
SpaceX sends up Space Coast's 50th launch of the year
Florida's 50th launch of 2025 had been planned to be a human spaceflight, but instead it ended up being another batch of Starlink satellites.
SpaceX and Axiom Space remain on hold for any attempt to launch the Ax-4 mission from Kennedy Space Center, which had several options to fly this week, but were stymied by weather and then a liquid oxygen leak on the Falcon 9 booster. They await the all clear from NASA and Roscosmos, which were checking out repairs to an ongoing leak on the Russian side of the International Space Station.
Roscosmos announced Friday, though, the leak had been eliminated but was still monitoring pressure, so no new launch attempt date has been set yet by NASA or SpaceX. SpaceX, though, did successfully retest the problem booster with a wet dress rehearsal on Thursday to ensure it no longer had the liquid oxygen leak.
Meanwhile, SpaceX lined up and launched another Falcon 9 with 23 more of its Starlink internet satellites from neighboring Cape Canaveral Space Force Station's Space Launch Complex 40 lifting off at 11:29 a.m.
The first-stage booster made its 21st launch with a recovery landing downrange on the droneship A Shortfall of Gravitas stationed in the Atlantic.
It marked the 50th orbital launch from the Space Coast for the year with all but two coming from SpaceX.
The other two were from Blue Origin and United Launch Alliance. The Space Coast saw a record 93 launches in 2024 with 88 from SpaceX. At the beginning of the year, the Space Force said the Eastern Range was prepared to support as many as 156 launches for the year. While not on that pace, it is on target to surpass 100 launches for the year.
Blue Origin debuted its New Glenn in January, but is not expected to fly again until summer at the earliest.
ULA had its first launch of the year in April using one of its remaining Atlas V rockets on the first of dozens of missions planned to help proliferate the Project Kuiper constellation of internet satellites for Amazon, which is seeking to compete with SpaceX's Starlink.
That first flight took up 27 satellites and a second mission with another 27 satellites is slated for as early as Monday when a ULA Atlas V aims to launch from Canaveral's Space Launch Complex 41 during a window from 1:25-1:55 p.m.
Amazon had bought up nine of ULA's remaining Atlas V rockets using one in 2023 for a pair of test satellites for Project Kuiper followed by the April mission. ULA has 14 left total including seven more, including Monday's planned mission, for Amazon launches.
ULA's plans are to begin using its new and larger Vulcan rocket for Amazon missions. Amazon bought up 38 launches on Vulcan as well as flights with Blue Origin, Arianespace and even SpaceX as it tries to get more than 3,200 of its satellites into orbit by 2028.
Meanwhile, SpaceX has launched nearly 9,000 of its Starlink satellites since the first operational mission in 2019.
With a Starlink mission from California on Thursday, SpaceX celebrated its 500th mission completion since its first Falcon 1 success in 2008 . That early rocket had only two successful launches before SpaceX shifted to Falcon 9, which flew its first mission in 2010. Falcon 9 has since launched successfully 488 times with Friday's Canaveral launch, and suffered only two failures. The bigger Falcon Heavy has flown 11 times.
This year SpaceX has flown 73 Falcon 9 missions from among its three launch pads in Florida and California.
SpaceX's replacement for the Falcon family of rockets its its in-development Starship and Super Heavy rocket, which to date has only flown suborbital test missions from Texas. The company plans to build out two Starship launch sites on the Space Coast for operational missions, though, including taking over Canaveral's Space Launch Complex 37, which most recently was ULA's second home on the Space Coast for the now retired Delta IV family of rockets.
SpaceX and the Space Force demolished ULA's Delta IV launch tower Thursday to make way for a new Starship launch tower.
