logo
28 Years Later's Ralph Fiennes hints at why role could defy fan expectations

28 Years Later's Ralph Fiennes hints at why role could defy fan expectations

Independent02-06-2025

has hinted that his role in 28 Years Later may surprise fans of the post-apocalyptic horror series.
The actor, 62, plays Dr. Kelson — a character seen covered in blood in teaser images — in the sequel set almost 30 years after the 'rage' virus escaped a medical research laboratory.
Speaking to Alex Jones and Roman Kemp on Monday's (2 June) The One Show, Fiennes divulged that though there are scary elements, at its heart the movie is 'a family story.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Woman charged with murder of her film director sister in ‘Rolex' case
Woman charged with murder of her film director sister in ‘Rolex' case

Times

time31 minutes ago

  • Times

Woman charged with murder of her film director sister in ‘Rolex' case

The woman accused of murdering an award-winning film director found stabbed to death at home is her sister. Nancy Pexton, 69, has been charged with murdering Jennifer Abbott, 70, at her apartment in Camden, north London, on June 10. Pexton, from Westminster, was due to appear at Highbury magistrates' court on Friday afternoon. Abbott, 70, who worked under the professional name of Sarah Steinberg, had directed films, written books and been photographed alongside celebrities including Keanu Reeves, Dan Aykroyd, Paris Hilton and Kate Hudson. Abbott with Paris Hilton, and below, with Kate Hudson Her body was discovered on June 13 by her niece and had been wrapped in a blanket on her bed, with tape placed over her mouth. Officers said an expensive diamond Rolex was missing. Neighbours had last seen Abbott walking her dog last Tuesday, three days before her body was discovered. Abbott's diamond-embellished Rolex was found to be missing from her property PA A post-mortem examination, which took place on Sunday, gave the cause of death as sharp force trauma. Detective Inspector Barry Hart, of the Metropolitan Police, said: 'Our deepest sympathies are with the victim's loved ones who are being supported by specialist officers at this time. 'Locals can expect to see an increased police presence in the area while we conduct our enquiries.'

Axed Love Island star breaks silence on brutal dumping and ‘bullying' claims as she reveals secret chats with boy
Axed Love Island star breaks silence on brutal dumping and ‘bullying' claims as she reveals secret chats with boy

The Sun

time35 minutes ago

  • The Sun

Axed Love Island star breaks silence on brutal dumping and ‘bullying' claims as she reveals secret chats with boy

LOVE Island star Malisha Jordan has broken her silence on claims she was "bullied" while in the villa. Malisha has spoken out after being brutally dumped by bombshell Harrison Solomon, who had to either send her or Toni Laites home. 6 6 6 During her time in the villa, Malisha found herself at the centre of a "bullying" row after clashing with Meg Moore. Meg was furious with Malisha for getting to know her man Dejon Noel-Williams and fans watching at home felt she was being picked on. But in a Q&A with fans now she is out of the show, 24-year-old Malisha has quashed the claims. The teaching assistant, who is already back home in the UK, was asked: "Is there any bad blood between you and Meg?" She replied: "No, but I'll answer all about this on Aftersun on Sunday x." Malisha also dropped the bombshell that she had also been getting to know another boy in the villa. With all the focus on the love triangle between herself, Dejon and Meg, viewers were not shown her chatting with Shea Mannings. She admitted: "Yes I was getting to know Shea too x." Malisha was savagely dumped from Love Island on Wednesday night. Love Island feud breaks out as Meg's savage row with Malisha splits the villa - forcing Alima to step in Her exit came after the arrival of bombshell Harrison, who is a footballer. Harrison took Malisha and Toni on separate dates before being told he had to pick one to take back to the villa. The girl he didn't choose would be sent packing. Harrison chose to take back Toni, who is from America, meaning Malisha was dumped. Fans were so cross by the brutal way she was eliminated from Love Island that they threatened to call Ofcom. Malisha's time in the villa was marred by her fallout with Meg over fitness trainer Dejon. The girls came to blows several times after Malisha insisted on chatting to Dejon despite him being coupled up with Meg. Following her exit, Malisha said: "I don't regret anything, I did what I needed to do as a bombshell. "Sometimes the reactions were a bit uncalled for. "I did go into the first chat with an open mind and I said I don't want to have any arguments. "Then it just got heated. I'm not here for the drama… a lot of it was miscommunication." 6 6 6

