Kiara Advani eats pizza, gives pep talk to her baby before Met Gala debut: ‘I am feeling hot in this new body'
A sweet behind-the-scenes clip of Kiara Advani has surfaced on social media, offering a glimpse into her pre-Met Gala 2025 preparations. The footage shows Kiara enjoying a slice of pizza, calling herself "hot' in her new body and sharing tender moments with her unborn child. Also read: Met Gala 2025: Sidharth Malhotra wins hearts through adorable moment with Kiara Advani
The actor made her debut at the Met Gala 2025 in a stunning ensemble designed by Gaurav Gupta.
In the clip, which has emerged on social media, the mom-to-be is seen munching on a slice of pizza while surrounded by her squad. She flashes a playful smile as she quips, "It's my MET diet'.
Opening up about the look, she said, 'My brief to Gaurav was this is the next phase of my life that I want that to be a part of the expression and of this outfit... I love the way we have interpreted the theme and the way it tied up with me doing this for my baby like André Leon Talley paved the way for the next generation'.
During her fitting, Kiara spoke about being pregnant, saying, 'I just want to tell you all that after a long time, I know this is my new body, but I am really feeling hot in this new body'.
A post shared by DietSabya® (@dietsabya)
Kiara's ensemble featured two hearts linked by a golden chain, representing a mother and child connected through an umbilical cord. Kiara loved the detailing, as she mentioned, "The umbilical cord is actually such a sweet detail.... It's like saying 'Hey buddy, you are on the steps of the Met',' she said in the video, while holding her baby bump.
For her much-anticipated Met Gala debut, Kiara wore a creation by designer Gaurav Gupta, which was titled Bravehearts. In sync with the 2025 MET Gala's theme Superfine: Tailoring Black Style, the piece features a sculpted gold breastplate, forged into two crystal-encrusted hearts connected by a chain umbilical cord. The look was finished with a double-paneled white cape, a nod to André Leon Talley's 2010 MET appearance. Anaita Shroff Adajania facilitated the collaboration between Kiara and Gaurav.
In February, Sidharth and Kiara announced that they are expecting their first child. They shared the news on their Instagram accounts by posting a picture in which they hold a pair of baby socks. They wrote, 'The greatest gift of our lives (baby emoji) Coming soon (heart, evil eye, folded hands emojis).' The couple got married in Jaisalmer, Rajasthan, in 2023 after dating since 2020. In 2021, they even starred together in the army film Shershaah.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
NDTV
a day ago
- NDTV
Is Bridal Jewellery All About The Big Rocks Now?
Are you a modern Indian bride-to-be who has said yes to the proposal and to your wedding dress? The obvious next step is picking the jewellery to add all the sparkles to your look for the big day. What are you inclining towards taking the traditional Indian path of the good old gold and kundan jewels or the one leading to carats worth of shimmer and shine in the form of on-trend gemstones encrusted wedding jewellery. View this post on Instagram A post shared by KIARA (@kiaraaliaadvani) Whether it is the OG engagement ring, or the bridal jewellery trousseau; what are the contemporary Indian brides opting for? Are they going the gemstones route taken by many a celebrity in the recent years such as Kiara Advani, Parineeti Chopra, Nayanthara and more? Or are they wanting to take the gold jewellery route? Well, if the road taken is that of the gemstones, let us decode if it is all about the big rocks for the new-age brides or are they going for a different aesthetic? View this post on Instagram A post shared by @parineetichopra NDTV spoke to jewellery industry stalwart and designer, Sunita Shekhawat, and other leading jewellers including Angara, Craftier, Golubhai Badalia Diamonds, Akoirah and more to decode if today's bridal jewellery is all about big rocks being worn as a status symbol or do these choices resound with their tastes as well. View this post on Instagram A post shared by Netflix India (@netflix_in) Every Girl Dreams Of The Big Solitaire As A Wedding Ring, How Has This Trend Stayed Timeless? View this post on Instagram A post shared by Sunita Shekhawat (@sunita_shekhawat_jaipur) Sunita Shekhawat, who helms Sunita Shekhawat Jaipur, tells NDTV, "I personally feel solitaire has stayed timeless because it represents purity, commitment, and individuality. It's elegance lies in its simplicity, making it just as relevant for the modern bride as it was for generations past. Whether set in classic gold or paired with traditional meenakari, it remains a powerful symbol of love that transcends trends." View this post on Instagram A post shared by Sunita Shekhawat (@sunita_shekhawat_jaipur) Aditi Daga, co-founder of Angara, seconds Sunita Shekhawat's opinion, "The solitaire is classic because it's versatile and symbolic. Brides still choose it, but today they're looking for more value and personalisation." Namrata