SpaceX's plans are to fly up to 76 missions a year from the new Canaveral site while adding up to 44 from a Starship pad in the works at KSC. This would be on top of continued Falcon 9 and Falcon Heavy launches from its existing pads at KSC's Launch Complex 39-A and Canaveral's SLC-40.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


USA Today
21 minutes ago
- USA Today
When is the next SpaceX rocket launch? Date, where to watch
SpaceX is set to have a launch once again in summer 2025, which comes after a recent incident: a Starship exploded while going through engine testing in Texas earlier in the week. "The spacecraft, standing nearly 400 feet tall when fully stacked, did not injure or endanger anyone when it exploded in a fireball that could be seen for miles, SpaceX said," per USA TODAY. But as usual with SpaceX, the company's next mission will go on. If you're wondering what that's all about? You've come to the right place. Here's what we know about that next mission that's set to launch this weekend: When is the next SpaceX launch? It's on Sunday, June 22. What time is the SpaceX launch? It's scheduled for 1:47 a.m. ET. What's happening in the next SpaceX launch? Per SpaceFlight Now: A SpaceX Falcon 9 rocket will launch another batch of 27 Starlink V2 Mini satellites into low Earth orbit. The rocket will take a north-easterly trajectory once it leaves the pad at Space Launch Complex 40. A little more than eight minutes after liftoff, the first stage booster, tail number B1069, flying for a 25th time, will target a landing on the droneship, 'A Shortfall of Gravitas,' positioned in the Atlantic Ocean. Where is the SpaceX craft launching from? That would be Vandenberg Space Force Base in California. How can I watch the SpaceX launch live? Check SpaceX's website to see if there's a livestream.
Yahoo
43 minutes ago
- Yahoo
SpaceX late-night rocket launch in Florida: Where to see liftoff from Daytona to New Smyrna Beach
A late-night rocket launch from Florida is on the horizon. SpaceX is set to launch a batch of Starlink satellites into low-Earth orbit on June 22 from Cape Canaveral. Rockets here launch from NASA's Kennedy Space Center or nearby Cape Canaveral Space Force Station. Weather permitting and depending on cloud cover, a rocket launch from Florida's Space Coast could be visible as far north as Jacksonville Beach and Daytona Beach to as far south as Vero Beach and West Palm Beach. When there's a launch window in the middle of the night or very early morning, there's an opportunity for unique photos — the rocket lights up the dark sky and the contrail after makes for a great photo. Below is more information about the SpaceX rocket launch in Florida and suggestions on where to watch them from here. Rocket launch tally: Here's a list of all 2025 missions from Cape Canaveral, Florida (psst, there's a lot) For questions or comments, email FLORIDA TODAY Space Reporter Rick Neale at rneale@ or Space Reporter Brooke Edwards at bedwards@ For more space news from the USA TODAY Network, visit Tom Cruise and untitled SpaceX project: 'Mission: Impossible' star who lives in Florida may shoot a film in outer space Mission: A SpaceX Falcon 9 rocket will launch a payload of Starlink broadband satellites into low-Earth orbit, a National Geospatial-Intelligence Agency navigational warning shows. Launch window: 1:47 a.m. to 6:17 a.m. ET Sunday, June 22, 2025 Launch location: Launch complex 40 at Cape Canaveral Space Force Station in Cape Canaveral, Florida Trajectory: Northeast Live coverage starts 90 minutes before liftoff at : You can watch live rocket launch coverage from USA TODAY Network's Space Team, which consists of FLORIDA TODAY space reporters Rick Neale and Brooke Edwards and visuals journalists Craig Bailey, Malcolm Denemark and Tim Shortt. Our Space Team will provide up-to-the-minute updates in a mobile-friendly live blog, complete with a countdown clock, at starting 90 minutes before liftoff. You can download the free FLORIDA TODAY app, which is available in the App Store or Google Play, or type into your browser. Shown is the National Weather Service-Melbourne radar, which shows conditions in real-time for the Space Coast, Brevard County, Orlando and other parts of Florida. The current date and time show up on the bottom right of this radar embed; otherwise, you may need to clear your cache. In Volusia County, immediately north of Brevard County — home to Kennedy Space Center and Cape Canaveral Space Force Station — you can get a great view of a SpaceX, NASA or United Launch Alliance rocket launch. The best views to watch a rocket launch from here is along the beach. Look due south. Recommended spots: • South New Smyrna Beach (Canaveral National Seashore) • Mary McLeod Bethune Beach Park, 6656 S. Atlantic Ave., New Smyrna Beach. Bethune Beach is 3.5 miles south of New Smyrna Beach and one mile north of the Apollo Beach entrance to Canaveral National Seashore Park. • Apollo Beach at Canaveral National Seashore (south of New Smyrna Beach). Canaveral National Seashore runs along Florida's East Coast in Volusia County and Brevard County. To access Apollo Beach, take Interstate 95 to exit 249, then travel east until it turns into State Road A1A. Follow SR A1A south to the park entrance. • Oak Hill riverfront is the southernmost city in