My life itself was a masterclass in challenges, says Eijaz Khan
Eijaz Khan, known for roles in 'Jawan' and 'Tanu Weds Manu,' emphasizes the futility of comparing oneself to others, citing his humble beginnings as a grounding force. He acknowledges the industry's demands and his past struggles, highlighting a shift towards self-care and spiritual growth.
Eijaz Khan
, who has featured films like Jawan and
Tanu Weds Manu
, feels that it is futile to compare one's success to others.
He shares, 'You can't compare yourself with others. Our starting lines are different.
I come from humble beginnings and thinking about where I started out to where I am today, keeps me grounded.
This industry always takes an equal pound of flesh.'
Elaborating on the process of dealing with his inner battles, he says, 'My life itself was a masterclass in challenges. The chaos of competition doesn't shake me anymore.'
The actor also highlights his unwavering commitment to self-care. 'Earlier, I didn't really invest in my health or focus on evolving spiritually. But now I do. I realised I was pouring my time and energy into everything, but my own healing. Even my anger, when it surfaces, reminds me where I need to heal. At this stage in my life, I just want to live fully and in the present,' he signs off.
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Time of India
a day ago
- Time of India
My life itself was a masterclass in challenges, says Eijaz Khan
Eijaz Khan, known for roles in 'Jawan' and 'Tanu Weds Manu,' emphasizes the futility of comparing oneself to others, citing his humble beginnings as a grounding force. He acknowledges the industry's demands and his past struggles, highlighting a shift towards self-care and spiritual growth. Eijaz Khan , who has featured films like Jawan and Tanu Weds Manu , feels that it is futile to compare one's success to others. He shares, 'You can't compare yourself with others. Our starting lines are different. I come from humble beginnings and thinking about where I started out to where I am today, keeps me grounded. This industry always takes an equal pound of flesh.' Elaborating on the process of dealing with his inner battles, he says, 'My life itself was a masterclass in challenges. The chaos of competition doesn't shake me anymore.' The actor also highlights his unwavering commitment to self-care. 'Earlier, I didn't really invest in my health or focus on evolving spiritually. But now I do. I realised I was pouring my time and energy into everything, but my own healing. Even my anger, when it surfaces, reminds me where I need to heal. At this stage in my life, I just want to live fully and in the present,' he signs off.
India Today
a day ago
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Shah Rukh Khan lights up Sitaare Zameen Par screening, hugs and poses with actors
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The figure implies that there are roughly 7-8 screens per million people. More than half of these screens are concentrated in southern territories, predominantly in Andhra Pradesh, Tamil Nadu and Telangana, followed by Karnataka and Kerala. Even as new box office benchmarks have been set post-pandemic with releases like Pathaan, Jawan, Animal, Stree 2 and Pushpa–Chapter 2–The Rule, the hard reality is that footfalls have still not matched up to 2019 levels. As Aamir called for more screens in 'vast tracts where there are no cinemas', Bijli reminded us that existing screens were struggling to put bums on the existing 4 million seats. 'Consistency of content that engages is important, as the consumer is critical,' Bijli said. 'We need to start cinemas pockets where they are not available.'advertisement The latest EY report on India's media and entertainment sector states the need for low-priced theatres in Tier III and IV markets alongside growth in 'mass-themed films'. Five months into 2025, there has been only one that fits the bill—Chhaava, a period action drama on Maratha ruler Chhatrapati Sambhaji Maharaj, which collected Rs 530 crore, a significant chunk of it coming from Maharashtra. Bollywood's sluggish start to the year cannot be attributed to just fewer big releases in the first half. Mid-budget films have also struggled to make an impact, with just a few exceptions such as Kesari-Chapter 2, Raid 2 and Jatt. At Cinepolis India, which has 186 of its 430 screens in Tier II and III centres, the situation is improving, but with a caveat. 'While overall attendance figures have recovered to near pre-Covid levels—85 per cent of 2019 level in 2024—this is primarily due to the increase in screen count rather than per-screen productivity, which is down 25-30 per cent,' says Devang Sampat, the managing director of the multiplex group. 'This disparity highlights the underlying challenges the exhibition sector faces. 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He has tied up with the state governments of Assam and Tripura to convert vacant town halls and panchayat houses into 300-seater cinema spaces. While the morning and afternoon hours are devoted to edutainment, the evenings are reserved for films. Tickets are priced at Rs 99 and Shaikh throws in a chai and samosa too.'What this country needs is cinema halls for the masses. I am planning 10,000 screens in the next two years,' he boasts, adding that he is already communicating with the governments of Uttar Pradesh, Madhya Pradesh, Gujarat, Maharashtra and Delhi to launch more Janta properties. 'I am converting the pirate audience to the ticketed audience.' The ultimate endeavour, he hopes, is that there's a steady maintenance of average collections through modest outlets, which, in turn, helps build a loyal audience. It may not have swanky recliner seats or fancy food and beverage offerings, but what it can ensure is that the show goes on. A houseful one at to India Today Magazine
