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Universal Swoops Into CineEurope With Fresh ‘Jurassic World Rebirth' & ‘Wicked: For Good' Clips; Touts Steven Spielberg & Christopher Nolan Projects

Universal Swoops Into CineEurope With Fresh ‘Jurassic World Rebirth' & ‘Wicked: For Good' Clips; Touts Steven Spielberg & Christopher Nolan Projects

Yahoo5 hours ago

Hot off the nearly $200M global opening of its live-action How to Train Your Dragon, Universal kicked off its CineEurope presentation here in Barcelona today with a different sort of soaring beasts — showing exclusive clips from its upcoming Scarlett Johansson-starrer Jurassic World Rebirth. The Gareth Edwards-directed sci-fi adventure entry in the $6B+ grossing franchise starts rollout on July 2.
And, of course, there was plenty of attention paid to Wicked: For Good, the sequel to Jon M. Chu's 2024 $750M global grossing fantasy musical. This included an illuminated green balloon descending from the rafters into the auditorium and an exclusive behind-the-scenes look that was introduced by Chu.
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As is typical, Universal came to Barcelona with a packed slate. Veronica Kwan Vandenberg, President of International Distribution, Universal Pictures International, introduced the show, saying, 'We believe in celebrating the power of cinema and the unparalleled theatrical experience for all types of films, ranging from emotional dramas, to animated event films, daring action blockbusters, inventive horror films and charming romantic comedies.'
Citing the upcoming slate from Universal, Illumination, DreamWorks Animation and Focus Features, Kwan Vandenberg said, 'In the next two years, we will deliver you the biggest and most diverse slate of films of any studio with 27 wide releases this year, and our most exciting lineup yet for 2026, which will include films from two of the greatest directors of our time Steven Spielberg and Christopher Nolan, and three blockbuster animations.'
Of the latter, DreamWorks Animation's August release, The Bad Guys 2 zoomed in with an extended exclusive look.
Niels Swinkels, EVP & MD, Universal Pictures International noted that Spielberg has wrapped his untitled event film, and that Nolan is hard at work on his epic The Odyssey which is being entirely shot with Imax cameras.
Swinkels and Julien Noble, President of International Marketing, Universal Pictures International later had some fun introducing live-action/animated adventure comedy Gabby's Dollhouse: The Movie, the big-screen version of Netflix's immensely popular kids series. They showed off an extended trailer. It releases domestically on September 26.
Other key titles touted were Bob Odenkirk sequel Nobody 2 and Blumhouse's Five Nights at Freddy's 2, the sequel to 2023's horror hit — which got a new teaser and starts offshore rollout on December 3; M3GAN 2.0, Soulm8te and Black Phone 2 footage was also screened.
From Focus, CineEurope got an exclusive look at Yorgos Lanthimos' fall release, Bugonia starring Jesse Plemons and Emma Stone; and a new exclusive trailer for Focus threequel Downton Abbey: The Grand Finale, whose first trailer dropped earlier this month and has more views than the combined total of the 2nd film's teaser and trailer. The U.S. and UK open on September 12.
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'28 Years Later' Ending, Explained
'28 Years Later' Ending, Explained