Kothari, founder at Akoirah by Augmont, is of the same opinion as well, "The solitaire ring remains a timeless classic because it symbolizes simplicity, elegance, and the commitment that comes with marriage. Its understated design is universally loved and has always been a symbol of eternal love." Achal Gupta, jewellery designer and founder Craftier, too says, "There's a reason the solitaire has maintained its position in the heart of every bride-to-be. The solitaire is a timeless, elegant setting informing all-time commitment. Today, with lab-grown solitaires brides can own that dream, having it beautifully made with consciousness." Golu Bhai and Ishmita Badalia founders of Golubhai Badalia Diamonds, tells NDTV, "A solitaire isn't just a ring; it's a sentiment of a promise cast in brilliance. The timeless appeal of the solitaire lies in its purity and symbolism. Brides may evolve, styles may shift, but the big solitaire remains the ultimate emblem of enduring love." That is a unanimous industry wide opinion, we must say. The Shift From Gold And Kundan Jewels To Gemstone Heavy Jewellery Is Real. What Do The Contemporary Brides Want As Their Bridal Jewels? Sunita Shekhawat expresses her opinion on the shift and the preferences of the modern-day brides, "Today's brides are looking for jewellery that tells a personal story. While traditional gold and kundan will always hold a place of pride, contemporary brides are embracing gemstones bases their colour and individuality. They want sets that are versatile, something they can wear beyond the wedding day, that reflects their personality while still honouring heritage." View this post on Instagram A post shared by Sunita Shekhawat (@sunita_shekhawat_jaipur) Aditi Daga is coincidentally of the same opinion again, "Brides want jewellery that feels personal, intentional, and wearable beyond the wedding day. There's a move away from bulky sets toward modular, high-impact pieces like stackable gemstone rings, or layered necklaces with mixed cuts and textures. We've seen strong demand for gemstones like rubies, sapphires, and emeralds in bridal orders, especially pieces that can be worn again at receptions, anniversaries, or even as daily heirlooms." This expresses how the new-age brides pick pieces that mirror their stories and opt for jewellery that are wearable beyond their wedding day. Do The Brides Of Today Prefer A Certain Gemstone Such As Emeralds Or Diamonds Over The Others? Sunita Shekhawat tells NDTV what the brides of today prefer in terms of gemstones. "Coloured stones are becoming a quiet favourite amongst contemporary brides. They present a unique blend of rarity, luxury, and personal expression. Brides today are looking beyond the traditional they want something meaningful and distinctive. Naturally sourced coloured diamonds, with their subtle hues and timeless appeal, fit beautifully into that vision. They're elegant, expressive, and truly one-of-a-kind-just like the modern bride." View this post on Instagram A post shared by Sunita Shekhawat (@sunita_shekhawat_jaipur) Anchal Gupta also shares a similar point of view that diamonds are a bride's first choice. "No other gemstone replicates the brilliance and emotional value of a diamond; but emeralds and sapphires are on the rise, especially among brides looking for that exceptional touch with their bridal attire, all-the-while being mindful of sourcing." Are The Size And Carats Of Gemstones Becoming A Symbol Of The Price Tag Attached To Them? Or Is There An Aesthetic Element Involved When Young Brides Look For Their Wedding Jewellery? Sunita Shekhawat tells NDTV that contemporary brides rate the emotional value their jewellery over their carats and size. 'While size and carat still carry a certain prestige, brides are far more attuned to the aesthetic and emotional value of their jewellery. They want pieces that reflect their personality, not just their price tag. The craftsmanship, design, and how a jewel complements their style matter just as much, if not more than the weight or size of the gemstone. At our atelier, we often see young brides choosing refined, thoughtfully designed pieces where the beauty lies in detail, colour, and hentage. For them, it's about how the jewellery feels, not just how much it weighs.' Aditi Daga adds her opinion, "For today's brides, aesthetics and meaning often outweigh just carat size. While size can influence price, it's no longer the sole marker of value. Many brides are now asking smarter questions about origin, treatment, quality, and craftsmanship." How Have Gemstones Set Bridal Jewellery Trends In The Recent Years? Sunita Shekhawat tells NDTV how gemstones can be credited with refreshing the bridal jewellery trends, "Gemstones have brought a fresh vibrancy to bridal jewellery, Brides today are moving beyond all-gold looks and embracing colour-deep emeralds, royal blues, and soft pastels. These stones add personality, emotion, and a sense of individuality, making each bridal look truly unique, It's a beautiful shift toward meaningful luxury." Golu Bhai and