Yungblud's new rock-opera is ambitious but confused
Yungblud's new rock-opera is ambitious but confused

Telegraph

time35 minutes ago

  • Telegraph

Yungblud's new rock-opera is ambitious but confused

While the music press has been busy grieving the death of rock 'n' roll, a 27-year-old from Doncaster has managed to become his generation's breakout guitar-wielding star. Chuck Robbie Williams, the Prodigy's late frontman Keith Flint and Dennis the Menace into a blender and after a few seconds of whizzing you'd have Yungblud (real name Dominic Harrison); now he's back with a fourth album, Idols, that will inevitably follow its predecessors to the top of the charts. Idols is the first half of a double album, a concept first pioneered (like pretty much everything else in pop and rock) by the Beatles and Jimi Hendrix and that has grown increasingly popular among artists who rely on the thirsty internet hype-machine to make their records sell: everyone from Taylor Swift to Kendrick Lamar is at it. It's a record that spans big, soaring melodies, angsty pop-rock ballads and even the gutsy theatrics of Queen. The album's opener, Hello Heaven, Hello, is a sprawling, nine-minute rumination on death and belonging ('So tell me / Are you gonna die in the pain that they all inflict on you / Or are you gonna swim through the storm?'); Ghosts features Yungblud's best attempt at Freddie Mercury's famed 'Ay-Oh' and culminates with a crescendo of claps, We Will Rock You-style. The latter should go down a storm with a live audience – perfect timing, considering the second edition of Harrison's very own festival, Bludfest, will take place in Milton Keynes this weekend. A quick disclaimer: I have never really got Yungblud. The propensity for over-the-top costumes and snarling vocal delivery; the sheer spread of influences; or maybe I'm just too old – the majority of moshing fans you'll find at his raucous live shows are teenagers. On the first point, his vocals have significantly improved – though the tattoos and jet black hair remain – with his strong South Yorkshire accent peeking pleasingly through the high notes; there's an endearing vulnerability to be found, too, in the moments when Harrison's voice momentarily cracks, as on melancholy closing ballad Supermoon. He sounds more mature and assured than he did on earlier songs such as I Love You, Will You Marry Me (from his 2018 debut, 21st Century Liability) or The Freak Show, an operatic call to arms for society's weirdos and misfits from 2020 album Weird! But overall, Idols fails to quell that second reservation: you're left wondering whether Harrison has really accepted who he is as an artist. The Greatest Parade could well be Placebo. Lovesick Lullaby sounds like Liam Gallagher howling through Slide Away. The influence of The Verve's seminal Urban Hymns is evident throughout, and proven by the fact Harrison decided to cover Bittersweet Symphony in the Radio 1 Live Lounge while on the promotional trail. Earlier this year, the star told the Telegraph: 'Bowie, Freddie, Bono – I'm trying to reach for that'. They're all great artists to admire – but perhaps a degree of separation from his idols would help to carve out a more self-assured identity. Poppie Platt Also out: Loyle Carner, Hopefully! ★★★★☆ Rap has often been unfairly marked as the music of the angry and disenfranchised, but naysayers might have to bite their tongue when it comes to Loyle Carner 's discography. The south London-raised rapper's mix of soft beats and emotional lyricism has made him stand out as a unique voice on the hip-hop scene. As the 30-year-old prepares for a headline slot on The Other Stage at Glastonbury, Carner's latest album Hopefully! combines jazzy, RnB riffs with a level of mellow self-reflection in his writing that continues to make him one of British music's most unique and poetic voices. In his previous album Hugo, Carner tried to break away from his 'nice guy of hip-hop' persona by directly dealing with racial politics in the wake of the Black Lives Matter movement – he is of Guyanese heritage. Elements of that are still present