11 New Albums to Stream Today
The post 11 New Albums to Stream Today appeared first on Consequence.
It's New Music Friday, and the weekend brings an exciting batch of new albums to stream.
Miley Cyrus is back with her highly-conceptual, Pink Floyd-inspired visual album Something Beautiful, while The National's Matt Berninger returns for his second solo effort, Get Sunk. Plus, there's new releases from yeule, Garbage, and Mt. Joy, as well as a collaborative project between Low's Alan Sparhawk and Trampled by Turtles.
Check out our list of the best new albums to stream today.
After sharing the experimental White Roses, My God last year, Low's Alan Sparhawk returns today with a collaborative album made with the folk band Trampled by Turtles. It's a fitting combination, as both acts emerged from the Duluth, Minnesota area and have shared the stage together dozens of times over the years.
Stream on , , or | Buy on
Singer-songwriter Ben Kweller returns to music with Cover the Mirrors, his first project since the tragic passing of his son Dorian Zev in 2023. The new album, releasing on Dorian's 19th birthday, is a raw, emotional journey through grief and loss, with support from Waxahatchee, MJ Lenderman, The Flaming Lips, and Coconut Records. Kweller broke down the origins of lead single 'Optimystic' for Consequence here.
Stream on , , or | Buy on Vinyl/CD
Three years removed their self-titled debut album, London eight-piece band Caroline have returned with the aptly-named Caroline 2. To keep things as 'Caroline' as possible, the group recruited Caroline Polachek for lead single 'Tell me I never knew that' and included a song on the album called 'Coldplay cover' that, in fact, is not a Coldplay cover.
Stream on , , or Spotify | Buy on
While Garbage are often masters at depicting darkness, Let All That We Imagine Be the Light searches for a more uplifting message. 'This record is about what it means to be alive, and about what it means to face your imminent destruction,' said the band's Shirley Manson. 'It's hopeful. It's very tender towards what it means to be a human being.' They're also supporting the album with their first headlining North American tour in seven years.
Stream on , , or | Buy on
The National frontman Matt Berninger is back with his sophomore solo album Get Sunk, a rich, sorrowful exploration of the human experience. The single 'Bonnet of Pins' showcases Berninger's knack for storytelling, offering a taste of the hero's journey to the self that Berninger delivers on Get Sunk.
Stream on , , or | Buy on
Miley Cyrus returns again with Something Beautiful, her ninth studio album. The project was inspired by Pink Floyd's The Wall and high fashion, and features an accompanying music video for each song. Plus, she recruited some exciting collaborators for the album, including Shawn Everett, Brittany Howard, Alvvays' Molly Rankin and Alec O'Hanely, Model/Actriz's Cole Haden, BJ Burton, Ryan Beatty, and many more.
Stream on , , or | Buy on
The five-piece indie folk and rock outfit Mt. Joy is back with their fourth studio album Hope We Have Fun. The project is a reflection of the fast-paced, chaotic lifestyle that comes with being an artist, which is captured in lead single 'More More More.' They're also heading out on a major 2025 tour in support of the album.
Stream on , , or | Buy on
Oakland-based rapper and producer Ovrkast. returns with his latest collection of sample-based, jazz-inspired hip-hop. On the newly released WHILE THE IRON IS HOT, he's joined by Vince Staples, MAVI, Samara Cyn, Malaya, and his upcoming tour mate Saba.
Stream on , , or
This year marks a decade since the release of Sufjan Stevens' beloved, personal album Carrie and Lowell. In honor of the milestone, Asthmatic Kitty is releasing a 10th anniversary edition with 40 minutes of bonus material from the era, including demos for songs like 'Death With Dignity,' 'Should Have Known Better,' and 'The Only Thing.' Read our review for the original record here.
Stream on , , or | Buy on
Indie rocker Ty Segall continues his prolific output of music with his 16th album Possession, a cinematic romp through the American landscape. The lead single 'Fantastic Tomb' is a tale about an attempted home burglary, backed by a jaunty guitar and a saxophone played by Mikal Cronin. Possession sees Segall once again collaborating with filmmaker Matt Yoka, who brings another level to the narrative arc of the album.
