'Friendship' Starring Paul Rudd Gets New Digital Release Date
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Entertainment gossip and news from Newsweek's network of contributors
A new film starring Tim Robinson and Paul Rudd premiered at the Toronto International Film Festival in September 2024 and landed in theaters last month.
Friendship, from the studio behind Oscar-winning films Everything Everywhere All At Once and Moonlight, is the feature directorial debut from the Primetime Emmy-nominated Andrew DeYoung and follows a suburban dad who falls hard for his charismatic new neighbor.
(L-R) Tim Robinson and Paul Rudd in 'Friendship'.
(L-R) Tim Robinson and Paul Rudd in 'Friendship'.
By Spencer Pazer / Courtesy of A24
READ: Guillermo del Toro's Frankenstein – Everything We Know, Trailer, Release Date
You may have missed this gem in theaters, so we've put together a guide that includes details on where to watch Friendship, as well as the Friendship digital release date and Friendship streaming information.
Friendship – How to Watch
Friendship is now available on Video on Demand platforms. You can rent and buy the title on places like Fandango at Home, YouTube, Prime Video, Google Play, and Apple TV+ for $19.99 to rent and $24.99 to buy.
Where Can I Watch Friendship?
Friendship is available to rent and buy on Video on Demand platforms.
It lands on places like Prime Video, Apple TV+, Fandango at Home, and Google Play on June 17, 2025.
Friendship Physical Release Date
Friendship is now available for pre-order on the A24 Store in the Blu-ray format. It is expected to ship in August 2025.
Bonus features include:
Commentary with Writer-Director Andrew DeYoung, Director of Photography Andy Rydzewski, and Conner O'Malley
Deleted Scenes
"Men Talking in the Dark" Extended Q&A with Eric Rahill, Paul Rudd, Tim Robinson, and Andrew DeYoung
Conner O'Malley Extended Garage Scene
Six Collectible Postcards with Behind the Scenes Photography
(Bonus features may vary depending on format and retailer)
Friendship Digital Release Date
Friendship will be available to watch digitally from June 17, 2025.
Is Friendship Available to Stream in the US?
Friendship does not yet have an official streaming release. However, as A24 has an exclusive streaming deal with HBO and Max, it will likely end up on Max in the future.
What Is Friendship About?
The official synopsis for Friendship, as per A24, reads:
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
8 minutes ago
- Yahoo
'Étoile' has been cancelled, but no one blends dance and humour as brilliantly as Marguerite Derricks
One of the most devastating entertainment losses of the year is certainly the cancellation of the show Étoile after just one season, from Gilmore Girls, Bunheads and The Marvelous Mrs. Maisel creator, Amy Sherman-Palladino, and her husband Dan Palladino. But with that puzzling move from Prime Video, there's no better time to celebrate all the talent in the short lived series. That includes Marguerite Derricks, an incredibly beloved and impressive choreographer who's worked on Palladino's previous projects. Additionally, she's contributed her talents to the series Behind The Candelabra and movies including Showgirls, 13 Going On 30 and the Austin Powers franchise. But in terms of what makes the Palladinos such effective collaborators, Derricks stressed that they way they shoot dance in their shows is done in a way where there's a real "marriage of the camera with movement." "For a choreographer, there's nothing greater than that," Derricks told Yahoo. "On Bunheads I started to play with them that way, and it's carried on through four different TV series." "It's just made me such a better choreographer. ... I wish every choreographer would find collaborators like Amy and Dan, because there's nothing like it." One example of how Étoile really makes the dance in the show an integrated part of the story is the Swan Lake moment with Tiler Peck in Episode. It's a dance moment, but written in a way that's injected with humour. "That was written by Dan Palladino and ... when they sent me the outline for the script I literally was laughing out loud," Derricks shared. "I couldn't wait to attack that and to have Tiler Peck be the one that got run over by the swans, it was just such a gas." "Their comedy genius is always on the page and then I just put it into motion. I've worked with comedians my whole life, so it's something that I really, really enjoy, but it's always there on the page. There's never, a question mark for me with Amy and Dan, they're so clear." Another highlight is a piece choreographed by Gideon Glick's character Tobias Bell in Étoile. A character that's hysterical with his quirkiness, brought out in the character's choreography as well. "That was my big voice in the show," Derricks said. "I love Gideon Glick. He is the coolest, craziest human being. He would come and watch me and he thought I was funny because I kind of stalked the dancers like a lion. And so he wanted to pick up on that." "And I studied him and I like his quirks, and