Shah Rukh Khan lights up Sitaare Zameen Par screening, hugs and poses with actors
Shah Rukh Khan lit up the screening of 'Sitaare Zameen Par' on Thursday in Mumbai. He arrived late for the star-studded screening, hosted by Aamir Khan. The actor interacted with the debutant actors, hugged them and posed for pictures. In a viral video, we can also see him strike his iconic open-arms pose with one of the actors.Aamir and his girlfriend Gauri Spratt were seen welcoming Shah Rukh Khan at the screening. The debutant actors of 'Sitaare Zameen Par' were visibly excited to meet SRK.advertisementThe 'Jawan' actor was seen wearing a white shirt, blue hoodie and a black beanie for the screening. Viral videos and photos from the screening have been doing the rounds.
Here's the video: The screening also saw Salman Khan, Rekha, Vicky Kaushal, Javed Akhtar, Shabana Azmi, Rajkumar Hirani and Tamannaah, among others in attendance.Prior to the screening, Shah Rukh Khan also visited the sets of 'Sitaare Zameen Par'. The makers shared a video of his visit as part of the film's promotions.In the video, he can be seen telling the cast, "Aamir has told me at least 10 times. He said, 'Come and meet the actors. They are doing so well'. I didn't get time earlier, but every day I meet him, whenever I am meeting him, he is calling me, saying, 'Please come. Please come'. Even 3 days ago, he told me, 'Shah, tu ana yaar (Come no, please)! '"advertisementHere's the video: 'Sitaare Zameen Par' is a spiritual sequel to Aamir Khan's 'Taare Zameen Par'. The film marks Aamir Khan's return to the big screen in three years after 'Laal Singh Chaddha'.Trending Reel
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Time of India
22 minutes ago
- Time of India
Aamir Khan's Sitaare Zameen Par debuts with Rs 11.70 Cr day 1 collection , matches Laal Singh Chaddha but falls short of 3 Idiots
's comeback vehicle Sitaare Zameen Par has opened to Rs 11.70 crore at the domestic box office on its first day, matching the Day 1 figures of his previous release Laal Singh Chaddha. Tired of too many ads? go ad free now While this is a promising start, especially after the mixed reception to Chaddha, the film narrowly misses surpassing the opening day collection of his much-loved classic 3 Idiots, which had notched Rs 12.99 crore on Day 1. The film, which has been positioned as an emotional, feel-good story in the same vein as Taare Zameen Par, has clearly sparked audience curiosity. Industry insiders credit the film's opening to a blend of Aamir's emotional brand of storytelling and the nostalgia surrounding his earlier socially sensitive film's major collection came from it's Hindi version where it collected Rs 11.50 crore while the rest came from Tamil and Telugu. When it came to Laal SIngh Chaddha- the Hindi version contributed Rs 11.6 crore while the rest came from Tamil and Telugu. However, while matching Laal Singh Chaddha's Day 1 performance may seem encouraging on paper, the comparison comes with a caveat—Chaddha released amid controversies, while Sitaare Zameen Par enjoyed a far more positive pre-release buzz and wider screen count. In that context, falling behind 3 Idiots—a film that released way back in 2009—is being seen as a missed opportunity. Here's how Sitaare Zameen Par compares to other Aamir Khan Day 1 openers: Thugs of Hindostan – Rs 52.25 crore – Rs 52.25 crore Dhoom 3 – Rs 36.22 crore – Rs 36.22 crore Dangal – Rs 29.78 crore – Rs 29.78 crore PK – Rs 26.63 crore Talaash – Rs 13.55 crore – Rs 13.55 crore 3 Idiots – Rs 12.99 crore Sitaare Zameen Par – Rs 11.70 crore Laal Singh Chaddha – Rs 11.70 crore Ghajini – Rs 10.20 crore Secret Superstar – Rs 4.80 crore Fanaa – Rs 3.97 crore – Rs 3.97 crore Dhobi Ghat – Rs 3.05 crore Rang De Basanti – Rs 2.90 crore While Sitaare Zameen Par hasn't cracked the top 5 Aamir Khan openers, the weekend holds promise. If positive word of mouth kicks in, it could well make up ground and find a place among the actor's more successful box office runs.