Time​ Magazine

time25 minutes ago

  • Time​ Magazine

'28 Years Later' Ending, Explained

Warning: This post contains spoilers for 28 Years Later. 28 Years Later, the long-awaited third entry in the post-apocalyptic horror franchise that kicked off nearly a quarter century ago with 2002's revolutionary 28 Days Later, has finally arrived in theaters. And with it, a new breed of terrifyingly fast-moving infected. Although 28 Years is technically the third film in the series, it takes the story in a different direction than what was suggested by the ending of the original sequel, 2007's 28 Weeks Later. Instead of the Rage Virus becoming an international contagion, it's revealed the disease's spread was ultimately contained to the UK, where survivors were left to figure things out on their own as the rest of the world moved on. That switch-up is likely due to the fact that, although 28 Days director Danny Boyle and screenwriter Alex Garland served as executive producers on 28 Weeks, 28 Years marks the first time the duo has returned to the saga in their initial creative capacity. The new movie centers on 12-year-old Spike (Alfie Williams), who travels beyond the borders of his home on Holy Island—an isolated community connected to the UK mainland solely by a tidal causeway—for the first time for a hunting trip with his father, Jamie (Aaron Taylor-Johnson). It's during this harrowing outing that Spike learns about the existence of Alphas, a strain of infected that have evolved to be much larger and stronger, as well as Dr. Kelson (Ralph Fiennes), a mysterious survivor who Spike believes may be able to cure his sick mother, Isla (Jodie Comer). While Spike and Jamie both make it back to Holy Island alive, once home, Spike grows disillusioned with his dad after seeing him cheat on his mom during an over-the-top celebration of Spike's hunting prowess. He decides to sneak his mom off the island in order to seek help from Dr. Kelson, though Isla's illness has resulted in her suffering from severe migraines and lapses in sanity, making their journey all the more difficult. On the road, Spike and Isla encounter a number of threats. But their most dangerous run-in occurs when Isla helps a pregnant infected give birth to a—surprise—non-infected baby girl and the newborn's father, an Alpha referred to as Samson (Chi Lewis-Parry), shows up to claim her. Luckily, Dr. Kelson arrives in the nick of time to rescue them by shooting Samson with a tranquilizer dart. After examining Isla, Kelson concludes she likely has cancer that has spread to her brain and while he can't do anything to save her life, he can end her misery by helping her to commit assisted suicide. With his mom gone, Spike briefly returns to Holy Island to leave the baby in his father's care with a note explaining where she came from and why Spike has chosen to strike out on his own. 28 Years Later may seem like it's wrapping up as Spike begins his solo pilgrimage across the mainland. But the movie actually has a final twist up its sleeve in the form of a tonally jarring epilogue that sets up the forthcoming Nia DaCosta-directed sequel, 28 Years Later: The Bone Temple. A third film, again helmed by Boyle, will then follow. Read More: Why the 28 Years Later Franchise Has Always Been About More Than Zombies How does 28 Years Later end? Harkening back to the movie's cold open, which saw a young boy named Jimmy (Rocco Haynes) escape the infected's slaughter of his family during the initial outbreak of the Rage Virus, the final scene of 28 Years features a now-adult Jimmy (Jack O'Connell) and his gang of followers rescuing Spike from a group of infected 28 days after he leaves Holy Island behind for good. The Jimmies, as they refer to themselves, are all sporting vibrant tracksuits and garish jewelry, and rely on a series of parkour-esque moves to kill the infected. The sequence is a bizarre departure from the mood of the rest of the movie and feels like a pretty odd note to leave things on, to say the least. But there are also hints throughout the film that Jimmy is looming large, first in the form of an infected man strung up in an abandoned house who has Jimmy's name carved into his flesh and later in a mysterious ode to Jimmy scratched into a wall. Whatever role Jimmy and his apparent cult are going to play in Spike's coming-of-age tale won't be revealed until The Bone Temple hits theaters in January 2026. But Boyle says fans can expect a "battle over the nature of evil" that, in the third film, will eventually lead to a "bigger story about redemption" centered on the return of Cillian Murphy's Jim from 28 Days Later. Until then, 'memento mori,' as Dr. Kelson would say.

That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film
That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film

Yahoo

timean hour ago

  • Yahoo

That Terrifying Chant in '28 Years Later': Danny Boyle Explains How a 110-Year-Old Recording Came to Define the Film

When the first trailer arrived for '28 Years Later,' the third installment in Danny Boyle and Alex Garland's masterful '28 Days Later' series of horror films, it was scary, filled with gruesome images of zombies and a dystopian world. But what makes the trailer even more terrifying is an eerie, rhythmic chant by a high, nasal voice, moving with a military cadence, monotonal at first but growing increasingly louder and more agitated as it goes on, with the images and ominous musical backdrop growing in speed and intensity as it progresses. More from Variety Box Office: '28 Years Later' Debuts to $5.8 Million, 'Elio' Flies to $3 Million in Thursday Previews Danny Boyle Says He Could Not Make 'Slumdog Millionaire' Today Due to 'Cultural Appropriation' and 'That's How It Should Be': 'I'd Want a Young Indian Filmmaker to Shoot It' '28 Years Later' Duo Danny Boyle and Alex Garland Break Down That Cliffhanger, the Next Two Movies and the Studio's Reaction to Extreme Gore and Nudity Somehow, in that context, the chant, even though the words seem unrelated to the images, is absolutely horrifying, like a deranged rap song. Its use in the film makes an ominous scene even more ominous. The chant is actually 'Boots,' a poem by Rudyard Kipling, first published in 1903 and intended to convey the maddening monotony of soldiers marching; the direct inspiration was the hundreds of miles British soldiers were forced to march across southern Africa in the Second Boer War around the turn of the last century, according to the Kipling Society. The recording used in the film is nearly as old as the poem itself, voiced in 1915 by actor Taylor Holmes. It is a dramatic reading that starts off militaristic as the initial lines set the scene, but his voice is patently hysterical by the end, even as it follows the lock-step rhythm of the first five syllables: 'I—have—marched—six—weeks in hell and certifyIt—is—not—fire—devils, dark, or anything,But boots—boots—boots—boots—movin' up and down again,And there's no discharge in the war!Try—try—try—try—to think of something differentOh—my—God—keep—me from going lunatic!' Unusually for something featured so prominently in a trailer, the poem plays a very small, although foreboding, role in the film — buttressed with an eerie bass synthesizer, it soundtracks Spike and his father walking to the mainland, which is thick with infected zombies, and presumably conveys that they're marching to war. But out of everything that could have been used to deliver that message, why a 110-year-old recording of a poem that dates back to the peak of the British Empire? Boyle explained in an interview with Variety last week. 'We had all these archives that we wanted to use to suggest the culture that the island was teaching its children,' he says. 'It was very much a regressive thing — they were looking back to a time when England was great. 'It's very much linked to Shakespeare,' he continues. 'For those who know the 'Henry the Fifth' film, there's a very famous speech, the Saint Crispin's Day speech, which is about the noble heroic English beating the French with their bows and arrows. We were searching for a song, for a hymn — for a speech, actually. We did think about using the Crispin's Day speech at one point, but that felt too on the nose. 'And then we watched the trailer — Alex and I remember it vividly — the first trailer that Sony sent us, and there was this [recording] on it, and we were like, 'Fucking hell!' It was startling in its power. It was used very effectively. 'The trailer is a very good trailer, but there was something more than that about that [recording], about that tune, about that poem. And we tried it in our archive sequence, and it was like it was made for. it' A rep for Sony wasn't immediately able to pinpoint the person who chose the chant for that trailer, but it was so effective that Boyle was quick to incorporate it into the film. 'It's like a reverse osmosis,' he says. 'It came into the film and seemed to make sense of so much of what we've been trying to reach for.' He also notes that Kipling's words and Holmes' voice, echoing across the decades in a context neither ever could have imagined, somehow take on a new power in today's context. 'You have to hold your hand up and say, 'How is it that something that's recorded over 100 years ago has that same visceral power that it's always intended to have?' And I think it was always intended to have that power and it still maintains it. In a TikTok world, it still has that impact. It's amazing.' Additional reporting by Bill Earl. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