Ishmita Badalia express a similar opinion, "Gemstones have diversified bridal palettes, but diamonds continue to dictate the bridal aesthetic. Solitaire engagement rings, chandelier diamond earrings, and layered diamond necklaces remain at the forefront, occasionally accented by coloured stones." Has Kareena Kapoor's Solitaire Wedding Ring Become A Cult Symbol For The Brides Of Today To Get Similar Wedding Rings? View this post on Instagram A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) Sunita Shekhawat completely agrees, "Kareena Kapoor's solitaire ring definitely sparked admiration and set a trend, especially among modern brides who appreciate timeless elegance. The solitaire's simplicity combined with its classic appeal makes it a coveted choice. While each bride wants something unique, Kareena's ring has certainly inspired many to embrace understated sophistication in their wedding jewellery." View this post on Instagram A post shared by Sunita Shekhawat (@sunita_shekhawat_jaipur) Aditi Daga tells NDTV a different tale on this matter, "It probably set a benchmark for clean, classic design. But today's brides want more than replication. Many still gravitate toward solitaire silhouettes, but they're adding personal touches like hidden halos, coloured side stones, vintage-inspired galleries, and meaningful engravings." Speaking of Celebrities, Comment On How Gemstones Are Taking Centre stage on International Red Carpet View this post on Instagram A post shared by BVLGARI Official (@bvlgari) Aditi Daga tells NDTV, "What we're seeing on global red carpets is a return to jewellery with soul. Gemstones are stepping into the spotlight not just for their beauty, but for their power to communicate individuality, heritage and intention. When Priyanka adorns herself in emeralds or when Diljit pairs a s herwani with emeralds and tourmalines, it's not just fashion. It's storytelling. These choices reflect a deeper cultural confidence and a desire for luxury that feels personal rather than prescribed." View this post on Instagram A post shared by DILJIT DOSANJH (@diljitdosanjh) Golu Bhai and Ishmita Badalia also say, "The MET Gala 2025 was nothing short of a gemstone spectacle. From Priyanka's breathtaking emerald-studded neckpiece to Diljit's diamond-dripped ensemble, one thing was clear-bigger is back. Even celebrities are now leaning into the grandeur of high-carat diamonds. It's not just Hollywood; Bollywood too has caught the fever. Diamonds have officially become the craze of the century, and it's refreshing to see Indian stars take the global stage with unapologetic sparkle. The era of minimalism has made way for maximalism-with diamonds leading the charge." Just Like Gold Jewellery, Do These Gemstones Jewels Hold And Grow in Value Or Are Breaking Your Bank? Sunita Shekhawat tells NDTV about the intricacy of investing in gemstones as bridal jewels, "Gemstones, when carefully chosen for quality and rarity, can indeed hold and even appreciate in value over time-much like gold. However, the key is understanding their origin, craftsmanship, and market demand. While some pieces may be an investment, others are meant to be cherished for their beauty and personal meaning rather than financial return. So, it's about balancing passion with prudence." Aditi Daga keeps it short and sweet and opines the same, "Rare gemstones do hold value and are appreciating assets." Top Three Gemstones For The Contemporary Indian Bride Sunita Shekhawat says, "For the modern Indian bride, emeralds, rubies, and sapphires remain timeless favourites. Emeralds bring a fresh vibrancy and symbolise prosperity, rubies exude passion and strength, while sapphires add a touch of royal elegance. Together, they beautifully blend tradition with contemporary style." Achal Gupta adds, "Well, without any doubt big solitaire diamonds, vintage-inspired sapphires, and rich emeralds for contrast are the top three gemstones. Together, they create a bridal palette that's classy, elegant, versatile, and forward-thinking." Conclusive Take On The Future Of Gemstones And Indian Brides Sunita Shekhawat says that the contemporary brides lean towards expression of their individuality over opting for gemstones as status symbols, "Indian brides today crave individuality, sustainability, and stories behind every stone. Gemstones will no longer just be symbols of status but powerful expressions of identity and values. Expect a surge in ethically sourced gems, bold colour combinations, and personalised designs that break the mold-making every bridal piece as unique as the bride herself." Golu Bhai and Ishmita Badalia add a different point of view, "The future is brilliant and undeniably diamond studded. As Indian brides seek luxury with meaning, we foresee solitaires and standout diamonds continuing to dominate, with accent gemstones adding flair. It's the age of bold elegance, and the big rock is here to stay." Let us be honest, the brides of today follow the 'all that sparkles is a big rock' jewellery mantra while following their hearts desires and aesthetics alike.
