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Ben from Love Island has a famous ITV star uncle who he parties with in Ibiza – and they look just like each other

Ben from Love Island has a famous ITV star uncle who he parties with in Ibiza – and they look just like each other

The Sun4 days ago

LOVE Island star Ben Holbrough has a famous ITV reality star uncle - but can you guess who it is?
The taxi driver and mode from Gloucester, 23, is in the villa hoping to find his dream woman.
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But before heading into the villa, Ben would have likely got advice from his identical-looking reality TV star uncle.
Have you guessed who it is yet?
Ben's uncle is Warren Phillips, who starred on ITV's Survival of the Fittest 2018, presented by Laura Whitmore.
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Survival Of The Fittest saw a group of hot young singles sent to the South African Savannah to take part in the ultimate battle of the sexes, involving mental and physical challenges.
Throughout the series, the contestants have the opportunity to romance the opposite sex - but only at the expense of their team's chances in the competition.
The 36-year-old was part of the Boys Team on series one.
He ended up finishing in fifth place being a part of the runner-up team, alongside James, David & Tristan.
Ben has previously shared snaps of him and Warren together on social media and the pair seem to have a pretty tight bond.
In one photo, the lads showed off their muscular physiques by going topless for bathroom selfies in Ibiza.
Another photo saw them hanging out with a group of mates at Wayne Lineker's famous beach club O Beach Ibiza.
Ben appears to have turned it around after fans demanded he was axed for his brutal chat with Toni.
He is now coupled up with Shakira.
Last week fans ranted "get him out", after they claimed he was showing "scary red flag behaviour".
Ben randomly got annoyed at a comment Toni made about the "prospect of the boys not being safe" when any male bombshells enter the villa.
Things then escalated, when Ben admitted that he thought she gave him "ick".
When Toni tried to ask him about this, he immediately got defensive and dismissive of her feelings.
Things quickly turned sour and he told her: 'I don't feel like me and you have got that spark if I am being honest.'
Looking taken aback Toni replied 'okay' as he continued: 'That is just me being honest but I know when I have got it with someone. That I feel it straight away. But yeah I don't feel like you and me have got it.'
Toni then said: 'I mean I don't think that technique is going to work for you here.'
He asked what she meant and she replied: 'Right away off the bat.'
Smirking, he responded: 'You'd be surprised. I feel like sparks have already been made.'
An unhappy Toni hit back: 'Good luck pal.'
But Ben's bad attitude towards Toni, and also how he had snapped at her earlier in the episode, has not gone down well with viewers, with some claiming this is a "red flag".
There were even calls for him to be removed from the villa.
Taking to X/Twitter, one said: "What is Ben's problem? Can't be dealing with this guy for next two months get him out!"
While another added: "Ben's an insufferable man child. hope the next make bombshell sends him packing."
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‘Irreplaceable' bronze statues stolen during manor house festival
‘Irreplaceable' bronze statues stolen during manor house festival