Stream on , , or | Buy on
Experimental artist yeule is back with Evangelic Girl is a Gun, their fourth full-length project and the follow-up to 2023's acclaimed Softscars. They've already supported the release with a standout appearance on Everybody's Live with John Mulaney this month, where they gave a highly-choreographed performance of lead single 'Skullcrusher.'
Stream on , , or | Buy on
Popular Posts
Billy Joel Diagnosed with Brain Disorder, Cancels All Upcoming Tour Dates
Man Wearing Nazi T-Shirt Gets a Beatdown from Fans at Punk Rock Bowling Fest
Freddie Mercury's Alleged Child Revealed in New Biography
David Lynch's Personal Archive Going Up for Auction
Eddie Murphy and Martin Lawrence Are Now In-Laws
Dave Mustaine: Metallica Stole "Enter Sandman" Riff from Another Band
Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Chris Martin's Emotional Moment During This Song May Show How He's Handling the Dakota Johnson Split
Dakota Johnson and Chris Martin's breakup has been on everyone's minds since the news broke. While we're still devastated at the end of one of our favorite celebrity couples, it seems we may not be the only ones. In a recent clip of Martin performing, he's gotten fans misty-eyed, and so many are now wondering how the breakup has affected him. On June 19, the popular X account PopTingz shared a video from Coldplay's latest gig. They shared the video of Martin with the caption reading, 'During 'Sparks,' Chris Martin gets emotional, adding 'yes I will' after 'I won't let you down.'' More from SheKnows Chris Martin Just Wore a Telling Accessory Amid First Outing Since Dakota Johnson Split You can see the video HERE! Now, first things first: he didn't add anything. Per Genius, the lyrics in that part of the song go: 'But I won't let you down/ Oh, yeah, I will, yeah, I will, yes, I will.' So, no, he didn't add anything new to the song, but we can admit one thing: he does look more visibly emotional than other times he's sung this song live. 'Sparks' is one of Coldplay's most well-known songs, and it was a track from the band's debut album Parachutes, which was released in 2000. The song is about 'someone who tries to get someone to remember them again,' according to Genius. Now, Martin is an emotional performer, but the timing of this after his breakup from Johnson, plus how visibly emotional he looked while performing, has made people wonder how he's handling the breakup. Along with that, his previous outing with an accessory meaning 'freedom,' has got speculation brewing on how he's handling it all behind closed doors. For those who don't know, Johnson and Martin started dating in 2017 after being set up by mutual friends. They didn't confirm their relationship until a year later, but then, there was a rumor that they briefly broke up in the summer of 2019. However, they quickly reconciled, and they moved in together in 2021. While we don't know the exact time they got engaged, many sources claim it was years ago, but the two weren't too eager to set a date. But the engagement became public at the beginning of 2025. Sadly, Martin and Johnson seemingly called it quits for good in June 2025. A source spoke to The Sun about what led to their recent breakup, saying, 'They really tried to work through their issues but the age gap was often a problem and she'd expressed that she may want children in the future, whereas Chris is kind of done with that part of his life but they discussed it.'Best of SheKnows 23 Age-Gap Couples Who Met When One of Them Was Still a Child Everything to Know About Leonardo DiCaprio's 27-Year-Old GF Vittoria Ceretti A Look Back at Prince William's Sexiest Photos in Celebration of the Future King
Yahoo
5 hours ago
- Yahoo
Beyoncé lights up Paris again on Night 2: New dazzling looks, more special guests
