 4.5 billion lifetime downloads. Recently, however, Subway Surfers' traffic has arrived in more dramatic waves. In 2020, the app saw a surge of new users after TikTokers discovered a way to 'hack' the game. In 2022, a 10th anniversary social media campaign—combined with a TikTok-viral 'no coin' challenge—once again sent downloads soaring. Mathias Gredal Nørvig, CEO of Subway Surfers' parent company SYBO, understands the vital role social media plays in the game's continued growth. Many of its early competitors have vanished: Draw Something and Zombie Farm are no longer on the app store, and Temple Run (which once inspired Subway Surfers) has stagnated. Through TikTok, though, Subway Surfers has kept its edge. 'The fact that TikTok loves us means we're also being rewarded by Apple and Google, because their algorithms see what trends on other platforms,' Nørvig says. 'It's a flywheel of activation.' Subway Surfers ' social media dominance TikTok is crowded with so-called ' brain rot ' content. These posts typically layer two unrelated videos: one showing a TV show or narrated Reddit post, the other featuring a video game. Also called 'sludge content,' the videos lull the doomscrolling brain into a passive state, watching and listening as the parallel feeds play. It's like 'Cocomelon' for teenagers. Nørvig takes a much sunnier view of these videos, saying they 'give you a moment of zen.' They also frequently feature Subway Surfers, repeatedly bringing TikTok users back to SYBO's IP. There's no clear evidence that these 'brain rot' videos drive viewers to the App Store, but they certainly do keep Subway Surfers in the conversation. '[TikTokers] know we're not going to go after them for posting our content,' Nørvig says. 'We have a very different approach from other companies, where they do a lot more policing of social media.' Subway Surfers' in-house social media channels are led by Celia Zimmermann, SYBO's head of player experience. While the company produces plenty of its own content across platforms, the team also spends considerable time supporting the flow of organically created content. Zimmermann describes the game's openness as 'brave,' noting that many community managers at other gaming companies don't have the same speed for green-lighting. 'We have IP that we're able to be quite flexible with,' she says. This social momentum is especially important for Subway Surfers' young audience. Many tween players gather on platforms like TikTok. SYBO does not track younger players directly, but Nørvig estimates anecdotally that about half of the game's players are under 18. That figure does not account for the many kids playing on adult devices, which could push the percentage even higher. Of course, not all social media trends are positive. In New York City, a TikTok challenge recently encouraged some young people to try hopping between subway cars. At least six people died in 2024 attempting the stunt. Nørvig calls the trend 'unfortunate' and says SYBO would never repost or amplify dangerous content, though the company ultimately decided not to issue a public statement. 'Train surfing has been a thing that people are doing in New York, thankfully very seldom, but we haven't seen with our downloads that people think of it as something they can do in real life,' Nørvig says. 'It's clearly a game, and a silly game at that, and therefore we don't have any direct connection to it.' Can TikTok keep a 13-year-old game on top? Nørvig sees Subway Surfers as part of a standout group of Scandinavian mobile games. There's Angry Birds, launched in 2009, and Candy Crush, which debuted in 2012. Both remain strong performers, though Subway Surfers ' download rate now outpaces them by a sizable margin, according to analysts. It also stands out as the only game in the group embracing such a deeply TikTok-driven strategy—though it remains hard to say whether virality and revenue always go hand in hand. While SYBO declined to share exact revenue figures, Nørvig notes that 80 to 85% of the company's revenue comes from advertising, with the rest generated through in-app purchases. Monthly active users remain relatively steady—aside from viral spikes—at 100 to 150 million. With such a stable user base, revenue shifts at SYBO tend to follow fluctuations in the ad market. Analysts are split on Subway Surfers' future. Samuel Aune, a gaming insights analyst at Sensor Tower, supports Nørvig's view of long-term stability. He describes the game's 10-year download curve as 'really consistent,' especially when compared to its peers. 'Not a lot of games have lived 10-plus years,' he tells Fast Company. Ariel Michaeli, CEO of Appfigures, takes a more skeptical stance. Mobile game downloads have declined across the board on both the App Store and Google Play. 'But Subway Surfers has dropped a little bit more than everyone else,' he says, citing the company's internal tracking. 'It used to be number one for a very long time. Over the last few months, it started slowly going down [the ranking] . . . Subway Surfers has been around for so long that there's fatigue.' And what if TikTok disappeared? That seems unlikely in the U.S. for now, with President Donald Trump having extended the TikTok ban deadline for a third time. But in India, where TikTok is banned, Subway Surfers had to pivot. 'Facebook is their go-to, and so is YouTube, so that's the place where we go to engage with them,' Zimmermann says. For now, Subway Surfers holds its lead. Nørvig argues that among today's top-ranked mobile games, it is the only one growing organically. Its steady stream of downloads continues, driven by strong, recognizable IP and smart social media strategy—not by less transparent forces. 'We're still the most downloaded viral game,' Nørvig says. 'Everyone else has paid for their traffic to get on that list.'

Chinese Makeup Brands Are Winning Over Global Consumers
Chinese Makeup Brands Are Winning Over Global Consumers

Bloomberg

time2 hours ago

  • Bloomberg

Chinese Makeup Brands Are Winning Over Global Consumers

As the US Supreme Court mulled a legal ban on TikTok in January, the effects on social media platforms were profound. Even before the judges ruled in favor of the ban—prompting the app to temporarily go dark in the US—an estimated 2 million TikTok users jumped ship to Chinese app Xiaohongshu, also known as RedNote. For a number of beauty-conscious users, what they discovered was a revelation. 'I realized that RedNote had a lot of beauty secrets the United States wasn't using,' says Hailey Laine, a TikTok creator in Chicago who joined Xiaohongshu in January and continues to use both apps—RedNote for finding cosmetic inspiration, TikTok for posting about it. In January, Laine shared a video of herself using face powder and bright pink blush to re-create the monochromatic glow popular among Chinese beauty influencers, racking up 300,000 likes and 2.3 million views.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store