logo
Downton Abbey star, 69, left with bag over head in graveyard for new show

Downton Abbey star, 69, left with bag over head in graveyard for new show

Yahoo3 days ago

Phyllis Logan is set to leave her genteel image behind in the quirky new crime series, Murder Most Puzzling.
Playing Cora, she lives in an opulent home with niece Sherry (Charlotte Hope), forming an unexpected pillar of strength after Sherry's traumatic break up. The tie between them is complicated but warm-hearted.
"It's sweet," Phyllis Logan comments. "Even though Sherry gets very frustrated with Cora, they adore each other. Cora didn't have kids, but she and her niece are a real family unit. Cora just wants Sherry to get over her divorce."
READ MORE: Emmerdale legend 'to return' 29 years after debut as new owner of Wishing Well Barn
READ MORE: Love Island fans are just realising where they've seen Sophie Lee before
They uproot from London to Bakerbury, a quaint town where the stillness hides murky secrets and murder victims are found with baffling riddles. Enter Cora, known as the Puzzle Lady, whose knack for solving puzzles lands her in hot water with the local constabulary.
"She really interferes with the investigation," Phyllis remarks. "I mean, who the hell does she think she is? But it's so nice to have a woman of a certain age challenging the system."
Cora isn't one to shy away from peril, as Phyllis teases a particularly risky moment for her character. Recalling the experience, Phyllis divulges, "I was on my knees with a plastic bag over my head. I did that in the middle of the night in a graveyard with a smoke machine. It was very atmospheric."
Despite being game for the action, Phyllis didn't perform her own stunts. "There were lots of stunts, like people falling into graves," she shares, "I had a fall so we had a stunt double for that. They were a great team."
Best recognised for her sophisticated roles as Downton Abbey's Mrs Hughes and Lovejoy's Lady Jane Felsham, the 69 year old actress is ditching the corset – and lighting up a cigarette. In this six-part series, Phyllis portrays Cora Felton, a sharp-tongued crossword aficionado with a wild side.
"She's a wonderful breath of fresh air," Phyllis enthuses. "I love the way she drinks Bloody Marys for breakfast and smokes like a chimney. She's pleasant enough, but she really doesn't give a toss. That's what I aspire to be – but not necessarily smoking and drinking vodka."
Cora's been married – and divorced – multiple times, but Phyllis found the chaos exhilarating. "She has this vibrant backdrop to her life," she explains, "Her marriages have all ended in divorce but she'll enter another one. She's still a bit of a romantic. She hasn't turned into an old cynic."
Although seemingly set in the Yorkshire Dales, the show was actually filmed in Northern Ireland, making full use of the atmospheric scenery.
"We used some countryside which could be anywhere," Phyllis reveals, "But it was lovely filming there. It's a great place, and we had a great time."
And there was a personal connection, too. "We filmed in a place outside Belfast called Ballymena," she recalls, "It's where my maternal grandparents were born. They left to go to Scotland."
Co-star Adam Best, who plays lead detective DCI Hooper, was ready to aid her in a personal quest. "He said he'd drive around the area to see if we could find out more about my grandparents," shares Phyllis, "But we never really got the chance to do it."
With hectic schedules, filming for 10-to 12-hour days, there was hardly any time for Phyllis to unwind. "I didn't get a chance to do much socialising," she admits, "I was working most of the time."
Nevertheless, Phyllis cherished the relationships she developed on set with Charlie – known offscreen as Charlotte – and Alistair Brammer, who brings young journalist Anton Grant to life. "Charlotte would go home when she wasn't working," Phyllis reveals.
The camaraderie on set was undeniable. "But we had such a nice time on set. When were waiting for scenes to change around, we'd set up in the green room, which was in somebody's house.
She'd be on the bed and I would be at the end of the bed, using it as my office. We were a right trio with Alistair!" They exchanged everything from tales to treats. "I'm the old granny of the team," Phyllis says in jest.
Originally presented with the option of a flat, Phyllis opted for hotel living and reflects on the choice fondly. "I'd open the curtains and the river would be just there. I found it so soothing and relaxing. I'd sit at the table, order a room service soup and a glass of wine."
Phyllis admitted she enjoys a good brain-teaser when the cameras stop rolling, sharing, "I like doing the cryptic crossword puzzles," and confessing, "It feels so good when it's actually done" – making her the perfect fit to portray the UK's most bizarre detective on screen.
Murder Most Puzzling serves up a delightful blend of mystery with its unique flair and puzzling plot twists that echo the essence of Miss Marple, channelled through Ludwig, all while encapsulated in the character of Cora. She's delightfully disordered, forthright and hell-bent on cracking cases – whether you're on board or not.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Adorable or just weird? How Labubu dolls conquered the world
Adorable or just weird? How Labubu dolls conquered the world