PARIS — Beyoncé Knowles-Carter launched her second show in Paris, and she delivered another high-energy spectacle with new fashion and more special guests. The Grammy-winning singer kicked off her June 21 show at Stade de France in Paris around 8:36 p.m local time. The show marked the second show at the stadium on her Cowboy Carter and the Rodeo Chitlin' Circuit Tour. She is set to hit the stage for the third and final time June 22. 'Y'all are absolutely stunning. Thank you guys for having us tonight. Thank y'all for being here tonight," Beyoncé said as she opened the show. "I'm so thankful for your loyalty for almost 30 years." Beyoncé first launched her tour in Paris on Juneteenth, when fans planned a powerful display at her concert to commemorate the holiday, which celebrates the end of slavery in the United States. View this post on Instagram A post shared by Beyoncé (@beyonce) The night was made especially special when Beyoncé brought out Miley Cryus and the two women sang their beloved duet "II Most Wanted." Dressed in all gold, the Grammy-winning singers held hands and the crowd went wild as Cryus approached the stage. Christian Louboutin spotted at Cowboy Carter Tour! 🤠 — Beyoncé Press. (@beyoncepress) June 21, 2025 Saturday's show proved to be another groundbreaking spectacle filled with new fashion looks and a few changes. And special attendees such as French designer Christian Louboutin were there to witness it. Beyoncé's stunning new opening outfit in Paris night 2. — NotBeyoncebutViolence (@ourhermitage) June 21, 2025 Beyoncé first debuted a new look during the opening number of the show, donning a white ensemble and a matching cowboy hat. OH THIS NEW ALLIGATOR TEARS LOOK CHEWS😭😭😭 — 𝗱𝗮𝗻𝗻𝘆🫧💚 (@beyoncegarden) June 21, 2025 And the new fashion looks continued throughout the entire night. THIS LOOK IS JUST STUNNING😭😭😭 — 𝗱𝗮𝗻𝗻𝘆🫧💚 (@beyoncegarden) June 21, 2025 One fan wrote "New outfit for 'Alligator Tears,' 'Just for Fun,' 'Protector,' and 'Flamenco' — Beyoncé looks incredible!" ANOTHER NEW LOOK JESUS😭😭😭 — 𝗱𝗮𝗻𝗻𝘆🫧💚 (@beyoncegarden) June 21, 2025 And fans noted her outfits weren't the only change. During the show, Beyoncé debuted another special guest: The Mayyas, an alternative dance crew founded by Nadim Cherfan. They performed behind her during 'Protector,' stepping in for her usual dancers. 'We have a special guest tonight. Please give it up for The Mayyas,' Beyoncé told the crowd, and she made sure to shout them out again before the show ended. View this post on Instagram A post shared by The Mayyas مَيّاس 🇱🇧 (@mayyasofficial) Cherfan and the Mayyas have collaborated with Beyoncé before, and many fans were thrilled to see them on stage once again. As fans know, Beyoncé first debuted her "Cowboy Carter" tour at SoFi Stadium in Los Angeles on April 28 with 39 songs on the set list. Her shows have been filled with family, fashion, different music genres, and most notably country music and cultural commentary. "I love you so much Paris. Thank y'all so much," she said toward the end of the concert. "Thank you so much for your energy." The nine-city tour will span the U.S. and Europe with the grand finale taking place in Las Vegas on July 26. Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay. This article originally appeared on Nashville Tennessean: Beyoncé stuns again Night 2 in Paris: More new looks, special guests
Yahoo
5 hours ago
- Yahoo
Here's why a classic Radiohead song is back in the charts again – and our pick of their best test tracks
When you buy through links on our articles, Future and its syndication partners may earn a commission. If you're the sort of backwards cap-wearing whippersnapper who spends more time than they'd like to admit trawling the endless swathes of short-form content on popular social media platform TikTok, you may have already run into Radiohead's Let Down without even realising it. The jury's still out on TikTok and its impact on the still-forming brains of our society's youth, but for exposing audiences to new (and old) music that's often outside of the mainstream, it's performing a surprisingly valuable service. Let Down is just one of the many tracks enjoying a major resurgence thanks to its popularity on short-form social media. According to Forbes, the fifth track from Radiohead's seminal 1997 behemoth OK Computer has enjoyed such a revival that it's in danger of troubling the official US Hot 100 chart ranking, and it's not the only tune to have enjoyed such a retroactive bump. The likes of Alphaville's Forever Young, Coldplay's Everything's Not Lost and Modern Talking's Cheri Cheri Lady have become reborn colossi across the likes of YouTube, Instagram and TikTok, accompanying everything from Premier League goals compilations to in-depth