Times

time30 minutes ago

  • Times

‘Irreplaceable' bronze statues stolen during manor house festival

It was the first day of the summer jazz festival at Iford Manor. The sun beamed on the blooming gardens and the sound of a saxophone filled the air but the contentment was about to come to an abrupt end. On Friday morning, the owners of the country estate near Bradford on Avon, Wiltshire, woke to discover that four bronze sculptures had been taken from the grade I listed gardens overnight. Among the missing pieces was a copy of Rome's Capitoline Wolf suckling Romulus and Remus, including its plinth, which had been in the gardens for 120 years, a pair of symmetrical bronze fawns inspired by those at the ancient Villa dei Papyri in Herculaneum, and a bust of Antinous. Marianne Cartwright-Hignett, 42, who runs the estate with her husband William, also 42, said: 'The policeman asked for a victim statement and I said, 'well, you know, it's not my statue'. And he said, 'oh, who owns it?' I said, 'no, no, no, this is everyone's loss'. This is a huge loss.' The garden, which has been open to the public since about 1910, receives about 20,000 visitors during the six months of the year it is open. Cartwright-Hignett said: 'It feels a million miles away from everywhere. When you go into the garden, you're not sure which country you're in, you're not sure which century you're in. There's a cloister at the back which has a line from a Tennyson poem. The inscribed line says 'a haunt of ancient peace'. 'It's a really tranquil, healing space … it feels like someone's just ripped the soul out of the garden.' After she posted the news on Instagram, the BBC gardening presenter Monty Don replied to say he was 'very sorry and angry'. Cartwright-Hignett, who lives on the estate with her husband and two sons, Horatio, six and Freddie, three, added: 'Gardeners' World have been here a couple of times in the past and Monty Don did a lovely episode of his series of Big Dreams, Small Spaces here.' Wiltshire police are investigating, and asking antique dealers and auction houses to be on alert for the stolen pieces. Cartwright-Hignett is particularly keen to see the Romulus and Remus statue returned. She said: 'That's kind of irreplaceable. The curator of the Capitoline at the time, in the late 1800s, let the estate owner take a direct copy from the original. We believe it's the last time a direct copy was allowed to be taken. Ironically, it was here for safe keeping in case the one in the Capitoline ever got lost or stolen.' She added: 'My dearest hope is that no one's stupid enough to melt it down. I just hate the thought of this being in someone's private garden where one person gets to see it.' In 2011 a Henry Moore sculpture worth £3 million was stolen from his foundation in Hertfordshire. It was later believed to have been melted down. Earlier this year a bronze statue worth £60,000 was stolen from the home of the artist Anne Curry in Essex. A 17th-century 'Shepherd Boy' statue was stolen from an outbuilding in Pickering, Yorkshire, last year — it still hasn't been found — and in March two men were sentenced for damaging and stealing a Paddington Bear statue in Newbury in Berkshire.

Olivia Rodrigo and Sabrina Carpenter: from Disney to festival headliners
Olivia Rodrigo and Sabrina Carpenter: from Disney to festival headliners