Yahoo

timean hour ago

  • Yahoo

Adorable or just weird? How Labubu dolls conquered the world

Whether you reckon they are cute, ugly or just plain weird, chances are you have heard of the furry dolls that have become a global sensation - Labubu. Born a monster, the elf-like creature from Chinese toy maker Pop Mart is now a viral purchase. And it has no dearth of celebrity advocates: Rihanna, Dua Lipa, Kim Kardashian and Blackpink's Lisa. Ordinary folk are just as obsessed - from Shanghai to London, the long queues to snap up the doll have made headlines, sometimes descending into fights even. "You get such a sense of achievement when you are able to get it among such fierce competition," says avowed fan Fiona Zhang. The world's fascination with Labubu has almost tripled Pop Mart's profits in the past year - and, according to some, even energised Chinese soft power, which has been bruised by the pandemic and a strained relationship with the West. So, how did we get here? It's a question that still bothers many - and even those who know the answer are not entirely sure they can explain the craze. Labubu is both a fictional character and a brand. The word itself doesn't mean anything. It's the name of a character in "The Monsters" toy series created by Hong Kong-born artist Kasing Lung. The vinyl faces are attached to plush bodies, and come with a signature look - pointy ears, big eyes and a mischievous grin showing exactly nine teeth. A curious yet divided internet can't seem to decide if they are adorable or bizarre. According to its retailer's official website, Labubu is "kind-hearted and always wants to help, but often accidentally achieves the opposite". The Labubu dolls have appeared in several series of "The Monsters", such as "Big into Energy", "Have a Seat", "Exciting Macaron" and "Fall in Wild". The Labubu brand also has other characters from its universe, which have inspired their own popular dolls - such as the tribe's leader Zimomo, her boyfriend Tycoco and her friend Mokoko. To the untrained eye, some of these dolls are hard to distinguish from one another. The connoisseurs would know but Labubu's fame has certainly rubbed off, with other specimens in the family also flying off the shelves. A major part of Pop Mart's sales were so-called blind boxes - where customers only found out what they had bought when they opened the package - for some years when they tied up with Kasing Lung for the rights to Labubu. That was 2019, nearly a decade after entrepreneur Wang Ning opened Pop Mart as a variety store, similar to a pound shop, in Beijing. When the blind boxes became a success, Pop Mart launched the first series in 2016, selling Molly dolls - child-like figurines created by Hong Kong artist Kenny Wong. But it was the Labubu sales that fuelled Pop Mart's growth and in December 2020, it began selling shares on the Hong Kong Stock Exchange. Those shares have soared by more than 500% in the last year. Pop Mart itself has now become a major retailer. It operates more than 2,000 vending machines, or "roboshops", around the world. And you can now buy Labubu dolls in stores, physical or virtual, in more than 30 countries, from the US and UK to Australia and Singapore, although many of them have recently paused sales due to overwhelming demand. Sales from outside mainland China contributed to nearly 40% of its total revenue in 2024. In a sign of just how popular Labubus have become, Chinese customs officials said this week that they had seized more than 70,000 fake dolls in recent days. The demand did not rise overnight though. It actually took a few years for the elfin monsters to break into the mainstream. Before the world discovered Labubu, their fame was limited to China. They started to become a hit just as the country emerged from the pandemic in late 2022, according to Ashley Dudarenok, founder of China-focused research firm ChoZan. "Post-pandemic, a lot of people in China felt that they wanted to emotionally escape... and Labubu was a very charming but chaotic character," she says. "It embodied that anti-perfectionism." The Chinese internet, which is huge and competitive, produces plenty of viral trends that don't go global. But this one did and its popularity quickly spread to neighbouring South East Asia. Fiona, who lives in Canada, says she first heard about Labubu from Filipino friends in 2023. That's when she started buying them - she says she finds them cute, but their increasing popularity is a major draw: "The more popular it gets the more I want it. "My husband doesn't understand why me, someone in their 30s, would be so fixated on something like this, like caring about which colour to get." It helps that it's also affordable, she adds. Although surging demand has pushed up prices on the second-hand market, Fiona says the original price, which ranged from 25 Canadian dollars ($18; £14) to 70 Canadian dollars for most Labubu dolls, was "acceptable" to most people she knows. "That's pretty much how much a bag accessory would cost anyway these days, most people would be able to afford it," she says. Labubu's popularity soared in April 2024, when Thai-born K-pop superstar Lisa began posting photos on Instagram with various Labubu dolls. And then, other global celebrities turned the dolls into an international phenomenon this year. Singer Rihanna was photographed with a Labubu toy clipped to her Louis Vuitton bag in February. Influencer Kim Kardashian shared her collection of 10 Labubu dolls with her Instagram following in April. And in May, former England football captain Sir David Beckham also took to Instagram with a photo of a Labubu, given to him by his daughter. Now the dolls feel ubiquitous, regularly spotted not just online but also on friends, colleagues or passers-by. Put simply, we don't know. Like most viral trends, Labubu's appeal is hard to explain - the result of timing, taste and the randomness that is the internet. Beijing is certainly happy with the outcome. State news agency Xinhua says Labubu "shows the appeal of Chinese creativity, quality and culture in a language the world can understand", while giving everyone the chance to see "cool China". Xinhua has other examples that show "Chinese cultural IP is going global": the video game Black Myth: Wukong and the hit animated film Nezha. Some analysts seem surprised that Chinese companies - from EV makers and AI developers to retailers - are so successful despite Western unease over Beijing's ambitions. "BYD, DeepSeek, all of these companies have one very interesting thing in common, including Labubu," Chris Pereira, founder and chief executive of consultancy firm iMpact, told BBC News. "They're so good that no one cares they're from China. You can't ignore them." Meanwhile, Labubu continue to rack up social media followers with millions watching new owners unbox their prized purchase. One of the most popular videos, posted in December, shows curious US airport security staff huddling around a traveller's unopened Labubu box to figure out which doll is inside. That element of surprise is a big part of the appeal, says Desmond Tan, a longtime collector, as he walks around a Pop Mart store in Singapore vigorously shaking blind boxes before deciding which one to buy. This is a common sight in Pop Mart. Desmond collects "chaser" characters, special editions from Pop Mart's various toy series, which include Labubu. On average, Desmond says, he finds a chaser in one out of every 10 boxes he buys. It's a good strike rate, he claims, compared to the typical odds: one in 100. "Being able to get the chaser from shaking the box, learning how to feel the difference…," is deeply satisfying for him. "If I can get it in just one or two tries, I'm very happy!" Human-sized Labubu doll sells for more than $150,000 Found on celebrity bags and in viral videos: The toy fashionistas are loving

