Zombie flick ‘28 Years Later' bites into box office with $14 million take
It looks like zombies still generate big bucks at the box office.
'28 Years Later,' the long-awaited threequel to Danny Boyle's blockbusters '28 Days Later' and '28 Weeks Later,' enjoyed a bloody good opening on Friday.
The film generated $14 million in sales in its first day in theaters, landing in first place on the box office chart, according to The Numbers.
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3 Aaron Taylor-Johnson and Alfie Williams in '28 Years Later.'
©Columbia Pictures/Courtesy Everett Collection
The film is set in 2030, decades after the second outbreak of the zombifying Rage Virus.
While essentially eradicated in Europe, the virus breeds Alphas, smarter and more powerful zombies.
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With nearly $11 million in ticket sales on its eighth day of release, the live-action remake of 'How to Train Your Dragon' followed in the #2 slot.
The Post said while 'nice,' the film 'doesn't always soar.'
Disney's animated flick 'Elio' lands at #3, with opening day box office receipts reported to be $9 million.
3 How to Train Your Dragon took second place at the box office on Friday.
©DreamWorks/Courtesy Everett Collection
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The film centers around Elio, a space fanatic obsessed with aliens, who lets his active imagination take him on intergalactic adventures.
The live action 'Lilo and Stitch' remake, released last month, pulled in another $3 million Friday, for a grand box office total take of $380 million.
3 Elio is about a boy obsessed with space.
©Netflix/Courtesy Everett Collection
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'Materialists' rounded out the top 5, with earnings of just under $2 million.
The rom-com is set in NYC and centers around a love-triangle involving its main characters, played by Dakota Johnson, Chris Evans and Pedro Pascal.
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Business Insider
2 hours ago
- Business Insider
Carrie-Anne Moss is finally having fun
Carrie-Anne Moss has lived many lives. At 30, she got her big break opposite Keanu Reeves as Trinity, the sunglasses-wearing, gun-toting badass who fought the evils of a simulated reality in " The Matrix." In her 40s, she scaled down her workload so she could raise her three kids. Now in her 50s and with her kids off to college, Moss is back on our screens, making a dramatic appearance as a Jedi knight in the "Star Wars" Disney+ series " The Acolyte" and starring opposite Arnold Schwarzenegger in the second season of his Netflix series "FUBAR." But she still holds her breakout role close — so close that she almost turned on "The Matrix" on a recent plane trip to Los Angeles. "I seriously almost watched it, but I didn't want anyone on the plane to think I was watching it to watch myself," Moss told Business Insider. "I just love the story." While she ended up watching her former costar Reeves kick butt in " John Wick" instead, Moss still cherishes the opportunity to revisit the famous Wachowski sisters movie. "'The Matrix' is one of those movies where, as you grow in your thinking, it becomes something different," Moss continued. "There is so much in it that I know I haven't received yet in terms of storytelling." These days, Moss isn't just poring over her old movies in search of new meaning. Returning to acting in earnest now that her children are older has given her a newfound sense of enjoyment for the craft and the experience. That's especially true of her time on "FUBAR." As the East German spy Greta, Moss not only puts on an accent, but gets to play a juicy arc as a villain — one who kisses Schwarzenegger's character in their first meeting. The role was reinvigorating. "I love working and love so many of the jobs that I've done, but that wouldn't be how I would describe them," Moss said. "Having a job for the first time where I can say, 'That was so much fun,' it makes me want to do more." In the latest interview in Business Insider's "Role Play" series, Moss reminisces about about her years as a struggling actor, getting pulled over while nursing her baby, and the moment when the "Memento" script finally clicked. On getting sick immediately after learning she got the part in 'The Matrix' Business Insider: Let's take it back to the '90s. You're landing a few roles, most notably on the "Melrose Place" spinoff series, "Models Inc." What are you doing in that time to just pay the bills, pay the rent, and get by before the big break? Carrie-Anne Moss: I waited tables a little bit when I first came out. I was a model when I was first breaking into acting, so I made a little bit of money doing that. And then I would get little parts that would just make me enough money to get to the next one. I didn't know about paying taxes, so when I got that tax bill, I was like, "Oh, no! What do you mean?" I was in acting class, I was going to the gym, didn't have many friends, I would make friends on the treadmill, just becoming an adult. I was pretty innocent, naive, and very excited about living this dream that I had had my whole life. LA was so amazing then. Tell me about the