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Musk-Trump Saga is Not A Biblical Or Pop Culture Event. It's Dangerous

Musk-Trump Saga is Not A Biblical Or Pop Culture Event. It's Dangerous

NDTV06-06-2025

Cross your heart and confess: did you, or not, regret not spilling the beans, or tea, as Gen Z calls it, after being let down by a close friend and confidante? Did this regret pinch harder after the recent social media spat between two erstwhile chums? Have you never muttered, going through your former friend's feed, 'wow, liar'? Have you never typed out a 'truth bomb', either mentioning them by name or using only thinly veiled sobriquets, only to have second thoughts before pressing 'SEND'? In a self-congratulatory inner voice, you tell yourself, 'I'm not like them,' and feel smug in the goodness that you just attributed to yourself. Goodness, that has trumped deep hurt and petty vengeance.
$38 Billion: The Price Of Revenge
What is it worth, though? In the case of the wealthiest man on earth, only $38 billion. Elon Musk ended up losing a sum approximately equal to Bhutan's GDP from his personal net worth at the end of the day he spent trying to exact his pound of flesh from the president of the United States. Hurt and revenge are the same for the rich and mighty and the poor and hustling; only the price tags differ.
If the James Bond movies are to be trusted, your most vicious enemy happens to be a jilted lover or a close accomplice. M, the MI6 chief, can only be brought down by Raoul Silva, a former agent. Silva is deeply hurt by Mother's (M) betrayal of him in the past and eventually exacts his revenge. Thus, Skyfall. This shadowy world of espionage, intrigue, and bloodshed, however, has certain principles. Silva ends M but does not paint the media red about M's misdemeanours.
Judas And Brutus
Let's go from Bond to Bible. Even Judas Iscariot, one of the twelve apostles of Jesus Christ, did not betray his 'master' openly. Kissing Christ's cheek and addressing him respectfully, Judas revealed the 'Son of God' to Herod's men. Even in his perfidy, Judas maintained decorum.
A more public betrayal happened almost a century earlier when Julius Caesar was assassinated by close aide and friend Quintus Servilius Caepio Brutus and other conspirators at Largo di Torre Argentina in Rome. 'Brutus is an honourable man,' seethed Mark Antony at Caesar's burial. And honourable he was, realigning his loyalty and friendship away from the man he thought was destroying the foundational principles of the Roman Republic.
Nothing Noble Here
In the Republican implosion underway in the US, however, where are the principles? Unless we agree to hold avarice, megalomania, and unquestioning allegiance as the founding precepts of the American juggernaut, this famous falling out is devoid of anything noble. No Resurrection, no advent of Octavian, not even a good 007 film.
This exchange of barbs between two men who publicly promised to change the US and the world less than six months ago has only demonstrated what the nexus of mercantilism, inept policy-making, and self-serving politicking can achieve when two equally headstrong egotists hold all the levers. Why Musk and Trump are at each other's throats now is of lesser consequence than the trickle of information from their jibes at each other.
Trump accuses Musk of being post-facto salty over the yet-to-be-presented Big Beautiful Bill, which is supposed to transform the US - whether for better or worse is subject to who you ask. Musk says that he wasn't even aware of the nitty-gritty of the bill, which he was never shown before he exited the White House. Both accuse each other of overplaying their hand. Both claim that the other is dispensable. Only time will tell.
'As Flies To Wanton Boys'
What is truly dispensable is voters' trust. Or voters themselves. As reports kept streaming in of DOGE cuts translating into lost lives, both in present and future, due to a lack of funds, the chants of 'Make America Great Again' became louder. It's as if America got transformed into an amorphous human-less entity. Tariff wars competed with real wars. Amidst all of this, Trump and Musk began to drift apart. It will take several hundred man-hours to determine the damage caused to the American public and the rest of the world by the billionaire duo.
It takes a third billionaire, the hedge fund manager Bill Ackman, to urge Trump and Musk to make up before it's too late. Musk has responded positively to him; no word from Trump yet. The POTUS is on a different platform.
While the internet is abuzz with jokes and memes about this feud, the potentially dangerous aspects of the Trump-Elon partnership have yet to fully unfold. Musk is the personification of the tentative arbitrariness of the second Trump presidency. Or the arbitrary tentativeness. Where everything is big and beautiful one moment and a disaster the next. But it is the regular folk, the same ones madly refreshing their social feeds for the latest in this feud, who have been paying the price for such shenanigans and tantrums. When multi-billion-dollar contracts get cancelled, or trade deals spell disaster, ordinary people on the streets get swatted like flies.
Like Shakespeare once wrote: 'As flies to wanton boys are we to the gods; They kill us for their sport'.