The King and Idris Elba team up for new Netflix documentary film
The King and Idris Elba team up for new Netflix documentary film

Yahoo

timean hour ago

  • Yahoo

The King and Idris Elba team up for new Netflix documentary film

The King and British actor Idris Elba have teamed up for a new Netflix film about the charity that 'changed' the star's life. The film will explore The King's Trust – a youth charity set up by Charles when he was the Prince of Wales, as it celebrates its 50th anniversary – to highlight how the charity has helped young people around the world, documenting 'the power of believing in young people'. The Luther star, who was a beneficiary of a grant from the trust, will accompany the King as he shares insights into his support for the charity. Elba said: 'The King's Trust gave me an opportunity that changed my life. 'At a time when I didn't have the resources to pursue my ambitions, they offered real, practical support — including financial help — that helped me take those first steps to advance my career. 'Around the world, millions are still waiting for that one door to open. This documentary is about shining a light on what's possible when it does — and why the work of The King's Trust remains so important.' Formerly known as The Prince's Trust, the charity was set up by Charles to help disadvantaged young people overcome challenging circumstances, get into employment or launch their own businesses. It has since become one of the UK's leading youth organisations and has helped more than 1.3 million young people to date with celebrity ambassadors including former England football manager Sir Gareth Southgate and presenters Ant and Dec. Jonathan Townsend, UK chief executive of The King's Trust, said: 'At its heart, this is a documentary about the power of believing in young people. It's about an idea, driven by a young Prince who was determined to make a positive difference, that when young people are supported to succeed, we all succeed. 'Almost 50 years on, the momentum behind this idea has seen more than 1.3 million young people supported in over 20 countries around the world, including more than a million in the UK alone, through the work of The King's Trust. 'Nobody understands the impact of this work better than those who have experienced the support we offer first hand. As a long-term supporter and former beneficiary of The Trust himself, Idris will undoubtedly bring a unique perspective to this groundbreaking documentary as he peels back the layers of our story and shows how our life-changing work is as relevant today as it has ever been.' The film will be directed by Bafta-winning filmmaker Ashley Francis-Roy, with young people supported by the Trust helping the production team to build experience in film and television. The documentary is produced by 22 Summers, the production company co-founded by Elba, and due to be released in autumn 2026.