I wanted to make sure that that's what was driving me a lot with the choreography. So I the two of us, we kind of became one, we became Tobias together." While Étoile certainly isn't a show that requires the audience to have a dance background to enjoy, there was still such a commitment on the show to make its dance spaces and dancers feel real. What the dancers are doing before classes, what they're doing in the hallways, every detail was thought of to make these moments look authentic. "That was the first thing [Amy] talked about with every department head, we all knew that was our marching orders," Derricks explained. "I kind of had a little bit of a sense of that from working on Bunheads with her, but now we were going from a young kids school to the professional world, and so ... we did our research to make sure that everything was really up to par." "Tiler Peck was a student of mine. I would call Tiler and ask her questions, and it was very important to us that, when this show came out, that the ballet world would give us a thumbs up on it. ... There's been so many shows out there that have been done in a way where it's not authentic. So for me right now, the feedback I'm getting from the ballet world is the greatest thing that I could have ever hoped for." Much of what happens in the "Hollywoodization" of dance, specifically ballet in film and TV, largely sees talented dancers be nameless and on the periphery of the project. But in Étoile, Sherman-Palladino made wanted to use there dancers to their full potential, and crediting them for their work. "That was the most exciting thing for me," Derricks said. "Every single dancer that came into our show, [Amy] read them for parts. She wanted to cast the dancers. She wanted to hear their voices. I want to scream from the rafters, because that's happening more and more, but it really happened on [this] show. ... Dancers are so great at telling stories without speaking, so just get comfortable with talking as well. I'm very proud of that. ... The dancers were getting lines, they were so excited." A core element of Étoile is that dancer was very much used to tell the story, it's an integral part of the narrative. But it also immerses the audience in a dance world many haven't had any exposure to, portraying ballet dancers in a different light and as more fully formed characters, held up by brilliant and unique choreography from Derricks. "Ballet is sexy, ballet is strong. Ballet dancers are like football players, the athleticism that they have," Derricks stressed. "I want people to see ballet in a whole different way." "There's a lot of wonderful choreographers out there now doing out the about box, beautiful work, but for somebody that doesn't know ballet, I hope that we can reach a greater audience and turn them on to all sides of ballet."
Forbes
2 hours ago
- Forbes
Angel Studios' ‘The Last Rodeo' Gets Digital Streaming Date
Neal O'Donough and Mykelti Williamson in "The Last Rodeo." The Last Rodeo, a faith-based drama starring Neal McDonough, is coming soon to digital streaming. Find out when and where you can watch the movie at home. Rated PG, The Last Rodeo opened in theaters on May 23. The official summary for the film reads, 'A retired rodeo legend risks it all to save his grandson. Facing his own painful past and the fears of his family, he enters a high-stakes bull-riding competition as the oldest contestant ever. 'Along the way, he reconciles old wounds with his estranged daughter and proves that true courage is found in the fight for family.' Produced by Angel Studios (The King of Kings, Homestead), The Last Rodeo also stars Sarah Jones (For All Mankind), Mykelti Williamson (Forrest Gump, Heat) and Christopher McDonald (Happy Gilmore, Happy Gilmore 2) Graham Harvey and Ruvé McDonough — who produced the film with her husband, Neal McDonough. The Last Rodeo will be released on digital streaming via premium video on demand on Tuesday, July 15, as confirmed by a new listing on Apple TV. The film is currently up for pre-order for $19.99, which is also the film's purchase price. Since digital rentals are typically $5 less than purchase prices, viewers can expect to rent The Last Rodeo for $14.99. As of this publication, Apple TV is the only platform offering The Last Rodeo on PVOD. It is worth noting, however, that Angel Studios' faith-based hit The King of Kings only debuted on PVOD on Apple TV and Fandango at Home. How Did Audiences And Critics Receive 'The Last Rodeo'? The Last Rodeo has earned $14.6 million to date in North American theaters. The film had an estimated production budget of $8.5 million before prints and advertising, per IMDb. The Last Rodeo earned a 68% 'fresh' score from Rotten Tomatoes critics based on 37 reviews. The film also earned a 95% 'fresh' Popcornmeter score based on 1,000-plus verified user ratings. The RT audience summary for The Last Rodeo reads, 'With a punchy Neal McDonough on the saddle, The Last Rodeo is a wholesome ride for the entire herd.' The Last Rodeo arrives on PVOD on Apple TV on July 15.