Indian Express
35 minutes ago
- Indian Express
Sitaare Zameen Par box office collection Day 1: Aamir Khan's film barely gets a double digit opening as he tries to prove cinema supremacy, earns Rs 11.5 cr
Sitaare Zameen Par box office collection Day 1: Aamir Khan is back on the silver screen with his latest film Sitaare Zameen Par and while the makers have tried to push the film via its extensive round of promotions on social media, it seems like the results aren't what Aamir would have hoped for. The film had more than 9500 shows on its opening day and didn't have much competition in the theatres, but, despite that, it has only made Rs 11.5 crore, as per industry tracker Sacnilk. Aamir has been promoting Sitaare Zameen Par by constantly reminding the audience that they won't get a chance to watch this film on a streaming platform in a few weeks' time, so this might be their only chance in the near future to watch the film. This was his way of pushing the theatrical business as he believes that the model of the movie business has suffered greatly since the pandemic because of the 8-week window that is followed by OTT platforms. It is yet to be seen if his bet will pay off as the film has received lukewarm reviews, and even the opening day collections aren't as big as he might have hoped. While the most advanced booking reports had pegged the movie to do under Rs 10 crore on its opening day, the 'spiritual sequel' of 2007's Taare Zameen Par has done better than that. The average occupancy rates across the Hindi shows were 21.34%, as the morning and afternoon shows achieved around 16% occupancy, while the evening and night shows did slightly better and saw 20.21% and 32.50% occupancy respectively. As per an advance booking report by Sacnilk, which mentioned the total number of shows organised and tickets sold, the average occupancy of the movie came out to just around 12 people in every theatre. ALSO READ: In Sitaare Zameen Par, Aamir Khan finally faces the man in the mirror, as he trades perfection for vulnerability Aamir's last film, 2022's Laal Singh Chaddha, which failed at the box office, had similar number of shows on its opening day and earned around Rs 11.7 crore. During its lifetime, the film made Rs 61.36 crore. Almost 18 years ago, Taare Zameen Par, which was also promoted in a similar vein, made Rs 63 crore during its run. It is interesting to note that even though both – Laal Singh Chaddha and Sittare Zameen Par – are remakes, the latter has a much smaller budget, and this time around, it's only Aamir who is doing all the heavy lifting as he is the only established star on the film's poster. After letting go of huge OTT deals and talking about bringing back the true theatre-watching experience, Aamir and the team will be hoping that this weekend goes better for them than it did the last few times. The cast of the RS Prasanna directorial also includes Genelia Deshmukh, Aroush Datta, Gopi Krishnan Varma, Vedant Sharmaa, Naman Misra, Rishi Shahani, Rishabh Jain and Ashish Pendse, among others. The story has been penned by Divy Sidhi Sharma, and the film has been jointly produced by Aamir and Aparna Purohit. Music for the film has been composed by Shankar-Ehsaan-Loy, and the lyrics have been written by Amitabh Bhattacharya.
Indian Express
2 hours ago
- Indian Express
In Sitaare Zameen Par, Aamir Khan finally faces the man in the mirror, as he trades perfection for vulnerability
To watch an Aamir Khan film is to witness a man performing his myth. It is to see him step into what he has always been to the masses: an ideal, rehearsed and refined over time. Like every Bollywood star, he arrives upright, and untouchable. He offers the stage to others, briefly, until the narrative bends again towards him. He looks down, not necessarily with disdain, but with the burden of knowing. He guides, he instructs, he sermonises, as if he alone carries the moral compass. In every film, without fail, he tells the audience what is right, what must be done. As if it is never enough to play the role; he must also shape the world that watches. His myth is not just of craft, but of conscience. He is the perfectionist, the thinking Khan, the one who supposedly feels deeper, thinks wiser, acts better. So to watch him is not just to watch a performance. It is to be addressed. To be measured. To be shown, again and again, what the ideal man looks like. So, stepping into his latest Sitaare Zameen Par, I carried certain skepticism. The reasons weren't singular. I didn't want to be told, once again, how blind we've all been, how sharply he's always seen. That lesson had already begun long before the opening frame, though those pre-release interviews, swollen with certainty, were hard enough to watch. But deeper than that was memory. It was Taare Zameen Par (Sitaare Zameen Par being its spiritual sequel) where this long performance of moral authorship truly began. To be fair, the film was more than just a sermon; it had heart, depth, tenderness. And yet, it was also the film that first carved out the myth: the image of Aamir Khan not just as an actor, but as a moral architect. In the years that followed, 3 Idiots, PK, Dangal, Secret Superstar, the narratives became increasingly