here. Notably on the titular track, he samples the late British poet Benjamin Zephaniah (a figure the artist has cited as one of his heroes), who talks of an uprising when it comes to social class and status in the black community. But this is a more introspective work as Carner uses the LP to work through his own anxieties. The rapper, who has two young children, deals with the responsibilities of fatherhood throughout the album. On Strangers, his vocal intonation is more akin to a lullaby than the more aggressive tone of Hugo. One line from the track stands out: 'Letters escape you' works as a candid double entendre of both children learning to use and develop language, but also for the artists' personal struggles with dyslexia. Other tracks point to broader points of his psyche. In My Mind deals with Carner's issues with self-esteem and self-image. The rapper even draws on imagery from Harry Potter as an intertextual reference point on the track Horcrux, about the reconciliation between touring and home life. If Hugo felt more like a step forward lyrically and tonally, Hopefully! feels like a return to familiar territory. It has more in common with Yesterday's Gone, his debut album, that served as an affectionate tribute to his own mother. It felt like the work of a loving son. Now, it has come full circle, Carner has matured and Hopefully! represents the poetry of a loving father. Ollie Macnaughton Best new songs By Poppie Platt Amaarae, Sl-t Me Out (S.M.O) The superb Ghanaian-American singer returns with an upbeat track about sexual empowerment, set to an infectious blend of hyperpop, kpanlogo and zouk. Her set at Glastonbury next Saturday – preceding Doechii on West Holts – is shaping up to be one of the weekend's hottest shows. Benson Boone, Mr Electric Blue Unless you've been living under a rock (aka don't spend hours scrolling through TikTok), you'll have noticed that pop-king Harry Styles has been, for the moment, usurped. Benson Boone, an all-American ex-Mormon who had the biggest hit of last year with Beautiful Things – and is as famous for his backflips as his tunes – released his hotly anticipated new album American Heart today; this stomping, synth-heavy anthem is the standout. CMAT, The Jamie Oliver Petrol Station The Dublin rising star's songs are witty, flirty, camp, sometimes emotional – with a power tool of a voice to match. Her latest is a meta reflection on how her tendency to get annoyed by people is holding her back, told through the lens of her irrational beef with TV chef Jamie Oliver ('That man should not have his face on posters'). Haim, All Over Me Everyone's favourite indie-pop sisters – Alana, Danielle and Este Haim – are back with a new album, I Quit: a funny, fearless dissection of bad relationships and missed opportunities that reaches a high point on the funky All Over Me, a celebration of 'friends with benefits'. Miles Kane, Love is Cruel The man who has been trying to keep mod fashion alive for the past decade, the Last Shadow Puppets co-frontman returns with a slick new track (produced by the Black Keys' Dan Auerbach) about finding solace in your own company. PSA: Kane will play the last ever show at Sheffield's famous Leadmill next Friday. Sam Fender and Olivia Dean, Rein Me In Fans begged for this duet to be released after Fender and Dean performed it live at his recent stadium shows in London and Newcastle; the blend of Fender's gravelly vocals and Dean's honey-smooth tones is gorgeous, as his original tale of traversing a town filled with the memories of past lovers ('And all the bars 'round here serve my ghosts and carcasses') takes on new poignancy with Dean's verse, in which she begs him to open up. Wednesday, Wound Up Here (By Holdin On) A body being pulled from a West Virginia creek doesn't sound like the most obvious of song inspirations – but unpredictability is just what makes US Southern rock band Wednesday so exciting. Rough riffs and sardonic lyrics delivered with a snarl by vocalist Karly Hartzman lend this new track echoes of early Pavement bangers.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store