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Sudhanshu Pandey slams Apoorva Mukhija over Ashish Vidyarthi remark; Internet reacts strongly: "Finally someone spoke the truth"
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Apoorva Mukhija finds herself embroiled in yet another controversy. The social media influencer, who is fresh out of 'India's Got Latent' row, was recently slammed by her 'The Traitor' co-contestant . Tired of too many ads? go ad free now Sudhandhu Pandey, taking to her social media handle, shared a video where he called out Apoorva for her disrespectful tone towards veteran Bollywood star . Soon, the video went viral, and netizens reacted. Most of the online comments came in support of Sudhanshu, appreciating him for taking a stand against profanity. What did Sudhanshu Pandey say? The 'Anupama' fame star said, 'Apoorva, who is known as The Rebel Kid, already has enough controversies surrounding her. I'm not saying she's a bad person. She's a good kid. I'm sure she has a good heart too. But jab aapki zubaan kharaab ho jaaye na, toh wo sab kuch kharaab kar deti hai. (Your tone and words can damage everything). Everything else goes for a toss if you do not have the know-how about what to say, and how to speak, about people who are senior to you. Ashish bhai- Ashish Vidyarthi- who is such a senior actor- he's very senior to me as well. So, behind my back, she was talking about Ashish bhai, and was saying, 'Mujhe lagta hai Ashish jayega. (I feel Ashish will go)." He continued, 'Ashish jayega? Is he your childhood friend or what? Is he your childhood friend? What kind of way is this to talk about people — about actors who are older than even your parents? You're talking about them like this behind their back? What does this say about you? Please tell me — is this Gen Z? Is this what we think is cool? No, I'm sorry — this is not cool at all. Tired of too many ads? go ad free now I think this is the biggest bullsh*t, and it's like a curse on our society. ' 'Even I have kids, and even they are Gen-Z and they are extremely respectful to other people. So I am sorry, I think there are a lot of problems," said the actor. Netizens react to Sudhanshu's outburst on Apoorva 'Well said, listening to you I felt that lots of people don't have empathy for others. If everyone else is like you this world will be a better place. Respect is earned when given. Happy you had voice your opinion 👏👏👏❤️😍,' read a comment. While another netizen appreciated the actor by mentioning, 'Sudhanshu ji, finally someone spoke the truth of Gen Z, as a parent I really think what you are saying is 10000000% correct…' Here are a few more comments: 'Absolutely bhai, we must always respect our seniors. Ashish Sir is not only senior to us in age but also one of the most experienced and finest actors in the TV and film industry. Sharing screen space with him is a big deal. But these overnight-famous wannabes will never truly understand what real success means. And if this turns into a controversy, Apoorva will probably start crying again—just like she teaches her kind of kids: 'When you're stuck, just cry.'' 'So glad you took a stand about this, sir. Such disrespectful behaviour shouldn't go unanswered.' 'Totally agree! Both used such crass language towards people elder to them and also to people who simply disagreed with them. Why such things are allowed and such people are given unnecessary screentime? I literally fast-forwarded any scene that involved Apoorva, Sufi, and Urfi' 'He is absolutely correct Apoorva got no tameez & akal left I believe'