tailored to orbit his image, to elevate it, to consolidate it. The stories moved, but always around him. So the unease was not incidental. It was earned. And the concerns, like the myth itself, had multiplied over time. And then, to make matters worse, the opening scene of Sitaare Zameen Par plays out with a familiar discomfort. Written and performed in a way that makes you brace for the inevitable, that slow drift into Aamir Khan's familiar air of subtle superiority. He appears as Gulshan, the junior basketball coach, seated off the court, yet unable to stay silent. From the stands, he advises, corrects, guides the head coach, dissecting every misstep, convinced the game is being played all wrong, and that only he knows how to fix it. Did Dangal's second half cross your mind? It should have. That's the point. That's the worry. Awakening again. And as the minutes stretch into hours, those early fears don't dissipate. They sort of grow roots. Because underneath it all, the film reveals itself to be what so many others have been: a simplistic entertainer, occasionally stirring, occasionally funny, but ultimately predictable. Its moving moments are genuine, yes. But also calculated, bracketed by the kind of screenwriting sleight-of-hand you can see long before it arrives. Like every Aamir Khan crowd-pleaser, it soothes the middle-class heart and instructs the middle-class mind. And yet, what almost lifts the film, what brushes it against something more, is the sight of Aamir Khan beginning, finally, to take apart his own myth. He is no longer the man who knows everything, who cannot be wrong, who carries the moral compass like birth right. He is no longer the invincible one, the conscience in the room, the perfect mind in a world of flawed others. In Sitaare Zameen Par, he is none of these things. And in that choice, the film becomes something else, a deconstruction of everything that made him the middle-class messiah. There's a different kind of pleasure here, not the comfort he usually offers, but a reversal of sorts. After years of being the one who instructs, he is now the one being instructed. After years of touting wisdom, we see him being touted. There's a thrill in that turn. A faint excitement in watching him called out, for being too clever, too self-sure, too wrapped in the illusion of perfection. Also Read | Sitaare Zameen Par movie review: Aamir Khan delivers fully committed performance in heart-winning comedy So, in the film, as Gulshan, he is politically incorrect and unrepentantly arrogant. He is rude, self-centred, a man who carries the belief that the world is simply too small for his genius. And so, it's no surprise that over the course of three hours, he becomes the one in need of awakening. One by one, every character holds up a mirror. One by one, they throw him under the bus, not out of cruelty, but because he's earned it. They remind him what it means to be dismissive, to be blind to others' feelings, to think that brilliance excuses disregard. In every sense, the film becomes his journey, of ego unravelling, of self being slowly confronted. And strangely, this is a huge shift. For once, Aamir Khan doesn't hijack the story halfway through; he centers himself from the very beginning. And because of that, it becomes honest. It becomes his. And maybe that's why the performance begins to land, because it isn't designed to awe. He plays a man-child, emotionally immature, socially unaware. His wide-eyed earnestness, his furrowed brow, his awkward charm, they all fit. Because this time, he is the one being corrected. And, thankfully for once, he listens. Perhaps the film's deepest triumph lies in the realization his character finally reaches: that it is okay not to be right. That you don't have to be the one with all the answers, the intellect, the mastery. That not every battle needs to be won, not every moment needs to be conquered. For so long, in every film where he has championed the different, the misunderstood, the misfit, the arc has still bent towards triumph. Moral victory, yes, but often, unmistakably, material as well. Consider the ending of 3 Idiots. It isn't enough that Rancho finds joy in teaching, in shaping young minds. No, we must also be told that he has become a world-famous scientist, more 'successful' than the classmate who once mocked him. Or even take Taare Zameen Par. It isn't enough that Ishaan (Darsheel Safary) is seen painting, finally at peace with himself. The film must assure us that he has also won the competition. That's where the pain creeps in. This idea that to be different, to be gentle, to be inward, one must still, eventually, emerge as victor. As if kindness needs a medal. As if sensitivity must be redeemed by success. As if only by winning the cycle race, only by wearing the gold medal, can he earn the title Sikandar. But here, in Sitaare Zameen Par, something softens. For once, we are allowed to imagine a hero who does not need to win to be worthy. Who does not need history to remember him, as long as the present is better for his effort. A hero not made by applause, but by intention. One who learns that trying is triumph. That growth is grace. That perfection is not a crown, but a pursuit.