Steve Ray Ladson Wows Crowd (and Catches Mel B's Eye) With Original ‘Blackgrass Brothercana' Anthem ‘Back of My Truck'
Steve Ray Ladson Wows Crowd (and Catches Mel B's Eye) With Original ‘Blackgrass Brothercana' Anthem ‘Back of My Truck'

Yahoo

timean hour ago

  • Yahoo

Steve Ray Ladson Wows Crowd (and Catches Mel B's Eye) With Original ‘Blackgrass Brothercana' Anthem ‘Back of My Truck'

Steve Ray Ladson appeared to have no nerves when he swaggered up to the mic on Tuesday night's (June 17) episode of America's Got Talent. The Hopkins, S.C. native with the big smile confidently told judge Howie Mandel that he's made a living 'all my life' making music, though he's only been at it professionally for 15 years. Cradling his banjo, the musician who has performed with the Blind Boys of Alabama and Robert Randolph and the Family Band said he came on the show to share his signature musical genre, which he calls 'Blackgrass Brothercana.' More from Billboard Young Singer Wins Over 'AGT' Judges With Ed Sheeran Cover Phoenix Mercury vs. Chicago Sky: How to Watch WNBA Stars Kahleah Copper & Angel Reese Face Off With Hulu + Live TV Here's Where to Buy 'How to Train Your Dragon' Book Series & Blu-ray Collection Online Joined by his backing band, Ladson unfurled his beat-heavy, country trap sound drawling, 'When I pull up on the scene/ It hit different/ Cuz ain't nobody whippin' how I'm whippin'/ We can leave the house, bring the dog and my guitar/ Fill up on some diesel, yeah we about to take it far/ I got my pole and the tackle box for the lake.' Hitting on a clutch of requisite country tropes: dogs, fishing, trucks and getting busy, Ladson caught the eyes (and ears) of judges Mel B and Sofia Vergara when he crooned about it all going down 'on the back of my truck' in a crowd-thrilling falsetto. The former Spice Girl grabbed Vergara's arm and shouted 'I love it! 'Cause you want to go in the back of his truck!' Ladson got a standing ovation and big props from the judging panel, with Vergara saying he was her favorite music act of the season so far. 'You guys were amazing, I loved it!' she enthused. Mel B spilled some tea about fellow panelist Vergara, revealing that 'she really loved the part in the back of my truck. She was very happy with you guys.' Vergara appeared to blush and explained, 'I liked the whole song, not only that part.' Ladson played along, cheekily asking, 'do you wanna ride?' Mel said she liked seeing things she's never seen before and Ladson definitely fit that bill for her. 'So slick, with swagger and lyrics like, 'I'm gonna [blank] in the back of my truck,'' she said. 'I loved it! Brilliant.' Mandel gushed that Ladson had a '100% hit song,' with Simon Cowell marveling that the band had only been together for a year. 'Everything was, like, on point. I love the song, I love you. I love the band,' Cowell said. 'This is when I love my job.' Needless to say, Ladson will be driving his truck to the next round after getting four big yes votes. America's Got Talent airs Tuesdays at 8 p.m. ET/PT on NBC and streams on Peacock the next day. Watch Ladson's performance below. Best of Billboard Kelly Clarkson, Michael Buble, Pentatonix & Train Will Bring Their Holiday Hits to iHeart Christmas Concert Fox Plans NFT Debut With $20 'Masked Singer' Collectibles 14 Things That Changed (or Didn't) at Farm Aid 2021

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