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BOMBAY by Akhil Katyal (b. 1985) . Look at the VT in the mornings for the rush of Bombay, look at the black ocean at night for the hush of Bombay. If you haven't been on the Evening Local from Bandra to Virar, then you haven't yet felt the crush of Bombay. You carry back the sea-gulls, the breakers, the waves, you wear the sea like skin, feeling the brush of Bombay. There was once 'a tower whose top was in the heavens' like Antilia, off Peddar Road: Bible warns The Plush of Bombay. When his eyes met mine, the Local slowed down at Dadar, the whole world halted, turned red in that blush of Bombay. You would never, Akhil, like your kind before you, 'leave the streets of Delhi,' then why like a lover, do you gush, of Bombay. . MARINE DRIVE by Ranjit Hoskote (b. 1969) There's a colour whose name I've lost to the ash fleece of cloud, the grackled light of a monsoon sky seesawing in the gaze, unframed, a trap for the sailboat wheeling in the bay: this colour that hovers between tenses, some call it violet, others squeeze their eyes shut when it surges through slate-grey folds of water, either not-yet or too-late, never tame at your heel. But look, the rocks are coming into view, dazed seals resurrected from the waves. The tide's worked itself loose of the shore and drifted out. There are no explanatory notes. What's left behind is not the remainder. There's a colour whose name I cannot speak. . MINI INDIA by Thangjam Ibopishak (b. 1948) (Translated from the Manipuri by Robin S Ngangom) Have you heard a parrot speak Urdu? I have, in my friend Zahiruddin's house. A mynah talking in Hindi? Even that, in my friend Nimai Singh's house. What about an ass reciting Sanskrit slokas? Yes, very often in Agya Gokul Shashtri's garden. A cat speaking Bangla, meow meow, ki bolo ki bolo A dog mouthing English A goat conversing in Meiteilon? Yes, inside Tomaal Chatterjee's house In Professor Haokip's drawing room In Chaoba Meitei's cowshed. They all live in neighbouring houses They can comprehend each other They exchange cuisines They don't lynch people for cuisine; They befriend each other, lovingly like a garland; This neighbourhood is a tiny Bharat, a mini India. . THE FLUTE by Rabindranath Tagore (1861-1941) (Translated from the Bengali by Subhoranjan Dasgupta) Kinugoala Lane: A two-storeyed house: An iron-grilled room on the ground floor Facing the street. Crumbling wall, Peeling mortar, Rain-stained patches, A picture—removed from a cloth-piece— Of the Success-Bestowing Ganesh Stuck on the door. Another being shares my room Covered by the same rent— A lizard. The only difference: He doesn't lack food. Pay: Twenty-four rupees, A junior clerk in a mercantile office. I'm fed by the Duttas For coaching their son. I spend the evening In Sealdah Station To save on electricity. The hoot of the whistle, The bustle of passengers, The roar of the engine, Shouts for coolies— It is half-past ten, I return to my room, to solitary, silent darkness. My aunt's village is on the banks of the Dhaleswari river. The girl, her brother-in-law's daughter, Was engaged to poor me. The hour for our wedding Was definitely auspicious. And sure proof of that— It became the hour of my flight . . . Well, the girl was saved, So was I. She who never came to my home For ever comes and goes in my mind, Dressed in a Dacca sari, In her hair's parting, the bridal vermilion. Dark, dense rain, Train fares go up, Wages go down. The lane is littered With rotting mango peels, jackfruit kernels, Scraps of fish bones, Dead kittens— All kinds of rubbish. My umbrella is full of holes. Like my pay, after they've cut the fines. My office dress? Rain-drenched Like the heart of Gopikanta Gosai wet with elegant wit. Dark shadows of rain Enter my damp room. Like a beast, trapped in a machine, Fallen in a faint, Day and night, I feel I am Chained hand and foot to a half-dead world. Kanta-babu lives at the end of the lane, Long hair carefully combed, Large eyes— A bit of a dandy. His hobby is playing on the cornet. Occasionally a raga rises In the fearful air of this lane— Sometimes in the depths of night, Sometimes in the half-light of dawn, Sometimes in the glittering twilight chiaroscuro. Suddenly in the evening The Sindhu-Baroan raga is heard. The sky rings. With the eternal sorrow of lovers parted, And that moment reveals The futility of this lane, Like a drunkard's ravings It suddenly flashes on me— The essential oneness Of the clerk Haripada and the emperor Akbar. The mournful flute unites In the same paradise The royal parasol and my torn umbrella, When the raga is heard, And the sunset hour of wedding seems unending. The Dhaleswari flows, Between the tamal trees, throwing deep shadows. And in the courtyard, She is waiting Draped in a Dacca sari, The bridal vermilion On her brow. (Excerpted with permission from The Penguin Book of Poems on the Indian City, compiled by Bilal Moin, published by Penguin Random House; 2025)

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