Cosmopolitan
3 hours ago
- Cosmopolitan
We Were Liars: TV Show vs. Book Differences
We Were Liars, the new Prime Video series from showrunners Julie Plec and Carina Adly Mackenzie that's a juicy mishmash of YA romance, vacation mystery, and Succession-y family drama, also happens to be based on the very popular novel by E. Lockhart. If you're too curious about what was different in the book or how the show handled *that* ending, here's the 411 on the adaptation. The basic story, characters, and relationships are the same. There will be spoilers ahead, uh, obviously. Starting with the big one because I am no liar! We Were Liars is about a seventeen year-old girl named Cadence Sinclair working through post-traumatic amnesia after a fire she helped set killed her cousin Johnny, her cousin Mirren, and her childhood best friend/boyfriend Gatwick "Gat" Patil. Her amnesia and trauma is represented by the ghosts of those three dead teenagers, who used to call themselves "the Liars" when they spent summers growing up on the Sinclair family's private island called Beachwood. Every time a living person tries to tell her what happens, she has a panic attack and forgets all over again. The fire occurred after a dramatic summer caused the Liars to become disillusioned with their picture perfect, privileged family. On the show and in the book, we see that fateful summer unfold as Cadence remembers the truth. There are some small changes to the narrative in the adaptation. For example: Mirren's younger brother Taft is simply not in the show! His character is basically combined with Johnny's younger brother William. Here are the bigger changes: In the book: Grandma Tipper dies between Summer 14 and Summer 15, and the fire happens at the end of Summer 15. We spent time with Cadence at home in Vermont recovering from her physical injuries and recalling sporadic memories. She spends Summer 16 in Europe with her father. Almost two years later, during Summer 17, Cadence returns to the island seeking the truth and reunites with the Liars' ghosts. In the show: All of the tragic events happened in Summer 16. We never see Cadence's life in Vermont outside of a hair dye montage. Just one year after the accident, Cadence goes back on the island for all of what would have been Summer 17, working with the ghosts of the Liars to figure out what happened. In the book: Johnny gets more and more distressed, Mirren gets more and more sick, and Gat gets more and more angsty about resuming his relationship with Cadence. The house where they're "staying" gets progressively messier with clutter and dirty dishes. In the show: The ghosts are the tiniest bit, well, friendlier and there's no mess for Cadence to clean up. I guess that wouldn't make for compelling TV. In the book: Cadence processes her mental state by telling the reader fairy tales in which she casts her family members and Gat as kings, princesses, princes, fire-breathing dragons and outcast mice. In the show: There are fairy tales in voiceover, and the Sinclair family Father's Day tradition has some on the nose King Lear vibes... but that's it. Instead, since the show is only partially from Cadence's POV, we do learn a little more about her cousins and aunts. They have interests and love lives that the book doesn't get as into. In the book: The ground floor caught fire too fast because Cadence, who was in charge of that section, used too much gas and started on the wrong side of the house to ensure a safe exit for everyone. That trapped Gat in the basement and her cousins (and the dogs) upstairs. In the series: Gat was waiting outside in the boat, and ran into the fire when he didn't see Cadence and her cousins leaving the house as planned. Mirren and Johnny got trapped because they were distracted–Mirren by one of her paintings in her mom's room and Johnny by one last opportunity to smash things–and the smoke rose more quickly than they anticipated. Cadence thinks she threw off the plan by running upstairs to grab her grandmother's black pearl necklace. But since she ran back inside moments after to try and rescue the sleeping dogs they all forgot about (I'll never be over that BTW) what happened is not so much her fault as it is in the book. In the book: Cadence suspects that her mom, Penny, knows the truth about the fire. But the important thing is that Cadence has resolved to be a better, more considerate person and own her responsibility and her place in her "evil" family. In the series: Cadence's grandfather, Harris, definitely knows the truth about the fire. He names her as a successor to her family's complicated legacy and urges her to keep the lie he's told the family and the press: that the fire was an accident and she was a hero who tried to save everyone. But she runs away, neither admitting to what really happened or maintaining the fairy. She's still very against the family. Will this be resolved in a potential Season 2? There's always room for more character growth... right? There are some references in the series to things that book readers would only know if they'd read the prequel Family of Liars, like another horrible summer and what happened to the fourth Sinclair sister Rosemary, so fingers crossed!