Indian Express
a day ago
- Indian Express
Shah Rukh Khan was ‘rude, mean' to Kajol during their first meeting on Baazigar sets, Maa actor recalls calling him ‘khadoos': ‘Can you shut up?'
Actors Kajol and Shah Rukh Khan didn't hit it off instantly during their first film together, Baazigar. In fact, their initial interaction on the set of the 1992 film was anything but pleasant. While Shah Rukh found Kajol to be overly talkative, the Maa actor wished the superstar would open up and interact more. In a recent interview, Kajol recalled her first impression of SRK on the Baazigar set and also spoke about filming a 'sensual' scene with him. During a conversation with Radio Nasha Official, Kajol shared that everyone was hungover after partying on New Year's, while she was energetic after a good night's sleep. 'First of all, I was not even 18 at that time, around seventeen and a half years old. I was into my books 24/7, so 31st December was like 31st hai, it's okay. We were shooting on January 1, Shah Rukh likes to shoot on that day. Saal ke pehle din shooting karo toh poore saal karte ho,' she said. The actor continued, 'The whole unit was hungover on January 1 morning. Everybody had a long night, no one slept, everyone came after partying, but Shah Rukh wanted to shoot so everybody was there. I took my 10-hour sleep, I was wide awake and chirpy at 11:30 in the morning. I was sitting and chatting, mujhe chup rehne ki aadat nahi hai. I don't understand the concept of silence too much, especially when there are people around you.' ALSO READ | Amid polarised response to Shah Rukh Khan's MET Gala 2025 look, Kajol copies his look; asks fans to 'spot the difference'. See photos Shah Rukh Khan was seated at a distance from Kajol, preparing for the shoot. 'I was talking to the cameraman, my makeup man and hairdresser. I am jabbering away. Meri awaaz bagair mic ke kahan kahan pahuch jaati hai. After a point, I said, 'Ravi dada, yeh kya khadooss actor hai aapka'. Bechara Shah Rukh chashma pehnke apni lines padh raha tha. He was sitting across the table and learning his lines,' she recalled. Kajol was amused by the silence and went ahead to initiate a conversation with SRK. However, he was in no mood to socialise. 'I sat next to him and said, 'Hi, why aren't you talking? Are you this khadoos every time? You can't be like this!' He said, 'Can you please shut up for a minute? Somebody shut her up, for God's sake. I felt that was so rude and mean. Here I am trying to be nice and friendly. Of course, that led to a great friendship. I don't think he even remembers half of it. He would just say that she was a blur.' When asked about Shah Rukh pinching her while shooting a 'sensual' scene in Baazigar, she replied, 'Shah Rukh has done a lot of ridiculous things in front of me and likewise, I have too. Saroj ji said that you have to suddenly feel 'aah'. It has to be an expression of sensuality. I was 18 years old, I told her I don't understand. She showed it to me and I couldn't do it. I wasn't getting it. How do I get embarrassed? Sharam aati hai toh kya lagna chahiye?' The actor added, 'Finally, she told Shah Rukh to pinch her (Kajol) in the shot because the cameras were only in close-up, so that she gives the expression we want. So, that's how we learnt how to give that particular expression.' On the work front, Kajol is gearing up for her upcoming horror film Maa. The film is set to hit theatres on June 27.