moment you learned you got the role of Trinity in "The Matrix." I screen tested for it. I did all these different auditions to get to the final screen test, which was with Keanu [Reeves]. And it was on my 30th birthday. I met Keanu that day and felt very comfortable with him. He was very kind. I was very nervous. I mean, there was so much riding on it. You have to sign your contract before you go into the screen test, so you already know that if you get it how much you're going to get paid. So that just builds more pressure. Yeah, and I kind of didn't expect to get it. But at the same time, I had gone through so many times thinking I wasn't going to get to the next level, and then I got to the next level. So I do the screen test, and then they had a week to decide if they are going to book you. I knew the deadline was a Friday, so the whole week, when my phone rang, you're just wondering. The Friday I was supposed to hear from my manager and my lawyer, they called and said, "They've asked for an extension. They've asked for another week." And I was like, "Oh, god!" So by the next Friday, I had totally let it go, to be honest. It wasn't on my mind like it had been the week before. Please help BI improve our Business, Tech, and Innovation coverage by sharing a bit about your role — it will help us tailor content that matters most to people like you. Continue By providing this information, you agree that Business Insider may use this data to improve your site experience and for targeted advertising. By continuing you agree that you accept the Terms of Service and Privacy Policy . They called me, and everyone was on the phone, and they told me I got it, and I remember I instantly got sick. I remember that distinctly — I literally felt a head cold. I think I was holding so much stress, I was crying, and I was so happy, and got sick. I remember getting off the phone with them, and I didn't even know how to tell anyone. It was a surreal moment, almost too much. On the scene that convinced her to do 'Memento' My manager is the one who really wanted me to read that. I was reading it, and I was intrigued, but it does take quite a few reads. And I remember, even after reading it a couple times, I didn't fully get it. But when I got to that scene where Natalie turns on Leonard — I remember the big splurge I did for myself after "The Matrix" was I bought myself a lawn chair so I could lay down and read scripts out in the sun. It was a serious splurge — and I remember lying on it and reading that moment in the script and feeling, "Oh. My. God." I just felt I had to do that scene. I knew right then and there. There are other layers to why I wanted to do the movie, but so many years later, that still stands out. I like these characters and these moments where I would never ever have anything like that in my life. There's such freedom in a character that would do that. You can't play that wrong, really. She is so diabolical in that moment, she's so horrible and so nasty. So to be that manipulative and go in there and do that to him like that. I just felt that would be so incredibly fun to do. On losing her acting ambition while making 'Disturbia' Shia LaBeouf Not so much. I had just had my second baby, and I was not really that open to working at that particular moment. I had a 2-year-old and a new baby. I remember my team at the time going, "We really think you should do this." And very rarely did they do that; they really respected my need for being home. I do feel motherly to younger actors now, but back then, I didn't feel that. I really liked Shia and thought he was really talented and cared a great deal about him, but I didn't feel like that. You were literally feeling motherly to your own child. Was your baby on set with you? Yeah. We shot that in LA. I remember getting pulled over on the freeway, nursing him in his car seat at night while I had someone driving me. He was crying so hard to be fed. I was crying. I was thinking, I can't do this. But you figure it out. I did not get a ticket. I was crying, and the baby was crying. I think the cop was just like, "You need to go home." And I was like, "I know!" After "Disturbia," was that the time when you decided to focus more on being a mother than acting? Oh, yeah. I think I had my first child after doing "The Matrix." I think for the premiere of the second one, I was pregnant. It all changed. I was one of those people who didn't even want anyone else to hold my baby. It was all encompassing. It was feeding me so much that it wasn't like I made any kind of mental decision. I actually, physically, couldn't do the work. And I didn't have a built-in support system, and I didn't want it. So when I worked after I had kids, it was, "Can I get help?" So that was really hard. And it sounds so corny, but I would get offers and think about it, especially when my kids were really young, I just thought, at the end of my life, am I going to care that I did another movie or if I held my baby? It was a no-brainer. I have to say I lost a lot of my ambition for the business. But now that the kids have grown, has the drive returned? Yeah, totally different. I don't know if you have ever seen that movie " Searching for Debra Winger." I watched it again recently, and what Debra Winger said is that there's a season for everything. 