Times

time2 hours ago

  • Times

Olivia Rodrigo and Sabrina Carpenter: from Disney to festival headliners

Eight days apart, at the British Summer Time stage in Hyde Park, in front of a crowd of 65,000, two glittering, platinum pop titans will perform. First up, next Friday, is Olivia Rodrigo: 22 years old, 46 million monthly listeners on Spotify; 14 Grammy nominations; three wins; and about to headline Glastonbury. Then, on July 5 and 6, Sabrina Carpenter: 26 years old, 70 million monthly listeners on Spotify; six Grammy nominations; two wins; her song Espresso the biggest single of 2024 by a female artist. The pair have often been depicted as bitter rivals: two Disney Channel alumni whose overlapping journeys to superstardom were powered partly by lyrics that may, or may not, have been written about the same ex-boyfriend. But really, they are both lessons in how to pull off the Disney breakaway — what happens when young women wriggle out of their contracts and embrace their new freedom by singing about the brutality and reality of modern girlhood, its shattering heartbreaks and the fun of the rebound. One of the things that marks both of them out is the obsessiveness with which their fans pore over their songs and image-making, whether it's Rodrigo last week being accused on social media of ordering a Nashville music venue to take down Taylor Swift imagery before she filmed there — it was actually removed by the venue for legal reasons — or Carpenter sending the internet into meltdown with the suggestive cover art for her new album, Man's Best Friend. Rodrigo grew up in Temacula, California, a theatre kid in a family who did other things — her mother a teacher, her father a therapist. After various singing competitions and school productions, she was made the lead in the American Girl doll franchise movie at 12 years old and, the following year, cast in Disney's Bizaardvark and then High School Musical: The Musical: The Series, a mockumentary. Rodrigo was homeschooled, studying for her exams on set. 'Like, 'Oh shit, I worked my whole childhood and I'm never going to get it back,'' she told The Guardian in 2023. 'I didn't go to football games, I didn't have this group of girlfriends that I hung out with after school. That's kind of sad.' After a song she wrote for the High School Musical show went viral, Rodrigo sought a record deal, choosing not to make music for Disney's in-house label. She went with Interscope/Geffen. Disney allowed her to break her contract before the show's fourth series and, during the pandemic, Rodrigo sat down to write. In 2021 her song Drivers License went stratospheric, breaking a Spotify record as the first song to hit 80 million streams in seven days. The track reached No 1 in 48 countries on Apple Music, 31 countries on Spotify and 14 countries on YouTube. 'It's been the absolute craziest week of my life,' she said in an interview. 'My entire life just, like, shifted in an instant.' Four months later she released her debut album, Sour, a pop-punk triumph about her teenage heartbreak, the songs searing and seething with anger, underwritten by longing and ache — all written by a 17-year-old, with her producer, Dan Nigro. Though she stretched her legs in the ballads, it was her stroppy, plucky rock which was particularly satisfying. Critics, with some arch surprise that it had come from a squeaky-clean Disney-kid, gave the album rave reviews. At Glastonbury 2022 she brought on Lily Allen to sing Allen's 2009 banger F*** You, dedicating it to the Supreme Court justices who had just overturned the Roe v Wade abortion ruling in the United States. 'I'm devastated and terrified, and so many women and so many girls are going to die because of this,' Rodrigo said on stage, having spent hours memorising her speech. As well as being a great song with crushing lyrics, it created a perfect storm of gossip and intrigue. 'And you're probably with that blonde girl,' she sang, 'who always made me doubt — she's so much older than me.' Fans were convinced she was singing about her former Disney co-star Joshua Bassett, with whom they thought she had a romantic relationship. The 'blonde girl', they suspected, was Sabrina Carpenter, who was rumoured to have dated Bassett the next summer. 'I put it out not knowing that it would get that reaction, so it was really strange [when] it did,' Rodrigo told Variety. 'I just remember [everyone being] so weird and speculative about stuff they had no idea about.' She also said she and Carpenter had only met 'once or twice in passing'. 'So I don't think I could write a song that was meaningful or emotional about somebody that I don't know.' In January 2021, two weeks after Drivers License blew up, Carpenter released Skin. 'Maybe 'blonde' was the only rhyme,' went the lyrics. 'You been telling your side, so I'll be telling mine.' She, like Rodrigo, was not drawn on specifics. 'The song isn't calling out one single person,' she wrote on Instagram. 'Some lines address a specific situation, while other lines address plenty of other experiences I've had this past year.' The internet whirled, creating soap opera plots around them. They both later said they received a barrage of death threats. Bassett told People magazine that he received so much hate that he was taken to hospital, diagnosed with septic shock. 'I have a right to stand up for myself,' he told GQ. 'People don't know anything they're talking about.' For his part Bassett, 24, has just been on a European tour, playing venues in Glasgow, Birmingham and London that are about 20 times smaller than his apparent exes' Hyde Park performances. Carpenter, meanwhile, has hit mega fame. Her sixth album, Short n' Sweet — she is 5ft tall — debuted at No 1 in America. Her single Espresso went platinum in more than a dozen countries and won a Grammy for best pop solo performance. The Disney empire first claimed Carpenter, who grew up East Greenville, Pennsylvania, at 12 years old, signing her into a five-record deal, after which she starred in its show Girl Meets World. After family-friendly pop, Carpenter broke away from the label after just four albums ('I definitely didn't fulfil my contract, thank god,' she told Vogue) and signed with Island Records at 22. Her fifth album, Emails I Can't Send, took a turn towards something more grown-up — and cheeky. 'Woke up this morning, thought I'd write a pop hit,' she trills. Her image shifted again for Short n' Sweet, taking on a hyper-femme, soft-edged, Betty Boop look, her blonde hair big and bouncing. As Time magazine put it: 'She's short, she's funny, and she's horny.' But as she became more of a sex bomb, she got more sardonic. 'You'll just have to taste me when he's kissing you,' she sings in Taste. Her video for Please Please Please featured her then-boyfriend, the actor Barry Keoghan, shortly after his viral scene in Saltburn, in which he is so lustful for his friend he drinks his bathwater. During her performance at Coachella, she swapped her lyrics around with a wink. 'He's drinking my bathwater like it's red wine,' she sang. After their break-up, the internet is again spinning with speculation that her new song, Manchild, relates to him. 'This song became to me something I can look back on that will score the mental montage to the very confusing and fun young adult years of life,' she wrote on social media. It includes the couplet: 'Never heard of self-care/ Half your brain just ain't there.' Carpenter's amped-up naughtiness, however, now runs the risk of tipping into alienation. Her recent album cover, which shows her on her knees in front of a man's legs, while a hand pulls her hair, drew enormous criticism including from Glasgow Women's Aid. Her caricature of the sexualised, submissive woman suddenly looked exactly like the thing it was supposed to be riffing off. At Hyde Park, Rodrigo and Carpenter will hit the same stage on successive weekends after sold-out arena tours, their fans trailing in stomper boots and eyeliner (Rodrigo) or sequins and pale-pink babydoll dresses (Carpenter). It is a very modern coming-of-age story, two young women whose specificity of lyrics and canny presentation of their personal lives have whipped up a frenzy of speculation; whose rage and cheek and charm has been released on the world; who dazzle and glitter — and kick 'em where it hurts.