Indian Express
3 days ago
- Indian Express
Kesari Chapter 2: Akshay Kumar's courtroom drama accidentally exposes Bollywood's handling of sexual misconduct
A few years ago, Karan Johar debuted his Dharmatic Entertainment banner with a Netflix film called Guilty. It remains memorable for two reasons; first, Kiara Advani is terrific in it, and second, it's perhaps the only time that Bollywood has addressed the #MeToo movement head-on. Guilty, which made solid use of the Rashomon effect, ended with a rather on-the-nose title card about Bollywood having turned a blind eye to the accusations made against some of its most prominent figures. Years later, their alleged crimes are essentially forgotten. Many of the accused continue to work freely, while several of those that raised their voices were quietly outcast. Entirely by accident, Johar's recent co-production, Kesari Chapter 2, turns out to be an accurate indictment of why, as a system, the industry failed its most vulnerable members. Directed by the debutant Karan Singh Tyagi, Kesari 2 is a particularly problematic example of post-truth cinema. It doesn't embellish, it fabricates; it doesn't deviate, it distorts. Marketed as a fact-based drama set in the aftermath of the Jallianwala Bagh massacre — the film's subtitle is 'The Untold Story of Jallianwala Bagh' — Kesari 2 invents a court case between the historical figure Sankaran Nair and the British Crown. In the movie, the British sympathiser Nair sues the Crown for genocide after experiencing an awakening. Nothing of the sort happened. In fact, he was the one who got sued. Imagine if Aamir Khan had tried to convince us that a group of Indian villagers actually beat British soldiers in a game of cricket; imagine if SS Rajamouli pretended like two major historical figures really had a dance-off. This is what Kesari 2 does. Also read – Jaat: Bollywood stars are incapable of laughing at themselves; if Himesh Reshammiya can do it, why can't Sunny Deol? At a time when history textbooks in schools are literally being rewritten, a movie like Kesari 2 is deeply irresponsible. Everybody involved needs to introspect: is this really something that they'd show to their children? What makes this enterprise hard to understand is that they could've simply stuck to the facts and achieved the exact same results. Kesari 2 doesn't reframe the British as heroes — although it wastes time in humanising the dastardly General Reginal Dyer — but it chooses to vilify them with lies even though it already had the truth on its side. How strange. It's like the film Major inventing sequences that depict the late Sandeep Unnikrishnan as a bigger hero than he already was. As if his real-life sacrifice wasn't dramatic enough for a movie. For all its failings as a courtroom drama, however, Kesari 2 exposes the farcical manner in which our systems operate. This is entirely accidental, mind you. The movie doesn't intend to do this. In fact, it's oblivious about the irony of professing free speech while actively spreading misinformation. In the wake of the #MeToo movement, organisations set up internal committees to investigate accusations made against men in positions of power. Many of them were given a clean chit and rehired in prominent roles, presumably in exchange of lucrative salaries. Their actions weren't forgotten, but conveniently brushed under the carpet. In Kesari 2, the Crown constitutes a 'Viceroy's Commission' to investigate the allegations made against Dyer. Sankaran Nair is inducted as a token Indian member into this committee. This is when he first witnesses the Crown's inhumanity. It is as if the character had been living under a rock his entire life. He watches silently as Dyer is let off without even a slap on the wrist. It's only when a renegade young lawyer played by Ananya Panday gives him a speech that Sankaran Nair has a change of heart. Coupled with the guilt he feels about letting down a young survivor of the massacre, he makes the decision to 'sue the Crown for genocide'. What follows is a typically melodramatic portrayal of courtroom proceedings. You could be forgiven for suddenly craving a bit of Sunny Deol during these scenes. Deep into the second act, the movie makes an entirely irrelevant detour into actual sexual misconduct territory, and chooses an objectively improper path. The scene begins progressively enough, when Panday's character is asked to cross examine a young British woman accusing an Indian rebel of rape. 'It's called sensitivity,' she says, when the defence asks why she's stepping up at this stage of the trial, having purely been a spectator thus far. And then, she proceeds to systematically disprove the witness' accusations. So much for sensitivity. Kesari 2 projects its only instance of sexual misconduct as a ploy by women against men. This, in effect, becomes its sole statement on the matter. Read more – Ae Watan Mere Watan: Heartbreaking, the worst film you've seen just made some strong political points And because of how the scene is staged, it's the woman who ends up being vilified, even though she was pressured into levelling the accusations by the male officers. This is just one of the many bizarre creative choices that the movie makes. Entire articles could be written on its other basic missteps — Akshay Kumar's Punjabi accent barges into the room a few times, characters frequently use contemporary lingo, and the legal tactics on display are so contrived that even Jolly LLB would avoid them — but let's leave these issues for later. There is gold in those hills, but Kesari 2 is digging in the wrong places. Post Credits Scene is a column in which we dissect new releases every week, with particular focus on context, craft, and characters. Because there's always something to fixate about once the dust has settled. Rohan Naahar is an assistant editor at Indian Express online. He covers pop-culture across formats and mediums. He is a 'Rotten Tomatoes-approved' critic and a member of the Film Critics Guild of India. He previously worked with the Hindustan Times, where he wrote hundreds of film and television reviews, produced videos, and interviewed the biggest names in Indian and international cinema. At the Express, he writes a column titled Post Credits Scene, and has hosted a podcast called Movie Police. You can find him on X at @RohanNaahar, and write to him at He is also on LinkedIn and Instagram. ... Read More