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On her death on 'The Acolyte' and showing her kids 'The Matrix' It's great to see you working more. You were fantastic in the brief time you were on "The Acolyte." Was it explained to you, going into taking the role, that you would die in the first six minutes of the first episode? Yes. [Show creator] Leslye [Headland] really pitched that to me that she really wanted me to do this because she wanted it to be believable. Did you like that idea? I didn't really think about it. I think the reaction to it from the fans, I kind of thought, "Wow, how did I not think of that?" All of them have seen "The Matrix" at a certain age. Yeah, it wasn't like, "Hey, I really want to screen a movie for you." They knew it, maybe their friends talked about it. This was by the time they were 12 or 13. All their friends came over, and I made popcorn, and all the moms approved; it was a big thing. 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Newsweek
3 hours ago
- Newsweek
Signs Your Baby Is Highly Sensitive, According to a Child Psychologist
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A TikTok video of a baby crying during a song from The Little Mermaid has sparked heartwarming discussion online about highly sensitive children. In the video, Allie, the baby's aunt, filmed the moment her niece swelled with emotion in accordance with the Disney song. Many viewers in the comments speculated that the baby might be experiencing "frisson"—a French term for the physical chills some people get when emotionally moved by music. But could this be something else entirely? Newsweek spoke to Allie, 32, along with a child psychologist to better understand the adorable phenomenon. Allie said that she has seen her niece, Eleanor, have such a strong response to music has been incredible to witness—and started early. Photos from Allie's TikTok video of her baby niece. Photos from Allie's TikTok video of her baby niece. @alliemorganb/TikTok "[It] has been so precious because it's such raw emotion coming out that she obviously can't control, and shows what a tender heart she has," Allie explained. "She has been reacting this way to certain songs since she was six months old." The first time Eleanor showed this emotional response was when her dad was singing Faithfully by Journey around the house. At first, he thought she might be fussy, but after he sat down and continued singing, Eleanor continued to get emotional at certain parts of the song, Allie said. Eleanor's deep emotional sensitivity to music shouldn't come as too much of a surprise, though—her family is filled with musicians and singers. Allie went on to say that Eleanor is the first grandchild in her family. "She has such an infectious and happy personality and is so affectionate to those close to her," she said. "So, to see this happy baby get so moved by music is the most heartwarming thing, but not a big surprise considering our family is very into music." Three Signs Your Baby Might Be Sensitive While many TikTok commenters suggested that Eleanor might be experiencing "frisson," Dr. Kanchi Wijesekera, a clinical child psychologist and founder of Milika Center for Therapy & Resilience, offered Newsweek a different perspective. "The term 'frisson' isn't a clinical term," she said. "There is no evidence confirming that infants can experience frisson in the way adults do." Instead, Dr. Wijesekera believes that Eleanor's emotional response is likely tied to sensory processing and emotional recognition. "What's likely being observed is a combination of sensory processing and emotional recognition," she explained. She also pointed to Dr. Elaine Aron's research on highly sensitive children. Although Aron's studies focused on toddlers and older children, Dr. Wijesekera said that early emotional reactions to music could be an early indicator of emotional sensitivity in infants. She explained three signs that your baby might be more emotionally sensitive: Strong reactions to music or art: "If your baby calms or cries in response to music or expressive faces, it may reflect early emotional attunement. This is not the same as frisson, but it's a sign they're taking in the emotional tone of their environment." Heightened awareness of environment: "Babies who startle easily at loud sounds, track visual stimuli, or seem observant may be more sensitive to sensory and emotional cues." Emotional contagion: "If your baby mirrors your mood or becomes distressed when others are upset, it suggests early empathy, a skill for emotional intelligence." Dr. Wijesekera also suggests that parents and caregivers can support their baby's emotional sensitivity by creating gentle environments that respect the child's need for calm and soothing stimuli. While Eleanor might not be experiencing "frisson" in the scientific sense, her reaction is an adorable reminder that emotional sensitivity can emerge very early in life. Allie concluded, "It could be [frisson], or she could just be more sensitive to music than average, but we will keep an eye out for that as she grows up."