What Format Should You Choose For The Movie ‘28 Years Later'?
What Format Should You Choose For The Movie ‘28 Years Later'?

Forbes

timean hour ago

  • Forbes

What Format Should You Choose For The Movie ‘28 Years Later'?

To promote the movie, Sony has been projecting the Rage logo onto several locations around the UK, ... More including Gibside in Gateshead, Tyne and Wear, which was the ruined hall used in the film. And also, not far from the local Dolby Cinema, where you can watch the film. How perfect. 28 Years Later, starring Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, is the new post-apocalyptic infection sequel to Danny Boyle's 2002 film 28 Days Later. An Iconic Original The original was iconic for several reasons, but primarily because it was credited with revitalizing the Zombie genre. While it wasn't the first film to do it, it's scary fast-moving 'Rage'-filled infected zombies were very different from the traditional slow, lumbering creatures that most people knew from the movies. Secondly, it's iconic scenes of a deserted, abandoned central London were astonishing when first released, though, proving that truth is often stranger than fiction, during the Covid lockdowns, the same sights were eerily recreated in real life. To capture these scenes, Danny Boyle used the guerrilla-filming technique of shooting in the very early hours of the morning, which was helped by the third innovation on this film – it being one of the very first to use digital cameras. As they were so light and could be set up quickly, it meant the shots could be set up quickly to make the best use of time before the traffic arrived. Another reason that the digital camera used was that Boyle wanted to use the consumer-level Canon XL-1 MiniDV cameras to provide a raw, gritty, and handheld look, as if the film was documented rather than stylistic. On a recent rewatch, however, I had forgotten this and had to pause the film, as I wondered why it looked, to use a phrase made popular by social media, as if it was filmed on a potato. After reminding myself of the reason for the incredibly low-resolution images, I carried on with the movie. In a similar vein, the sequel, 28 Years Later, is also filmed on contemporary digital cameras; in this case, an iPhone 15 Pro. However, as documented in detail here, an array of additional equipment was used to ensure the captured images are cinema-grade quality, which, considering the poor image quality of the original, is welcome news. Which Format Should You Choose? With all that, let's have a look at the various formats you can choose for 28 Years Later. The choices are made simpler by dint of the fact that there is no IMAX release. With a slate of more IMAX-friendly movies there, with How To Train Your Dragon currently occupying the space, and F1: The Movie, about to take it over, there was likely no chance it was going to be released in that format. HDR by Barco This, then, makes the HDR by Barco format at the top of the tree for image quality for 28 Years Later. Again, considering the very low bar of the original is somewhat ironic, as the iPhone sensor is capable of 4K resolution, and the various lenses that have been applied to the iPhone should ensure that we get the most out of it. It is normally accompanied by Dolby Atmos audio as well, so it should be an excellent way of experiencing the movie. However, Barco's HDR format is only available in a handful of US theaters, but, as per its recent announcement, 25 more are on their way by the end of the year. Dolby Cinema Should you not be near only one of those five theaters, which is quite likely, the next premium format to choose is Dolby Cinema. This offers an extended dynamic range, high-brightness pictures, Dolby Atmos audio, and a specially customized layout and seating for an optimal view. This makes it the highest-quality format that currently has wide availability, with around 150 in the USA (and set to extend to 200 by 2027). In the UK, there are now seven Dolby Cinemas (with Liverpool and Newcastle as recent additions). If there are no Dolby Cinemas you can get to, then look to regular premium larger formats, which offer a large screen, usually floor to ceiling, 4K laser projection, so high-brightness and clear, and, again, Dolby Atmos audio. Look for Prime at AMC, Regal RPX, Cineplex UltraAVX, and Cinemark XD, and in the UK, Cineworld Superscreen, Odeon iSense, or OmniplexMAXX. 4DX The only other specialty format is 4DX, which involves moving seats that punch you in the back, so you feel every impact, and smoke, air, water, and flashes of light. Yes, it's theme park meets cinema, and, for the right movie, it's hilarious fun. I've now had more hits than misses with 4DX, so I'm a fan, but sadly, the focus on more on the shenanigans rather than image quality, so the screen tends to be smaller than the premium formats and the audio is just standard surround. That said, I could see it working for 28 Years Later. Standard Digital Finally, there's a regular digital screen, which may or may not be any good. If they have an ageing lamp-based Xenon projector, you'll get a dim picture—so get to know your local cinema, and if it isn't good enough, vote with your feet and go elsewhere.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store