30 years on from that World Cup, how rugby changed South Africa
30 years on from that World Cup, how rugby changed South Africa

Times

time2 hours ago

  • Times

30 years on from that World Cup, how rugby changed South Africa

A South African school recently organised a 'wear your profession day', asking pupils to dress for the jobs they wanted to do as grown-ups. Some wore white medical coats or pretend pilot hats. One wielded a tennis racket. But the majority of the racially diverse children arrived in the green and gold attire of their heroes, the Springboks, the national rugby team. 'I've been to schools all over the world but I've never seen rugby and sport permeating a school's life as much as it does in South Africa,' said Grant Butler, headmaster of Grey Junior School in the Eastern Cape. As he spoke, the joyful chaos of a nine-year-olds' match spilt in through the window — shouts of children and cheers from proud parents. In this country forged through political struggle and extraordinary resilience, rugby has become much more than a sport. Many people here call it the cornerstone of post-apartheid South Africa. On Tuesday the country celebrates the 30th anniversary of its first victory in the rugby World Cup in 1995 when, just a year after being sworn in as the country's first black president, Nelson Mandela famously donned the Springbok rugby jersey, in those days a symbol of white, Afrikaner pride that was loathed by the black majority — black people generally did not play rugby. Mandela's embrace of the game was more than political theatre. He wanted the nation to follow his example, binding around a once-hated white team in pursuit of reconciliation. How he seized on the oval ball as a tool of nation-building is a remarkable tale of courage, hope and magnanimity told in the Hollywood film Invictus (2009) directed by Clint Eastwood with Morgan Freeman as Mandela and Matt Damon as the Afrikaner Springbok captain, Francois Pienaar. 'Mandela told me that in order to really persuade, you had to appeal not to people's minds but to their hearts,' said John Carlin, author of Playing the Enemy: Nelson Mandela and the Game that Made a Nation, on which the Hollywood film was based. 'The World Cup in 1995 was the first time the country came together. Blacks and whites were united in one common purpose and goal, winning the World Cup. On the day of the final, racial divisions just dissolved.' 'To do what Mandela did took a lot of guts,' said Kobus Wiese, who was a second row forward in the famous final against New Zealand and is now a television rugby commentator. 'He reached out to tell us, the common men, that, 'If I the president can do this, there's no reason for you not to do it. We can have our differences but we can overcome them as well.'' In 1995 the country had only just emerged from international isolation after the lifting of apartheid and the Springboks were the underdogs in the final. 'The country had just come back from the brink of civil war, we had fallen behind for many years with our training techniques, we weren't given any chance by anyone,' said Wiese, 61, a tractor-sized figure with a shock of white hair. His first sense that rugby was more than just a game came on the day a helicopter touched down on the training field and Mandela stepped out. 'We thought, 'What the hell is this?'' Wiese recalled in a café run by his wife in Franschhoek, a picturesque town in the winelands east of Cape Town: whenever black South Africans had come to Springbok games in the past it was generally to cheer for their opponents. Mandela, who spent 27 years in prison for his role in resisting apartheid and leading the armed struggle against white minority rule, meekly apologised for disturbing the players. 'He said, 'I know you are busy preparing for the World Cup but I was wondering if I could spend a bit of time with you?'' Wiese said. They went into the clubhouse for tea and sandwiches. 'Mandela wanted to find out more about rugby and the World Cup and what we thought our chances were. Then he said, 'It's very important that we do well.' He kept saying it, 'It's very important for more than the game of rugby.'' Such was Mandela's aura and influence that the entire country was soon rallying around the Springboks. 'As we progressed through the games, in the hotels, people in the streets, people walking up to you, the lady cleaning your room in the hotel, they were all massively involved in supporting you, it was incredible.' After the victory Mandela, still wearing his Springbok gear, famously handed the cup to Pienaar, saying: 'Thank you very much for what you have done for our country.' Pienaar replied: 'Mr President, it is nothing compared to what you have done for our country.' Desmond Tutu, the archbishop who had played a key role in ending apartheid, called it 'quite incredible, quite unbelievable. It had the effect of just … turning around the country. It was … an extraordinary thing — it said, 'Yes, it is possible for us to become one nation.'' The vast majority of the 63,000 people in Johannesburg's Ellis Park stadium were white, most of them Afrikaners. They had been conditioned to believe their president was a terrorist but rose to their feet when they saw him after the match to chant his name in thunderous admiration: 'Nelson! Nelson! Nelson!' 