Yahoo
3 hours ago
- Yahoo
Was '28 Years Later' worth the wait? Beauty in the frightening madness of zombie movie
It's been 23 years since Danny Boyle and Alex Garland collaborated on 28 Days Later, and with such a large gap in films, a big question for 28 Years Later has been whether it can reinvigorate the excitement of the first. Starring Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, Jack O'Connell and Alfie Williams, the new movie feels electric. It's becoming increasingly more difficult to really feel surprised by a movie, with so many clinging to familiar and beloved plot points and storytelling elements. But 28 Years Later is able to fully shock and surprise. 28 Years Later release date: June 20Director: Danny BoyleWriter: Alex GarlandCast: Jodie Comer, Aaron Taylor-Johnson, Alfie Williams, Ralph Fiennes, Jack O'ConnellRuntime: 115 minutes It's been, as the title states, almost three decades since the rage virus escaped a biological weapons laboratory and decimated the U.K., prompting a strict quarantine. A small group of survivors live on an island, connected to the mainland by a causeway, which can only be crossed during a low tide. The film is focused on 12-year-old Spike (Alfie Williams), who we meet on his first day of an excursion to the mainland with his father Jamie (Aaron Taylor-Johnson). It's a rite of passage for Spike to take the intimidating journey for his "first kill," as he says goodbye to his sick mother Isla (Jodie Comer), who suffers from a condition that's impacted her both physically and cognitively. While on the hunt Spike finds out about Dr. Kelson (Ralph Fiennes) and hopes that he could help his ailing mother. Jamie is adamant that won't be the case, but Spike doesn't listen and travels back with his mother to reach Dr. Kelson on the mainland. Garland and Boyle certainly aren't giving us the expected with 28 Years Later. The film is firmly planted in the horror genre, while including rich commentary on modern society, without sacrificing any off the gruesome elements. The first portion of the movie is largely focused on intense chase scenes and terrifying zombie surprises with the introduction of the Alphas. The naked creatures are some of the most terrifying zombies we've gotten in a long time, while the film also suggests that the zombies may not be as mindless as many believe. Boyle's direction takes a brisk pace through the film. It feels sharp and impactful with a really satisfying execution of something thrillingly chaotic. Using elements like stock footage of British soldiers and clips of other films, it adds to the startling nature of the movie. Notably, the movie was filmed on iPhones, an evolution from the digital cameras used in the first film, as Boyle provides terrifying frenzied shots, in addition to breathtaking images of the landscape. As we get deeper into the story, there's more time spent on the film's examination od humanity, including our relationship with death and questions about the ecosystem, while adding a sprinkling of dark comedy. But that's what Garland does well, he adds a compelling richness to films while making room for visual impact, and creating a foundation to elevate both elements. While some may think 28 Years Later is too wacky for them, while the story could have more cohesion overall, there's no denying the spectacle of the film as we lean into the feeling of dread throughout the story.