South Volusia County. • Sunrise Park, 275 River Road, Oak Hill • Goodrich's Seafood and Oyster House back deck, 253 River Road, Oak Hill • Seminole Rest national historic site, 211 River Road, Oak Hill • Riverbreeze Park, 250 H.H. Burch Road, Oak Hill • Mary Dewees Park, 178 N. Gaines St., Oak Hill • Nancy Cummings Park, 232 Cummings St., Oak Hill • Jimmie Vann Sunrise Park, 275 River Road, Oak Hill • A.C. Delbert Dewees Municipal Pier, 243 River Road, Oak Hill • Bird Observation Pier on River Road across from A.C. Delbert Municipal Pier (see above) • Rose Bay in Port Orange, Florida • beaches along New Smyrna Beach, Florida • New Smyrna Beach Inlet, New Smyrna Beach lifeguard station • Halifax Harbor Marina in Daytona Beach, Florida • Ormond-by-the-Sea in Ormond Beach, Florida • George R. Kennedy Memorial Park in Edgewater, Florida This article originally appeared on The Daytona Beach News-Journal: SpaceX rocket launch in Florida: When to see in Daytona, New Smyrna


Atlantic
2 hours ago
- Atlantic
Three Giants, Talking While Hurtling Through Space
Space is where billionaires dream. Jeff Bezos thinks that we will soon move heavy industry and most humans off-planet onto massive revolving space stations, allowing the Earth to return to a pristine state. Elon Musk has famously argued that in order for humanity to survive all manner of calamities—asteroids, global warming, nuclear war—we must become an interplanetary species. He wants a million people settled on Mars by 2050. Larry Page has described this biosphere 'backup' as a 'philanthropical' act, and has invested in asteroid-mining ventures that will support it. Whatever their motivations—charitable, scientific, certainly commercial—their imaginations have long been fueled by science fiction. In stories such as Isaac Asimov's Foundation series and Star Trek, the genre has positioned outer space as the frontier that humanity must cross in order to transcend earthbound dilemmas. Musk, Bezos, and Mark Zuckerberg are all fans of Iain Banks's Culture series, which imagines a post-scarcity socialist utopia where all of our measly 21st-century problems have been solved by technological advancement. The arch-capitalists aren't deterred from pursuing it, though. They just want to have their hands on the controls. But what if space fails to live up to its billing? The technology for extraplanetary stations large enough to accommodate extensive human life remains theoretical. Martian soil is toxic, the air unbreathable, the atmosphere so thin that anyone who spent even a short time on its surface would be hit with massive doses of radiation. And our prejudices and hierarchies will almost certainly follow us to the stars. If, as seems likely, these planets are first populated by private companies such as SpaceX, then off-planet settlers would be dependent on their corporate sponsors for food, air, and life-sustaining technology. This skepticism has its own science-fiction tradition, in which space exploration follows the patterns of exploitation visible already on Earth. Ursula K. Le Guin's 1972 The Word for World Is Forest envisions space exploration as a recapitulation of earlier colonial conflicts. In Bong Joon Ho's most recent film, Mickey 17, a desperate space colonist volunteers himself to be cloned again and again, exchanging a lethal job for passage to another world. A similar cannon-fodder dynamic appears in Claire Denis' 2018 film, High Life, in which a group of criminals, sentenced to death on Earth, are enlisted in a suicide mission and directed straight into a black hole—space exploration as prison labor. And such fatal bargains are all over the work of the filmmaker Paul Verhoeven, who directed RoboCop and Starship Troopers, movies in which the bodies and souls of regular people are commandeered for the benefit of the powerful. In Pip Adam's extraordinary, humane novel Audition, recently released in the United States, space is both the dystopian place where humanity's worst impulses flourish and a site of uncharted possibility where humans can become something entirely new. The story follows three giants who are hurtling through space. Once, they were all regular-size humans, but then, for unknown reasons, they began to grow until they were at least three times the size of other people. They were feared, and then hated, and then, in their strange way, envied. As a result, they were packed off into spaceships and shot away from Earth—heading, like High Life 's prisoners, for a black hole. Their ship is designed according to a strange, symbiotic principle: It gets its power from the giants' speech, and the giants must speak so that they don't grow even more. Yet something has gone wrong. When the novel begins, Alba, Stanley, and Drew, the remaining crew of the Audition, are trapped throughout the ship—one crammed into a hallway, another wedged between the floor and ceiling of a basketball court. At one time, it seems, the giants had staged a sound strike, refusing to speak with one another or to the ship. Only too late did they realize that their silence made them grow much more rapidly than before, and now they barely fit aboard. So the trio speak with one another from where they're stuck, their voices carrying through the pipes and the walls. Pages and pages of dialogue go nowhere and carry no real meaning. They speak in the plural, almost as a collective, like a sci-fi variation on Virginia Woolf's The Waves. 