'We didn't have the support of 63,000 South Africans today. We had the support of 42 million,' was how Pienaar put it. Thirty years on, the spirit of 1995 endures. A national rugby obsession has fuelled three more World Cup victories. 'Rugby, and more generally sport, is a beacon of hope for our country, it gets us through tough times,' said Joel Stransky, the Springbok fly-half who scored all of the 15 points in the 1995 final, including the decisive drop goal that won the match in extra time six minutes before the whistle. He remembered Mandela, a former professional boxer, coming into the changing room before the game. He again apologised for disturbing the players while they were 'focused' on the task ahead. 'Then he wished us all luck individually. That was the Mandela magic. We felt touched by his magic, his kindness and leadership. It was extraordinary to see how he had survived all that time in jail with forgiveness in his heart.' Mandela would be proud of today's Springboks, Stransky believes. They include several black players, including the captain, Siya Kolisi, who married Rachel Smith, a white events organiser with whom he had two children. The couple separated last year but, for a while, at least, seemed an embodiment of the 'rainbow nation', or racial harmony dreamed of by Mandela. The former president died in 2013, but rugby continues to bring people together — particularly after big World Cup victories when crowds of black and white revellers sing, dance together and wave South African flags while wearing the green and gold of their heroes. The bonhomie around rugby, though, is not limited to World Cup victories. 'Rugby is the language a lot of South Africans speak these days, it's the language of unity,' Butler said. His school is where Kolisi learned to play rugby on a scholarship, perhaps explaining why so many pupils want to be Springboks. Any day the national rugby team is playing is known as 'Bok Day' when, across the racial, social and economic lines, schools and businesses relax dress codes, encouraging people to wear green and gold gear and braais, or barbecues, are fired up across the country. On such days much of Port Elizabeth, a renowned rugby hub, is decked in green and gold. 'You can be standing in the queue to buy a chicken at Woolworths and you'll strike up a conversation with someone from a very different cultural background to yourself, you're wearing the same colours,' Butler said. 'For that wonderful moment, you are facing in the same direction and supporting the same group of people. It's a wonderfully unifying thing.' Despite rugby's unifying power, viewing habits reflect a deep economic divide. Most white fans watch on pay television while black audiences rely on free state television broadcasts, where they made up 58 per cent of viewers in 2017, according to one survey, compared to just 3 per cent on pay television. Yet in stadiums, a growing and more diverse crowd signals slow but real change. In many ways, though, Mandela's dreams for the country remain unfulfilled. Politicians today are always eager to step into the glow of Springbok triumphs but Wiese, the second row forward, hopes they stay away from the anniversary gala dinner he and other members of the 1995 World Cup final line-up will attend on Tuesday at Ellis Park, the scene of their triumph three decades ago. The former player said Mandela and his allies in the anti-apartheid struggle would 'roll over in their graves' at the corruption among their successors in the ANC, the former liberation movement turned political party. He quoted Oliver Tambo, a close friend of Mandela: 'He said when politicians start driving Mercedes and living in huge mansions, they've lost the plot because then they are not working for the people. And I agree 100 per cent.' Flawed as it is, South Africa today stands in stark contrast to the legally enforced inhumanity Mandela helped to dismantle. Ryan Christianson, 51, the son of an Indian mother and white South African father, believes he may have been the first non-white boy to play rugby after being sent to a white school in the Eastern Cape in the 1980s. His parents had been barred from living together under an apartheid-era 'Immorality Act', which prohibited sexual relations between white people and those of other races. 'I'd come off the field black and blue, the other kids would target you in the scrum because of your skin colour,' he said. 'They were born into racism.' With Mandela, the nation changed. 'Suddenly non-white people believed that rugby was theirs. Recent World Cup victories with a black captain lifting the cup have shown a nation of non-white players emerging and saying this is our sport now too.' Christianson is now the fundraising manager at Cape Town's Masiphumelele Pumas Rugby Club which includes white, black and so-called 'coloured' (mixed race) players from all walks of life. He recently secured £20,000 in funding from wealthy white donors to install floodlights at the club's field. 'Mandela taught us that unity is possible. Rugby showed us what it looked like,' he said. 'Now we have to live it.'

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