makeup tutorials. I'll let you decide which of those I watch more often. Long may this continue. If TikTok gets more people listening to Radiohead and OK Computer, so much the better. That said, much as I appreciate the love for Let Down, it wouldn't be my go-to for testing anything from headphones to hi-fi. Instead, I'd direct audiences, be they teen TikTok trawlers or grizzled fellow Millennials, to the delights of another masterwork, this time taken from 2000's equally acclaimed masterwork Kid A. Let Down is great, but Everything In Its Right Place is the one to go for if you're serious about giving a product a chance to flex its muscles. We, as a What Hi-Fi? collective, have been using it since before TikTok was even a thing, and while it's another track enjoying something of a renaissance thanks to social media, we can't take much of the credit for the revival. Everything In Its Right Place represents, if such a thing exists, the definitive essence of Radiohead. It's an ethereal concoction, blending woozy, otherworldly synth sounds and warm, fuzzy keyboards with the unsettling glitches and twitches of a malfunctioning motherboard, pulling together seemingly contrary elements into a composition that feels both reassuringly warm and enveloping yet disturbingly fractured and bizarre. Perhaps the track's title would be best served by the inclusion of a question mark at its tail: Everything In Its Right Place? It's a sublime tester for anything you feel needs a test room challenge, but we particularly like the track for testing a pair of speakers. Those glitchy effects flit from one speaker to the other, elucidating how well a pair can handle organisation and separation, while Thom Yorke's arcing vocals should have both solidity and depth between your chosen pair of contenders. A great test of stereo imaging, then. We listen to a good deal of dear old Thom and his Oxford-born buddies, so we know which idiosyncrasies and vocal textures to seek out from that instantly recognisable falsetto. Yorke's voice should soar to appropriate heights, of course, but it's those oft-hidden elements, be they a slight hesitancy at the beginning of a line or the peaks and swells when singing words such as "everything" or "place" that should be tracked with absolute precision. We always come back to the same question: does he sound like he's singing at a pre-show rehearsal, or is this a man trying to communicate something with real emotional power? The longer it goes on, the more the intensity rises. Everything In Its Right Place might start off at a creeping pace, but it's the increasing sense of urgency as both tempo and volume build which creates, if you have the equipment, that paralysing sense of drama and heft. Once you're past the 1:30 mark, you should sense an active shift as the track changes gears from languid scene-setting to a clamorous and incessant climax in which layers upon layers pile upon one another, creating a dramatic denouement which should instil both panic and awe in equal measure. If you don't feel that change in tone, however, you may be dealing with hi-fi that doesn't have enough flexibility or sense of drama to take things to the next level. This being Radiohead, it's all about playing with your emotions. Do you feel unsettled yet intrigued by the track's moody, ambient opening, or just bored and uninvolved? Do you feel adrenalised yet slightly overwhelmed as it builds to its climax, or do you sense that the track, or the gear you're using to play it, is holding back? It's been something of a thrill to see social media reinvigorate the fortunes of various unexpected tunes, or else introduce a new generation of fans to music that isn't throwaway pop or a YouTube star's latest generic cash-in. If you're new to the world of Radiohead and want a truly mind-altering experience, I'd urge you to seek out Everything In Its Right Place. And if you want that experience to be genuinely life-altering, I'd urge you even more strongly to find headphones or hi-fi that can do it proper justice. MORE: JBL, Bose and Cambridge Audio: these are the 5 freshly announced products that are on our radar These are the best Radiohead tracks for testing your hi-fi 7 tracks we've been enjoying in our test rooms over the past month