'We were giant on Earth, and it was terrifying—for everyone,' Alba says, but her thoughts could well be the group's. They describe many things as beautiful, many times, and repeat the meal schedule: Monday is 'vegan superfood buddha bowl day.' Tuesday is 'Greek roasted fish with vegetables.' Whenever they try to tell stories about their own pasts, the events sound awfully like the plots of mediocre rom-coms such as Never Been Kissed and the Jennifer Lopez vehicle Maid in Manhattan. Whenever they approach something like the truth, their words do not seem up to the task of describing it, and they continue speaking in a roundabout, inane manner. Alba believes that she is in space simply because it 'is the biggest room so there is no reason for me to go anywhere else.' All this uninformative talk encourages the giants to attack themselves rather than whoever put them on the Audition. It becomes clear, although they are only intermittently aware of it, that before they took off, the giants were confined in an open-air stadium they call 'the classroom.' There, the giants gradually lost all sense of self. Their days were spent learning dull, repetitive tasks. Their life histories were replaced by those romantic-comedy plots. And they were made to think of themselves as essentially inferior. 'The best thing is to be stupid and we are stupid,' Alba says. 'It is a gift we needed to return to. It is better to be stupid and it is better to not try and work out things.' They repeat, to the point of absurdity, phrases such as I want to say and The story is. All those extra words filling the air don't just fuel the ship; they also prevent its inhabitants from realizing what has been taken from them. Adam is showing how even language, the medium of the novel, can be polluted, corrupted, and transformed into a means of exploitation. Words turn from meaningful communication into pure, distracting noise. In a rare silent moment, the group reflects on how cheeseburgers sound: on the grill, as they're being put together, and especially in the mouth. This inspires another thought: that despite remembering the meal schedule, the giants have not eaten in a very long time, and, incarcerated in the ship, they might well starve to death. But their trained language distracts them. 'They really have nothing to complain about because really a bit of discomfort isn't so much,' their collective thought goes. 'Really. Like not so much.' They cannot be silent long enough to actually think, and they have been transformed into their own hall monitors. They are heading toward the event horizon of a black hole, a natural phenomenon that the Harvard astronomer Avi Loeb, in an epigraph, describes as 'the ultimate prison wall—one can get in but never get out.' Clearly, Adam is investigating what happens to the incarcerated, and as time passes, her main trio's confinement begins to look more purposeful than before. When, about halfway through the book, they pass through the event horizon, time distends, and realization floods through them all about how they knew one another before the classroom—even before becoming giants. They're marked and bonded by shared damage, violence, and shame; this might even, Adam implies, be the source of their growth. This realization reconfigures the entire book, recasting their ongoing dialogue and seemingly cordial relations as an interstellar jail—and the novel itself into an extended, especially cruel prison sentence. Audition can be a caustic, biting book, full of insights into the many cages we construct for the unwanted. But the event horizon, which at first represents their permanent banishment, becomes a frontier of hope when they finally cross it. They find themselves in an endless space beyond, which imposes no limit and seems to shape itself around them and their needs. There, they encounter other life-forms, and are offered some kind of status as visitors. Life in this new world comes with its own struggles and demands and obligations, yet without the divisions and distinctions that trapped them within the ship. After so much speaking, they find themselves deciding on what to do next, then acting together, not as opponents confined within a closed system but as participants in something huge and fluid and vitalizing. 'They're all inside her and she's inside all of them,' Alba thinks, 'although maybe inside and outside are pointless at this stage.' Only through the achievement of some new, unheard-of association can they hope to be free of their past shame, and discover as-yet-unknown pleasures. Like the billionaires and their sci-fi dream weavers, Adam is using outer space to imagine alternative forms of human relation. But with Audition, she wants to escape the gravitational trap of Earth's prejudices and hierarchies, its forms of ownership and exploitation. Rather than making space a lockup for the unworthy, or a new frontier upon which to exert our will, she searches for something far more expansive among the stars. We must move, she suggests, beyond the hard borders that separate, isolate, and constrain life on Earth today. Across the event horizon lies true possibility. But first we must find our way out of the cage.